A crowd of up to 12,000 will gather to watch Lydia R. Diamond’s play, about the first woman to play in the Negro Leagues, on the Nationals Park video scoreboard.
SOURCE: Washington Post at 10:06AMLydia R. Diamond’s play tells the story of the first woman to play full-time professional baseball.
SOURCE: Washington Post at 04:18PMKathy Dillaber, who lost her sister at the Pentagon on 9/11, found connection and catharsis in the hit musical, which will be performed at the Lincoln Memorial on Sept. 10.
SOURCE: Washington Post at 10:24AMJames Ijames’s play strikes a chord but is overburdened by its scattered ambitions.
SOURCE: Washington Post at 04:48PMThe streaming production, shot across various locations in the D.C. area, overcomes some technical mishaps with ambitious staging and a top-notch cast.
SOURCE: Washington Post at 01:24PMMohegan playwright Madeline Sayet’s solo performance, finely captured on screen, raises poignant questions about colonialism and cultural genocide.
SOURCE: Washington Post at 06:36AMSummer season of 50 performances opens with Afrofuturistic production of “A Midsummer Night’s Dream.”
SOURCE: Washington Post at 10:18AMNominated for a Tony in “Hamilton,” the actor appears in Signature Theatre’s ‘After Midnight,” and not for the first time.
SOURCE: Washington Post at 09:18AMStudio Theatre’s “Until the Flood,” Signature Theatre’s “Midnight at the Never Get” and Arena Stage’s “A More Perfect Union” excel in the absence of in-person attendance.
SOURCE: Washington Post at 01:03PMHow covid restrictions have redefined ‘putting on a show’ for one theater.
SOURCE: Washington Post at 11:03AM“Until the Flood,” by Dael Orlandersmith, looks at systemic racism from multiple perspectives.
SOURCE: Washington Post at 09:54AMThe “Ma Rainey’s Black Bottom” actor passes the torch to a more age-appropriate actor for this filmed revival of his one-man memoir.
SOURCE: Washington Post at 10:06AMActor Patrick Page (‘Hadestown’) performs a streaming version of his one-man show for the Shakespeare Theatre Company.
SOURCE: Washington Post at 10:18AMThe musical revue, filmed under coronavirus safety protocols, includes tunes from the Sondheim canon, a staple of the Arlington company.
SOURCE: Washington Post at 07:12AMLauren Gunderson’s “The Catastrophist” is loosely based on Wolfe’s book “The Viral Storm.”
SOURCE: Washington Post at 08:24AMFilm version of actor Paul Morella’s one-man take on Dickens to be made available online.
SOURCE: Washington Post at 09:54AMThe company has partnered with Marquee TV to stream four new works.
SOURCE: Washington Post at 08:03AMThe Columbia Height theater will stage reduced-capacity shows as part of a pilot program.
SOURCE: Washington Post at 11:18AME. Faye Butler is magnetic as the titular voting rights activist in a production at the Wharf in Southwest.
SOURCE: Washington Post at 02:03PMPlaywright-performer Psalmayene 24 explores his relationship with his late father in his work in progress ‘Dear Mapel.’
SOURCE: Washington Post at 08:12AMProduced in collaboration with the Telephonic Literary Union, the ‘audio anthology’ expands theatrical boundaries with four original works.
SOURCE: Washington Post at 04:54PMFour winners from this year’s Helen Hayes Awards discuss the state of the D.C. theater community as the pandemic keeps live productions on hold.
SOURCE: Washington Post at 06:48AMD.C.’s Seaton Smith headlines two shows at the newly reopened comedy club.
SOURCE: Washington Post at 12:54PMArea theater students produce audio versions of three classic plays after traditional summer repertory season is canceled.
SOURCE: Washington Post at 11:54AMThe Alden Theatre’s “Small Change” is a hybrid of the drive-in and live performance.
SOURCE: Washington Post at 11:03AMThe School of Theatre, Dance and Performance Studies reinvents Qui Nguyen’s play as a live-streamed production.
SOURCE: Washington Post at 12:36PMZack Zaromatidis, who plays a World War II veteran in the touring musical, discovered a great-uncle who fought in the Pacific theater.
SOURCE: Washington Post at 10:32AM‘Exquisite Agony’ and ‘Celia and Fidel’ spotlight the work of Cuban American playwrights.
SOURCE: Washington Post at 01:18PMDavid Seidler’s play, which premiered in London following the film’s success, is underwhelming in its visit to the National Theatre.
SOURCE: Washington Post at 08:03PMFirst-time director Tracy Lynn Olivera oversees a talented collection of comic performers at the Silver Spring Black Box Theatre.
SOURCE: Washington Post at 03:03PMThe prolific 35-year-old’s latest project, after “Cabaret” and “Peter Pan and Wendy,” is “Spring Awakening” at Round House.
SOURCE: Washington Post at 12:06PM