All stories by Michael Billington on BroadwayStars

Tuesday, June 4, 2013

Playing with Fire – review by Michael Billington

Drayton Arms, LondonAfter a surfeit of Miss Julies in London, it's refreshing to find this rare August Strindberg one-act play popping up in an attractive space above a South Kensington…

SOURCE: The Guardian at 01:49PM
Friday, May 31, 2013

Lionboy – review by Michael Billington

Bristol Old VicI normally associate the 30-year-old Complicite with extravagantly theatrical explorations of world literature. Here, however, they have come up with their first family show b…

SOURCE: The Guardian at 07:43AM
Thursday, May 30, 2013

Race – review by Michael Billington

Hampstead theatre, LondonDavid Mamet reminds me of some veteran pugilist with a pile of trophies yet still anxious for a fight: the old technique is still there, even if the punches no longe…

SOURCE: The Guardian at 10:34AM
Wednesday, May 29, 2013

Chimerica – review by Michael Billington

Almeida, LondonI complained of Lucy Kirkwood's last play, NSFW at London's Royal Court, that it was too short: no such problems with this gloriously rich, mind-expanding three-hour play, whi…

SOURCE: The Guardian at 08:10AM
Tuesday, May 28, 2013

Seven Year Twitch – review by Michael Billington

Orange Tree, RichmondThe therapist-patient relationship is rarely dramatised, but it lies at the heart of this sharp, perceptive comedy by David Lewis, which uses the circular structure of S…

SOURCE: The Guardian at 01:11PM
Monday, May 27, 2013

My Life After – review by Michael Billington

Corn Exchange, BrightonThe Brighton festival's theatre programme ended with this extraordinary import from Argentina in which five actors recalled, with the aid of photos, letters, home movi…

SOURCE: The Guardian at 12:39PM
Friday, May 24, 2013

Titus Andronicus – review by Michael Billington

Swan, Stratford-upon-AvonNo one any longer has to make a case for this once-despised play. But, whether it is viewed as a neo-Senecan study in stoic acceptance of grief or a Tarantino-like e…

SOURCE: The Guardian at 12:47PM
Thursday, May 23, 2013

Disgraced – review by Michael Billington

Bush, LondonWe're used to seeing plays that take a swipe at American liberal guilt. But Ayad Akhtar's Pulitzer prizewinner adds an extra dimension to the subject by exposing the dangers of d…

SOURCE: The Guardian at 01:21PM

Disgraced review by Michael Billington

Bush, London Continue reading...

SOURCE: The Guardian at 01:21PM
Wednesday, May 22, 2013

Tanzi Libre – review by Michael Billington

Southwark Playhouse, LondonThis peripatetic theatre finds its third home in a converted warehouse near Elephant and Castle. But, although the space is attractive and the production lively, I…

SOURCE: The Guardian at 01:29PM
Monday, May 20, 2013

Relatively Speaking – review by Michael Billington

Wyndham's, LondonThis is the play that in 1967 gave Alan Ayckbourn his first West End hit. Seeing it again after all these years, in Lindsay Posner's witty production, I was reminded of the …

SOURCE: The Guardian at 06:00PM
Sunday, May 19, 2013

Hutch – review by Michael Billington

Riverside Studios, LondonIt is not often that a curtain speech is the highlight of a show, but at the end of this bio-play about the once-famous cabaret artist Hutch, his son, Chris, paid&nb…

SOURCE: The Guardian at 12:15PM
Friday, May 17, 2013

The Victorian in the Wall – review by Michael Billington

Royal Court, LondonThe 2004 Perrier award winner Will Adamsdale clearly has a comic following and, as we saw in the National's Detroit, is a creditable actor. But this show, which he wrote w…

SOURCE: The Guardian at 01:25PM
Thursday, May 16, 2013

These Shining Lives – review by Michael Billington

Park, LondonMany years ago Keith Dewhurst wrote a Guardian column arguing that theatre had to move away from city centres to areas where people actually lived. In London the shift away from …

SOURCE: The Guardian at 01:24PM
Tuesday, May 14, 2013

Public Enemy – review by Michael Billington

Young Vic, LondonThere are no rules in theatre. Updating a classic can sometimes work brilliantly, as with Benedict Andrews' Three Sisters at the Young Vic last year. But David Harrower's ne…

