All stories by Michael Billington on BroadwayStars

Sunday, June 5, 2016

Chilcot review – devastating account of Blair cabinet's Iraq war delusions by Michael Billington

Battersea Arts Centre, LondonHow the Labour government drove itself to invade Iraq in 2003 is laid bare in this sharp distillation of Chilcot inquiry evidence – given added fire by damning…

SOURCE: The Guardian at 08:10AM
Friday, June 3, 2016

Sunset at the Villa Thalia review – dinner and despotism on the Greek islands by Michael Billington

Dorfman, LondonAn English couple are manipulated by a domineering CIA man and his alcoholic wife in a fine play that explores the effects of American inverventionismAlexi Kaye Campbell’s f…

SOURCE: The Guardian at 08:03AM

The Spoils review – Jesse Eisenberg's jerk hero repels and attracts by Michael Billington

Trafalgar Studios, LondonEisenberg’s bullying, sexist and racist rich kid has the comic rhythm of Woody Allen and is compelling to watch, even if we don’t care about him Related: Jesse E…

SOURCE: The Guardian at 08:03AM
Tuesday, May 31, 2016

Radiant Vermin review – Philip Ridley’s nightmare tale of a dream home by Michael Billington

Soho theatre, LondonA couple must murder their way to a perfect property in this morality play about a materialistic world where enough is never enoughThere is no doubt as to the hot theatri…

SOURCE: The Guardian at 10:41PM
Friday, May 27, 2016

The Threepenny Opera review – grubbily vivacious revival plays up the sexuality by Michael Billington

Olivier, LondonRory Kinnear brings a rasping clarity to Macheath in a production by Rufus Norris that does full justice to Kurt Weill’s plangent, sawn-off melodiesWhat does this famous pie…

SOURCE: The Guardian at 06:27AM
Thursday, May 26, 2016

Romeo and Juliet review – Branagh gives tragedy a touch of la dolce vita by Michael Billington

Garrick theatre, LondonLily James’s Juliet has a boozy balcony scene, Richard Madden’s Romeo seems genuinely inflamed by love and Derek Jacobi is a lounge-lizard MercutioThere are many w…

SOURCE: The Guardian at 05:48AM
Wednesday, May 25, 2016

Human Animals review – fur flies in chilling vision of dystopian London by Michael Billington

Royal Court, LondonStef Smith’s powerfully alarmist play imagines the impact of a city’s animal infestation on its citizensDystopia is a popular territory for young dramatists. Its lates…

SOURCE: The Guardian at 08:41AM

A View from Islington North review – satirical sketches skewer Osborne and May by Michael Billington

Arts theatre, LondonGeorge Osborne becomes a sex slave in a lethal piece by David Hare alongside short political plays by Caryl Churchill, Mark Ravenhill, Alistair Beaton and Stella FeehilyA…

SOURCE: The Guardian at 07:33AM
Tuesday, May 24, 2016

A Subject of Scandal and Concern review – John Osborne wrestles with religion by Michael Billington

Finborough theatre, LondonThis rarely revived piece about a Victorian blasphemy trial reveals the playwright’s complex feelings about ChristianityWritten for a 1960 television production s…

SOURCE: The Guardian at 10:50AM

The Skriker review – Maxine Peake in a Midsummer Night's vision of climate catastrophe by Michael Billington

Royal Exchange, ManchesterAspects of Caryl Churchill’s 1994 collaborative fantasy remain obscure, but magnetic Peake and a 12-strong ensemble offer an intensely theatrical experiencePlays …

SOURCE: The Guardian at 06:26AM
Monday, May 23, 2016

Shakespeare Live! review – like an upmarket Royal Variety Show by Michael Billington

BBC2 The show perked up when it got round to the plays but tried to cram too much into one eveningIt is always worrying when an entertainment promises “something for everybody”. That usu…

SOURCE: The Guardian at 09:52PM

Midsummer Night's Dream team: 'play for the nation' unites professionals and amateurs by Michael Billington

A doctor and a private-hire driver are just a couple of the amateur actors starring along RSC members in a touring production of the Dream. The experiment is a success but it shouldn’t set…

SOURCE: The Guardian at 10:12AM
Saturday, May 21, 2016

Benedict Cumberbatch proves a superb villain in The Hollow Crown's Richard III by Michael Billington

Cumberbatch’s turn as Shakespeare’s scheming king is remarkable in a finale that also features fine performances from Judi Dench and Keeley HawesRichard III brings the BBC’s Hollow Cro…

SOURCE: The Guardian at 06:55PM

The River – review by Michael Billington

Royal Court, LondonI spy a danger for the theatre in a new form of chic exclusivity. Because everyone wants to see Jez Butterworth's first new play since Jerusalem and because space is limit…

SOURCE: The Guardian at 12:50AM
Friday, May 20, 2016

Blue/Orange review – Joe Penhall peels tricky issues of mental heath and race by Michael Billington

Young Vic, London With tremendous performances from Daniel Kaluuya, David Haig and Luke Norris, Penhall’s drama packs even more of a punch 16 years after its debutJunior doctors are in the…

SOURCE: The Guardian at 07:44AM
Thursday, May 19, 2016

The Invisible Hand review – Ayad Akhtar's thriller is right on the money by Michael Billington

Tricycle theatre, LondonThe arguments about global economics in Akhtar’s follow-up to the Pulitzer-winning Disgraced are so dramatic that it’s a shame when the plot kicks inOscar Wilde�…

SOURCE: The Guardian at 07:46AM

How the Other Half Loves review – hilarious Ayckbourn, fresh and fighting by Michael Billington

Theatre Royal, Haymarket, LondonAlan Ayckbourn’s vintage comedy about adultery and male bullying is shockingly up to dateTheatrical snobs still patronise Alan Ayckbourn. Alan Strachan’s …

SOURCE: The Guardian at 04:37AM
Wednesday, May 18, 2016

My Family: Not the Sitcom review – David Baddiel is breathtakingly honest by Michael Billington

Menier Chocolate Factory, LondonNothing is out of bounds in Baddiel’s new standup, which exposes his father’s dementia and his mother’s hyperactive sex life to the same affectionate sc…

SOURCE: The Guardian at 08:04AM

The Philanderer review – Shaw's sex comedy played to the hilt by Michael Billington

Orange Tree, RichmondThe performances are full of Shavian vitality in this invigorating modern-day revival mocking the disparity between high ideals and personal practice George Bernard Shaw…

SOURCE: The Guardian at 08:04AM
Monday, May 16, 2016

Closer review – Patrick Marber's play is as powerful and pertinent as ever by Michael Billington

Donmar Warehouse, London David Leveaux’s fine revival featuring an expertly balanced cast shows this 1997 play is much more than the product of its timeDoes it still resonate? That is the …

SOURCE: The Guardian at 07:46PM

Yukio Ninagawa obituary by Michael Billington

Japanese theatre director who harmonised the traditions of east and west in his productions of Shakespeare, Ibsen and EuripidesYukio Ninagawa, who has died aged 80, was a great Japanese thea…

SOURCE: The Guardian at 07:40AM
Saturday, May 14, 2016

Hollow Crown soaks up Shakespeare's swordplay but loses some of his punch by Michael Billington

Part two of the BBC’s Wars of the Roses series was a visual treat led by a brooding Benedict Cumberbatch, but poignancy was among the script’s many casualtiesLast week’s opening episod…

SOURCE: The Guardian at 06:50PM

Doctor Faustus review – off-with-your-kit Harington stars in Marlovian mish-mash by Michael Billington

Duke of York’s, London The Game of Thrones actor gives us a sense of the scholar’s flailing despair but Jamie Lloyd’s excessive version of the tragedy comes with a trite messageChristo…

SOURCE: The Guardian at 02:39PM
Friday, May 13, 2016

Cats review – glamourpuss Nicole Scherzinger hits high notes by Michael Billington

London PalladiumA strong cast led by the former Pussycat Doll bring impressive verve to the song and dance spectacular, but the question remains whether the jukebox musical is Andrew Lloyd W…

SOURCE: The Guardian at 10:04AM

The Mission review – Jessica Swale's fury at the baby trade by Michael Billington

Arts Educational, LondonA 1920 private adoption home farms poor children out to rich couples in this fluent production by Kate Sason and a talented student castAs we know from Nell Gwynn and…

SOURCE: The Guardian at 07:52AM

Torture and baby-stonings: why we need shock theatre ... in small doses by Michael Billington

In Cyprus Avenue, I watched aghast as a Protestant attacked his own baby. But I left with a new understanding of sectarianism. So why did the litany of horrors in Sarah Kane’s Cleansed jus…

SOURCE: The Guardian at 07:21AM
Thursday, May 12, 2016

A View from the Bridge review – spartan makeover for Arthur Miller by Michael Billington

Young Vic, LondonArthur Miller's 1955 Brooklyn drama is stripped right back to showcase rich behavioural accuracy and high-quality performances• Monroe and Miller's sensational year – in…

SOURCE: The Guardian at 06:48PM

Groomed review – the shocking true story of a boy betrayed by Michael Billington

Jury’s Inn, BrightonPatrick Sandford’s candid play about the abuse he suffered as a nine-year-old at the hands of a teacher shines much needed light on dark placesThe Brighton festival h…

SOURCE: The Guardian at 08:19AM

Operation Black Antler review – how to make friends with extremists by Michael Billington

Brighton festivalThis disturbing piece of immersive theatre shines a light on the morality of police surveillance as audience members get to play undercover agentsAt what point, if any, is p…

SOURCE: The Guardian at 07:16AM
Wednesday, May 11, 2016

The Suicide review – Thatcher blunders into a banned Soviet satire by Michael Billington

Lyttelton, LondonSuhayla El-Bushra brings Nikolai Erdman’s 1928 social comedy into the modern day, but leaves its eccentricity and subversion behindThe National Theatre these days seems su…

SOURCE: The Guardian at 07:16PM

Cymbeline review – the RSC's bizarre romance comes straight from the heart by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonSet in a post-Brexit dystopia, Melly Still’s production is odd, excessive and over-stuffed with ideas but it’s unafraid of emotion and boast…

SOURCE: The Guardian at 07:54AM

All that Chat