All stories by Sarah Crompton on BroadwayStars

Sunday, July 31, 2016

Don Quixote review – the Bolshoi puts its best foot forward by Sarah Crompton

Royal Opera House, LondonStrutting matadors, fiery señoritas and outstanding soloists show the scandal-hit company at its virtuoso bestWhen I was first learning about ballet as a child I re…

SOURCE: The Guardian at 04:01AM
Saturday, July 16, 2016

The Taming of the Shrew – a show of unity from the Bolshoi by Sarah Crompton

When crisis hit the Bolshoi, choreographer Jean-Christophe Maillot assumed his new production would be postponed. In fact, he tells Sarah Crompton, his ballet has united a divided company“…

SOURCE: The Guardian at 07:03AM
Friday, July 1, 2016

Carlos Acosta in Cuba: a revolutionary movement by Sarah Crompton

This summer Sadler’s Wells stages a season of Cuban dance. Sarah Crompton travels to the island to talk to returning hero Carlos Acosta about setting up a new company in a society on the v…

SOURCE: The Guardian at 07:01AM
Sunday, June 19, 2016

Aladdin review – charisma and crackle by Sarah Crompton

Prince Edward theatre, LondonDisney’s Broadway hit is an energetic, Lurex-lined extravaganzaDisney’s Aladdin, arriving in the West End two years after its Broadway debut, is a strangely …

SOURCE: The Guardian at 03:34AM
Sunday, June 5, 2016

JK Rowling: ‘Harry Potter’s world is always in my head’ by Sarah Crompton

The author, director John Tiffany and playwright Jack Thorne spent two years collaborating on The Cursed Child. On the eve of the theatrical event of the year, they discuss bringing the Pott…

SOURCE: The Guardian at 05:54AM
Friday, April 8, 2016

What is the appeal of Islamic State to young people? by Sarah Crompton

Guantánamo and the 2011 UK riots are subjects on which director Nicolas Kent and novelist Gillian Slovo have collaborated. But what was it like to work on their most provocative challenge?I…

SOURCE: The Guardian at 07:11AM
Saturday, March 5, 2016

From floodlights to footlights: why sport is winning out at the theatre by Sarah Crompton

Whether it’s Richard Bean’s new snooker drama at the Sheffield Crucible or plays about cycling or football managers, sport is coming to a theatre near you. So why has it become such fert…

SOURCE: The Guardian at 06:12AM
Saturday, February 13, 2016

Girl, uninterrupted: staging Eimear McBride’s chaotic masterpiece by Sarah Crompton

With its claustrophobic style and dark subject matter, could the Baileys-winning smash A Girl Is a Half-formed Thing ever succeed as theatre? Sarah Crompton discovers a show that redefines �…

SOURCE: The Guardian at 06:03AM
Sunday, January 17, 2016

Sexism on the stage – meet the women tearing up the script by Sarah Crompton

This year, London’s Royal Court will be rich with female playwrights, in a break from centuries of male dominance of the stage. Here, the artistic director and several leading writers set …

SOURCE: The Guardian at 03:39AM
Friday, January 8, 2016

Akram Khan: I’m terrified that my body will give in by Sarah Crompton

The choreographer performed in Peter Brook’s legendary stage production of The Mahabharata as a child. As he prepares a new dance version of the Indian classical stories, he explains why h…

SOURCE: The Guardian at 07:43AM
Friday, November 27, 2015

David Morrissey interview: ‘When I told my parents I wanted to be an actor it was like telling them I wanted to be an astronaut’ by Sarah Crompton

The actor and producer on leaving school at 16, speaking out on politics and finding the humour in playing a hangman ‘You’re the baddest baddass ever,” the man says, enthusiastically s…

SOURCE: The Guardian at 02:15PM
Friday, October 23, 2015

Kenneth Branagh: putting guilt on the stage by Sarah Crompton

John Osborne the ‘young crusader’ and Terence Rattigan the ‘old fogey’ is a given of theatrical history. But there are many similarities between the playwrightsThe first night of the…

SOURCE: The Guardian at 10:28AM
Saturday, October 17, 2015

Romeo and Juliet: how ballet gets to the heart of Shakespeare by Sarah Crompton

Why does Romeo and Juliet translate so well to dance? Sarah Crompton sits in on rehearsals at both the Royal Ballet and English National Ballet to see the celebrated tragedy dramatically res…

SOURCE: The Guardian at 02:46AM
Friday, September 25, 2015

Rufus Norris: how the National Theatre needs to change by Sarah Crompton

As Norris announces his first NT season as director, he talks about arts cuts, diversity, life after War Horse and enticing an audience into a ‘broad church’Theatres, like schools, take …

SOURCE: The Guardian at 07:34AM
Sunday, September 6, 2015

Dana Fouras and Russell Maliphant: back in step by Sarah Crompton

Ten years ago Dana Fouras gave up a feted career dancing with her husband the choreographer Russell Maliphant to look after their young family. Now she’s back, and here they talk about bei…

SOURCE: The Guardian at 05:04AM
Sunday, August 2, 2015

Cubanía review – where next for Carlos Acosta? by Sarah Crompton

Royal Opera House, LondonCarlos Acosta is going to have to dig deeper than this decorous, Cuban-inflected showcase in his imminent transition from ballet to contemporary danceCarlos Acosta i…

SOURCE: The Guardian at 04:16AM
Friday, July 31, 2015

Why Benedict Cumberbatch is luckier than Richard Burton by Sarah Crompton

After Sherlock and Star Trek, Cumberbatch is now about to play Hamlet. It was all so different for a previous generation of actors, for whom stardom on the screen meant the end of a career o…

SOURCE: The Guardian at 08:08AM
Friday, July 10, 2015

Mikhail Baryshnikov: why I finally agreed to play Nijinsky by Sarah Crompton

After being asked more than 15 times over the years to play the role of Diaghilev’s provocative virtuoso, the Russian dancer Mikhail Baryshnikov has finally taken a leap of faith. So what …

SOURCE: The Guardian at 07:20AM
Monday, May 25, 2015

Farm Boy, Assembly Rooms, Edinburgh, review by Sarah Crompton

Morpurgo is a master story-teller and slowly, in this clever adaptation his words begin to grip.

SOURCE: Telegraph at 05:58PM

David Hare: 'I never regret turning down Hollywood' by Sarah Crompton

As a season of his work opens in Sheffield, David Hare tells Sarah Crompton why theatre will always be his first love.

SOURCE: Telegraph at 05:58PM
Saturday, May 16, 2015

Ballet icon Sylvie Guillem retirement interview: 'I knew for a long time that I had to stop' by Sarah Crompton

This year will mark the end of Sylvie Guillem's astonishing 30-plus years as one of the world's foremost ballet dancers. Sarah Crompton meets her as she prepares to bring her farewell tour t…

SOURCE: The Telegraph at 02:00AM
Saturday, March 7, 2015

Elevated visions: how William Forsythe changed the face of dance by Sarah Crompton

Forsythe’s 1987 ballet In the Middle, Somewhat Elevated was commissioned by Rudolf Nureyev and starred the young Sylvie Guillem – and it electrified the ballet world. So what made this w…

SOURCE: The Guardian at 03:00AM
Wednesday, December 17, 2014

Dance review of 2014: what is the purpose of this art form? by Sarah Crompton

Dance should celebrate ambition, not just the beauty of motion, says Sarah Crompton

SOURCE: The Telegraph at 02:00AM
Thursday, December 11, 2014

An American in Paris, Théâtre du Châtelet, Paris by Sarah Crompton

Directing his first musical, in Paris, Royal Ballet choreographer Christopher Wheeldon has triumphed yet again, says Sarah Crompton

SOURCE: The Telegraph at 10:29AM
Friday, November 28, 2014

Dancing Away: photographs by Mikhail Baryshnikov by Sarah Crompton

Mikhail Baryshnikov, former dancer and Sex and the City star, has turned his hand to photography

SOURCE: The Telegraph at 10:00AM
Wednesday, November 5, 2014

DV8's John, National Theatre, review: 'bravely confrontational' by Sarah Crompton

When the spotlight is on John himself, the work is simply devastating in its impact and empathy, says Sarah Crompton

SOURCE: The Telegraph at 12:33PM
Tuesday, November 4, 2014

Sylvie Guillem: the greatest female dancer I have ever seen by Sarah Crompton

Sylvie Guillem will be missed when she retires, says Sarah Crompton

SOURCE: The Telegraph at 09:19AM
Saturday, November 1, 2014

Thomas Adès: See the Music, Hear the Dance, review, Sadler's Wells: 'an extraordinary feat' by Sarah Crompton

Thomas Adès music is realised on a grand scale in this exhilaratingly imaginative production, says Sarah Crompton

SOURCE: The Telegraph at 09:20AM
Friday, October 24, 2014

A Harlem Dream, Young Vic, review: 'snappy storytelling' by Sarah Crompton

This imaginative tale of Deep South dancers marks rising star Ivan Blackstock as a man to watch, says Sarah Crompton

SOURCE: The Telegraph at 01:17PM
Saturday, October 18, 2014

Our Town, Almeida, review: 'as flat as a breakfast pancake' by Sarah Crompton

This evocation of small-town America never really gets off the ground, says Sarah Crompton

SOURCE: The Telegraph at 10:13AM
Wednesday, October 1, 2014

Manon, Royal Ballet, Covent Garden, review: 'convincing and exciting' by Sarah Crompton

Francesca Hayward as Manon completely inhabits the decadent world of 18th-century Paris, says Sarah Crompton

SOURCE: The Telegraph at 07:52AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre