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Emma Kinane’s taut new play explores how physical and emotional trauma can seep down through the generations. The playwright carefully grafts themes
Based on the long-dead TV show of the same name, Brainiac Live has toured the globe with its stage show for young
Australian cabaret Yummy combines drag, dance, circus and burlesque performers. It has led the way in incorporating women in drag spaces. The
Some re-imagining of Shakespeare plays can creak under the weight of their own ideas, but this is not the case of Darren
Ollie George Clark’s sparky, well-observed play delves into the murky world of modern-day crisis management. YouTuber turned actor Arthur Moses has won
Ell Potter and Mary Higgins’ heart-warming show takes the form of a fun and fascinating attempt to untangle to intersection of bodies,
David Eldridge’s hymn to the 1980s, written in 2006, is a huge undertaking. It requires a large cast playing multiple roles to
Emma Dennis-Edwards’ piercing one-woman show, a Fringe First winner in Edinburgh last year, powerfully picks apart the individualism that often lurks beneath
With the cultural narrative swirling around how men control and coerce women, Henry Devas’ well-timed debut tackles another side of toxic masculinity:
Paralysing pontifications: Sally Hales writes on Anne Washburn's brilliant new satire of an America that can't save itself from Trump.
The post Review: Shipwreck at Almeida Theatre appeared …
Sweating the small stuff: Sally Hales reviews Rose Lewenstein's new play, which explores climate change through an intimate depiction of a relationship.
The post Review: Cougar at Orange Tr…
'The carefully papered-over cracks in their identities are ripped open': Sally Hales reviews Matt Jones and Kele Okereke's timely play about an international gay couple, with music from Bloc…
A trip to South America that is supposed to heal a couple’s failing relationship instead exposes its fault-lines in Spanish playwright Victor
Nights at the Circus: Sally Hales reviews an uneven attempt to bring the big top back in time.
The post Review: Circus 1903, Southbank Centre appeared first on Exeunt Magazine.
"debbie tucker green’s genius lies in how she excavates the functioning of power" - Sally Hales writes on her new work, ear for eye.
The post Review: ear for eye at Royal Court appeared fi…
Same old story: Nina Raine's play ends up reaffirming a depressingly familiar set of stereotypes about childless women.
The post Review: Stories at the National Theatre appeared first on Exe…
An enemy of the people: Sally Hales reviews the West End debut of Dawn King's 'neat, slick, streamlined four-hander'.
The post Review: Foxfinder at Ambassadors Theatre appeared first on Exeu…
Emotional Labour: Sally Hales reviews Emily Schwend's play about an overstretched Texan mother.
The post Review: Utility at the Orange Tree Theatre appeared first on Exeunt Magazine.
Words, words, words: Brian Friel's masterful meditation on language is magnificently revived by Ian Rickson.
The post Review: Translations at the National Theatre appeared first on Exeunt Ma…
A beautiful, polyphonic cacophany: Philip Venables' contemporary opera is an astonishing adaptation of Sarah Kane's play.
The post Review: 4.48 Psychosis at the Lyric Hammersmith appeared fi…
Endless blue: Sally Hales on Cheek By Jowl's wonderfully lucid staging of Shakespeare's romance.
The post Review: Pericles at the Barbican appeared first on Exeunt Magazine.
Black Lives Matter: Tearrance Arvelle Chisholm's new play sets a family drama against the backdrop of Charlottesville.
The post Review: Br’er Cotton at Theatre503 appeared first on Exe…
Dangerously close: Alexander Matthews' social drama set in a South London Indian Restaurant just about skirts stereotyping.
The post Review: Glass Roots at the Tristan Bates Theatre appeared…
Privileged, bored and probably lazy: Sally Hales reviews the UK premiere of Amy Herzog's relationship psychodrama.
The post Review: Belleville at the Donmar Warehouse appeared first on Exeun…
Age of Anxiety fears: Sally Hales reviews Anne Washburn's adaptation of the cult sci-fi series.
The post Review: The Twilight Zone at the Almeida appeared first on Exeunt Magazine.
Bizarre, challenging and strangely compelling: Sally Hales reviews the Royal Court's alternative take on Christmas theatre.
The post Review: Grimly Handsome at the Royal Court appeared firs…
Yesterday men: Sam Yates' David Mamet revival is stilted and superficial.
The post Review: Glengarry Glen Ross at the Playhouse Theatre appeared first on Exeunt Magazine.
Food for our fragile islander egoism? Sally Hales reviews the new staging of Agatha Christie's courtroom drama.
The post Review: Witness for the Prosecution at London’s County Hall app…
A full-on feminist call to action: Sally Hales reviews Elinor Cook's new adaptation of Ibsen.
The post Review: The Lady from the Sea at the Donmar Warehouse appeared first on Exeunt Magazine.
'Like watching a masterpiece being painted and repainted in front of your eyes for hours': Sally Hales reviews Yukio Ninagawa's Macbeth.
The post Review: Macbeth at the Barbican appeared fi…
From self-aware 90s moshing to hastily resolved first sex: Sally Hales reviews a coming-of-age story set in the Scottish Highlands.
The post Review: Ramona Tells Jim at the Bush Theatre appe…