All stories by Susannah Clapp on BroadwayStars

Sunday, December 6, 2015

Linda review – Noma Dumezweni is a knockout by Susannah Clapp

Royal Court, LondonPenelope Skinner’s play about the invisibility of older women is fierce and rousing, and certainly doesn’t suffer from the loss of original lead Kim CattrallIt is not …

SOURCE: The Guardian at 03:37AM
Sunday, November 29, 2015

The Homecoming review – a great simmerer that keeps coming to the boil by Susannah Clapp

Trafalgar Studios, LondonHarold Pinter’s study of power and sex has lost none of its ferocityFor all the difference in idiom, you can see echoes of Ibsen in the ferocious power-and-sex pla…

SOURCE: The Guardian at 03:10AM

Little Eyolf review – more clear, bleak Ibsen from Richard Eyre by Susannah Clapp

Almeida, LondonLydia Leonard excels in Ibsen’s masterly study of how unhappiness corrodesHenrik Ibsen is routinely described as the father of realism and the father of modern drama. It is …

SOURCE: The Guardian at 03:10AM

Ben Hur review – more panto than Pinter by Susannah Clapp

Tricycle, LondonPatrick Barlow follows up his hit adaptation of The 39 Steps with a pocket-sized interpretation of the 50s biblical film epicPatrick Barlow’s adaptation of The 39 Steps, at…

SOURCE: The Guardian at 03:10AM
Sunday, November 22, 2015

The Illusionists review – be very amazed by Susannah Clapp

Shaftesbury, London This garish sleight-of-hand variety show would work better on the tellyOh, the difference there can be between magical and magic. The Illusionists is a sleight-of-hand va…

SOURCE: The Guardian at 03:12AM

I Want My Hat Back review – inspired, homespun magic by Susannah Clapp

Temporary theatre, National Theatre, London Jon Klassen’s children’s story takes to the stage with just a touch of gore and much joyful audience participationI am not sure what my best b…

SOURCE: The Guardian at 03:12AM

Henry V review – robust and clear by Susannah Clapp

Barbican, LondonOliver Ford Davies as Chorus outshines Alex Hassell’s restrained Henry in Gregory Doran’s measured productionThere is a kind of conjuring in Gregory Doran’s production …

SOURCE: The Guardian at 03:12AM
Sunday, November 8, 2015

Theatre review roundup: Oliver! and Roaring Trade by Susannah Clapp

It's already a smash hit, but this telly-hyped Oliver! just reheats tired clichés that belong in the 1960sOliver!Theatre Royal Drury Lane, London WC2 Roaring TradeSoho, London Continu…

SOURCE: The Guardian at 08:54PM

The Moderate Soprano review – David Hare’s romantic side by Susannah Clapp

Hampstead theatre, LondonRoger Allam and Nancy Carroll hit all the right notes in David Hare’s play about the founders of GlyndebourneThe soprano in David Hare’s new play has nothing of …

SOURCE: The Guardian at 03:06AM

3 Stages for Lazarus review – God’s relationship with man, puppet style by Susannah Clapp

JW3, LondonLaz’s struggles with his wasting limbs are especially poignant in this adaptation by the late Christopher LeithThis year, the Suspense festival of puppetry has included an adapt…

SOURCE: The Guardian at 03:06AM

As You Like It review – out with merriment, in with humour by Susannah Clapp

Olivier, LondonPolly Findlay’s ingenious reimagining of Shakespeare’s pastoral comedy is a visual and aural delightAs You Like It? Absolutely. But not as it has been seen before. Polly F…

SOURCE: The Guardian at 03:06AM
Sunday, November 1, 2015

Husbands & Sons review – Lawrence in the flesh by Susannah Clapp

Dorfman, London Characters burst into vivid life in Marianne Elliott’s powerful evocation of DH Lawrence’s mining townTo make an audience feel it is watching not just one uncurling episo…

SOURCE: The Guardian at 03:24AM

RoosevElvis review – when Presley meets Roosevelt by Susannah Clapp

Royal Court, London Troubling notes emerge on contemporary American life, complete with Hound Dog, pig shark and Thelma and LouiseRoosevElvis is the latest time-hopping, gender-mashing, genr…

SOURCE: The Guardian at 03:24AM

The Hairy Ape review – Carvel is a man of steel by Susannah Clapp

Old Vic, LondonEugene O Neill’s 1922 anti-capitalist drama gains extra muscle from Bertie Carvel’s superb performance as the wounded, inarticulate stoker, YankAs manufacturing industry …

SOURCE: The Guardian at 03:24AM
Friday, October 23, 2015

Young Chekhov: The Birth of a Genius review – a lively marathon by Susannah Clapp

Chichester Festival theatreDavid Hare’s vibrant reboots of three early plays bring out the wilder side of ChekhovThis is a season of theatrical marathons. At Kingston, The Wars of the Rose…

SOURCE: The Guardian at 10:28AM

A Wolf in Snakeskin Shoes review – treads too softly by Susannah Clapp

Tricycle theatre, LondonMarcus Gardley’s reworking of Molière’s Tartuffe has spark, but lacks driveTwo or three speeches in A Wolf in Snakeskin Shoes have a rare sumptuousness, a lip-sm…

