All stories by Michael Billington on BroadwayStars

Friday, November 1, 2019

Chemistry review – a warm story of love in the face of mental illness by Michael Billington

Finborough theatre, LondonDepression provides the tough backdrop for an intense affair in Jacob Marx Rice’s smart, flawed and compellingly acted play Depression is a subject the theatre is…

SOURCE: The Guardian at 10:48AM
Thursday, October 31, 2019

The Antipodes review – Annie Baker searches for the sting in the tale by Michael Billington

Dorfman, National Theatre, LondonBaker probes the relevance of stories in her new play, seemingly set at a strategy meeting, but the concept runs out of steam I was enthralled by Annie Bake…

SOURCE: The Guardian at 08:33AM
Wednesday, October 30, 2019

Light Falls review – Simon Stephens' guilt-ridden love letter to the north by Michael Billington

Royal Exchange, ManchesterSarah Frankcom says her farewell as the Exchange’s artistic director with this moving testament to the power of family life This has the air of an event. It is th…

SOURCE: The Guardian at 07:24AM
Tuesday, October 29, 2019

Hard talk: Broadway gets tough on America in crisis by Michael Billington

In an era of uncertainty and anxiety, New York theatre is shunning its obsession with private lives to throw a powerful spotlight on politics It used to be argued that British drama is drive…

SOURCE: The Guardian at 06:24AM
Monday, October 28, 2019

Joan Plowright at 90: the star who spoke truth to British theatre by Michael Billington

On the actor’s birthday, our critic picks three key performances that illuminate her gift for earthy honesty Joan Plowright, who celebrates her 90th birthday today, is the senior figure in…

SOURCE: The Guardian at 03:06AM
Monday, October 21, 2019

Vassa review – revolutionary attack on moribund politics by Michael Billington

Almeida, LondonSiobhan Redmond is impressive as a tyrannical mother trying to rescue her debt-ridden family in Tinuke Craig’s strangely rootless production This production of Maxim Gorky�…

SOURCE: The Guardian at 09:48PM
Friday, October 18, 2019

[Blank] review – Alice Birch's build-your-own-play experiment by Michael Billington

Donmar Warehouse, LondonThe playwright throws down the gauntlet to directors, and the result is a show full of ideas but lacking unity Alice Birch’s new play, whose title comes with built-…

SOURCE: The Guardian at 07:18AM
Tuesday, October 15, 2019

A History of Water in the Middle East review – cheeky political lesson makes waves by Michael Billington

Royal Court, LondonPoet Sabrina Mahfouz uses songs, music and humour to deliver an impassioned assault on British imperialism Passion counts for a lot in the theatre. That is proved by this …

SOURCE: The Guardian at 08:33AM
Monday, October 14, 2019

The Ice Cream Boys review – an ambitious slice of South African history by Michael Billington

Jermyn Street theatre, LondonThis vigorously performed play confronts the country’s past issues with a battle between the disgraced ex-president, Jacob Zuma, and one of his fiercest critic…

SOURCE: The Guardian at 02:37AM
Thursday, October 10, 2019

Groan Ups review – school swots and bullies for life by Michael Billington

Vaudeville, London From age six to 30, Mischief Theatre’s engaging band of classmates bicker and play but rarely test the assumption that character is formed in childhood Mischief Theatre,…

SOURCE: The Guardian at 07:12PM
Wednesday, October 9, 2019

The Man in the White Suit review – Stephen Mangan reinvents Ealing boffin by Michael Billington

Wyndham’s theatre, London With fart jokes and skiffle songs, this Sean Foley adaptation ditches the innocence of the 1950s capitalist comedy, but has plenty of drive This is Sean Foley’s…

SOURCE: The Guardian at 07:03AM
Tuesday, October 8, 2019

Shukshin’s Stories review – moving tales of Siberian village folk by Michael Billington

Barbican, LondonA gifted cast from Moscow’s Theatre of Nations brings Soviet-era stories of folly and obsession to enchanting life I confess to knowing little of Vasily Shukshin (1929-74) …

SOURCE: The Guardian at 03:24PM

State of the arts: 'Theatre is usually in tune with our volatile times' by Michael Billington

The Guardian’s theatre critic reflects on why the stage remains such a vital means of distilling society We live, to put it mildly, in volatile times. No one knows for sure where this coun…

SOURCE: The Guardian at 06:24AM
Friday, October 4, 2019

The Niceties review – race and revolution explode into campus feud by Michael Billington

Finborough theatre, LondonA patriotic history professor clashes with her activist student in a smart play sustained by an early surge of ideas First produced in Boston in 2018, Eleanor Burge…

SOURCE: The Guardian at 09:12AM
Thursday, October 3, 2019

A Day in the Death of Joe Egg review – Peter Nichols' classic has rare truth by Michael Billington

Trafalgar Studios, LondonThere are excellent performances from a cast including Toby Stephens and Claire Skinner, in a fine revival of Nichols’ humane play It is 52 years since Peter Nicho…

SOURCE: The Guardian at 10:24AM
Wednesday, October 2, 2019

'Master Harold' … and the Boys review – a waltz for worldly harmony by Michael Billington

Lyttelton, London Athol Fugard explores South Africa in 1950 through a white teenager and two black men who practise ballroom routines The plays Athol Fugard co-created with John Kani and Wi…

SOURCE: The Guardian at 08:24AM
Tuesday, October 1, 2019

Sanditon and The Watsons: TV and theatre finish what Austen started by Michael Billington

Unfinished Jane Austen novels have been adapted for television and the stage. Theatre’s room for experiment delivers the most satisfying imaginative leap By a strange chance it is currentl…

SOURCE: The Guardian at 09:18AM
Sunday, September 29, 2019

Macbeth review – John Simm excels despite much toil and trouble by Michael Billington

Chichester Festival theatreThe murderous thane faces witches, relentless video and a musical assault in this lengthy production but emerges as a figure of rare complexity Read interview with…

SOURCE: The Guardian at 07:12AM
Friday, September 27, 2019

My Beautiful Laundrette review – an iconic movie cleverly reimagined by Michael Billington

Curve, LeicesterAdapted from Hanif Kureishi’s 1985 film, this production retains its 80s ethos while speaking to today’s world with the racial and gender politics heightened Making plays…

SOURCE: The Guardian at 11:06AM
Wednesday, September 25, 2019

Two Ladies review – presidents’ wives turn to violence by Michael Billington

Bridge theatre, LondonZoë Wanamaker and Zrinka Cvitešić attempt to seize power at a summit meeting in Nancy Harris’s provocative play The finest song in Hamilton hymns the urge to be in…

SOURCE: The Guardian at 07:24PM

Glass. Kill. Bluebeard. Imp. review - finding fascination in bloodshot fables by Michael Billington

Royal Court, LondonCaryl Churchill’s four pieces entertainingly combine mythical, mundane and gory Every Caryl Churchill play is an experiment with form. Her latest work comprises four pie…

SOURCE: The Guardian at 07:24PM
Tuesday, September 24, 2019

Youth Without God review – anti-Nazi drama calls out liberal bystanders by Michael Billington

Coronet theatre, LondonChristopher Hampton’s disturbing adaptation of Ödön von Horváth’s 1937 novel is a promising text, albeit let down by an imperfect production Christopher Hampton…

SOURCE: The Guardian at 06:33PM
Friday, September 20, 2019

The Permanent Way review – if only Hare's study of railway chaos had dated by Michael Billington

The Vaults, LondonDavid Hare’s searing play about the chaos and tragedy that followed rail privatisation rings as true today as ever ‘We have ended up with a very dysfunctional and flawe…

SOURCE: The Guardian at 11:42AM
Thursday, September 19, 2019

Reasons to Stay Alive review – striking staging of Matt Haig depression memoir by Michael Billington

Crucible, SheffieldThis dramatisation of the mental health bestseller takes a step towards removing the stigma from depression – though it’s no substitute for the book Depression is “i…

SOURCE: The Guardian at 07:18AM
Wednesday, September 18, 2019

Faith, Hope and Charity review – urgent account of the austerity age by Michael Billington

Dorfman, LondonAlexander Zeldin’s latest production shines a light on the resilience and humour of those struggling to survive Alexander Zeldin’s plays are like no one else’s: they hum…

SOURCE: The Guardian at 07:54AM
Tuesday, September 17, 2019

Jez Butterworth: quicksilver sage behind the 21st century's best play by Michael Billington

In Jerusalem, the playwright laid bare a country’s phoney myths and confronted who we are as individuals and nations The best plays of the 21st century Jez Butterworth is one of only two w…

SOURCE: The Guardian at 07:18PM

The 50 best theatre shows of the 21st century by Michael Billington, Alexis Soloski, Catherine Love, Mark Fisher and Chris Wiegand

A hip-hop history lesson, a dizzy Dahl musical and a continent-hopping barbershop … we pick the finest new works of theatre since 2000 Jez Butterworth: the sage behind our No1 Continue rea…

SOURCE: The Guardian at 07:18PM
Monday, September 16, 2019

Anna Bella Eema review – trailer-park golem with a touch of Thoreau by Michael Billington

Arcola, LondonGothic sound design and a trio of sharp central performances lend this version of Lisa D’Amour’s rather mystifying play some definition Lisa D’Amour’s play is as weird …

SOURCE: The Guardian at 08:54PM

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Jonathan Jones, Andrew Clements, Michael Billington and Lyndsey Winship

From Downton Abbey to Khalid, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 03:48AM
Friday, September 13, 2019

The King of Hell’s Palace review – eye-opening look at horrifying corruption in China by Michael Billington

Hampstead theatre, LondonCeleste Den portrays a real-life hero who exposed how local officials were spreading HIV ‘You are an enemy of the people,” a character remarks in Frances Ya-Chu …

SOURCE: The Guardian at 08:03AM
Thursday, September 12, 2019

A Doll's House review – Ibsen's classic shrewdly reimagined in colonial India by Michael Billington

Lyric Hammersmith, LondonWith a career-defining performance from Anjana Vasan, Tanika Gupta’s production is moving, multilayered and intelligent Tanika Gupta has transposed Ibsen’s semin…

SOURCE: The Guardian at 05:48AM

All that Chat