All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Thursday, March 31, 2016

Hold On to Me Darling by Victor Gluck, Editor-In-Chief

In the hands of someone other than Timothy Olyphant, Strings McCabe might be a self-pitying monster too extreme to take seriously. However, this brilliantly accomplished actor has just the r…

SOURCE: www.theaterscene.net at 04:47PM

Straight by Victor Gluck, Editor-In-Chief

The authors of "Straight" would have you believe that in 2016 26-year-old straight- acting investment banker Ben, living in Boston where same sex marriages have been legal for the last eight…

SOURCE: www.theaterscene.net at 04:04PM
Sunday, March 27, 2016

The Royale by Victor Gluck, Editor-In-Chief

The staging is unusual in that no punches are thrown. When the actors are supposed to be delivering their blows, they stamp their feet which is actually more sinister and startling. The cast…

SOURCE: www.theaterscene.net at 03:33PM
Saturday, March 26, 2016

Wolf in the River by Victor Gluck, Editor-In-Chief

Directed by the author, "Wolf in the River" is an environmental production as the audience is invited to sit in folding chairs around a mound of earth with forlorn flowers, garbage and debri…

SOURCE: www.theaterscene.net at 11:34PM
Friday, March 25, 2016

Do Re Mi by Victor Gluck, Editor-In-Chief

One problem with reviving musicals from the pre-Sondheim era is that they were often created around the talent of a big, unique star like Ethel Merman, Bob Hope, Mary Martin, Al Jolson, Fann…

SOURCE: www.theaterscene.net at 03:00PM
Sunday, March 20, 2016

Southern Comfort by Victor Gluck, Editor-In-Chief

"Southern Comfort" is an ambitious and admirable attempt to depict a community that till now has been left off of our stages. Though the material at times seems tamer that the content would …

SOURCE: www.theaterscene.net at 09:55AM
Saturday, March 19, 2016

Hungry: Play I of The Gabriels by Victor Gluck, Editor-In-Chief

"Hungry" is both an occasional play (written for this moment in time) and a chamber play. Not much happens but a great deal is implied. It will not please all theatergoers. However, it will …

SOURCE: www.theaterscene.net at 09:16AM
Friday, March 18, 2016

Red Speedo by Victor Gluck, Editor-In-Chief

The play is made up of a series of six confrontations in which the dialogue is delivered like bullets flying back and forth. While the story is engrossing, the individual conversations all g…

SOURCE: www.theaterscene.net at 08:39AM
Tuesday, March 15, 2016

Women Without Men by Victor Gluck, Editor-In-Chief

Thompson’s direction is taut, nuanced and compelling and she found the ensemble to not only make their characters entirely distinct but to make us feel these women have lived together for …

SOURCE: www.theaterscene.net at 08:03AM
Monday, March 14, 2016

Walk Hard by Victor Gluck, Editor-In-Chief

Imani’s production of 'Walk Hard" for Metropolitan Playhouse is an exciting piece of theater from an eye-opening rediscovery. Historically, it comes nine years after Clifford Odets’ 'Gol…

SOURCE: www.theaterscene.net at 01:25PM
Thursday, March 10, 2016

Babes in Arms by Victor Gluck, Editor-In-Chief

The musical known for its “Let’s put on a show!” plot has a great deal more going for it than one might expect. First off, it has one of the greatest scores ever written for a Broadway…

SOURCE: www.theaterscene.net at 04:42PM
Wednesday, March 9, 2016

The Body of an American by Victor Gluck, Editor-In-Chief

The inspiration for the play began when poet and playwright Dan heard the Fresh Air interview. Paul was already famous as the photographer who took the now iconic 1993 picture of U.S. Staff …

SOURCE: www.theaterscene.net at 11:16PM
Tuesday, March 8, 2016

A Room of My Own by Victor Gluck, Editor-In-Chief

The most colorful character in more ways that one is Uncle Jackie (Cantone) who lives upstairs. A closeted gay man in a society that doesn’t accept him, he has become an angry, self-loathi…

SOURCE: www.theaterscene.net at 11:50PM
Monday, March 7, 2016

Pericles (Theatre for a New Audience) by Victor Gluck, Editor-In-Chief

Nunn’s adaptation rearranges some of the scenes and adds material from a prose version of the work by George Wilkins, believed to be Shakespeare’s collaborator. Using music, song, dancin…

SOURCE: www.theaterscene.net at 11:02PM
Friday, March 4, 2016

Nice Fish by Victor Gluck, Editor-In-Chief

Todd Rosenthal’s remarkably atmospheric and evocative setting is waiting for the audience when they come into the theater: a huge expanse of a corrugated ice flow in Northern Minnesota in …

SOURCE: www.theaterscene.net at 03:13PM
Wednesday, March 2, 2016

Smokefall by Victor Gluck, Editor-In-Chief

The play seems to be saying that life is full of suffering but love will conquer all, not a very new or profound message. One flashback (Violet and Daniel’s first date) is replayed at leas…

SOURCE: www.theaterscene.net at 01:49PM
Tuesday, March 1, 2016

Tennessee Williams 1982 by Victor Gluck, Editor-In-Chief

Under the umbrella title "Tennessee Williams 1982" (the year of both play’s composition the year as well as that of playwright’s death), The Playhouse Creatures Theatre Company is presen…

SOURCE: www.theaterscene.net at 04:53PM
Wednesday, February 24, 2016

Smart People by Victor Gluck, Editor-In-Chief

The satire begins early: it turns out that although the department likes having Brian doing his research proving that whites are genetically racist, they are not happy with his conclusions. …

SOURCE: www.theaterscene.net at 03:32PM
Tuesday, February 16, 2016

Prodigal Son by Victor Gluck, Editor-In-Chief

Television and film actor Timothée Chalamet (Showtime’s "Homeland" and Christopher Nolan’s "Interstellar") makes an impressive New York stage debut as the play’s young protagonist. Th…

SOURCE: www.theaterscene.net at 11:44PM
Monday, February 15, 2016

The Woodsman by Victor Gluck, Editor-In-Chief

The forest setting by Ortiz seems to envelop the audience as does the sound design which is created by the actors in tandem with violinist Naomi Florin who plays Edward W. Hardy’s melancho…

SOURCE: www.theaterscene.net at 10:57PM
Wednesday, February 10, 2016

Fiddler on the Roof by Victor Gluck, Editor-In-Chief

Do not expect an exact reproduction of the original which after four revivals is probably to the good. With the consent of lyricist Sheldon Harnick, the only surviving creator, Sher has adde…

SOURCE: www.theaterscene.net at 02:10PM
Tuesday, February 9, 2016

Broadway & the Bard by Victor Gluck, Editor-In-Chief

At the top of the show Cariou tells us that he made his Broadway debut in the Stratford Connecticut Shakespeare Festival’s transfer of "Henry V" in 1969 and six months later in the spring …

SOURCE: www.theaterscene.net at 11:25PM
Monday, February 8, 2016

Utility by Victor Gluck, Editor-In-Chief

Schwend’s dialogue is realistic, believable, and true to life, as are the characters. As a play, however, it is a bit of a downer as we watch Amber become wearier without any relief in sig…

SOURCE: www.theaterscene.net at 11:27PM
Sunday, February 7, 2016

O, Earth by Victor Gluck, Editor-In-Chief

Nevertheless, Wills’ production is continually taking us by surprise both by his casting and his choices. His transgendered characters are played by transgendered actors. Moran’s Wilder …

SOURCE: www.theaterscene.net at 11:34PM
Thursday, February 4, 2016

I and You by Victor Gluck, Editor-In-Chief

So begins a remarkable comedy-drama of two very opposite teenagers who shouldn’t have met and wouldn’t have if Anthony had not chosen the reclusive, mysterious Caroline for his partner. …

SOURCE: www.theaterscene.net at 06:40PM
Sunday, January 31, 2016

Tonight/Jungle: Two Plays by Philip Ridley by Victor Gluck, Editor-In-Chief

Both teenagers are desperate for our approval and understanding of their lives and what they did, unlike the tabloids which have apparently had headlines branding them as monsters. Listening…

SOURCE: www.theaterscene.net at 03:39PM
Friday, January 29, 2016

Noises Off by Victor Gluck, Editor-In-Chief

While Frayn’s roles are juicy parodies of very specific kinds of people, for the laughs to roll in one on top of the other, the play must be performed fast enough that we don’t have time…

SOURCE: www.theaterscene.net at 11:35PM

A Dream of Red Pavilions by Victor Gluck, Editor-In-Chief

A Dream of Red Pavilions is set in 18th century China during the reign of Emperor Qianlong. The framing story which gives the plot its mythic quality involves a stone and a flower that are r…

SOURCE: www.theaterscene.net at 05:56PM
Wednesday, January 27, 2016

The Gambler by Victor Gluck, Editor-In-Chief

Director Lordi-Kirkham has unaccountable staged the play as though it were a radio play or a reading, making it more talky and static than it needs to be. While the text is faithful to the R…

SOURCE: www.theaterscene.net at 11:41PM
Friday, January 22, 2016

Collaborators by Victor Gluck, Editor-In-Chief

Ross DeGraw as Joseph Stalin and Brian J. Carter as Mikhail Bulgakov in a scene from John Hodge’s “Collaborators” (Photo credit: Michael Abrams) Victor Gluck, Editor-in-Chief Although …

SOURCE: www.theaterscene.net at 04:45PM
Wednesday, January 13, 2016

The Changeling by Victor Gluck, Editor-In-Chief

The interpretations are also open to question. Although she should be demure before her sexual awakening, Sara Topham plays Beatrice as experienced and sophisticated which allows her nowhere…

SOURCE: www.theaterscene.net at 05:28PM

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