All stories by Nick Smurthwaite on BroadwayStars

Thursday, March 9, 2017

Glen Walford: ‘I got Willy Russell to play Shirley Valentine after a bottle of wine’ by Nick Smurthwaite

Soon after she took over the running of the Liverpool Everyman in the 1980s, Glen Walford invited local hairdresser-turned-playwright Willy Russell to

SOURCE: The Stage Registration at 09:32AM
Monday, March 6, 2017

Fly Davis: ‘My stage design training was crazy. I was hospitalised twice’ by Nick Smurthwaite

In a feature that appeared in The Stage in January under the headline ‘young designers to watch in 2017’, Matt Trueman cited,

SOURCE: The Stage Registration at 05:00AM
Friday, March 3, 2017

James Hayes: ‘Playing Julius Caesar was my ‘fuck you all’ moment’ by Nick Smurthwaite

What young actor hasn’t dreamed of seeing their name in lights in the West End, or having a lead role in a

SOURCE: The Stage Registration at 09:00AM

How Stoppard’s debut, Rosencrantz and Guildenstern Are Dead, dazzled Theatreland by Nick Smurthwaite

Playwrights dwell on posterity. Will their work live on after they are dead? Will anyone have heard of them in 100 years’

SOURCE: The Stage Registration at 09:00AM
Friday, February 17, 2017

What next for Samuel French? by Nick Smurthwaite

London’s theatre lovers, amateur and professional, are soon to lose the iconic French’s Theatre Bookshop, off London’s Tottenham Court Road, which is

SOURCE: The Stage Registration at 09:36AM

How Alexandra Palace Theatre once enthralled London theatregoers by Nick Smurthwaite

It seemed like a good idea at the time. A people’s palace of entertainments needed a properly designated theatre where opera, ballet,

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Monday, February 13, 2017

How ATG revived New York’s abandoned Hudson Theatre by Nick Smurthwaite

Broadway welcomes a new kid on the block this week – the Hudson Theatre. Well, not new exactly, since the building has

SOURCE: The Stage Registration at 05:00AM
Monday, February 6, 2017

Charting The Girls’ journey from Yorkshire to the West End by Nick Smurthwaite

In a very real sense, designer Robert Jones has been living with The Calendar Girls for 10 years. He was drafted in

SOURCE: The Stage Registration at 05:00AM
Friday, February 3, 2017

How The Slab Boys painted a colourful portrait of Scottish life by Nick Smurthwaite

In the right hands, even working in the lowliest of jobs can yield favourable results. The legendary Scottish playwright and artist John

SOURCE: The Stage Registration at 09:03AM
Thursday, January 26, 2017

Josette Bushell-Mingo: ‘I’d love to come back and lead a company or run a building’ by Nick Smurthwaite

It has been quite a homecoming for Josette Bushell-Mingo. Not only has she returned (temporarily) to the UK from Stockholm, where she

SOURCE: The Stage Registration at 05:00AM
Friday, January 13, 2017

Jus’ like that – Tommy Cooper’s magic on show at the V&A by Nick Smurthwaite

It was partly to do with his physical appearance – a grinning giant topped by a bright red Egyptian fez – and

SOURCE: The Stage Registration at 09:00AM
Thursday, December 22, 2016

Simon Callow: ‘I’m financially feckless, so my career is a constant juggling act’ by Nick Smurthwaite

It’s not just that Simon Callow likes to keep busy. When you look at what he has achieved as an actor, director,

SOURCE: The Stage Registration at 05:00AM
Monday, December 19, 2016

Backstage: How Peter Pan is going wrong on TV this Christmas by Nick Smurthwaite

For a theatre company whose speciality is things going wrong, Mischief Theatre has an uncanny knack of stacking up success after success.

SOURCE: The Stage Registration at 05:00AM
Monday, December 5, 2016

Lez Brotherston: ‘We are retelling The Red Shoes in our own way’ by Nick Smurthwaite

The 22-year collaboration between choreographer Matthew Bourne and designer Lez Brotherston has produced a string of internationally acclaimed shows – the all-male

SOURCE: The Stage Registration at 05:00AM
Friday, December 2, 2016

The Archive: Reviving the spirit of Liverpool’s Star by Nick Smurthwaite

One hundred and fifty years ago, in April 1866, Charles Dickens visited the majestic St George’s Hall in Liverpool to give one

SOURCE: The Stage Registration at 09:00AM
Thursday, November 24, 2016

Santa meets Vegas: 40 years of the Thursford Christmas Spectacular by Nick Smurthwaite

Norfolk is not a county you normally associate with seasonal glamour and excess, yet it plays host to two of the UK’s

SOURCE: The Stage Registration at 09:00AM
Monday, November 21, 2016

How budding technicians diversify the workforce at the Royal Opera House by Nick Smurthwaite

One way of breaking through the traditional class, ethnic and gender-specific parameters of backstage disciplines is by apprenticeships, and few organisations have

SOURCE: The Stage Registration at 05:00AM
Friday, November 18, 2016

British Library conjures up Victorian magic by Nick Smurthwaite

Magic has been around since the dawn of man, but it wasn’t until the latter half of the 19th century that it

SOURCE: The Stage Registration at 09:00AM

Jonathan Suffolk: ‘Once you’ve worked at the NT, you always have high standards’ by Nick Smurthwaite

Ten years ago, Jonathan Suffolk was an electrician’s mate on a building site in Monmouth. Today, he is technical director of the

SOURCE: The Stage Registration at 09:00AM
Friday, November 11, 2016

Loving the lunatic: the passion for Strindberg that’s in the blood by Nick Smurthwaite

Legend has it that Ibsen kept a portrait of Strindberg, his junior by 21 years, over his desk wherever he worked. “I

SOURCE: The Stage Registration at 09:00AM
Monday, November 7, 2016

Theatre’s digital future finds a £50m home at Riverside Studios by Nick Smurthwaite

When Riverside Studios reopens its west London base in two years’ time, following an extensive redevelopment costing up to £50 million, it

SOURCE: The Stage Registration at 05:00AM
Thursday, November 3, 2016

Clive Francis: ‘I don’t mind getting older – the parts get more interesting’ by Nick Smurthwaite

Young actors looking at Clive Francis today, still fit and funny and youthful at 70, must feel in awe of his extraordinarily

SOURCE: The Stage Registration at 10:00AM

Mel Kenyon, literary agent: ‘It’s like a marriage – I need to fall in love with a writer’s work’ by Nick Smurthwaite

It is 25 years since the death of Peggy Ramsay. She was the eccentric doyenne of theatrical literary agents for nearly half

SOURCE: The Stage Registration at 06:00AM
Friday, October 28, 2016

Penny Downie: ‘I’ve been faking a British accent for so long now it’s just stuck’ by Nick Smurthwaite

Penny Downie looks visibly shaken. “God, I’m not nearly interesting enough,” she exclaims when I show her the amount of space her

SOURCE: The Stage Registration at 09:00AM
Friday, October 21, 2016

Amadeus returns to the National Theatre, scene of its original triumph by Nick Smurthwaite

The patron saint of mediocrity is back. Antonio Salieri returns to the National Theatre to do battle with his arch nemesis Wolfgang

SOURCE: The Stage Registration at 09:00AM

Laurie Marsh, impresario and philanthropist: ‘Good art needs far more funding than it’s getting now’ by Nick Smurthwaite

Laurie Marsh is a one-off. Not only does he confound every known cliche about property tycoons, being highly cultured and tirelessly philanthropic,

SOURCE: The Stage Registration at 09:00AM
Monday, October 17, 2016

How Artem makes props and effects to give shows the wow factor by Nick Smurthwaite

Whether it’s a severed head, a talking toilet or an exploding house you’re after, prop-makers and special effects company Artem has seldom

SOURCE: The Stage Registration at 05:00AM
Friday, October 7, 2016

Arthur Lloyd: The forgotten star finding fame online by Nick Smurthwaite

Even as a child growing up in the 1960s, Matthew Lloyd was saddened to find that his ancestor, the celebrated Victorian music

SOURCE: The Stage Registration at 09:00AM
Thursday, October 6, 2016

Kwame Kwei-Armah: ‘Black representation in the UK is behind the States’ by Nick Smurthwaite

Possibly because he has been absent from our shores for five years, you feel the extraordinary journey of Kwame Kwei-Armah, from a

SOURCE: The Stage Registration at 09:06AM
Monday, October 3, 2016

Backstage: How do theatres welcome audiences? by Nick Smurthwaite

Front of house is the first point of contact between the customer and the theatre. Every theatre manager knows that it is

SOURCE: The Stage Registration at 05:00AM
Thursday, September 29, 2016

Celebrating 60 years of National Youth Theatre by Nick Smurthwaite

Since it was established 60 years ago, the National Youth Theatre has provided a launchpad for, among others, Daniel Day-Lewis, Helen Mirren,

SOURCE: The Stage Registration at 09:00AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards