All stories by Alistair Smith on BroadwayStars

Wednesday, May 23, 2018

Editor’s View: Theatre needs to find new ways to reach out to all young people by Alistair Smith

We’ve had a couple of enlightening anecdotes this month from artists revealing how they stumbled into a career in theatre by accident.

SOURCE: The Stage Registration at 07:01PM
Wednesday, May 16, 2018

Editor’s View: Quotas are a way to improve diversity fast by Alistair Smith

When diversity quotas were discussed 10 years ago, most people I spoke to – including those engaged in actively pursuing improved representation

SOURCE: The Stage Registration at 07:01PM
Wednesday, May 9, 2018

Editor’s View: The Guardian cutting Lyn Gardner shows theatre must be prepared to pay for quality journalism by Alistair Smith

Lyn Gardner’s departure from the Guardian after 23 years has sent a shockwave through the theatre world. While at the Guardian, she

SOURCE: The Stage Registration at 05:57AM
Wednesday, May 2, 2018

Editor’s View: Leonard Blavatnik – a new face in the West End? by Alistair Smith

It looks likely we will have a new figure joining the West End’s top table in the coming weeks: Len Blavatnik. Sir

SOURCE: The Stage Registration at 07:01PM
Wednesday, April 25, 2018

Editor’s View: Celebrate the West End’s special relationship with Broadway by Alistair Smith

It’s not uncommon to hear grumbling, especially around Olivier Awards time, that the West End is too in awe of its American

SOURCE: The Stage Registration at 07:01PM
Wednesday, April 18, 2018

Editor’s View: The lamps are going out all over Europe by Alistair Smith

At the Olivier Awards earlier this month, people wanted to talk about only one thing. It wasn’t the abysmal weather, nor how

SOURCE: The Stage Registration at 07:01PM
Wednesday, April 11, 2018

Editor’s View: Who will buy Theatre Royal Haymarket – and at what price? by Alistair Smith

The Theatre Royal Haymarket, one of London’s oldest and grandest playhouses, was put up for sale in January. Since then, there have

SOURCE: The Stage Registration at 07:01PM
Wednesday, April 4, 2018

Editor’s View: There are lessons for employers in mishandling of harassment complaints by Alistair Smith

Two stories in this week’s paper highlight one of the crucial challenges in theatre’s struggle to combat harassment in the workplace. Actors

SOURCE: The Stage Registration at 07:01PM
Wednesday, March 28, 2018

Editor’s View: More transparency on ticket prices can help the West End by Alistair Smith

Theatre ticket prices can be an emotive subject. But, as Richard Howle observes in his Long Read this week, there is often

SOURCE: The Stage Registration at 07:01PM
Wednesday, March 21, 2018

Editor’s view: No need to go nuclear on National’s Rufus Norris or ENO’s Daniel Kramer by Alistair Smith

Two of London’s most unforgiving theatres have claimed two more victims. First it was Rufus Norris, as his production of Macbeth failed

SOURCE: The Stage Registration at 08:01PM
Thursday, March 15, 2018

Editor’s View: Is it time we funded Great Entertainment for Everyone? by Alistair Smith

Is theatre entertainment or art? Arts Council England’s slogan is Great Art for Everyone, not Great Entertainment for Everyone. The Arts Council’s

SOURCE: The Stage Registration at 03:00AM
Wednesday, March 7, 2018

Editor’s View: Fringe pay debate exposes lack of clarity for critics and audiences alike by Alistair Smith

Our associate editor Mark Shenton’s intervention into the fringe pay debate has provoked some lively dialogue. He outlined his intention to stop

SOURCE: The Stage Registration at 07:01PM
Wednesday, February 28, 2018

Editor’s View: Is threat of Brexit fuelling West End’s record figures? by Alistair Smith

Another year of record West End box office, the highest attendances ever recorded and more than three quarters of all available seats

SOURCE: The Stage Registration at 07:01PM
Wednesday, February 21, 2018

Editor’s View: Dodgy digs – a symptom of flawed funding priorities by Alistair Smith

Digs. Even the word sounds a bit grubby. What other profession would expect its employees to stay for extended periods in a

SOURCE: The Stage Registration at 04:20AM
Wednesday, February 14, 2018

Editor’s View: Why does Sally Greene losing her Old Vic job title matter? by Alistair Smith

Saviour of the Old Vic, chief executive, owner – Sally Greene has been referred to in many ways over the years. It

SOURCE: The Stage Registration at 07:01PM
Wednesday, February 7, 2018

Editor’s View: Flexible working for parents could halt talent drain in theatres by Alistair Smith

Job shares and other flexible working arrangements are an increasingly common feature of working culture. Recent reports show that graduates are placing

SOURCE: The Stage Registration at 07:01PM
Wednesday, January 31, 2018

Editor’s View: Equal representation is a greater problem off-stage than on it by Alistair Smith

Over the last few years, theatre has begun to engage in a welcome, prominent and long-overdue conversation about representation on British stages.

