All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Saturday, July 30, 2016

A Class Act by Victor Gluck, Editor-In-Chief

While "A Class Act" covers material dramatized elsewhere, Norman Shabel’s play, seen at The Playroom earlier this year, is always absorbing, always unpredictable. The seven member cas…

SOURCE: www.theaterscene.net at 11:53PM
Wednesday, July 27, 2016

Small Mouth Sounds by Victor Gluck, Editor-In-Chief

Inspired by the playwright’s attending a silent spiritual retreat at an upstate New York institute in the woods, this is an absorbing play which immediately causes the viewers to list…

SOURCE: www.theaterscene.net at 03:29PM
Tuesday, July 26, 2016

Privacy by Victor Gluck, Editor-In-Chief

Playing his most mature role to date, Radcliffe, late of Harry Potter, is charming as he begins as an introverted, reticent Englishman and then slowly panics as he realizes the extent to whi…

SOURCE: www.theaterscene.net at 10:51PM
Thursday, July 21, 2016

2 by Tennessee Williams: “27 Wagons Full of Cotton” & “Kingdom of Earth” by Victor Gluck, Editor-In-Chief

While the play can be a tour de force, Kathryn Luce Garfunkel is so one dimensional that her Flora has little weight. She exudes languidness and laziness, but fails to make Flora anything ot…

SOURCE: www.theaterscene.net at 03:34PM
Wednesday, July 13, 2016

Simon Says by Victor Gluck, Editor-In-Chief

Three-time Tony nominee Brian Murray returns to the New York stage for the first time in four years as a retired professor of parapsychology who has put aside his own career to foster that o…

SOURCE: www.theaterscene.net at 11:20PM

Liberty: A Monumental New Musical by Victor Gluck, Editor-In-Chief

The production team uses most of the same people who were involved with the show’s 2014 run at Theater 80 St. Marks as well as four of the eight actors. Directing again, Evan Pappas k…

SOURCE: www.theaterscene.net at 02:55PM
Tuesday, July 12, 2016

Runaways by Victor Gluck, Editor-In-Chief

The most remarkable thing about the Encores! Off-Center revival of the late Elizabeth Swados’ 1978 musical "Runaways" is that it is as fresh as when it was written almost four decades…

SOURCE: www.theaterscene.net at 11:23PM
Tuesday, June 28, 2016

The Healing by Victor Gluck, Editor-In-Chief

Samuel D. Hunter’s latest play, "The Healing," is a commission by Theater Breaking Through Barriers, dedicated to advancing the work of performers with disabilities. Not surprisingly,…

SOURCE: www.theaterscene.net at 10:05AM
Tuesday, June 21, 2016

I’ll Say She Is by Victor Gluck, Editor-In-Chief

Only a 30 page treatment and five songs remained from the original show by the Johnstone brothers, writer Will B. and composer Tom. Diamond has written new lyrics for music by Tom Johnston a…

SOURCE: www.theaterscene.net at 11:09PM
Monday, June 20, 2016

Hero’s Welcome by Victor Gluck, Editor-In-Chief

Now having its American premiere in repertory with "Confusions," one of Ayckbourn’s earliest plays, with the same actors in both, the production which is directed by the author is fro…

SOURCE: www.theaterscene.net at 11:51PM
Saturday, June 18, 2016

The Taming of the Shrew (Shakespeare in the Park) by Victor Gluck, Editor-In-Chief

Aside from the obvious misogyny of Shakespeare’s comedy for modern audiences, there is the problem of the heroine’s unpalatable final speech in which she berates women for not …

SOURCE: www.theaterscene.net at 01:33AM
Friday, June 17, 2016

The Purple Lights of Joppa Illinois by Victor Gluck, Editor-In-Chief

Adam Rapp’s plays are often about loners and people outside of mainstream society. "The Purple Lights of Joppa Illinois" now at Atlantic Stage 2 in a production directed by the author…

SOURCE: www.theaterscene.net at 03:32PM
Wednesday, June 15, 2016

O’Neill (Unexpected): Two Early Plays by Eugene O’Neill by Victor Gluck, Editor-In-Chief

"Now I Ask You" turns out to be comedy of pretentious New York bohemians in 1916, while "Recklessness" is a Strindbergian psychological revenge play. While both have hints of the more famous…

SOURCE: www.theaterscene.net at 10:31PM
Monday, June 13, 2016

2016 Tony Awards Bestow Much Love on “Hamilton” by Victor Gluck, Editor-In-Chief

Although "Hamilton" had been nominated for 16 awards in 13 categories, it failed to break the record of Mel Brooks’ "The Producers" which remains the all-time winner with a total of 1…

SOURCE: www.theaterscene.net at 03:37PM
Sunday, June 12, 2016

Universal Robots by Victor Gluck, Editor-In-Chief

'Universal Robots" uses historic characters like journalist and playwright Capek and President Masaryk of Czechoslovakia, characters taken from Capek’s play like Rossum, Helena and Ra…

SOURCE: www.theaterscene.net at 05:17PM
Tuesday, June 7, 2016

A Doll’s House & The Father (TFANA) by Victor Gluck, Editor-In-Chief

Maggie Lacey as Nora Helmer and John Douglas Thompson as Torvald Helmer in a scene from “A Doll’s House” (Photo credit: Gerry Goodstein) Was Swedish playwright August Stri…

SOURCE: www.theaterscene.net at 11:36AM
Sunday, June 5, 2016

Incognito by Victor Gluck, Editor-In-Chief

This is heady theater and demands concentration. However, the excellent cast of four made of Geneva Carr (Theatre World Award winner for "Hand to God"), Charlie Cox (Netflick’s" Dared…

SOURCE: www.theaterscene.net at 05:03PM
Tuesday, May 31, 2016

Peer Gynt by Victor Gluck, Editor-In-Chief

As with many CSC productions, the modern dress costumes (here designed by Ann Hould-Ward) are entirely in black and white. A small handful of props are used (a tin of buttons, an onion) but …

SOURCE: www.theaterscene.net at 12:04PM
Sunday, May 29, 2016

The Judas Kiss by Victor Gluck, Editor-In-Chief

British film star Rupert Everett gives a bravura performance as playwright and author Oscar Wilde in the Chichester Festival Theater revival of "The Judas Kiss" by David Hare now at the BAM …

SOURCE: www.theaterscene.net at 04:01PM
Saturday, May 28, 2016

Princess Ida (2016) by Victor Gluck, Editor-In-Chief

Completing New York Gilbert & Sullivan Players’ 40th Season was a rare revival of 1884 "Princess Ida," the team’s eighth operetta and the only one in which the dialogue is…

SOURCE: www.theaterscene.net at 10:45PM
Saturday, May 21, 2016

Indecent by Victor Gluck, Editor-In-Chief

The production of "Indecent" now on the stage of the Vineyard is remarkable on many levels, not the least which is how engrossing it is considering the events are all historical record and t…

SOURCE: www.theaterscene.net at 12:56AM
Monday, May 16, 2016

American Psycho The Musical by Victor Gluck, Editor-In-Chief

Stylish and stylized, the stage design includes Es Devlin’s white box of a set which transforms instantaneously into apartments, offices, restaurants, discos, a health club, a locker …

SOURCE: www.theaterscene.net at 11:10PM
Tuesday, May 10, 2016

Port Cities NYC by Victor Gluck, Editor-In-Chief

On the ferry, audience members listen to a previously downloaded soundscape which includes a voice-over by Katie (played by Emma Meltzer) who has always seen ghosts and ends up investigating…

SOURCE: www.theaterscene.net at 11:42PM
Sunday, May 8, 2016

Tuck Everlasting The Musical by Victor Gluck, Editor-In-Chief

The problem with the new show with a libretto by first timers Claudia Shear and Tim Federle now at the Broadhurst Theatre is that it is all so bland - which is not true of the novel which ha…

SOURCE: www.theaterscene.net at 03:46PM
Saturday, May 7, 2016

Dido and Aeneas by Victor Gluck, Editor-In-Chief

Staged by director/choreographer Doug Varone, "Dido and Aeneas" was amusingly presented in modern dress with Varone’s dancers playing the ensemble in both operas and pantomiming unsee…

SOURCE: www.theaterscene.net at 10:24PM
Saturday, April 30, 2016

The School for Scandal by Victor Gluck, Editor-In-Chief

Red Bull Theater which has specialized in Elizabethan and Jacobean tragedies has moved on to the 18th century with Marc Vietor’s exquisite and stylish revival of "The School for Scand…

SOURCE: www.theaterscene.net at 11:38AM
Friday, April 29, 2016

The Dingdong by Victor Gluck, Editor-In-Chief

Shanahan’s adaptation has a great many delicious one-liners and double-entendres (“I don’t go out for mutton when I can have filet mignon at home;” “Keep refe…

SOURCE: www.theaterscene.net at 01:59PM
Tuesday, April 26, 2016

Revolt. She Said. Revolt Again. by Victor Gluck, Editor-In-Chief

While many of the scenes are right on target, others seem too metaphoric and anarchic to make much impression, while others take on too many targets to make their point. The best ones deal w…

SOURCE: www.theaterscene.net at 03:52PM
Thursday, April 21, 2016

When I Was a Girl I Used to Scream and Shout by Victor Gluck, Editor-In-Chief

You might wonder why Morag, Fiona’s mother, in Sharman Macdonald’s groundbreaking Scottish play, "When I Was a Girl I Used to Scream and Shout," is so repressive about sex. Wha…

SOURCE: www.theaterscene.net at 11:45PM
Wednesday, April 20, 2016

King and Country: Shakespeare’s Great Cycle of Plays by Victor Gluck, Editor-In-Chief

The Royal Shakespeare Company’s "King and Country: Shakespeare’s Great Cycle of Kings" is a magnificent achievement and a fitting tribute in this 400th anniversary of the bard�…

SOURCE: www.theaterscene.net at 11:02PM

The Crucible by Victor Gluck, Editor-In-Chief

Van Hove sets his version in a modern classroom. When the curtain goes up we first see the girls who will later accuse various people in Salem, Massachusetts, of having bewitched them, seate…

SOURCE: www.theaterscene.net at 10:10PM

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off