All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Saturday, October 22, 2016

End of Summer by Victor Gluck, Editor-In-Chief

While S. N. Behrman was one of the leading Broadway playwrights from the twenties through the early sixties, he went into an eclipse after his death in 1973. Since 2000, however, there have …

SOURCE: www.theaterscene.net at 10:59PM
Tuesday, October 18, 2016

Th New York Pops: The Musical World of Lerner and Loewe by Victor Gluck, Editor-In-Chief

Music Director/Conductor Steven Reineke chose three fine singers, Colin Donnell, Laura Osnes and Nathan Gunn, to animate the Lerner and Loewe songbook, along with the terrific choir, Essenti…

SOURCE: www.theaterscene.net at 11:04AM
Sunday, October 16, 2016

Public Enemy by Victor Gluck, Editor-In-Chief

Ibsen’s "An Enemy of the People" is a classic of modern drama but at times it can seem musty in a poor translation. David Harrower’s "Public Enemy" is not only a shrewd, accessible adapt…

SOURCE: www.theaterscene.net at 06:36PM

The Clearing by Victor Gluck, Editor-In-Chief

Playwright Helen Edmundson whose stage plays have been mostly adaptations of famous literature ("The Mill on the Floss," "War and Peace," "Anna Karenina," as well as "Coram Boy" and "Thérè…

SOURCE: www.theaterscene.net at 12:16AM
Monday, October 10, 2016

Kurios: Cabinet of Curiosities (Cirque du Soleil) by Victor Gluck, Editor-In-Chief

Cirque du Soleil's "Kurios: Cabinet of Curiosities" has a wonderful premise and an eye-filling mise en scène. However, without the needed narration or program notes, the idea remains still …

SOURCE: www.theaterscene.net at 11:49PM
Sunday, October 9, 2016

Divine Comedy by Victor Gluck, Editor-In-Chief

The problem with Peter Dobbins’ productions is not the quaint spiritual underpinnings of the plays but the fact that they are directed too leisurely and consequently do not generate any la…

SOURCE: www.theaterscene.net at 11:35PM
Thursday, October 6, 2016

Twenty Thousand Leagues under the Sea by Victor Gluck, Editor-In-Chief

The live action elements of the show are performed on various platforms and screens on which are projected Deco Dawson’s designs which give the dramatization a 3-D look. In addition to 2 -…

SOURCE: www.theaterscene.net at 01:58PM
Friday, September 30, 2016

Marie and Rosetta by Victor Gluck, Editor-In-Chief

The two women size each other up, first by Sister Rosetta singing such gospel numbers as “This Train,” “Rock Me” and “Sit Down,” while Marie demonstrates her style with “Were Y…

SOURCE: www.theaterscene.net at 03:13PM
Saturday, September 24, 2016

Hamlet (Mobile Unit 2016) by Victor Gluck, Editor-In-Chief

The single disadvantage of director Patricia McGregor’s approach is that in cutting so much text, the events of the play seem to occur one on top of each other, making the play a bit melod…

SOURCE: www.theaterscene.net at 08:38PM

Fiorello! by Victor Gluck, Editor-In-Chief

Under Bob Moss’ vigorous and energetic direction, the cast of 20 young actors grab hold of the show and never let up for a moment playing a multitude of colorful New York types with energy…

SOURCE: www.theaterscene.net at 05:36PM
Thursday, September 22, 2016

A Taste of Honey by Victor Gluck, Editor-In-Chief

Director Austin Pendleton made some choices which don’t help the now creaky play. Although Peter is described as ten years younger than Helen, Pendleton has cast the ever reliable Bradford…

SOURCE: www.theaterscene.net at 03:56PM
Wednesday, September 21, 2016

What Did You Expect? – Play 2 of The Gabriels: Election Year in the Life of One Family by Victor Gluck, Editor-In-Chief

Like his "Apple Family Plays," Nelson’s "The Gabriel" cycle all take place in a kitchen on a specific day in almost real time using the same six actors to play the family members. These ar…

SOURCE: www.theaterscene.net at 05:36PM
Friday, September 16, 2016

The Birds by Victor Gluck, Editor-In-Chief

Unlike the original short story which was set on a rural farm in Cornwall, England, and the film which was reset in Bodega Bay, California, the play takes place entirely in the main room of …

SOURCE: www.theaterscene.net at 11:48PM
Monday, September 12, 2016

Aleko & Pagliacci (New York City Opera) by Victor Gluck, Editor-In-Chief

While the New York City Opera’s staging of "Aleko" could not be called a major rediscovery, it was an admirable attempt to offer a non-standard repertory work that had probably not been se…

SOURCE: www.theaterscene.net at 02:52PM
Saturday, September 10, 2016

Toruk – The First Flight (Cirque du Soleil) by Victor Gluck, Editor-In-Chief

The show includes pole vaulting, giant flowers that rise up out of the ground, the building of the bone structure of the totemic Thanator, the high flying of the Toruk, a flock of birds play…

SOURCE: www.theaterscene.net at 09:50PM
Tuesday, September 6, 2016

The Layover by Victor Gluck, Editor-In-Chief

Following "Bachelorette" and "Assistance," Leslye Headland’s latest play, The Layover, is a taut psychological thriller told in an updated film noir style. Trip Cullman, who has directed a…

SOURCE: www.theaterscene.net at 11:52PM
Monday, September 5, 2016

Twelfth Night (Public Works) by Victor Gluck, Editor-In-Chief

Taub’s eclectic score to original lyrics includes jazz, rhythm and blues, pop, Broadway and ragtime. Among Kwei-Armah’s ingenious touches were his use of a series of community cameo grou…

SOURCE: www.theaterscene.net at 11:00PM
Sunday, September 4, 2016

The Trojan Women by Victor Gluck, Editor-In-Chief

Written in 415 B.C. as a criticism of the Athenian capture of Melos and the subjugation of its population earlier that year, "The Trojan Women" has remained relevant throughout the last 2,50…

SOURCE: www.theaterscene.net at 06:26PM
Tuesday, August 30, 2016

A Day by the Sea by Victor Gluck, Editor-In-Chief

Now that we have been through all the angry play movements, literate writers like N.C. Hunter and Terence Rattigan are once again ripe for revival. While in his own time, Hunter was criticiz…

SOURCE: www.theaterscene.net at 03:09PM
Saturday, August 27, 2016

Touch by Victor Gluck, Editor-In-Chief

Toni Press-Coffman’s "Touch" is a rather challenging play both in that a great deal of it is narrated in recollection and also that it deals with much naked emotion. The cast led by Peter …

SOURCE: www.theaterscene.net at 08:19PM
Saturday, August 20, 2016

LUNT AND FONTANNE: “The Celestials of Broadway” (The New York International Fringe Festival 2016) by Victor Gluck, Editor-In-Chief

While "LUNT AND FONTANNE: The Celestials of Broadway" is a fine and concise review of their careers for people who have never heard of them, Murphy and Lang make them seem more superficial t…

SOURCE: www.theaterscene.net at 10:11PM
Thursday, August 18, 2016

NIGHT OF THE LIVING N-WORD!! (The New York International Fringe Festival 2016) by Victor Gluck, Editor-In-Chief

Laden with jokes, sight gags and flamboyant characters, Mr. Free’s well-constructed and startling work combines the outrageous sensibilities of John Waters’ films with the social conscio…

SOURCE: www.theaterscene.net at 03:17PM
Monday, August 15, 2016

Summer Shorts 2016 – Series B by Victor Gluck, Editor-In-Chief

Richard Alfredo’s 'The Dark Clothes of Night," a brilliant parody/homage to film noir and hardboiled fiction, the third play of Summer Shorts – Series B, is so good it alone is worth the…

SOURCE: www.theaterscene.net at 09:32PM
Friday, August 12, 2016

Troilus and Cressida by Victor Gluck, Editor-In-Chief

While "Troilus and Cressida" is rarely staged, Daniel Sullivan’s production full of bombs and smoke suggests that in our time of endless wars it speaks to us again, and the play’s cynici…

SOURCE: www.theaterscene.net at 01:24PM
Monday, August 1, 2016

Summer Shorts 2016 – Series A by Victor Gluck, Editor-In-Chief

As might be expected LaBute’s new one act, "After the Wedding," contains a shocker. However, when it arrives in Maria Mileaf’s production, it is so matter-of-fact that it has little or n…

SOURCE: www.theaterscene.net at 10:29PM
Saturday, July 30, 2016

A Class Act by Victor Gluck, Editor-In-Chief

While "A Class Act" covers material dramatized elsewhere, Norman Shabel’s play, seen at The Playroom earlier this year, is always absorbing, always unpredictable. The seven member cast is …

SOURCE: www.theaterscene.net at 11:53PM
Wednesday, July 27, 2016

Small Mouth Sounds by Victor Gluck, Editor-In-Chief

Inspired by the playwright’s attending a silent spiritual retreat at an upstate New York institute in the woods, this is an absorbing play which immediately causes the viewers to listen in…

SOURCE: www.theaterscene.net at 03:29PM
Tuesday, July 26, 2016

Privacy by Victor Gluck, Editor-In-Chief

Playing his most mature role to date, Radcliffe, late of Harry Potter, is charming as he begins as an introverted, reticent Englishman and then slowly panics as he realizes the extent to whi…

SOURCE: www.theaterscene.net at 10:51PM
Thursday, July 21, 2016

2 by Tennessee Williams: “27 Wagons Full of Cotton” & “Kingdom of Earth” by Victor Gluck, Editor-In-Chief

While the play can be a tour de force, Kathryn Luce Garfunkel is so one dimensional that her Flora has little weight. She exudes languidness and laziness, but fails to make Flora anything ot…

SOURCE: www.theaterscene.net at 03:34PM
Wednesday, July 13, 2016

Simon Says by Victor Gluck, Editor-In-Chief

Three-time Tony nominee Brian Murray returns to the New York stage for the first time in four years as a retired professor of parapsychology who has put aside his own career to foster that o…

SOURCE: www.theaterscene.net at 11:20PM

Liberty: A Monumental New Musical by Victor Gluck, Editor-In-Chief

The production team uses most of the same people who were involved with the show’s 2014 run at Theater 80 St. Marks as well as four of the eight actors. Directing again, Evan Pappas keeps …

SOURCE: www.theaterscene.net at 02:55PM

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