Tuesday, March 10, 2020
There’s endearing authenticity to Lily Shahmoon’s delicate gender-drama Lipstick, in which two young women play teenage boys navigating their emotional needs and
SOURCE: The Stage Registration at 11:31AMWednesday, February 19, 2020
This poignant, anonymously authored monologue charts a woman’s troubled transition into motherhood. Everywoman explores the idea of the female experience as something
SOURCE: The Stage Registration at 10:24AMFriday, February 14, 2020
Tim Crouch’s I, Cinna (The Poet) is the fifth in his series of shows giving full life to some of Shakespeare’s minor
SOURCE: The Stage Registration at 08:10AMMonday, February 10, 2020
The latest offering from People Show – the UK’s longest-running experimental theatre group – is a mind-boggling accumulation of imagery that’s almost
SOURCE: The Stage Registration at 10:19AMTuesday, October 15, 2019
Nothing is neutral. That’s the message in Cassiopeia Berkeley-Agyepong and Simone Ibbett-Brown’s febrile debut play. Shuck ‘n’ Jive explores racism in the
SOURCE: The Stage Registration at 10:43AMTuesday, October 8, 2019
As part of Ovalhouse’s final season at its original Kenninghton home – it moves to Brixton next year – it has commissioned
SOURCE: The Stage Registration at 12:11PMFriday, September 6, 2019
Emma Kinane’s taut new play explores how physical and emotional trauma can seep down through the generations. The playwright carefully grafts themes
SOURCE: The Stage Registration at 05:15AMMonday, August 5, 2019
Based on the long-dead TV show of the same name, Brainiac Live has toured the globe with its stage show for young
SOURCE: The Stage Registration at 06:19AMMonday, July 8, 2019
Australian cabaret Yummy combines drag, dance, circus and burlesque performers. It has led the way in incorporating women in drag spaces. The
SOURCE: The Stage Registration at 10:10AMMonday, July 1, 2019
Some re-imagining of Shakespeare plays can creak under the weight of their own ideas, but this is not the case of Darren
SOURCE: The Stage Registration at 10:06AMTuesday, June 11, 2019
Ollie George Clark’s sparky, well-observed play delves into the murky world of modern-day crisis management. YouTuber turned actor Arthur Moses has won
SOURCE: The Stage Registration at 08:25AMThursday, May 2, 2019
Ell Potter and Mary Higgins’ heart-warming show takes the form of a fun and fascinating attempt to untangle to intersection of bodies,
SOURCE: The Stage Registration at 06:18PMWednesday, April 24, 2019
David Eldridge’s hymn to the 1980s, written in 2006, is a huge undertaking. It requires a large cast playing multiple roles to
SOURCE: The Stage Registration at 10:46AMThursday, April 18, 2019
Emma Dennis-Edwards’ piercing one-woman show, a Fringe First winner in Edinburgh last year, powerfully picks apart the individualism that often lurks beneath
SOURCE: The Stage Registration at 10:23AMMonday, March 4, 2019
With the cultural narrative swirling around how men control and coerce women, Henry Devas’ well-timed debut tackles another side of toxic masculinity:
SOURCE: The Stage Registration at 10:43AMThursday, February 21, 2019
Paralysing pontifications: Sally Hales writes on Anne Washburn's brilliant new satire of an America that can't save itself from Trump.
The post Review: Shipwreck at Almeida Theatre appeared …
SOURCE: exeuntmagazine.com at 04:51AMThursday, February 7, 2019
Sweating the small stuff: Sally Hales reviews Rose Lewenstein's new play, which explores climate change through an intimate depiction of a relationship.
The post Review: Cougar at Orange Tr…
SOURCE: exeuntmagazine.com at 10:45AMThursday, January 31, 2019
'The carefully papered-over cracks in their identities are ripped open': Sally Hales reviews Matt Jones and Kele Okereke's timely play about an international gay couple, with music from Bloc…
SOURCE: exeuntmagazine.com at 03:55AMTuesday, January 29, 2019
A trip to South America that is supposed to heal a couple’s failing relationship instead exposes its fault-lines in Spanish playwright Victor
SOURCE: The Stage Registration at 06:06AMSaturday, December 22, 2018
Nights at the Circus: Sally Hales reviews an uneven attempt to bring the big top back in time.
The post Review: Circus 1903, Southbank Centre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 10:06AMSaturday, November 3, 2018
"debbie tucker green’s genius lies in how she excavates the functioning of power" - Sally Hales writes on her new work, ear for eye.
The post Review: ear for eye at Royal Court appeared fi…
SOURCE: exeuntmagazine.com at 08:06AMFriday, October 19, 2018
Same old story: Nina Raine's play ends up reaffirming a depressingly familiar set of stereotypes about childless women.
The post Review: Stories at the National Theatre appeared first on Exe…
SOURCE: exeuntmagazine.com at 10:03AMMonday, September 17, 2018
An enemy of the people: Sally Hales reviews the West End debut of Dawn King's 'neat, slick, streamlined four-hander'.
The post Review: Foxfinder at Ambassadors Theatre appeared first on Exeu…
SOURCE: exeuntmagazine.com at 02:00AMFriday, June 8, 2018
Emotional Labour: Sally Hales reviews Emily Schwend's play about an overstretched Texan mother.
The post Review: Utility at the Orange Tree Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:33AMFriday, June 1, 2018
Words, words, words: Brian Friel's masterful meditation on language is magnificently revived by Ian Rickson.
The post Review: Translations at the National Theatre appeared first on Exeunt Ma…
SOURCE: exeuntmagazine.com at 12:08PMFriday, April 27, 2018
A beautiful, polyphonic cacophany: Philip Venables' contemporary opera is an astonishing adaptation of Sarah Kane's play.
The post Review: 4.48 Psychosis at the Lyric Hammersmith appeared fi…
SOURCE: exeuntmagazine.com at 02:32AMSaturday, April 14, 2018
Endless blue: Sally Hales on Cheek By Jowl's wonderfully lucid staging of Shakespeare's romance.
The post Review: Pericles at the Barbican appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 07:54AMThursday, March 15, 2018
Black Lives Matter: Tearrance Arvelle Chisholm's new play sets a family drama against the backdrop of Charlottesville.
The post Review: Br’er Cotton at Theatre503 appeared first on Exe…
SOURCE: exeuntmagazine.com at 08:19AMFriday, March 9, 2018
Dangerously close: Alexander Matthews' social drama set in a South London Indian Restaurant just about skirts stereotyping.
The post Review: Glass Roots at the Tristan Bates Theatre appeared…
SOURCE: exeuntmagazine.com at 04:48AMMonday, December 18, 2017
Privileged, bored and probably lazy: Sally Hales reviews the UK premiere of Amy Herzog's relationship psychodrama.
The post Review: Belleville at the Donmar Warehouse appeared first on Exeun…
SOURCE: exeuntmagazine.com at 03:00AMThursday, December 14, 2017
Age of Anxiety fears: Sally Hales reviews Anne Washburn's adaptation of the cult sci-fi series.
The post Review: The Twilight Zone at the Almeida appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:53AM 