SOURCE: The Guardian at 07:40AM
Thursday, May 9, 2013

The Hothouse – review by Michael Billington

Trafalgar Studios, LondonHarold Pinter was, among many other things, a comic writer; and I would distrust any Pinter evening that didn't make us laugh. But, richly pleasurable and boundlessl…

SOURCE: The Guardian at 07:06PM

The Match Box – review by Michael Billington

Tricycle, LondonLeanne Best received glowing notices when she first appeared in Frank McGuinness's demanding one-woman play, at the Liverpool Playhouse in June 2012. The praise was richly de…

SOURCE: The Guardian at 11:58AM
Wednesday, May 8, 2013

Larisa and the Merchants – review by Michael Billington

Arcola, LondonWhy do we know so little of Alexander Ostrovsky? He was the father of Russian drama and a palpable influence on Anton Chekhov, yet his plays get only scattered revivals. So, ev…

SOURCE: The Guardian at 12:57PM
Tuesday, May 7, 2013

Passion Play – review by Michael Billington

Duke of York's, LondonIt's a well-known fact that Peter Nichols's play, which first appeared in 1981, forms part of an unofficial trinity of dramas about infidelity: it came after Pinter's B…

SOURCE: The Guardian at 06:00PM
Sunday, May 5, 2013

Pastoral – review by Michael Billington

The Cut, HalesworthQuirky, original voices are rare in a conformist age. But Thomas Eccleshare, whose Pastoral is one of five new plays at the core of this year's HighTide festival in the Su…

SOURCE: The Guardian at 12:10PM
Friday, May 3, 2013

The Tempest – review by Michael Billington

Shakespeare's Globe, LondonI've seen Prospero played as a benign schoolmaster, colonial overlord and Faustian necromancer. But Roger Allam brings something new to the party by suggesting tha…

SOURCE: The Guardian at 12:48PM
Wednesday, May 1, 2013

Glory Dazed – review by Michael Billington

Soho Upstairs, LondonI first came across Cat Jones's 60-minute play when it was submitted for one of the playwrights' bursaries annually awarded by Pearson. I'm happy to say that this story …

SOURCE: The Guardian at 11:56AM

Glory Dazed review by Michael Billington

Soho Upstairs, London Continue reading...

SOURCE: The Guardian at 11:56AM

Fräulein Julie – review by Michael Billington

Barbican, LondonTheatre-makers are constantly trying to recapture the shock of August Strindberg's once-revolutionary 1888 play. In Mies Julie, currently at the Riverside Studios, it is done…

SOURCE: The Guardian at 08:58AM

Fräulein Julie review by Michael Billington

Barbican, London Continue reading...

SOURCE: The Guardian at 08:58AM
Tuesday, April 30, 2013

The Pajama Game – review by Michael Billington

Minerva, ChichesterWith the Festival theatre closed for renovation and Chichester resembling a building site, it seems appropriate to kick off the season in the Minerva with a piec…

SOURCE: The Guardian at 02:00PM

Tony awards 2013: Matilda and Kinky Boots slug it out by Michael Billington

This year's Tony nominations presage a battle of heavyweight musicals. However, theatre does exist beyond the big-ticket song-and-dance showsTwo heavyweight musicals are engaged in a slugfes…

SOURCE: The Guardian at 11:49AM
Friday, April 26, 2013

The Weir – review by Michael Billington

Donmar Warehouse, LondonWhy, 16 years after its premiere, does Conor McPherson's play still grip us? After all, it seems to consist of little but people telling ghost stories in a …

SOURCE: The Guardian at 08:31AM

The Duke in Darkness – review by Michael Billington

Tabard, LondonHave we lost our taste for historical melodrama? Apparently not, since this Chiswick theatre pub was packed on a hot afternoon for a rare revival of this curious play by Patric…

SOURCE: The Guardian at 05:29AM
Thursday, April 25, 2013

As You Like It – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon"Can one desire too much of a good thing?" asks Rosalind. Maybe not. But, although Maria Aberg's new production of As You Like It is a joyous, b…

SOURCE: The Guardian at 01:02PM
Wednesday, April 24, 2013

The Breadwinner – review by Michael Billington

Orange Tree, LondonFantasies of flight fuelled the life and work of Somerset Maugham. They are also the governing theme of this compellingly cruel 1930 comedy, which forms a fascinating comp…

SOURCE: The Guardian at 07:56AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre