All stories by Michael Billington on BroadwayStars

Sunday, July 15, 2012

St John's Night – review by Michael Billington

Jermyn Street, LondonImagine A Midsummer Night's Dream crossed with Gilbert and Sullivan's Patience, and you get some idea of the wonderful weirdness of this early 1851 play by Ibsen only no…

SOURCE: The Guardian at 01:29PM
Friday, July 13, 2012

Heartbreak House – review by Michael Billington

Chichester festival theatreWhile Bertolt Brecht triumphs at the Chichester Minerva with Arturo Ui, George Bernard Shaw is blandly revived in the city's main house. In its angry indictment of…

SOURCE: The Guardian at 07:23AM
Wednesday, July 11, 2012

Hedda Gabler – review by Michael Billington

Royal and Derngate, NorthamptonIt might at first seem odd to find Ibsen's tight-structured play forming the climax to a Festival of Chaos that has already brought us The Bacchae and Blood We…

SOURCE: The Guardian at 12:33PM

Hedda Gabler review by Michael Billington

Royal and Derngate, Northampton Continue reading...

SOURCE: The Guardian at 12:33PM
Tuesday, July 10, 2012

A Doll's House – review by Michael Billington

Young Vic, LondonCarrie Cracknell's production certainly puts a new spin on Ibsen's 1879 classic. As if to remind us that this is a play about domestic revolution, Ian MacNeil's design revol…

SOURCE: The Guardian at 07:07AM
Monday, July 9, 2012

The Two Most Perfect Things – review by Michael Billington

Riverside Studios, LondonThis delightful piece, conceived by Adrian Fisher and Stuart Barham, celebrates the lives and careers of Noël Coward and Ivor Novello. They had a lot in common: bot…

SOURCE: The Guardian at 01:37PM
Friday, July 6, 2012

A Soldier in Every Son – review by Michael Billington

Swan, Stratford-upon-AvonThe best intentions sometimes go awry. On paper, it might have seemed a good idea to commission a Mexican dramatist, Luis Mario Moncada, to write a play ab…

SOURCE: The Guardian at 07:01AM
Thursday, July 5, 2012

The Taming of the Shrew – review by Michael Billington

Shakespeare's Globe, LondonToby Frow's new Shrew starts with a Bermondsey drunk clambering on stage and threatening to disrupt the evening's entertainment. Older playgoers may recall a simil…

SOURCE: The Guardian at 01:15PM
Wednesday, July 4, 2012

Dandy Dick – review by Michael Billington

Theatre Royal BrightonNew ventures are always welcome and this show marks an attempt to restore this handsome 1807 theatre to its function as a producing house that can feed work into the We…

SOURCE: The Guardian at 07:35AM
Sunday, July 1, 2012

Michael Billington on marathon-length theatre by Michael Billington

A five-hour show? That's not nearly long enoughCan you ever have too much of a good thing? Audiences don't seem to think so. Advertise an event that lasts the best part of a day and you will…

SOURCE: The Guardian at 04:30PM

Birthday – review by Michael Billington

Royal Court, LondonIn Some Voices and Blue/Orange, Joe Penhall dealt with society's incapacity to cope with mental illness. Now he turns to the subject of male pregnancy; and what starts out…

SOURCE: The Guardian at 11:30AM
Thursday, June 28, 2012

Kiss Me Kate – review by Michael Billington

Chichester Festival TheatreCole Porter's cosmopolitan chic essentially belonged to the 1930s, but he enjoyed a late, great hit in 1948 with this backstage story: one that shows the battling …

SOURCE: The Guardian at 01:25PM
Wednesday, June 27, 2012

Loserville – review by Michael Billington

West Yorkshire Playhouse, LeedsI have moaned constantly about the dearth of new musicals but this theatre has certainly done its bit, with shows ranging from Spend Spend Spend! to The Go-Bet…

SOURCE: The Guardian at 12:53PM
Tuesday, June 26, 2012

Fear – theatre review by Michael Billington

Bush Theatre, London"What is robbing a bank compared to founding a bank?" asks Brecht in The Threepenny Opera. That idea pervades Dominic Savage's sharp, short theatrical debut. But, althoug…

SOURCE: The Guardian at 02:00PM
Monday, June 25, 2012

The Drawer Boy – review by Michael Billington

Finborough, LondonForty years ago, a Toronto company created a devised play by sending a group of actors to live and work on farms in Ontario. That experience, a landmark in Canadian theatre…

SOURCE: The Guardian at 01:22PM
Sunday, June 24, 2012

Druid Murphy – review by Michael Billington

Hampstead, LondonSurvivors of Gatz will not shrink at the idea of a nine-hour day spent watching three plays by the great Irish dramatist, Tom Murphy. Garry Hynes, who directs them for Galwa…

