All stories by Sanjoy Roy on BroadwayStars

Sunday, March 2, 2014

Candoco: Miniature/Two for C/Notturnino review – wrestlers' masks and glittery shoes in triple bill by Sanjoy Roy

Laban theatre, LondonThe company of disabled and non-disabled dancers presented three stimulating works – from living-doll cameos and gladiatorial rituals to a study of human vulnerability…

SOURCE: The Guardian at 09:53AM
Monday, February 24, 2014

Musicals we love: Some Like It Hip Hop by Sanjoy Roy

Zoo Nation's rhythmic fireworks and soulful music make you want to get up and dance• Read more from the Musicals we love seriesDespite breaking box-office records for a West End dance show…

SOURCE: The Guardian at 04:00AM
Friday, February 14, 2014

Ignis – review by Sanjoy Roy

Print Room, LondonThe second in Hubert Essakow's trilogy conjures a love triangle through vignettes fired by fantasy, rivalry and remembranceThe second of Hubert Essakow's planned trilogy of…

SOURCE: The Guardian at 10:18AM
Sunday, November 24, 2013

Michael Clark Company – review by Sanjoy Roy

Barbican, LondonScritti Politti meets pilates and punk in Clark's focused triple bill, exploring the tension between formality and urgent energyCharacteristically, Michael Clark's All Three …

SOURCE: The Guardian at 08:31AM
Wednesday, November 13, 2013

De Oscuro: Mac//Beth – review by Sanjoy Roy

Royal Opera House, LondonShakespearean English meets Welsh in this curious multimedia Macbeth with fascinating – and curious – resultsJudith Roberts's Cardiff-based company De Oscuro spe…

SOURCE: The Guardian at 08:17AM
Monday, November 11, 2013

Royal Ballet: Chroma/The Human Seasons/The Rite of Spring – review by Sanjoy Roy

Royal Opera House, LondonOne of Wayne McGregor's most enjoyable works begins a mixed evening that concludes with Kenneth MacMillan's crude interpretation of StravinskyIt may be called Chroma…

SOURCE: The Guardian at 08:30AM
Friday, October 11, 2013

Dance Umbrella: Trisha Brown Dance Company – review by Sanjoy Roy

Central Saint Martins, LondonThe works in Trisha Brown's farewell tour are a bracing pleasure to watchLate last year, pioneering American choreographer Trisha Brown announced she'd be retiri…

SOURCE: The Guardian at 07:54AM
Friday, September 20, 2013

How black dancers brought a new dynamism to British dance by Sanjoy Roy

An exhibition in Liverpool aims to acknowledge the richness of black dance in Britain, from the 1940s to the present day"Like Britain itself," says dance history professor Ramsay Burt, "Brit…

SOURCE: The Guardian at 09:10AM
Wednesday, June 19, 2013

The Forsythe Company – review by Sanjoy Roy

Sadler's Wells, LondonFor 20 years, the American choreographer William Forsythe was director of the Frankfurt Ballet, where he created a series of highly technical, determinedly experimental…

SOURCE: The Guardian at 08:35AM
Friday, March 8, 2013

Scottish Dance Theatre – review by Sanjoy Roy

The Place, LondonTen years after his first Scottish Dance Theatre commission, Montreal-based Victor Quijada has returned with Second Coming – aptly titled not just as his second company pi…

SOURCE: The Guardian at 01:15PM
Thursday, January 10, 2013

Resolution! 2013 – review by Sanjoy Roy

The Place, LondonIf it's new year, it's time for Resolution!, the Place's platform for new works by novice choreographers. Artists ranging from Wayne McGregor to Tino Sehgal took their first…

SOURCE: The Guardian at 12:36PM
Friday, November 9, 2012

Rosas: Cesena – review by Sanjoy Roy

Sadler's Wells, LondonCesena is choreographer Anne Teresa De Keersmaeker's sequel to En Atendant, with which it has much in common. It begins as En Atendant had ended, with a naked man in da…

SOURCE: The Guardian at 12:37PM
Tuesday, November 6, 2012

Rosas: En Atendant – review by Sanjoy Roy

Sadler's Wells, LondonAs a gaunt man slowly raises a flute and exhales into it raggedly, an unearthly noise emerges: a blend of ascending siren whistles and long, rasping sighs like the groa…

SOURCE: The Guardian at 12:51PM
Monday, July 23, 2012

Anne Teresa de Keersmaeker: Fase – review by Sanjoy Roy

Tate Tanks, LondonCross-disciplinary, multidisciplinary, interdisciplinary ... the terms are often used rather nebulously in the admittedly nebulous field of live art. But the word that spri…

SOURCE: The Guardian at 01:08PM
Monday, July 16, 2012

Big Dance Trafalgar Square – review by Sanjoy Roy

Trafalgar Square, LondonWhat's the big idea behind Big Dance? The biannual London-based programme is designed to big up the profile of dance through a network of assorted events, performance…

SOURCE: The Guardian at 09:24AM
Monday, June 18, 2012

Tanztheater Wuppertal Pina Bausch: Ten Chi – review by Sanjoy Roy

Barbican, LondonPina Bausch's "travelogue" works are less portraits of places than composites of haphazard snapshots, each scene filtered through the weird and sometimes wonderful lenses of …

SOURCE: The Guardian at 02:18PM
Thursday, May 10, 2012

Daniel Linehan – review by Sanjoy Roy

Lilian Baylis, LondonWith his grey shorts, buttoned-up shirt and floppy hair, Thibault Lac looks like a serious schoolboy reciting his homework as he explains the title of the piece we are a…

SOURCE: The Guardian at 12:53PM
Monday, May 7, 2012

Breakin' Convention – review by Sanjoy Roy

Sadler's Wells, LondonFor three days each spring, the Breakin' Convention festival turns Sadler's Wells into a hip-hop hive, every foyer, studio and auditorium abuzz with workshops and shows…

SOURCE: The Guardian at 01:02PM
Friday, February 24, 2012

Exposure – review by Sanjoy Roy

Linbury, LondonPlatforms for emerging artists are often required to jettison coherence in favour of choreographic diversity. The stylistic lurches between pieces can leave you a little seasi…

SOURCE: The Guardian at 12:08PM
Tuesday, February 14, 2012

Flamenco Gala – review by Sanjoy Roy

Sadler's Wells, LondonThe annual Flamenco festival at Sadler's Wells has always showcased the diversity of flamenco. This year's central gala performance was a welcome opportunity …

SOURCE: The Guardian at 01:30PM
Thursday, November 10, 2011

Cloud Gate Dance Theatre – review by Sanjoy Roy

Sadler's Wells, LondonLin Hwai-Min's White, for his company Cloud Gate Dance Theatre of Taiwan, is a work in three parts made at two different times: the first section in 1998, the rest in 2…

SOURCE: The Guardian at 01:15PM
Friday, October 21, 2011

Richard Alston Dance Company – review by Sanjoy Roy

The Place, LondonThis year's Dance Umbrella festival sees contemporary dance acknowledging its own history. The latest programme to feature rare revivals of old works is by Richard Alston Da…

SOURCE: The Guardian at 01:15PM
Tuesday, October 18, 2011

Step-by-step guide to dance: Lucinda Childs by Sanjoy Roy

An American experimental stalwart who went from avant garde work with found objects to finding a visual style for Philip GlassIn shortLook at a portrait of Lucinda Childs's face ("like Cathe…

SOURCE: The Guardian at 10:20AM
Monday, October 17, 2011

Candoco Dance Company – review by Sanjoy Roy

Queen Elizabeth Hall, LondonCandoco certainly don't play safe in their programming. For the 20th-anniversary tour of this integrated company of disabled and non-disabled dancers, the centrep…

SOURCE: The Guardian at 01:16PM

Shaun Parker & Company – review by Sanjoy Roy

Peacock theatre, LondonA while into Shaun Parker's dancework Happy as Larry you start asking: just how happy was Larry anyway? For although programme and publicity suggest that the piece is …

SOURCE: The Guardian at 08:00AM
Tuesday, October 11, 2011

Emanuel Gat Dance – review by Sanjoy Roy

Sadler's Wells, LondonTwo images keep coming to mind during Emanuel Gat's Brilliant Corners: birds and brains. The group sequences embody them most vividly. In the opening, for example, the …

SOURCE: The Guardian at 02:00PM
Friday, September 23, 2011

Jean Abreu Company – review by Sanjoy Roy

Queen Elizabeth Hall, LondonJean Abreu has taken a bold step with Inside. The feline fluidity and spacious abstraction that marked his earlier pieces are now alloyed with a new element of ps…

SOURCE: The Guardian at 08:24AM
Thursday, September 8, 2011

Sidi Larbi Cherkaoui: TeZukA – review by Sanjoy Roy

Sadler's Wells, LondonBelgian choreographer Sidi Larbi Cherkaoui is a huge fan of comic books, Japanese manga in particular. And perhaps that's the problem with his new work TeZukA, inspired…

SOURCE: The Guardian at 01:11PM
Sunday, September 4, 2011

The five top dance shows this autumn by Sanjoy Roy

Merce Cunningham's legacy tour, a triple treat from the Birmingham Royal Ballet and a cross-dressing comedyAkram Khan Company: DeshChoreographer Akram Khan may perform less than he used to, …

SOURCE: The Guardian at 05:30PM
Thursday, August 11, 2011

Step-by-step guide to dance: National Ballet of China by Sanjoy Roy

From 1950s Beijing to this year's Edinburgh festival, China's national ballet braved revolution and reforms to become a leading presence on the world stageIn shortThe National Ballet of Chin…

SOURCE: The Guardian at 12:28PM
Monday, August 8, 2011

Napoletango – review by Sanjoy Roy

Coliseum, LondonTango is a dance of grace and danger, a dance that embodies desire in its web of glances, advances and evasions, a dance that inspires deep devotion from its followers – a …

SOURCE: The Guardian at 01:17PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime