All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Friday, November 10, 2017

Of Thee I Sing (MasterVoices) by Victor Gluck, Editor-In-Chief

Leave it to George S. Kaufman and collaborator Morrie Ryskind (the Marx Brothers’ "The Cocoanuts," "Animal Crackers," "A Night at the Opera" as well as the Gershwins’ "Strike Up the Band…

SOURCE: www.theaterscene.net at 03:05PM
Wednesday, November 1, 2017

Knives in Hens by Victor Gluck, Editor-In-Chief

While the script describes the setting as simply a “rural place,” British and European productions apparently have set the play in medieval times. It is definitely pre-industrial as the …

SOURCE: www.theaterscene.net at 11:51PM
Monday, October 30, 2017

Occupied Territories by Victor Gluck, Editor-In-Chief

Well-meaning and sincere," Occupied Territories" is both generic and stereotyped, offering a story television and the movies have been offering for years: the traumatic effect of a father’…

SOURCE: www.theaterscene.net at 03:50PM
Thursday, October 26, 2017

Dolores Claiborne by Victor Gluck, Editor-In-Chief

King’s "Dolores Claiborne" would seem a strange choice for dramatization as the book is a monologue told entirely by its protagonist at a police interrogation over a murder on Little Tall …

SOURCE: www.theaterscene.net at 11:20AM
Tuesday, October 24, 2017

Bells Are Ringing by Victor Gluck, Editor-In-Chief

Boycott gets to sing a bounty of scintillating songs including “It’s A Perfect Relationship,” “Is It A Crime?,” “I’m Goin’ Back” and her duets with Heuser in “Better Than…

SOURCE: www.theaterscene.net at 01:00PM
Monday, October 23, 2017

Lonely Planet by Victor Gluck, Editor-In-Chief

In Jonathan Silverstein’s production, Arnie Burton and Matt McGrath as two friends who handle their fears of an unnamed epidemic in opposite ways do not seem to connect as real friends wou…

SOURCE: www.theaterscene.net at 10:52PM
Saturday, October 21, 2017

Measure for Measure (Elevator Repair Service) by Victor Gluck, Editor-In-Chief

Director John Collins, founder of ERS, has set the play in an office or conference room with three long tables (in Jim Findlay’s design which eventually grows tiresome)  and a great many …

SOURCE: www.theaterscene.net at 09:45AM
Thursday, October 19, 2017

The Home Place by Victor Gluck, Editor-In-Chief

It is possible to enjoy Brian Friel’s "The Home Place" without knowing the background to this historical play set in rural Ireland in 1878 as a Chekhovian representation of a world about t…

SOURCE: www.theaterscene.net at 11:34PM
Wednesday, October 18, 2017

Mud by Victor Gluck, Editor-In-Chief

While the acting is compelling, the threesome does not reveal many layers to their characters; they establish a persona and stick to it, without divulging any further information. As Mae, Ni…

SOURCE: www.theaterscene.net at 11:21PM
Friday, October 13, 2017

Desperate Measures by Victor Gluck, Editor-In-Chief

While not all musicals from Shakespeare have worked and updates are particularly risky, "Desperate Measures" avoids all of the pitfalls and is a refreshing and satisfying work in its own rig…

SOURCE: www.theaterscene.net at 11:14PM

Androboros: Villain of the State by Victor Gluck, Editor-In-Chief

Director Ralph Lewis, apparently not trusting the material – or finding the play too dated – has staged a carnival-esque version (adapted by S.M. Dale in June 2016) which includes 16 son…

SOURCE: www.theaterscene.net at 03:37PM
Tuesday, October 10, 2017

The Apple Tree by Victor Gluck, Editor-In-Chief

Part of the problem is the lack of innovation in Ray Roderick’s staging in this show which calls out for invention and clever handling of sets and props. Devin Vogel’s colorless stage de…

SOURCE: www.theaterscene.net at 09:40PM

The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord by Victor Gluck, Editor-In-Chief

Although director Kimberly Senior who also piloted the Chicago production has staged the play with elegance, she never really turns up the heat so that there are not many sparks in Carter’…

SOURCE: www.theaterscene.net at 11:29AM
Thursday, October 5, 2017

The Show-Off by Victor Gluck, Editor-In-Chief

The central character is actually Mrs. Fisher who worries about her children and plots to open Amy’s eyes to her husband’s faults. Unfortunately, Annette O’Toole has been directed to p…

SOURCE: www.theaterscene.net at 11:42PM
Wednesday, October 4, 2017

Puffs, or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic by Victor Gluck, Editor-In-Chief

The new story concerns Wayne Hopkins, an American boy whose parents die tragically and his Uncle Dave informs him that he is a wizard and must attend a special school in England. Wayne is so…

SOURCE: www.theaterscene.net at 04:53PM
Monday, October 2, 2017

As You Like It (CSC) by Victor Gluck, Editor-In-Chief

Known as the Shakespeare play with the most song lyrics, the production also includes a deliciously bouncy new score by Stephen Schwartz in different musical styles from the 1920’s – 195…

SOURCE: www.theaterscene.net at 08:40PM
Thursday, September 28, 2017

Charm by Victor Gluck, Editor-In-Chief

Chicago playwright Philip Dawkins makes a memorable New York debut with an involving and engrossing play which at the performance under review you could have heard a pin drop, so rapt was th…

SOURCE: www.theaterscene.net at 04:33PM
Saturday, September 23, 2017

The Climbers by Victor Gluck, Editor-In-Chief

The play isn’t just about social climbers but those who want to game the system and live beyond their income, and their sense of entitlement rivals that of the 1990’s. However, this is 1…

SOURCE: www.theaterscene.net at 05:20PM
Thursday, September 21, 2017

On the Shore of the Wide World by Victor Gluck, Editor-In-Chief

Neil Pepe’s production of Simon Stephens’ "On the Shore of the Wide World" will not please all. The pace is consciously slow – like the life lived by these characters. However, the wai…

SOURCE: www.theaterscene.net at 11:28PM
Sunday, September 17, 2017

The Sorcerer (New York Gilbert & Sullivan Players) by Victor Gluck, Editor-In-Chief

This 1877 operetta, now celebrating its 140th anniversary, has been reduced to the nine major roles and the chorus has been eliminated. The result is a streamlined version that moves along a…

SOURCE: www.theaterscene.net at 06:35PM

Loveless Texas by Victor Gluck, Editor-In-Chief

Although the plot has been reset in Loveless, Texas and New Orleans, Louisiana, circa 1929, it is an improvement over the original story as a romantic comedy: Shakespeare’s version ends wi…

SOURCE: www.theaterscene.net at 01:44PM
Wednesday, September 13, 2017

The Baroness – Isak Dinesen’s Final Affair by Victor Gluck, Editor-In-Chief

As Blixen, Pelletier is riveting as she wraps her cocoon around the unsuspecting but susceptible young man. Catlike and sinuous as she stalks him and the stage, she is cajoling, seductive, m…

SOURCE: www.theaterscene.net at 11:08PM
Sunday, September 10, 2017

La Fanciulla del West (New York City Opera) by Victor Gluck, Editor-In-Chief

The newly reconstituted New York City Opera opened its second full season with a shared production of Puccini’s rarely performed "La Fanciulla del West" created in collaboration with the T…

SOURCE: www.theaterscene.net at 10:44PM
Sunday, September 3, 2017

Inanimate by Victor Gluck, Editor-In-Chief

Performed by The Bats, the resident company of The Flea Theater, the world premiere of "Inanimate" is the inaugural production in their new home on Thomas Street, between Church and Broadway…

SOURCE: www.theaterscene.net at 09:40PM
Sunday, August 27, 2017

The Suitcase Under the Bed by Victor Gluck, Editor-In-Chief

Exquisitely produced by the Mint Theater, Jonathan Bank’s direction is leisurely and slow, which undercuts the theatricality of all but the last and the most satisfying one, 'The King of S…

SOURCE: www.theaterscene.net at 11:15PM
Saturday, August 12, 2017

Summer Shorts 2017: Festival of New American Short Plays – Series B by Victor Gluck, Editor-In-Chief

While the three plays in Summer Shorts 2017: Festival of New American Short Plays – Series B have been given proficient productions each seems ultimately unsatisfactory. All seem like firs…

SOURCE: www.theaterscene.net at 09:38PM
Friday, August 11, 2017

A Parallelogram by Victor Gluck, Editor-In-Chief

Bruce Norris’ "A Parallelogram" endeavors to explore some sobering facts about the effect of the future on the present and responsibility to others. Unfortunately, the play ends up being l…

SOURCE: www.theaterscene.net at 09:19PM
Tuesday, August 8, 2017

Jerry’s Girls by Victor Gluck, Editor-In-Chief

The revival at the York is being seen in yet a new version of the show that began as a cabaret in 1981 and went to Broadway in 1985. Created by director Larry Alford, choreographer Wayne Alf…

SOURCE: www.theaterscene.net at 04:31PM
Saturday, August 5, 2017

A Midsummer Night’s Dream (Shakespeare in the Park) by Victor Gluck, Editor-In-Chief

Although the physical production has been well-thought-out, the script seems to have no interpretation other than a great deal of slapstick comedy which does not much register. The cast vari…

SOURCE: www.theaterscene.net at 05:50PM
Wednesday, August 2, 2017

Summer Shorts 2017: Festival of New American Short Plays – Series A by Victor Gluck, Editor-In-Chief

"Acolyte" by Graham Moore, Academy Award winner for his 2013 screenplay for "The Imitation Game," is a more substantial play than the other two. Based on an historical occurrence in 1954, it…

SOURCE: www.theaterscene.net at 01:35PM
Monday, July 31, 2017

Singing Beach by Victor Gluck, Editor-In-Chief

Aside from the destructive nature of the storm and that the "Pegasus" eventually arrives at a desert shore, there isn’t much to be learned about climate change. We never know if Sleeper lo…

SOURCE: www.theaterscene.net at 08:36PM

All that Chat