SOURCE: The Stage Registration at 07:01PM
Wednesday, January 24, 2018

Harassment and bullying in the theatre industry: Editor’s View by Alistair Smith

The results of our investigation into harassment in theatre are shocking. But how do they compare to similar reports? In terms of

SOURCE: The Stage Registration at 07:01PM
Wednesday, January 17, 2018

Editor’s view: Talent shouldn’t be pigeonholed – ask Lia Williams by Alistair Smith

Happily, it’s not uncommon for me to meet people working in theatre who found their first jobs in The Stage. The positive

SOURCE: The Stage Registration at 07:01PM
Wednesday, January 10, 2018

Editor’s view: Actors deserve respect when they speak out by Alistair Smith

Lyn Gardner’s excellent Long Read gently explodes the myths that can attach themselves to successful people, revealing how, as director Christopher Haydon

SOURCE: The Stage Registration at 07:01PM
Wednesday, December 20, 2017

Editor’s View: 10 reasons to be cheerful this Christmas by Alistair Smith

At times, the past few months have felt pretty grim for the entertainment industry. But it’s Christmas, so here are 10 things

SOURCE: The Stage Registration at 07:01PM
Wednesday, December 13, 2017

Editor’s View: UK shows are world-class, but theatregoers deserve better from venues by Alistair Smith

Those of us who work in and around theatre like to tell ourselves “the play’s the thing”. But, increasingly, I’m starting to

SOURCE: The Stage Registration at 07:01PM
Wednesday, December 6, 2017

Editor’s View: There’s still time to fix the Tories’ EBacc blunder by Alistair Smith

Apart from schools minister Nick Gibb, it’s increasingly difficult to find anyone who thinks the English Baccalaureate is a good idea in

SOURCE: The Stage Registration at 07:01PM
Wednesday, November 29, 2017

Editor’s View: Regional theatre box office is up, but is it the end for civic theatre? by Alistair Smith

Five stories this week speak vividly of the changing face of theatre in the UK. Two detail record box office for UK

SOURCE: The Stage Registration at 07:01PM
Wednesday, November 22, 2017

Editor’s View: Old Vic inquiry is a good start, but it’s not the end by Alistair Smith

The Old Vic’s initial investigation into allegations of sexual misconduct while Kevin Spacey was artistic director was more extensive and frank than

SOURCE: The Stage Registration at 07:01PM
Wednesday, November 15, 2017

Editor’s View: Arts boards must provide real oversight following harassment allegations by Alistair Smith

What do the Old Vic and Shakespeare’s Globe have in common? A year ago, the Globe was embroiled in controversy over its

SOURCE: The Stage Registration at 07:01PM
Wednesday, November 8, 2017

Editor’s View: Old Vic board must answer key questions over Kevin Spacey allegations by Alistair Smith

As allegations of sexual assault and harassment mount against Kevin Spacey, they include claims of misconduct during his time as artistic director

SOURCE: The Stage Registration at 07:01PM
Wednesday, November 1, 2017

Editor’s View: In the wake of sexual harassment claims, theatre needs better HR support by Alistair Smith

Royal Court artistic director Vicky Featherstone deserves plaudits for her swift and emphatic response to the unfolding accusations of sexual harassment and

SOURCE: The Stage Registration at 08:22AM
Wednesday, October 25, 2017

Editor’s View: Could the Bridge broaden theatre’s horizons? by Alistair Smith

For good or ill, the West End is British theatre’s beating heart – its historic home and commercial centre since the early

SOURCE: The Stage Registration at 07:01PM
Wednesday, October 18, 2017

Editor’s View: Theatre must break its silence on harassment by Alistair Smith

Recently, I’ve found myself reflecting on a brief news story I wrote in 2011 on a report revealing that bullying is more

SOURCE: The Stage Registration at 08:00AM
Wednesday, October 11, 2017

Editor’s view: Ticket prices are a balancing act for all theatres by Alistair Smith

The mixed economy, in which commercial and not-for-profit sectors exist in a symbiotic relationship, is the defining feature of British theatre. In

SOURCE: The Stage Registration at 07:01PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards