All stories by Matt Barton on BroadwayStars

Sunday, April 13, 2025

Red or Dead review " Peter Mullan tackles Bill Shankly in uneven adaptation by Matt Barton

Royal Court, LiverpoolPlaying the feted Liverpool FC manager, Mullan leads a bustling new stage version of David Peace's 2013 novel Moments before Red or Dead begins, we watch Peter Mullan w…

SOURCE: The Guardian at 07:03AM[SHARE]
Sunday, March 30, 2025

Of Mice and Men review " a tepid revival of Steinbeck's dust bowl classic by Matt Barton

Octagon, BoltonSarah Brigham's new production is beautifully designed but struggles to capture the drama's claustrophobic tension Before it got into the hands of readers, John Steinbeck's 19…

SOURCE: The Guardian at 07:36AM[SHARE]
Sunday, February 23, 2025

The Engagement Party review " a disappointing love letter to Oldham by Matt Barton

Oldham Coliseum at the Queen Elizabeth Hall, Oldhamafshan d'souza-lodhi's play, commissioned to celebrate the saved-from-closure Coliseum, fails to rise to the occasion Seven months after th…

SOURCE: The Guardian at 07:42AM[SHARE]
Sunday, January 19, 2025

Faith Healer review " Brian Friel revival tests its audience's belief by Matt Barton

King's Arms, SalfordDavid Thacker's production of the Irish playwright's ambiguous play is over-emphatic in parts but transfixing in quieter moments This is how it always goes for Frank Hard…

SOURCE: The Guardian at 01:06AM[SHARE]
Sunday, December 22, 2024

Spend Spend Spend review " suitably gaudy but unsatisfying revival of 60s pools winner musical by Matt Barton

Royal Exchange, ManchesterJosh Seymour's production of the 90s musical about Viv Nicholson's big win, and how she spent it, leaves you feeling a bit short-changed Just like that, £152,000…

SOURCE: The Guardian at 07:24AM[SHARE]
Sunday, December 1, 2024

Rapunzel review " needs a trim and a tidy up by Matt Barton

Everyman, LiverpoolThis 'rock'n'roll' panto is far from Grimm, but not in a good way Somewhere within this show's knot of plot twists and tangles, you may find Rapunzel. While it is traditio…

SOURCE: The Guardian at 07:24AM[SHARE]
Sunday, November 17, 2024

Cock review: love lies bleeding in Mike Bartlett's bitter romantic triangle by Matt Barton

53two, ManchesterIn a lively revival of this 2009 tussle between love and identity, its barbed verbal sparring overcomes the slightly dated sexual dynamics How charged and potent words can b…

SOURCE: The Guardian at 05:36AM[SHARE]
Sunday, October 13, 2024

Girls Don't Play Guitars review " Liverbirds musical is just ho-hum by Matt Barton

Royal Court, LiverpoolStaged in their hometown, the true story of one of the first all-female rock bands is told with low stakes, though the singing is great Despite being one of the world's…

SOURCE: The Guardian at 06:12AM[SHARE]
Sunday, August 11, 2024

Edinburgh fringe theatre 2024 week one roundup: comfort food, wassailing and reasons to carry on by Matt Barton

Satirical musicals are trending at this year's fringe, but there are plenty of intense one-person shows too, a knockout coming-of-age drama, and the unmissable return of Every Brilliant Thin…

SOURCE: The Guardian at 07:00AM[SHARE]
Sunday, August 4, 2024

The Gangs of New York review " politics and punch-ups in the land of opportunity by Matt Barton

Grosvenor Park Open Air theatre, ChesterThe streets could be meaner in this new stage adaptation, which is at its best when exploring the challenges of the immigrant experience Sprays of liq…

SOURCE: The Guardian at 06:15AM[SHARE]
Saturday, July 13, 2024

Sisters of Mersey review " bawdy nun farce requires saintly forgiveness by Matt Barton

Royal Court, LiverpoolSet in a covent and a prison, Jonathan Harvey's knockabout new play is full of sledgehammer innuendo Jonathan Harvey's new play could make even the least pious nun clu…

SOURCE: The Guardian at 07:42AM[SHARE]
Saturday, June 8, 2024

Beckett Unbound: Krapp's Last Tape; All That Fall " review by Matt Barton

Stanley theatre; Toxteth Reservoir, LiverpoolDenis Lavant is remarkable as old man Krapp in Beckett's minor masterpiece, while Adrian Dunbar shrouds his short radio play in total darkness Ad…

SOURCE: The Guardian at 08:48AM[SHARE]
Thursday, September 9, 2021

Review: The System, The Original Theatre Company by Matt Barton

Review: The System, The Original Theatre Company3.0Overall ScoreThe System is out to set a world record. The world record for "the longest, live single take with a steadicam." We're told abo…

SOURCE: A Younger Theatre at 11:36AM[SHARE]
Wednesday, August 11, 2021

GOAT Mcr festival: "Audiences like the danger of live theatre" by Matt Barton

Today we're speaking to Evelyn Roberts, the mastermind behind a new Shakespeare festival in Manchester. It promises audiences some light relief and definitely no stuffyness. For all the dive…

SOURCE: A Younger Theatre at 09:24AM[SHARE]
Monday, August 2, 2021

Review: Bottom's Dream and Twelfth Night, The GOAT Mcr by Matt Barton

Review: Bottom's Dream and Twelfth Night, The GOAT Mcr 3.0Overall Score Manchester audiences don't have to travel back in time to Ancient Greece to see live theatre in an amphitheatre. The n…