SOURCE: The Guardian at 10:28AM
Sunday, October 18, 2015

Measure for Measure review – a 21st-century vision of a medieval hell by Susannah Clapp

Young Vic, LondonA fast and furious staging of one of Shakespeare’s ‘problem’ plays retains a dark heart despite its comic toneThe opening scene of Joe Hill-Gibbins’s staging of Meas…

SOURCE: The Guardian at 03:41AM

Barbarians review – still angry after all these years by Susannah Clapp

Former Central St Martins School of Art, LondonThe Soho site of the Sex Pistols’ first gig provides the perfect venue for this storming revival of Barrie Keeffe’s trilogy on troubled you…

SOURCE: The Guardian at 03:41AM

The Crucible review – moves to the beat of a courtroom drama by Susannah Clapp

Bristol Old VicA fiery new production of Arthur Miller’s masterpiece returns to the stage of its 1954 British premiereIn the centenary year of Arthur Miller’s birth, his play about the S…

SOURCE: The Guardian at 03:41AM
Sunday, October 11, 2015

The Father review – touching journeys in a shifting mindscape by Susannah Clapp

Wyndham’s, LondonFlorian Zeller’s study of dementia continues to enthralHow could I have forgotten the kiss? I thought each skewering moment of The Father was indelibly registered. But t…

SOURCE: The Guardian at 03:20AM

The Wars of the Roses review – a revival that’s more pageant than revolution by Susannah Clapp

Rose theatre, Kingston upon ThamesTrevor Nunn’s staging of the RSC’s bold 1960s Shakespeare adaptation lacks the original’s daring, though there are some fine turns in the lead rolesWh…

SOURCE: The Guardian at 03:20AM
Sunday, October 4, 2015

The Odyssey: Missing Presumed Dead review – Homer past and present by Susannah Clapp

Everyman, LiverpoolSimon Armitage and Nick Bagnall’s time-slip take on the Greek epic makes some topical political pointsThe Odyssey: Missing Presumed Dead claims Homer as the bard of shif…

SOURCE: The Guardian at 04:43AM

Medea review – a female voice both ancient and modern by Susannah Clapp

Almeida, LondonKate Fleetwood stuns in the title role of Rachel Cusk’s fierce and intelligent adaptationHas Homer become our new Shakespeare? Are the ancients our new contemporaries? As th…

SOURCE: The Guardian at 04:43AM

Tipping the Velvet review – top talent, shame about the sex by Susannah Clapp

Lyric Hammersmith, LondonLaura Wade’s adaptation of Sarah Waters’s best-selling lesbian love story lacks ardour in both its politics and songsThere is a carnival of talent in Tipping the…

SOURCE: The Guardian at 04:43AM
Sunday, September 27, 2015

Hangmen review – a tremendous, terrifying return by Martin McDonagh by Susannah Clapp

Royal Court, LondonMartin McDonagh’s first play in more than a decade, with electric performances from David Morrissey and Reece Shearsmith, should be the Royal Court’s new JerusalemMart…

SOURCE: The Guardian at 05:22AM

Jane Eyre review – aflame with passion and madness by Susannah Clapp

Lyttelton, LondonSally Cookson’s bold, tumultuous reimagining of Charlotte Brontë’s novel is a feast for the sensesSally Cookson presents a picture of exultant feminism in Jane Eyre. Fo…

SOURCE: The Guardian at 04:09AM

Mr Foote’s Other Leg review – gusto and sorrow at the dawn of celebrity by Susannah Clapp

Hampstead, London Simon Russell Beale is a delight as the one-legged 18th-century dramatist who turned fame into an art form in Richard Eyre’s rumbustious productionYou don’t often see a…

SOURCE: The Guardian at 04:09AM
Sunday, September 20, 2015

Photograph 51 review – ‘Kidman moves like a laser beam through the action’ by Susannah Clapp

Noël Coward, LondonNicole Kidman’s precise, contained performance as Rosalind Franklin and Michael Grandage’s vivid production make the most of a sketchy playNot so much theatrical Viag…

SOURCE: The Guardian at 03:06AM

Kinky Boots review – high-kicking and colourful, but not quite the perfect pair by Susannah Clapp

Adelphi, LondonThe costumes and choreography are full of brio, but a dull central character drags down this tale of transformative footwearAt the end, Kinky Boots comes together, in a battal…

SOURCE: The Guardian at 03:06AM
Sunday, September 6, 2015

People, Places & Things review – a career-changing performance by Susannah Clapp

Dorfman, London SE1The extraordinary Denise Gough electrifies as a raging, terrified addictThis is the week when a tremendous actor gets the recognition she deserves. It is not that Denise G…

SOURCE: The Guardian at 03:43AM

Absent review – sumptuous but saddening by Susannah Clapp

Shoreditch town hall, London EC1The life of the colourful Duchess of Argyll is marvellously evoked through a series of underground installations, but the human absence is palpableThese days,…

SOURCE: The Guardian at 03:43AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime