All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Wednesday, June 20, 2018

Othello (Shakespeare in the Park) by Victor Gluck, Editor-In-Chief

In the recent Metropolitan Opera production of Verdi's "Otello," Otello was white which left no reason for his jealousy if he was identical to all the Venetians around him. In the current Sh…

SOURCE: www.theaterscene.net at 10:53PM[SHARE]

The Maid's Tragedy by Victor Gluck, Editor-In-Chief

Director Lucy Gram uses six actors to play 11 roles which has worked for such companies as Bedlam and Fiasco. However, here the four actresses play both men and women, three of them never ch…

SOURCE: www.theaterscene.net at 02:49PM[SHARE]
Sunday, June 17, 2018

Ivanov (State Theatre of Nations) by Victor Gluck, Editor-In-Chief

The chance to see Anton Chekhov's first produced play, "Ivanov," not only in the original Russian (with English surtitles) but in modern dress proves to be a revelation. Staged by Russia's S…

SOURCE: www.theaterscene.net at 12:00AM[SHARE]
Thursday, June 14, 2018

Fruit Trilogy by Victor Gluck, Editor-In-Chief

Her newest work, "Fruit Trilogy," an evening of three one acts, "Pomegranate," "Avocado" and "Coconut," has all of the strengths and weaknesses of her previous stage plays which include goin…

SOURCE: www.theaterscene.net at 03:05PM[SHARE]
Tuesday, June 12, 2018

Secret Life of Humans by Victor Gluck, Editor-In-Chief

Though it wouldn't be fair to reveal it here for audiences about to see the play, the "secret" actually turns out to be one that has been widely known for some time as it is all over the Int…

SOURCE: www.theaterscene.net at 01:36PM[SHARE]
Monday, June 4, 2018

Tchaikovsky: None but the Lonely Heart by Victor Gluck, Editor-In-Chief

The letters alternate with the musical portions played by Ji on piano, Ari Evan on cello and Stephanie Zyzak on violin in various combinations which are beautiful but it is never clear in wh…

SOURCE: www.theaterscene.net at 03:59PM[SHARE]
Sunday, June 3, 2018

Brokeback Mountain by Victor Gluck, Editor-In-Chief

While "Brokeback Mountain" impresses in its sincerity, it does not move which is a serious problem considering the romantic and tragic plot. Director Jacopo Spirei's cast is in fine form as …

SOURCE: www.theaterscene.net at 11:38AM[SHARE]
Monday, May 28, 2018

The Beast in the Jungle by Victor Gluck, Editor-In-Chief

While "The Beast in the Jungle" is a musical for our time it contains a message that was dear to the heart of writer Henry James, that of the unlived life. Ultimately very moving when the st…

SOURCE: www.theaterscene.net at 11:48PM[SHARE]

Molasses in January by Victor Gluck, Editor-In-Chief

Standing in the way of the show's success is the workshop-like production. Some of Pellegrino's melodies are pleasant but musical director Michael Wittenberg's piano playing drowns out many …

SOURCE: www.theaterscene.net at 12:30AM[SHARE]
Sunday, May 27, 2018

Peace for Mary Frances by Victor Gluck, Editor-In-Chief

We learn a great deal about hospice, possibly more than one might want to know in a play. While most death watch plays like Edward Albee's "All Over" and Scott McPherson's "Marvin's Room," t…

SOURCE: www.theaterscene.net at 09:39PM[SHARE]
Wednesday, May 23, 2018

Twelfth Night by Victor Gluck, Editor-In-Chief

Played as older than either Viola or Sebastian, Elizabeth Heflin is charmingly eccentric as the strong cougar who becomes lovesick and yielding at the sight of Cesario and then Sebastian. In…

SOURCE: www.theaterscene.net at 02:49PM[SHARE]
Tuesday, May 22, 2018

Long Day's Journey into Night (Bristol Old Vic) by Victor Gluck, Editor-In-Chief

Unlike many of the recent New York stagings, Eyre's production makes it clear that the thrust of this four act play is an attempt for the Tyrones to exorcise their demons in one alcoholic in…

SOURCE: www.theaterscene.net at 11:44PM[SHARE]
Monday, May 21, 2018

Marlowe's Fate by Victor Gluck, Editor-In-Chief

Hodges' play is quite lively with each scene dramatizing one point and the cast of characters made up entirely of real people, not all of them still famous. The real problem is with the unsu…

SOURCE: www.theaterscene.net at 05:59PM[SHARE]
Sunday, May 20, 2018

The Gentleman Caller by Victor Gluck, Editor-In-Chief

Every once in a while the exactly right actor is matched with the right role and magic occurs. Such is the case with Juan Francisco Villa as the 34-year-old Tennessee Williams (before he bec…

SOURCE: www.theaterscene.net at 11:20PM[SHARE]
Thursday, May 17, 2018

A Brief History of Women by Victor Gluck, Editor-In-Chief

Although the title covers part of the plot, the play is really a trenchant social history of Britain from 1925 " 1985 in four short sequences, showing the changes that take place in one hous…

SOURCE: www.theaterscene.net at 05:08PM[SHARE]
Monday, May 14, 2018

The Jewish King Lear by Victor Gluck, Editor-In-Chief

Aside from being a tight domestic drama, The Jewish King Lear has several other differences from Shakespeare's tragedy. Gordin's Lear has a wife who is sorely put upon and under her husband'…