SOURCE: The Guardian at 01:00PM
Friday, June 22, 2012

The Prophet - review by Michael Billington

Gate, LondonFive years ago Hassan Abdulrazzak caused quite a stir with a debut play, Baghdad Wedding, about life among London's Iraqi exiles. Now at long last comes a second play, The Prophe…

SOURCE: The Guardian at 01:04PM
Wednesday, June 20, 2012

The Last of the Haussmans – review by Michael Billington

Lyttelton, LondonPlays about the legacy of the 1960s are becoming increasingly common. After Mike Bartlett's Love, Love, Love and Alexi Kaye Campbell's Apologia, we now have this debut from …

SOURCE: The Guardian at 01:21PM
Sunday, June 17, 2012

Minsk 2011: A Reply to Kathy Acker – review by Michael Billington

Young Vic, LondonAt the curtain call for this show from Belarus Free theatre, a protester shouted that it was "a political provocation". He went on, before clumping noisily out, to declare t…

SOURCE: The Guardian at 01:04PM
Thursday, June 14, 2012

Gatz – review by Michael Billington

Noel Coward theatre, LondonI have spent much of my life attacking adaptations. But the glory of this show, created and performed by New York's Elevator Repair Service, is that it is no cut-a…

SOURCE: The Guardian at 02:00AM
Wednesday, June 13, 2012

Torch Song Trilogy – review by Michael Billington

Menier Chocolate Factory, London Harvey Fierstein's award-winning trilogy has its place in Broadway history, in that in 1982 it showed a gay hero's quest for love and family could achieve po…

SOURCE: The Guardian at 01:34PM
Monday, June 11, 2012

The Witness – review by Michael Billington

Royal Court, LondonVivienne Franzmann scored a deserved success with Mogadishu, which examined self-destructive white liberal guilt in a school setting. Her new play extends the theme to att…

SOURCE: The Guardian at 01:12PM

James Corden's Tony award is deserved recognition for fine-tuned farce by Michael Billington

It is Corden's ability to react in the moment while sticking to the comic structure that makes this an award-worthy performanceHaving lost out in the British theatrical awards to the Franken…

SOURCE: The Guardian at 10:22AM
Friday, June 8, 2012

The Physicists – review by Michael Billington

Donmar Warehouse, LondonThe social responsibility of the scientist was a hot topic when the Swiss dramatist Friedrich Dürrenmatt wrote this play in 1961: this, after all, was a period when …

SOURCE: The Guardian at 07:37AM
Wednesday, June 6, 2012

Julius Caesar – review by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonThis, of all Shakespeare's plays, badly needs a shot in the arm – and it receives a powerful one in this production by Gregory Doran, the RSC'…

SOURCE: The Guardian at 08:13PM
Monday, June 4, 2012

The Bacchae/Blood Wedding – review by Michael Billington

Various venues, NorthamptonCivilised order confronts unbridled anarchy in Northampton this summer, where Laurie Sansom has had the imaginative idea of staging a trilogy dubbed Festival of Ch…

SOURCE: The Guardian at 07:25AM
Sunday, June 3, 2012

Playwright Athol Fugard: a man of obstinacy and courage by Michael Billington

A new documentary charts the struggle of Afrikaans playwright Athol Fugard against the violence of apartheid. Michael Billington admires his spiritI have always had slightly mixed feelings a…

SOURCE: The Guardian at 01:45PM

Hamlet – review by Michael Billington

Shakespeare's Globe, LondonThe final visiting production in the invigorating Globe to Globe season is a much-travelled Hamlet, dating back to 1997, from Lithuania's Meno Fortas com…

SOURCE: The Guardian at 01:45PM
Thursday, May 31, 2012

Antigone – review by Michael Billington

Olivier, LondonWe are at the hub of a modern seat of power. As we hear the whirring sound of a helicopter overhead, frantic desk-wallahs pass urgent messages ever higher up the chain of comm…

SOURCE: The Guardian at 12:02PM
Wednesday, May 30, 2012

Ragtime – review by Michael Billington

Open Air theatre, Regent's Park, LondonThis musical had the misfortune to receive its British premiere on the night in 2003 when America invaded Iraq. Now revived by Timothy Sheader, it…

SOURCE: The Guardian at 01:08PM
Tuesday, May 29, 2012

Y for Young Writers by Michael Billington

It's never been a better time to be a young playwright – but are we missing out on older voices?It's a great time to be a young dramatist. Theatres are hungry for your work. The media love…

SOURCE: The Guardian at 08:06AM