SOURCE: A Younger Theatre at 06:36PM[SHARE]
Tuesday, July 13, 2021

Joseph Charlton: "There's a lot of older white male writers whose best work is behind them" by Matt Barton

The writer of Anna X, which stars The Crown's Emma Corrin and Industry's Nabhaan Rizwan talks to us about moving from the Vault Festival to a major West End theatre and putting certain playw…

SOURCE: A Younger Theatre at 10:12AM[SHARE]
Sunday, June 27, 2021

Review: Outlier, Bristol Old Vic by Matt Barton

Review: Outlier, Bristol Old Vic 3.0Overall Score Gigs may currently be off, but this co-production with Old Vic Ferment fuses their kinetic atmosphere and music-informed storytelling into a…

SOURCE: A Younger Theatre at 06:12AM[SHARE]
Monday, June 7, 2021

Review: LIT, Nottingham Playhouse by Matt Barton

Review: LIT, Nottingham Playhouse3.0Overall ScoreSomehow it's already June. For schoolkids, the summer holiday is near. A time when you might find love, fall out of love, find new friends an…

SOURCE: A Younger Theatre at 11:24AM[SHARE]
Tuesday, June 1, 2021

What's the last year really been like for theatre critics? by Matt Barton

The temporary transfer of live to online theatre has changed the way many critics, like our own Matt Barton approaches and writes about it. Here, he considers whether we should be more lenie…

SOURCE: A Younger Theatre at 07:42AM[SHARE]
Sunday, May 9, 2021

Review: The Barn, The Turbine Theatre by Matt Barton

Review: The Barn, The Turbine Theatre3.0Overall ScoreIf you're enjoying our content, then please consider becoming a member, with every penny going towards keeping AYT going and paying our v…

SOURCE: A Younger Theatre at 03:18PM[SHARE]
Wednesday, May 5, 2021

Digital theatre: a delight or distraction? by Matt Barton

If you're enjoying our content, then please consider becoming a member, with every penny going towards keeping paying AYT going and paying our very talented team of young creatives. For more…

SOURCE: A Younger Theatre at 09:18AM[SHARE]
Saturday, May 1, 2021

Review: Money, Southwark Playhouse/ represent.theatre by Matt Barton

Review: Money, Southwark Playhouse/ represent.theatre3.0Overall ScoreIf you're enjoying our content, then please consider becoming a member, with every penny going towards keeping AYT going …

SOURCE: A Younger Theatre at 09:42AM[SHARE]
Wednesday, March 17, 2021

Review: The Picture of Dorian Gray, Oxford Playhouse by Matt Barton

Review: The Picture of Dorian Gray, Oxford Playhouse3.0Overall ScoreIf you're enjoying our content, then please consider becoming a member, with every penny going towards keeping AYT going a…

SOURCE: A Younger Theatre at 04:42AM[SHARE]
Monday, March 8, 2021

Review: Stand Up 4 Women, Phoenix Arts Club by Matt Barton

Review: Stand Up 4 Women, Phoenix Arts Club3.0Overall ScoreIf you're enjoying our content, then please consider becoming a patreon with every penny going towards keeping paying AYT going and…

SOURCE: A Younger Theatre at 04:48PM[SHARE]
Friday, March 5, 2021

The Coalface of Crisis Comms: A Year in Theatre PR by Matt Barton

If you're enjoying our content, then please consider becoming a patreon with every penny going towards keeping paying AYT going and paying our very talented team of young creatives. For more…

SOURCE: A Younger Theatre at 05:32AM[SHARE]
Saturday, February 27, 2021

Review: Circles, Living Record Festival by Matt Barton

Review: Circles, Living Record Festival3.0Overall ScoreIf you're enjoying our content, then please consider becoming a patreon with every penny going towards keeping paying AYT going and pay…

SOURCE: A Younger Theatre at 04:18AM[SHARE]
Monday, November 30, 2020

Michael Buffong: "Change has happened and will continue" by Matt Barton

In our latest interview, Matt Barton speaks to Michael Buffong, artistic director of Talawa, about their new digital series Tales from the Front Line, the future of theatre post-Covid, and T…

SOURCE: A Younger Theatre at 08:24AM[SHARE]
Monday, November 23, 2020

Review: Phoenix, English Touring Theatre by Matt Barton

Review: Phoenix, English Touring Theatre4.0Overall ScoreAs the country endures a second lockdown, Mike Bartlett's audio drama revisits one of the biggest controversies of the first. His 17-m…

SOURCE: A Younger Theatre at 05:24PM[SHARE]
Thursday, October 29, 2020

Review: PETRICHOR, ThickSkin Theatre by Matt Barton

Review: PETRICHOR, ThickSkin Theatre3.0Overall ScoreOver lockdown we've become accustomed to watching theatre through computer screens, but ThickSkin's latest production asks its audience to…

SOURCE: A Younger Theatre at 03:24PM[SHARE]
Tuesday, October 20, 2020

Review: Macbeth, Big Telly Theatre by Matt Barton

Review: Macbeth, Big Telly Theatre 2.0Overall Score This is perhaps the most definitive proof yet that 'The Scottish Play' is cursed. Zoom has been the repurposed vessel for theatre's desper…

SOURCE: A Younger Theatre at 03:03PM[SHARE]
Saturday, October 17, 2020

Georgia Leanne Harris: "We want Golden Goose to be a place where you can take risks" by Matt Barton

In our latest interview, Matt Barton interviews Georgia Leanne Harris, the artistic director of London's newest theatre. They talk about opening a theatre in a pandemic, and Harris's vision …

SOURCE: A Younger Theatre at 08:06AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off