SOURCE: www.theaterscene.net at 11:35PM[SHARE]
Tuesday, May 8, 2018

Travesties by Victor Gluck, Editor-In-Chief

The play is narrated by Carr through his memories as an doddering 80-year-old man, returning him (and us) to his days as a 30-year-old resident of Zurich. As such he both unreliable, alterin…

SOURCE: www.theaterscene.net at 11:32PM[SHARE]
Tuesday, May 1, 2018

Transfers by Victor Gluck, Editor-In-Chief

As Cristofer, Juan Castano is riveting in his honesty and his assurance. You could hear a pin drop during several of his monologue confessions as to why he didn't do as well as he might have…

SOURCE: www.theaterscene.net at 01:33PM[SHARE]
Friday, April 27, 2018

Miss You Like Hell by Victor Gluck, Editor-In-Chief

What makes the storytelling riveting are the performances by the talented cast. As the free-spirited Beatriz fighting for her life, Rubin-Vega is at her fiercest and she is a memorable three…

SOURCE: www.theaterscene.net at 04:51PM[SHARE]
Tuesday, April 24, 2018

Mean Girls by Victor Gluck, Editor-In-Chief

Fey has made two successful changes to theatricalize her original screenplay. The story is now cast as a flashback narrated by best friends Goth Janis (Barrett Wilbert Weed) and Damian (Grey…

SOURCE: www.theaterscene.net at 11:50PM[SHARE]
Monday, April 23, 2018

One Thousand Nights and One Day by Victor Gluck, Editor-In-Chief

In performance, "One Thousand Nights and One Day" is a like a play with songs shoehorned in as none of them forward the story but take the emotional temperature of the characters instead. Wi…

SOURCE: www.theaterscene.net at 05:13PM[SHARE]
Friday, April 20, 2018

King Lear (Royal Shakespeare Company) by Victor Gluck, Editor-In-Chief

The Royal Shakespeare Company's latest "King Lear," as directed by Gregory Doran, is one that needs no explanation and no program notes. At one and the same time both medieval and contempora…

SOURCE: www.theaterscene.net at 03:19PM[SHARE]
Wednesday, April 18, 2018

ms. estrada by Victor Gluck, Editor-In-Chief

The Q Brothers Collective (made up of GQ, JQ, Jackson Doran and Postell Pringle) is best known in New York for their hip hop variations on Shakespeare: "Othello: The Remix" in 2016 and "The …

SOURCE: www.theaterscene.net at 04:41PM[SHARE]
Monday, April 16, 2018

Lobby Hero by Victor Gluck, Editor-In-Chief

Ethical integrity versus moral turpitude is the theme of Kenneth Lonergan's "Lobby Hero" now having its Broadway debut at The Second Stage's newly renovated home, The Helen Hayes Theater. Al…

SOURCE: www.theaterscene.net at 01:19PM[SHARE]
Thursday, April 12, 2018

The Edge of Our Bodies by Victor Gluck, Editor-In-Chief

Rapp's plays are so different from each other that it is difficult to classify him. As of now he has written conventional dramas, experimental plays, futuristic and science fiction plays, an…

SOURCE: www.theaterscene.net at 02:35PM[SHARE]
Tuesday, April 10, 2018

Frozen by Victor Gluck, Editor-In-Chief

Disney Theatrical Productions' long anticipated stage version of the beloved animated film "Frozen" has arrived on Broadway in a lavish and faithful version of the screenplay by Jennifer Lee…

SOURCE: www.theaterscene.net at 01:35PM[SHARE]
Sunday, April 8, 2018

Feeding the Dragon by Victor Gluck, Editor-In-Chief

Under the assured direction of Maria Mileaf in a production which started at the Hartford Stage earlier this year, Sharon Washington is a captivating and entertaining presence both as she na…

SOURCE: www.theaterscene.net at 11:34PM[SHARE]
Friday, April 6, 2018

The Stone Witch by Victor Gluck, Editor-In-Chief

Lauria, best known for his work on "The Wonder Years," makes Simon an immensely private and enigmatic figure. His erratic behavior changes by the moment, keeping Peter (and us) guessing. We …

SOURCE: www.theaterscene.net at 04:31PM[SHARE]
Wednesday, April 4, 2018

Bedlam's Pygmalion by Victor Gluck, Editor-In-Chief

Scenic designer John McDermott has turned the black box space at the Sheen Center into an intimate amphitheater with the audience sitting around three sides of Higgins' laboratory/study with…

SOURCE: www.theaterscene.net at 12:30AM[SHARE]
Monday, April 2, 2018

Babette's Feast by Victor Gluck, Editor-In-Chief

aithful to the story and like the film, this stage adaptation uses narration from Dinesen's story. However, not only are the actors used as storytellers, some of the characters also narrate …

SOURCE: www.theaterscene.net at 04:16PM[SHARE]
Tuesday, March 27, 2018

Admissions by Victor Gluck, Editor-In-Chief

"Admissions" is often very funny like when Sherri has to try to explain why Melville's Moby Dick is not being taught anymore (a book about a white whale by a dead white guy) and when Charlie…

SOURCE: www.theaterscene.net at 03:16PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off