All stories by Michael Billington on BroadwayStars

Friday, March 8, 2013

Longing – review by Michael Billington

Hampstead theatre, LondonWilliam Boyd has fused two Chekhov stories from the 1890s, A Visit to Friends and My Life, to create a new play. The result is inevitably something of a hybrid: neit…

SOURCE: The Guardian at 12:27PM
Thursday, March 7, 2013

Paper Dolls – review by Michael Billington

Tricycle, London"In Israel nothing is exactly what you think," remarks a character in Paper Dolls. That neatly sums up the message of a show about five Filipino immigrants who work as live-i…

SOURCE: The Guardian at 12:41PM
Wednesday, March 6, 2013

Purple Heart – review by Michael Billington

Gate, LondonBruce Norris has won golden praise with Clybourne Park and The Pain and the Itch at the Royal Court. Now the Gate has had the wit to revive an earlier piece, written in 2002 in t…

SOURCE: The Guardian at 12:39PM
Tuesday, March 5, 2013

The Audience – review by Michael Billington

Gielgud, LondonPeter Morgan struck box-office gold with his movie The Queen. He's likely to do so again with this play based on the private weekly audience given by the monarch to the prime …

SOURCE: The Guardian at 06:02PM
Monday, March 4, 2013

Facts – review by Michael Billington

Finborough, LondonHow do you tackle the complexities of the Israeli-Palestinian conflict? Most British dramatists, with the striking exception of David Hare in Via Dolorosa, shy away from it…

SOURCE: The Guardian at 01:04PM
Tuesday, February 26, 2013

Trelawny of the Wells - review by Michael Billington

Donmar Warehouse, LondonBest known for movies such as Atonement and Anna Karenina, Joe Wright has finally got round to directing his first play, and, appropriately, he has chosen Pinero's wa…

SOURCE: The Guardian at 07:47PM
Friday, February 22, 2013

The Tailor-Made Man – review by Michael Billington

Arts theatre, LondonBoy-meets-boy is now a familiar musical theme. What gives this show a certain piquancy is that it deals with a star of the Hollywood silents, William Haine…

SOURCE: The Guardian at 12:37PM
Thursday, February 21, 2013

If You Don't Let Us Dream, We Won't Let You Sleep – review by Michael Billington

Royal Court, LondonAs someone who bemoans the dearth of political drama, I welcome the arrival of Anders Lustgarten's polemical bombshell. But while the play has bags of vigour and offers a …

SOURCE: The Guardian at 12:43PM
Wednesday, February 20, 2013

A Chorus Line – review by Michael Billington

London Palladium"Nothing runs for ever," says a character in A Chorus Line. Maybe not; but this show, which started its life at the Public theatre in New York in 1975, enjoyed a record-break…

SOURCE: The Guardian at 09:59AM
Sunday, February 17, 2013

I Was a Rat! – review by Michael Billington

Old Rep, BirminghamHow do you celebrate your 100th birthday? It must have been tempting to revive Twelfth Night which opened the much-loved Station Street theatre on February 15, 1913. Inste…

SOURCE: The Guardian at 08:49AM
Thursday, February 14, 2013

Dear World – review by Michael Billington

Charing Cross theatre, London"There was a time when garbage was a pleasure," they sing in this musical version of Giraudoux's The Madwoman of Chaillot, which flopped on Broadway in 1969. Wic…

SOURCE: The Guardian at 01:03PM
Wednesday, February 13, 2013

A Life of Galileo – review by Michael Billington

Swan, Stratford-on-AvonA reactionary pope dies, only to be succeeded by a seeming liberal who soon reverts to institutional conservatism. You could hardly have a more topical play than this.…

SOURCE: The Guardian at 11:52AM
Tuesday, February 12, 2013

The Birmingham Rep: the star machine by Michael Billington

Albert Finney, Peggy Ashcroft and Laurence Olivier all cut their teeth at the Birmingham Rep. As the curtains go up on its new home, Michael Billington, a punter since the mid-50s, looks at …

SOURCE: The Guardian at 02:00PM

Playing Cards 1: Spades – review by Michael Billington

Roundhouse, LondonNo one has ever doubted the visual wizardry of Robert Lepage. When style and content mesh, as in The Far Side of the Moon (2000), the result is theatrical magic. But his am…

SOURCE: The Guardian at 12:31PM
Monday, February 11, 2013

The Stepmother – review by Michael Billington

Orange Tree, RichmondIt almost defies belief that Githa Sowerby's 1924 drama is only now receiving its British professional premiere. While it may not quite possess the Ibsenite power o…

SOURCE: The Guardian at 01:03PM
Sunday, February 10, 2013

Gay's the Word – review by Michael Billington

Jermyn Street Theatre, LondonWritten shortly before his death in 1951, Ivor Novello's last musical earns a footnote in the history books. It shows Novello abandoning Ruritanian operetta to r…

SOURCE: The Guardian at 01:22PM
Friday, February 8, 2013

Alec Guinness's acerbic remarks about Laurence Olivier don't amount to a feud | Michael Billington by Michael Billington

Despite acting rivalries, it's striking how few genuine feuds there have been in the tribe of British actors over the last 100 yearsThe news that Alec Guinness felt a personal distaste for L…

SOURCE: The Guardian at 12:00PM

Fiesta: The Sun Also Rises – review by Michael Billington

Trafalgar Studios, LondonIt takes a certain chutzpah to try and cram Ernest Hemingway's novel, with its portrait of Paris and Pamplona in the 1920s and its vivid evocation of bullfighting, o…

SOURCE: The Guardian at 08:12AM
Thursday, February 7, 2013

In the Beginning Was the End – review by Michael Billington

Somerset House, London"Are we meant to be looking for clues?" a young woman suddenly asked me as we poked about in the underground passages linking Somerset House and King's College. In a wa…

SOURCE: The Guardian at 07:57AM
Wednesday, February 6, 2013

The Captain of Köpenick – review by Michael Billington

National theatre, LondonWhen Carl Zuckmayer's play was staged by the National at the Old Vic in 1971, it yielded a great comic performance from Paul Scofield. Good as Antony Sher is in the c…

SOURCE: The Guardian at 10:00AM
Tuesday, February 5, 2013

London Wall – review by Michael Billington

Finborough, LondonAfter Priestley's Cornelius, the Finborough brings us another play about office life in the interwar years; and even if John Van Druten's 1931 piece doesn't have the s…

SOURCE: The Guardian at 12:38PM

Our Country's Good – review by Michael Billington

St James, LondonTwenty-five years after its premiere, Timberlake Wertenbaker's play remains terrifyingly relevant. Based on Thomas Keneally's novel The Playmaker, it deals with a production …

SOURCE: The Guardian at 08:36AM
Monday, February 4, 2013

Feast – review by Michael Billington

Young Vic, LondonAfter Benedict Andrews's radical update of Chekhov's Three Sisters , we now have another sibling trio on stage at the Young Vic. This time, the sisters symbolise Yoruba godd…

SOURCE: The Guardian at 07:52AM
Thursday, January 31, 2013

The Winter's Tale – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThis is the RSC's fifth revival of this play in the last 15 years. Such over-familiarity may account for the fact that Lucy Bailey's new product…

SOURCE: The Guardian at 08:14AM
Wednesday, January 30, 2013

National Theatre gala: how would you celebrate the NT's 50th anniversary? by Michael Billington

Nicholas Hytner wants to know what should be included in the NT's anniversary celebrations. From No Man's Land to Stuff Happens, here are my top picksAt his spring press conference on Wednes…

SOURCE: The Guardian at 12:23PM
Tuesday, January 29, 2013

Quartermaine's Terms – review by Michael Billington

Wyndham's, LondonFor a convivial chap, Simon Gray was oddly preoccupied with loneliness. And in this play, first seen in 1981, he takes his fascination with the English sense of detachment t…

SOURCE: The Guardian at 08:07PM

Port – review by Michael Billington

Lyttelton, LondonSimon Stephens has a way with women. His Harper Regan (2008) was a memorable play about a mother who abandons her family. And in Port, first seen at Manchester's Royal Excha…

SOURCE: The Guardian at 07:59AM
Friday, January 25, 2013

Michael Billington on working-class theatre by Michael Billington

'Where have all the kitchen sinks gone?'Is our theatre now inescapably middle-class? I ask because I recently took part in a debate on Radio 3's Night Waves about the upsurge in working…

SOURCE: The Guardian at 04:00PM

The Turn of the Screw – review by Michael Billington

Almeida, LondonYou can see Henry James's masterly, much-adapted short novel either as a classic ghost story or as a study in sexual hysteria. But Rebecca Lenkiewicz's overheated new version,…

SOURCE: The Guardian at 12:40PM
Thursday, January 24, 2013

Di and Viv and Rose – review by Michael Billington

Hampstead, LondonI predict a big success for Amelia Bullmore's comedy, which has moved assuredly from Hampstead's downstairs space to the main stage. It connects emotionally with the audienc…

SOURCE: The Guardian at 12:46PM

Di and Viv and Rose – review by Michael Billington

Hampstead, London Continue reading...

SOURCE: The Guardian at 12:46PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre