All stories by Aleks Sierz on BroadwayStars

Monday, October 5, 2015

The Father, Wyndham’s Theatre by Aleks Sierz

Dementia is an increasingly common theme in theatre, television and film. But although there are plenty of stories about old people suffering from Alzheimer’s, what does it feel like to ex…

SOURCE: The Arts Desk at 05:56PM
Saturday, October 3, 2015

Valhalla, Theatre 503 by Aleks Sierz

Titles don’t come much more evocative than this: Valhalla, the gigantic hall in Odin’s Asgard where those slain in battle come to feast, is the Norse mythological version of the Islamist…

SOURCE: The Arts Desk at 06:22PM
Tuesday, September 22, 2015

Dinner with Saddam, Menier Chocolate Factory by Aleks Sierz

Writer Anthony Horowitz is a busy man. Having written more than 40 books, he has also worked in many media. One year, he’s penning another series of the ever-popular Foyle’s War; the nex…

SOURCE: The Arts Desk at 07:55PM
Monday, September 21, 2015

Mr Foote’s Other Leg, Hampstead Theatre by Aleks Sierz

The actor and historian Ian Kelly is fascinated by the way that performers use the theatre to understand not only themselves, but also the world. In this new play, he looks at the life and c…

SOURCE: The Arts Desk at 07:54PM
Friday, September 18, 2015

Hangmen, Royal Court Theatre by Aleks Sierz

Welcome back Martin McDonagh. It’s been more than 10 years since you’ve had a play on in London, and I was beginning to think that we had lost you to Broadway, and Hollywood, for ever. A…

SOURCE: The Arts Desk at 07:06PM
Wednesday, September 16, 2015

Fuck the Polar Bears, Bush Theatre by Aleks Sierz

With the election of lefty outsider Jeremy Corbyn to the Labour leadership, are we entering a new era when upsets and surprises have become a new way of life? Is it really true that anything…

SOURCE: The Arts Desk at 05:54PM
Wednesday, September 9, 2015

Lela & Co, Royal Court Theatre by Aleks Sierz

When is a monologue not quite a monologue? When it is interrupted by another voice, one that contradicts and argues with it. In Cordelia Lynn’s Lela & Co, her Royal Court debut (which …

SOURCE: The Arts Desk at 05:37PM
Tuesday, September 1, 2015

People, Places and Things, National Theatre by Aleks Sierz

We all know what the word “addict” means, but what does it feel like to be one? Thirtysomething Emma — a minor actress played with immense conviction and quirky charm by Denise Gough �…

SOURCE: The Arts Desk at 06:22PM
Friday, August 7, 2015

Crossing Jerusalem, Park Theatre by Aleks Sierz

The Israeli-Palestinian conflict has not been very prominent in the news recently, but that doesn’t mean that it has gone away. As Julia Pascal’s 2003 play reminds us, religious and ethn…

SOURCE: The Arts Desk at 07:19PM
Tuesday, August 4, 2015

Splendour, Donmar Warehouse by Aleks Sierz

On contemporary stages, absence is a constant presence. This is very odd if you consider how corporeal and concrete theatre is. Unlike film, which is just light shining on a screen, or books…

SOURCE: The Arts Desk at 07:27PM
Tuesday, July 28, 2015

Three Days in the Country, National Theatre by Aleks Sierz

The trouble with the classics is that they are long, complex and difficult. But today’s sensibility favours the quick, simple and easy. So it is no surprise that the National Theatre have …

SOURCE: The Arts Desk at 06:38PM
Thursday, July 23, 2015

Extract: The Time Traveller’s Guide to British Theatre by Aleks Sierz and Lia Ghilardi

Theatre is one of the glories of British culture, a melting pot of creativity and innovation. Beginning with the coronation of Elizabeth I and ending with the televised crowning of the curre…

SOURCE: The Arts Desk at 05:14AM
Wednesday, July 8, 2015

The Invisible, Bush Theatre by Aleks Sierz

In the age of austerity, it’s getting harder and harder to avoid cliché. Especially well-meaning cliché. For example, all cuts to welfare are bad; we must defend government support of th…

SOURCE: The Arts Desk at 06:56PM
Tuesday, July 7, 2015

A Number, Young Vic Theatre by Aleks Sierz

The reason that Caryl Churchill is Britain’s best living playwright is that her work is endlessly enquiring and peerlessly intelligent. When she wrote this play about the subject of human …

SOURCE: The Arts Desk at 05:42PM
Tuesday, June 16, 2015

Hang, Royal Court Theatre by Aleks Sierz

One of the most talented playwrights to emerge in 2000s, debbie tucker green is a law unto herself. The best word to describe her is uncompromising. When I interviewed her in 2003 she refuse…

SOURCE: The Arts Desk at 05:15PM
Monday, June 8, 2015

Violence and Son, Royal Court Theatre by Aleks Sierz

Titles can be warnings as well as come-ons. In Gary Owen’s new play about a teenager growing up in the Welsh Valleys, it’s not difficult to guess what the main theme of the play is. Stum…

SOURCE: The Arts Desk at 07:38PM
Friday, June 5, 2015

Now This Is Not the End, Arcola Theatre by Aleks Sierz

Few cities have been so central to the European imagination as Berlin in the 20th century. At the centre of imperial power, then of Weimar, next the hub of Nazi Germany, then for some 50 yea…

SOURCE: The Arts Desk at 06:40PM
Wednesday, May 27, 2015

Temple, Donmar Warehouse by Aleks Sierz

St Paul’s Cathedral is an icon of national identity. The building that rose up from the fire and smoke of the Blitz has also witnessed the funeral of Winston Churchill in 1965 and the roya…

SOURCE: The Arts Desk at 06:29PM
Friday, May 8, 2015

The Angry Brigade, Bush Theatre by Aleks Sierz

Today, terrorism means killing as many innocent people as possible. Fear is created by completely random attacks. So that no one feels safe. But there was a time, in the past, when political…

SOURCE: The Arts Desk at 06:30PM
Thursday, May 7, 2015

The Vote, Donmar Warehouse by Aleks Sierz

Thank fuck, it’s over. I mean the General Election. No more campaigning, no more leader debates, no more anti-Miliband hysteria. But there’s still no end to theatre gimmicks that exploit…

SOURCE: The Arts Desk at 06:30PM
Monday, May 4, 2015

Beyond Caring, National Theatre by Aleks Sierz

Recent plays with the verb “to care” in their titles — another is Michael Wynne’s Who Cares — suggests that the inequalities of life in Britain today can no longer be treated with …

SOURCE: The Arts Desk at 06:01PM
Wednesday, April 29, 2015

Blood, Soho Theatre by Aleks Sierz

Tamasha is a new writing theatre company, which specialises in plays — often adaptations or reimaginings of classics — written from an Asian perspective. As the company celebrates its 25…

SOURCE: The Arts Desk at 06:01PM
Thursday, April 23, 2015

Light Shining in Buckinghamshire, National Theatre by Aleks Sierz

The trouble with the general election is that while everybody talks about money, nobody talks about ideas. We know the price of everything, but the value of nothing. This might seem to be a …

SOURCE: The Arts Desk at 06:01PM
Monday, April 20, 2015

Who Cares, Royal Court Theatre by Aleks Sierz

The NHS is us. Early in this new verbatim play about the National Health Service, one of the characters says that when a sample of Britons was recently asked what the most important institut…

SOURCE: The Arts Desk at 06:27AM
Friday, April 17, 2015

Carmen Disruption, Almeida Theatre by Aleks Sierz

Playwright Simons Stephens has made a long journey. Starting off as a young in-yer-face writer, then pausing to mellow over slices of life, then winning awards with state-of-the-nation famil…

SOURCE: The Arts Desk at 05:31PM
Tuesday, April 14, 2015

The Twits, Royal Court Theatre by Aleks Sierz

The Royal Court has had a makeover. Recently, the walls have had a fresh coat of paint and huge messages have appeared on them: the front doors now say, “Come In”. (Oh, thanks for tellin…

SOURCE: The Arts Desk at 06:01PM
Thursday, April 9, 2015

After Electra, Tricycle Theatre by Aleks Sierz

Some dramas begin with a brilliant idea. April De Angelis’s new black comedy, After Electra, is one of these. It starts with an audacious premise: the octogenarian artist Virgie is celebra…

SOURCE: The Arts Desk at 06:01PM
Thursday, April 2, 2015

Abyss, Arcola Theatre by Aleks Sierz

Despite the age of austerity, London theatre is booming. Not just the West End, but Off-West End and the fringe as well. One sign of its health is its openness to Continental imports, especi…

SOURCE: The Arts Desk at 06:31PM
Tuesday, March 24, 2015

Rules for Living, National Theatre by Aleks Sierz

The seasonal family reunion play is a hardy perennial. Like the Christmas tree that must take its place on the stage, it is usually spiky, dry and decorated with glittering ornaments — as …

SOURCE: The Arts Desk at 08:01PM
Saturday, March 21, 2015

Trainspotting, King’s Head Theatre by Aleks Sierz

Hey, it’s the 1990s — yet again. After high-profile revivals of contemporary classics — such as Patrick Marber’s Closer and Kevin Elyot’s My Night with Reg — from that edgy decad…

SOURCE: The Arts Desk at 06:01PM
Tuesday, March 17, 2015

The Cutting of the Cloth, Southwark Playhouse by Aleks Sierz

Nowadays, playwrights do their apprenticeships at university, studying drama. But, once upon a time, they had proper jobs before they started making theatre. Such is the case of the late Mic…

SOURCE: The Arts Desk at 07:07PM