All stories by Matt Wolf on BroadwayStars

Wednesday, June 26, 2019

Present Laughter, Old Vic review - Andrew Scott continues his rise and rise by Matt Wolf

The Irish star is sublimely funny - and moving, too - in Noël Coward classic "Will You Still Love Me Tomorrow?" can be heard pulsating through the Old Vic auditorium as the curtain rises o…

SOURCE: theartsdesk.com at 06:12AM
Monday, June 24, 2019

West End Mamma Mia! Star Mazz Murray on Graduating from Tanya to Donna, Performing in We Will Rock You for a Decade & More by Matt Wolf

Mazz Murray (the snappy first name is short for Marianne) has lent her distinctive rock sound to such West End musical mainstays as We Will Rock You, as the Killer Queen, and Chicago. The gu…

SOURCE: Broadway.com at 04:33PM
Thursday, June 20, 2019

‘Bitter Wheat’ Misfires, in Monstrous Fashion by Matt Wolf

Despite the formidable presence of John Malkovich, David Mamet’s new play is as reprehensible as the predatory film tycoon at the center of it.

SOURCE: The New York Times Subscription at 07:42AM
Wednesday, June 19, 2019

The Light in the Piazza, RFH review - Broadway musical looks good and sounds even better by Matt Wolf

Renée Fleming and Dove Cameron align in starry London debut for six-time Tony-winner A Broadway show as melodically haunting and sophisticated as it is niche, The Light in the Piazza has t…

SOURCE: theartsdesk.com at 06:06AM
Monday, June 17, 2019

London On Your Feet! Star Christie Prades on Meeting Gloria Estefan, Making Her West End Debut & More by Matt Wolf

Cuban-American performer Christie Prades is headlining the London premiere of On Your Feet!, the Broadway musical about Gloria Estefan opening June 27 at the London Coliseum, following a sho…

SOURCE: Broadway.com at 08:36PM
Thursday, June 13, 2019

While the Sun Shines, Orange Tree Theatre review - frothy, yes, up to a point by Matt Wolf

Slice of Rattigan esoterica is useful to see even as it shows its age Terence Rattigan completists, and count myself among them, will leap at the chance to see a rare production courtesy th…

SOURCE: theartsdesk.com at 05:18AM
Monday, June 3, 2019

London's The Light in the Piazza Star Dove Cameron on Her Friendship with Ariana Grande and Dream of Playing Wicked's Glinda by Matt Wolf

Onetime Disney Channel teen queen Dove Cameron has been spreading her theatrical wings of late. Last December the 23-year-old performer opened off-Broadway in the New Group production of the…

SOURCE: Theatre.com at 04:13PM
Thursday, May 30, 2019

The Starry Messenger, Wyndham's Theatre review - Matthew Broderick gets all cosmic by Matt Wolf

Kenneth Lonergan's Off Broadway play trades heavily on deadpan as it crosses the pond A small-scale Off Broadway venture late in 2009, The Starry Messenger has arrived in London to mark the…

SOURCE: theartsdesk.com at 06:24AM

In This ‘Death of a Salesman,’ Willy Loman Is Black by Matt Wolf

Three new theater productions in London explore questions of race and skin color in different ways.

SOURCE: The New York Times Subscription at 06:12AM
Monday, May 27, 2019

User Not Found, The CoffeeWorks Project review - solo play set in a café offers food for thought by Matt Wolf

Dante or Die's latest is mirthful and mournful in turn Who is that slithering on the floor by your foot, or coming to rest by or upon your knee? Audiences lucky enough to find themselves at…

SOURCE: theartsdesk.com at 10:33PM

New West End Tina Star Nkeki Obi-Melekwe on Meeting Ms. Turner & What Adrienne Warren Gave Her by Matt Wolf

Nkeki Obi-Melekwe at only 22 has stepped into the starring role of anyone’s dreams, succeeding 2019 Olivier nominee Adrienne Warren in the title role of Tina: The Tina Turner Musical at th…

SOURCE: Broadway.com at 06:24AM
Tuesday, May 21, 2019

West End Star Adrianna Bertola on Entering The Twilight Zone and Memories of Matilda by Matt Wolf

Adrianna Bertola was a pintsized powerhouse in the title role of Matilda the Musical, played Gretl Von Trapp in The Sound of Music and, now age 20, has made the transition with ease to an ad…

SOURCE: Broadway.com at 01:36PM
Thursday, May 16, 2019

Orpheus Descending, Menier Chocolate Factory review - Tennessee Williams scorcher needs more firepower by Matt Wolf

Troubled but tantalising Williams play doesn't entirely land this time around Where would Tennessee Williams's onetime flop be without the British theatre to rehabilitate it on an ongoing b…

SOURCE: theartsdesk.com at 05:48AM
Wednesday, May 15, 2019

The Last Temptation of Boris Johnson, Park Theatre review - unwieldy at times but undeniably funny, too by Matt Wolf

Jonathan Maitland skewers Brexit-era realpolitik and largely scores What could have been merely a cheap and cheesy piss-take registers as considerably more robust in The Last Temptation of …

SOURCE: theartsdesk.com at 07:54AM
Thursday, May 9, 2019

West End Fiddler on the Roof Star Judy Kuhn on a Surprising Email from Trevor Nunn & Why She Doesn't Plan Ahead by Matt Wolf

Broadway veteran and four-time Tony nominee Judy Kuhn has given over the better part of the past year to London and to Trevor Nunn’s beautiful Menier Chocolate Factory revival of Fiddler o…

SOURCE: Broadway.com at 11:42AM

London Theater Reviews: Women Onstage, Not Getting What They Want by Matt Wolf

Productions in London of classic plays — from Chekhov to Cy Coleman — feature strong female performances.

SOURCE: The New York Times Subscription at 05:24AM
Saturday, May 4, 2019

Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with force by Matt Wolf

Ian Rickson finds the fury and dynamism in a piece of Ibsen esoterica The past haunts the present and looks likely to torpedo the future in Rosmersholm, the lesser-known Ibsen play now rece…

SOURCE: theartsdesk.com at 01:48PM
Friday, May 3, 2019

Olivier Winner Giles Terera on Starring in London's Rosmersholm and Sniffling Through Hamilton by Matt Wolf

Giles Terera’s many and varied credits include Honk!, The Book of Mormon, and a revelatory National Theatre revival of Ma Rainey’s Black Bottom, but the versatile performer reached a new…

SOURCE: Broadway.com at 04:42PM
Tuesday, April 30, 2019

A HELLHOLE TO BEHOLD by Matt Wolf

A wonderfully inventive productive balances gore, humor and pathos exceedingly well.

SOURCE: Theater News Online at 07:24PM
Tuesday, April 23, 2019

Director Phyllida Lloyd on 20 Years of Mamma Mia! in London and Broadway's Upcoming Tina: The Tina Turner Musical by Matt Wolf

Mamma Mia! has transformed the lives of a lot of people, not least its gifted and versatile director, Phyllida Lloyd, who came to the ABBA musical from a career in the British not-for-profit…

SOURCE: Theatre.com at 03:04PM
Thursday, April 18, 2019

London Theater Reviews: On the London Stage, ‘Top Girls’ and a Grande Dame by Matt Wolf

Maggie Smith tackles an impressive one-woman show at the Bridge Theater, and a British classic of the 1980s gets a new lease on life at the National.

SOURCE: The New York Times Subscription at 03:29AM
Saturday, April 13, 2019

Kelly Mathieson on Having a Phantom of the Opera Birthday Cake to Starring as Christine Daae in the West End by Matt Wolf

Kelly Mathieson grew up in Scotland and started ballet lessons when she was two. But after training at London's prestigious Royal College of Music, she forsook the world of actual opera to m…

SOURCE: Broadway.com at 12:00AM
Tuesday, April 9, 2019

Ben Edelman on Starring in London's Admissions Amidst College Scandal Headlines by Matt Wolf

Ben Edelman burst onto the New York theater scene like a proverbial comet in last year’s Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from…

SOURCE: Theatre.com at 04:09PM

Ben Edelman on Starring in London's Admissions Amid College Scandal Headlines by Matt Wolf

Ben Edelman burst onto the New York theater scene like a proverbial comet in last year’s Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from…

SOURCE: Broadway.com at 04:09PM
Friday, March 29, 2019

Joanna Riding on Stepping into London's Follies and Her Strong Take on "Losing My Mind" by Matt Wolf

Joanna Riding has won two Olivier Awards, starting with her matchless Julie Jordan in Nicholas Hytner’s landmark 1992 production of Carousel, and is now giving a career-defining performanc…

SOURCE: Broadway.com at 12:58PM
Thursday, March 28, 2019

London Theater Reviews: A Pinter Marathon Saves the Best for Last by Matt Wolf

A revelatory new production of “Betrayal” starring Tom Hiddleston comes after a season of the playwright’s one-act plays.

SOURCE: The New York Times Subscription at 05:47AM
Saturday, March 23, 2019

Richard Fleeshman on Stripping Down in London's Company, His Olivier Nomination & What Patti LuPone Calls Him by Matt Wolf

Richard Fleeshman starred on the West End and Broadway opposite Caissie Levy in Ghost the Musical and was part of the British ensembles of Urinetown and The Last Ship. But it’s fai…

SOURCE: Broadway.com at 12:00AM
Friday, March 22, 2019

Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh by Matt Wolf

Athol Fugard's seminal 1961 play hasn't lost its potency London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing ta…

SOURCE: theartsdesk.com at 01:10PM
Thursday, March 21, 2019

Downstate, National Theatre review - controversial but also clear-eyed and compassionate by Matt Wolf

Bruce Norris's ever-provocative play puts people first, labels second "Some monsters are real," notes a retribution-minded wife (Matilda Ziegler) early in Downstate, Bruce Norris's beautiful…

SOURCE: theartsdesk.com at 06:02AM
Wednesday, March 20, 2019

The Bay at Nice, Menier Chocolate Factory - David Hare talkfest takes intermittent wing by Matt Wolf

Penelope Wilton and Ophelia Lovibond face off in revival of little-known 1986 play David Hare knows a thing or two about sustaining an onstage face-off. Skylight and The Breath of Life consi…

SOURCE: theartsdesk.com at 05:27AM
Monday, March 18, 2019

London Come From Away Star Rachel Tucker on Her First Olivier Award Nomination and Why She's Through with Wicked by Matt Wolf

Rachel Tucker is known both sides of the Atlantic as an especially thrilling Elphaba in Wicked and as a singer who has enlivened various concert halls and cabaret rooms, performing both solo…

SOURCE: Broadway.com at 12:37PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre