All stories by Robert Michael Oliver on BroadwayStars

Sunday, October 26, 2014

‘Rage’ at Ambassador Theater by Robert Michael Oliver

Michele Rimi’s Rage made its US premiere this week at Flashpoint’s Mead Theatre Lab. A production of Ambassador Theater, directed by Joe Banno, Rage explores the dynamics of adol…

SOURCE: DC Metro Theater Arts at 01:00PM
Saturday, October 18, 2014

‘The Taming of the Shrew’ at Pallas Theatre Collective by Robert Michael Oliver

Shakespeare’s Shrew is always a challenge. Misogynistic in sentiment, slapstickishly machismo in design, its story of how to tame a headstrong, stubborn woman couldn’t be more et…

SOURCE: DC Metro Theater Arts at 12:53AM
Friday, October 17, 2014

Spine: Sinclair Lewis, Elmer Gantry, and Elmer Gantry the Musical by Robert Michael Oliver

The American musical does not lend itself well to big ideas, particularly if they possess any degree of complexity. Keep the ideas as simple and melodramatic as the plots that drive them. In…

SOURCE: DC Metro Theater Arts at 11:15AM
Wednesday, October 15, 2014

Spine: Ontologically Speaking (Perhaps) Absolutely! by Robert Michael Oliver

In Luigi Pirandelo’s most famous play, Six Characters in Search of an Author, the frustrated theatrical director demands that the father of the wandering character-clan stop his endles…

SOURCE: DC Metro Theater Arts at 01:22PM
Friday, October 10, 2014

‘King Oedipus Zeus to Deus’ at Catholic Universiity by Robert Michael Oliver

Oedipus the King has long been considered the archetypical tragedy. Jam packed with irony, Sophocles lays bare the heartbreak of the human condition. People and especially the ruling elites…

SOURCE: DC Metro Theater Arts at 06:18PM
Sunday, September 28, 2014

‘creature’ at Deviated Theatre at Dance Place by Robert Michael Oliver

In Margaret Atwood’s futuristic novel Oryx and Crake, the cutting-edge of modern science creates the Crakes, genetically modified human beings whose beauty is only matched by the heal…

SOURCE: DC Metro Theater Arts at 02:05PM
Sunday, September 21, 2014

‘Marie Antoinette’ at Woolly Mammoth Theatre Company by Robert Michael Oliver

In Woolly Mammoth’s Marie Antoinette the doomed, dark-shades donning Queen of France enters with two ladies-in-waiting. She slips off her robe, revealing an oh-so-modern two-piece ba…

SOURCE: DC Metro Theater Arts at 09:51AM
Friday, September 19, 2014

‘The Shoplifters’ at Arena Stage at the Mead Center for American Theater by Robert Michael Oliver

The under-affluent of this country find small change on America’s stages: under-represented more often than not, they are the butt of jokes and edgy satires and, on DC stages, are pres…

SOURCE: DC Metro Theater Arts at 12:55PM
Wednesday, September 10, 2014

Spine: Who’s the Fool in ‘Fool for Love’? by Robert Michael Oliver

Round House Theatre has opened its 2014 season with Sam Shepard’s Fool for Love (1983), one of his many scripts–Curse of the Starving Class (1976), Buried Child (1979), True W…

SOURCE: DC Metro Theater Arts at 06:28PM
Monday, September 8, 2014

Globe Theatre’s ‘King Lear’ at Folger Theatre by Robert Michael Oliver

The power of Shakespeare’s tragedies lies in their ability to speak to both the political and the personal. King Lear is an exemplar in this regard. Not only does the empire collapse…

SOURCE: DC Metro Theater Arts at 05:10PM
Friday, September 5, 2014

‘White Suit Science’ at Single Carrot Theatre by Robert Michael Oliver

Baltimore’s Single Carrot Theatre has a new theatrical home, a new artistic director, and a new season with a brand new series of contemporary plays. Shawn Reddy’s White Suit Sci…

