All stories by Michael Paulson on BroadwayStars

Thursday, November 10, 2016

What It’s Like to Make It in Showbiz With Your Best Friend by Michael Paulson

Meet the songwriters Benj Pasek and Justin Paul of “Dear Evan Hansen” and “La La Land.”

SOURCE: The New York Times Subscription at 04:24PM
Tuesday, November 8, 2016

His Play Is Set on Election Night. He Still Hasn’t Finished It. by Michael Paulson

“Women of a Certain Age,” about this year’s presidential election, has its premiere on Tuesday. We spoke with the playwright hours before the actors got his final changes.

SOURCE: The New York Times Subscription at 02:24PM
Friday, November 4, 2016

Tuesday Night’s Literal Showstoppers: Clinton and Trump by Michael Cooper and Michael Paulson

Many New York plays, musicals and operas will take election night off, as audiences are likely to want prime seats for the biggest spectacle: the election.

SOURCE: The New York Times Subscription at 01:24PM
Wednesday, November 2, 2016

Accord Reached in Battle Over ‘The Great Comet’ by Michael Paulson

Hard feelings remain despite a decision to revise the show’s Playbill to give more specific credit to Ars Nova, which commissioned the play.

SOURCE: The New York Times Subscription at 05:18PM
Monday, October 31, 2016

Producers of ‘Natasha, Pierre & the Great Comet of 1812’ Offer to Settle Dispute by Michael Paulson

The producers said they would agree to describe the nonprofit that commissioned the Broadway musical as it wished in the show’s program if the group would drop two legal claims.

SOURCE: The New York Times Subscription at 11:36PM

A 9/11 Parable, Resurrected in Newfoundland by Michael Paulson

Residents of Gander are treated to an early look at “Come From Away,” a Broadway-bound musical about how they welcomed travelers grounded amid the Sept. 11 chaos.

SOURCE: The New York Times Subscription at 06:06PM
Friday, October 28, 2016

Dispute at ‘Natasha, Pierre & the Great Comet of 1812’ Leads to Lawsuit by Michael Paulson

The small nonprofit theater Ars Nova has accused Howard Kagan, the lead commercial producer, of violating an agreement over the show’s Playbill wording.

SOURCE: The New York Times Subscription at 06:06PM
Thursday, October 27, 2016

King Kong’s Latest Victim: The Writer by Michael Paulson

Marsha Norman, the Pulitzer Prize-winning book writer for the musical “King Kong,” has left the project.

SOURCE: The New York Times Subscription at 03:48PM
Wednesday, October 26, 2016

Paula Vogel’s ‘Indecent’ to Open on Broadway by Michael Paulson

The work, by the Pulitzer Prize winning playwright, explores the real-life story of a play that was shut down in part because it depicted a lesbian relationship.

SOURCE: The New York Times Subscription at 05:54PM
Tuesday, October 25, 2016

Glenn Close Will Star, Again, in ‘Sunset Boulevard’ on Broadway by Michael Paulson

Ms. Close is bringing the role back to Broadway for 16 weeks beginning in February at the Palace Theater.

SOURCE: The New York Times Subscription at 11:43AM
Saturday, October 22, 2016

Jake Gyllenhaal on His Return to Broadway: Not So Fast by Michael Paulson

The film star’s return to Broadway in Lanford Wilson’s “Burn This” has been postponed.

SOURCE: The New York Times Subscription at 11:31AM
Thursday, October 20, 2016

‘Bandstand,’ From ‘Hamilton’ Choreographer, Heads to Broadway by Michael Paulson

Andy Blankenbuehler, who has won Tonys for choreography of “In the Heights” and “Hamilton,” will direct this production, slated for an April opening.

SOURCE: The New York Times Subscription at 01:36PM
Wednesday, October 19, 2016

Three Words Lead to a Battle Over ‘Great Comet’ on Broadway by Michael Paulson

The nonprofit theater Ars Nova and the commercial producers of “Natasha, Pierre & the Great Comet of 1812” are battling over the billing of the show.

SOURCE: The New York Times Subscription at 06:08PM
Tuesday, October 18, 2016

Allison Janney to Return to Broadway in ‘Six Degrees of Separation’ Revival by Michael Paulson

The play, by John Guare, will be directed by Trip Cullman, and will be Ms. Janney’s fourth Broadway show.

SOURCE: The New York Times Subscription at 02:20PM
Monday, October 17, 2016

Andrew Lloyd Webber Names Producer to Oversee North American Shows by Michael Paulson

Mr. Lloyd Webber announced Monday that his company had hired the Broadway producer Ken Davenport to the new post of executive producer.

SOURCE: The New York Times Subscription at 02:01PM
Sunday, October 16, 2016

Free Tickets for Playwrights Who Can’t Afford the Theater by Michael Paulson

Theaters across the country have signed on to an initiative that makes unsold tickets available to student and professional writers.

SOURCE: The New York Times Subscription at 05:19PM
Thursday, October 13, 2016

Clash of the Cosmetics Titans: ‘War Paint‘ Is Coming to Broadway by Michael Paulson

Patti LuPone and Christine Ebersole are to star in the musical, which is to start previews on March 7 at the Nederlander Theater.

SOURCE: The New York Times Subscription at 05:02PM

The Unimaginable by Michael Paulson

Oskar Eustis, the artistic director of the Public Theater, helped create “Hamilton.” But alongside professional triumph came personal tragedy.

SOURCE: The New York Times Subscription at 06:26AM
Thursday, October 6, 2016

Kennedy Center Taps Broadway Producer to Lead Theater Programming by Michael Paulson

Jeffrey Finn, the lead producer of “An Act of God,” will take on this new role for the center on Friday.

SOURCE: The New York Times Subscription at 12:14PM
Tuesday, October 4, 2016

Union Boss (and Former Miss America) Hits the Road in ‘Fun Home’ by Michael Paulson

Kate Shindle will travel with the Tony-winning play while simultaneously leading Actors’ Equity. It’s a complicated juggling act.

SOURCE: The New York Times Subscription at 05:03PM
Monday, October 3, 2016

Two Brothers, Both August Wilson Stalwarts, Play the Same Role on Opposite Coasts by Michael Paulson

Brandon and Jason Dirden discuss how their different strengths go into playing Levee, the angrily striving trumpeter in Wilson’s “Ma Rainey’s Black Bottom.”

SOURCE: The New York Times Subscription at 04:52PM
Thursday, September 29, 2016

Irish Rep to Serve Dinner and ‘The Dead’ by Michael Paulson

“The Dead, 1904” will be staged at a townhouse and will accommodate 42 people a night, at $300 each for the play, dinner and drinks.

SOURCE: The New York Times Subscription at 11:31AM
Wednesday, September 28, 2016

Soho Rep to Close Walkerspace by Michael Paulson

Three rental productions, including one that was to open Thursday, will have to be relocated or canceled.

SOURCE: The New York Times Subscription at 03:40PM

Once Jailed for Fraud, Garth Drabinsky Plans a Broadway Comeback by Michael Paulson

A consortium of producers said Mr. Drabinsky’s production of “Sousatzka” would be staged in Toronto next year, aiming for a transfer to Broadway.

SOURCE: The New York Times Subscription at 09:10AM
Tuesday, September 27, 2016

Kevin Kline Plans Return to Broadway in ‘Present Laughter’ by Michael Paulson

Mr. Kline, 68, is expected to take on this new role in a revival of the Noël Coward play by at the St. James Theater next year.

SOURCE: The New York Times Subscription at 03:20PM
Sunday, September 25, 2016

A Play Timed to Trump’s Candidacy Asks What If by Michael Paulson

Mirroring similar theatrical efforts, Berkeley Rep stages an adaptation of a Sinclair Lewis novel about a vain nominee inveighing against a religious minority.

SOURCE: The New York Times Subscription at 05:43PM
Friday, September 23, 2016

‘Frozen’ Musical Zeros In on Michael Grandage as Director by Michael Paulson

Disney is expected to hire Michael Grandage to direct the musical version of its hit film “Frozen.”

SOURCE: The New York Times Subscription at 09:10AM
Wednesday, September 21, 2016

‘Hand to God’ to Have 13 Productions This Season by Michael Paulson

The irreverent play is being embraced by artistic directors in American nonprofit professional theaters, American Theatre magazine says.

SOURCE: The New York Times Subscription at 12:52PM
Thursday, September 15, 2016

‘The Humans,’ Tony Winner for Best New Play, Closing in January by Michael Paulson

The show, which this year won the Tony Award for best new play, will close on Jan. 15.

SOURCE: The New York Times Subscription at 11:10AM
Wednesday, September 14, 2016

How to Keep the ‘Great Comet’ Party Going on Broadway: Dish Out the Pierogies (and Add Josh Groban) by Michael Paulson

This show, which has previously erased the lines between performers and audience in smaller venues, enters its biggest home.

SOURCE: The New York Times Subscription at 03:21PM
Tuesday, September 13, 2016

Broadway-Bound ‘Groundhog Day’ Will Cast Shadow on Tonys by Michael Paulson

A musical version of the hit film will open on Broadway in April, just before the deadline to qualify for the Tony Awards. It’s now playing in London.

SOURCE: The New York Times Subscription at 04:31PM

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