SOURCE: DC Metro Theater Arts at 07:19PM
Sunday, August 31, 2014

‘The Understudy’ at Everyman Theatre by Robert Michael Oliver

Are you sick and tired of yet another big-budget Hollywood action-adventure film with angry tornados, humongous sharks, or killer asteroids? Are you sick and tired of yet another celebrity p…

SOURCE: DC Metro Theater Arts at 08:34PM
Friday, August 1, 2014

‘Stupid Fucking Bird’ at Woolly Mammoth Theatre Company by Robert Michael Oliver

Stupid Fucking Bird, Aaron Posner’s 2013 adaptation of Anton Chekhov’s late 19th century The Seagull, returns like the phoenix to Woolly Mammoth Theatre Company with its stellar…

SOURCE: DC Metro Theater Arts at 01:33AM
Thursday, July 24, 2014

Contemporary American Theater Festival (CATF): ‘One Night’ by Robert Michael Oliver

Women in uniform in the military. Women in uniform in the foxholes. Women in uniform. Sexual assault. Of both men and women. Charles Fuller’s new play, One Night, tackles head on one…

SOURCE: DC Metro Theater Arts at 04:15AM
Tuesday, July 22, 2014

Comtemporary American Theater Festival (CATF): ‘Uncanny Valley’ by Robert Michael Oliver

We are definitely a culture acraze with technology. I-Phones are only on the lower end of the spectrum: we have virtual realities, simulated sports, robotic housecleaners, robotic warehous…

SOURCE: DC Metro Theater Arts at 05:45PM
Sunday, July 20, 2014

Contemporary American Theater Festival (CATF) Review: ‘Dead and Breathing’ by Robert Michael Oliver

Despite the deus ex machina that ends the show—the miracle that I don’t mind mentioning because playwrights that resort to miracles as conclusions should have their audiences warned in…

SOURCE: DC Metro Theater Arts at 09:00AM
Saturday, July 19, 2014

Contemporary American Theater Festival (CATF) Review: ‘North of the Boulevard’ by Robert Michael Oliver

North of the Boulevard is not for the faint of heart; neither is it for the prudish or the overly sensitive; nor is it for those who require anything close to political correctness. North o…

SOURCE: DC Metro Theater Arts at 03:12AM

Contemporary American Theater Festival (CATF) Review: ‘The Ashes Under Gait City’ by Robert Michael Oliver

How does one create a social movement? How does one create a community? How does one create a mecca for a movement and a community? New play The Ashes Under Gait City by Christina Anderson…

SOURCE: DC Metro Theater Arts at 02:31AM
Tuesday, July 1, 2014

Capital Fringe 2014 Preview: ‘Song of Myself: The Whitman Project’ by Robert Michael Oliver by Robert Michael Oliver

 Song of Myself: The Whitman Project, a One-Man Show that Contains Multitudes I’ve had a love affair with poetry that reaches back over 40 years, years before my career as an educator and…

SOURCE: DC Metro Theater Arts at 01:11PM
Sunday, June 1, 2014

SPINE: Theatre, History & Culture in the Belly of the Beast: ‘The Last Days of Judas, Jesus, Justice, and the Born Again?’ by Robert Michael Oliver

“When will the cold Christ Quit breathing twice” Robert Hazel, American Poet Apparently never, or at least not until a new god, Christ’s child perhaps, takes his place on Mount New Yor…

SOURCE: DC Metro Theater Arts at 08:32AM
Sunday, May 11, 2014

‘Bloody Poetry’ at Taffety Punk Theatre Company at Capitol Hill Arts Workshop by Robert Michael Oliver

William Blake, William Wordsworth, Samuel Coleridge, Lord Byron, Percy Bysshe Shelley, and John Keats–the English Romantic Poets, believers in love, nature, passion, instinct, revoluti…

SOURCE: DC Metro Theater Arts at 01:38PM
Friday, May 9, 2014

‘Three Men in a Boat (To say nothing of the dog)’ at Synetic Theater by Robert Michael Oliver

Cultish musical enthusiasts have The Rocky Horror Show, movie-goers have Night of the Living Dead, 60′s rockers had The Grateful Dead, and literary enthusiasts have Three Men in a …

SOURCE: DC Metro Theater Arts at 05:19PM
Wednesday, May 7, 2014

SPINE: Theatre, Culture, and History in the Belly of the Beast: “THE ADMISSION: The Theatre of War and National Identity, Lovely or Otherwise” by Robert Michael Oliver

I recently experienced Motti Lerner’s The Admission, Theatre J’s production remounted by Busboys & Poets at Studio Theatre (my review is here). The controversy that the play …

SOURCE: DC Metro Theater Arts at 07:18PM
Sunday, April 27, 2014

SPINE: Theatre, Culture, and History in the Belly of the Beast: ‘Anacostia Is the New Downtown’ by Robert Michael Oliver by Robert Michael Oliver

With today’s article, we welcome Robert Michael Oliver as he inaugurates his new column SPINE: Theatre, Culture, and History in the Belly of the Beast on DCMetroTheaterArts. Anacosti…

SOURCE: DC Metro Theater Arts at 12:18PM
Thursday, March 27, 2014

Top 5 Shows of the Week by Robert Michael Oliver

1. ‘Hair’ at Keegan Theatre When Hair first came to Washington in 1971, a dead downtown burst into life.  The anti-war counterculture was at its height, hungering for recognition by …

SOURCE: Maryland Theatre Guide at 06:10PM
Monday, March 24, 2014

Theatre Review: ‘Tender Napalm’ at Signature Theatre by Robert Michael Oliver

Lust.  War.  Sadism.  Love.  And Unicorns. What do you get when you gently push a hand grenade, with the pin yet pulled, into a…vulnerable body part? Some might call that a modern…

SOURCE: Maryland Theatre Guide at 04:09PM
Saturday, March 22, 2014

Theatre Review: ‘Hair’ at Keegan Theatre by Robert Michael Oliver

When Hair first came to Washington in 1971, a dead downtown burst into life.  The anti-war counterculture was at its height, hungering for recognition by mainstream America, hankering to …

SOURCE: Maryland Theatre Guide at 01:13PM
Monday, March 17, 2014

Theatre Review: ‘Harmsaga’ by The National Theatre of Iceland at the Kennedy Center’s 2014 International Theatre Festival by Robert Michael Oliver

The National Theatre of Iceland produces roughly 30 shows a year.  Of those 30, about 10 are new plays. One of those new plays, Harmsaga, by Icelander Mikael Torfason, has come to Washingt…

SOURCE: Maryland Theatre Guide at 07:56AM
Saturday, March 15, 2014

Theatre Review: ‘La Muerte y La Doncella’ (Death and the Maiden) by La Mafia Teatro at the Kennedy Center 2014 International Theater Festival by Robert Michael Oliver

Ariel Dorfman’s powerful La Muerte y La Doncella (Death and the Maiden), now playing at the Kennedy Center’s Family Theatre as part of their 2014 International Theatre Festival,…

SOURCE: Maryland Theatre Guide at 05:34PM
Thursday, March 13, 2014

Theatre Review: ‘Rupert’ by the Melbourne Theatre Company at the Kennedy Center 2014 International Theater Festival by Robert Michael Oliver

We love the theatre.  We love going out to dinner at a nice restaurant.  We love going on vacation, to the beach, to the mountains, to a foreign country.  We love the pleasure of life a…

SOURCE: Maryland Theatre Guide at 08:01PM
Wednesday, March 12, 2014

Top 5 Shows of the Week by Robert Michael Oliver

1.  ‘The Suit’ by France’s Théâtre des Bouffes du Nord at the Kennedy Center 2014 International Theater Festival Most of the theatre-going audience in the United States has a high l…

SOURCE: Maryland Theatre Guide at 06:52PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic