All stories by Mark Swed on BroadwayStars

Friday, October 20, 2017

Mirga meets an old master at Disney Hall by Mark Swed

When Gidon Kremer has a farsighted cause, it is wise to pay close attention. Over an uncompromising half-century career, the Latvian violinist and one of the last of the legendary artists to…

Linked From Los Angeles Times at 05:55PM
Wednesday, September 13, 2017

Yo-Yo Ma does the impossible at the Hollywood Bowl by Mark Swed

He was a very small figure seated on a wide expanse, a large stage empty but for a cellist on a chair. The Hollywood Bowl shell was lighted midnight blue. The amphitheater was probably kept …

Linked From Los Angeles Times at 05:30PM
Monday, September 4, 2017

Why do music festivals matter? For an answer, America, look to Salzburg by Mark Swed

America lacks a truly great international music and theater festival. It's time we create one like the Austrian event where top talents push their art forward.

Linked From Los Angeles Times at 09:00AM
Monday, July 24, 2017

‘Sondheim on Sondheim’: A Broadway baby in symphonic clothes by Mark Swed

“Sondheim on Sondheim” is, no surprise, all about Stephen Sondheim. But a new “symphonic version” given its premiere by the Los Angeles Philharmonic on Sunday night at the Hollywood …

Linked From Los Angeles Times at 08:35PM
Sunday, June 18, 2017

Death haunts Frida Kahlo's long and clumsily winding road to the lyric stage by Mark Swed

When Robert Xavier Rodríguez’s “Frida” had its premiere in 1991 at the American Music Theater Festival in Philadelphia, Frida Kahlo was certainly well known, but not the art-world roc…

Linked From Los Angeles Times at 06:30PM
Wednesday, June 14, 2017

'Young Caesar' finally conquers: Troubled 1971 opera is reborn at Disney Hall by Mark Swed

Now we know. It has been 45 years since Lou Harrison’s “Young Caesar,” an overtly gay opera for puppets with penises, had its hapless premiere in Pasadena, to the outrage of some of it…

Linked From Los Angeles Times at 06:10PM
Thursday, May 25, 2017

Getting down to the basics in Peter Brook's 'Battlefield' by Mark Swed

Peter Brook’s “Battlefield,” which opened at the Wallis on Wednesday for a brief run through Sunday, is itself the ultimate brief run. It is the last word in concentrated compression b…

Linked From Los Angeles Times at 04:55PM
Monday, May 1, 2017

Want to hear the real La La Land? Lend an ear to the L.A. composers of the Hear Now festival by Mark Swed

The music of “La La Land” is not really the music of La La Land. It may be only in the obvious but narrow sense that this was music written for a film made here and celebrating freeway c…

Linked From Los Angeles Times at 09:10PM
Monday, March 13, 2017

An opera about Walt Disney, in commuting distance of Disneyland by Mark Swed

“The Perfect American” is the operatic portrait of an idealist American artist as a less-than-perfect old man, which is to say a blend of sunshine, supremacy and insecurity. In Philip Gl…

Linked From Los Angeles Times at 08:50PM
Monday, January 30, 2017

Race, justice, power: Finding new relevance in Kurt Weill's 'Lost in the Stars' by Mark Swed

The arts and entertainment communities — anticipating government cutbacks, harmed by a presidential travel ban, alarmed by an atmosphere of divisiveness and invigorated by mass protests …

Linked From Los Angeles Times at 08:35PM
Monday, January 23, 2017

A gamble pays off: Long Beach Opera transports 1692 'Fairy Queen' to modern-day Vegas by Mark Swed

It was nasty in Long Beach on Sunday. Record rainfall turned parts of the 710 into an underwater expedition for many on their way to that afternoon’s Long Beach Opera season-opening perfor…

Linked From Los Angeles Times at 08:10PM
Tuesday, May 31, 2016

Bernstein by the Bay: S.F. Symphony brilliantly delivers 'On the Town' by Mark Swed

You could make a Broadway show about the making of the musical “On the Town.” It’s got everything. Then again, no one would believe it. In 1944, a 26-year-old composer and a couple of …

Linked From Los Angeles Times at 08:47AM
Monday, May 30, 2016

A 'Carmen' in San Francisco breaks down barriers by Mark Swed

Calixto Bieito is Catalan for Eurotrash. Not really.  But Bieito is the provocative opera director who first comes to the mind of many worried about an art form sinking into Tarantino-esque…

Linked From Los Angeles Times at 06:43AM
Monday, March 28, 2016

Jennifer Koh and Shai Wosner play in the transforming spirit of Beethoven by Mark Swed

A prodigious builder of musical bridges, Jennifer Koh is a violinist with a number of ongoing projects meant to connect people, disciplines and eras. To gain insight into a musician's mind, …

Linked From Los Angeles Times at 07:25AM
Tuesday, March 22, 2016

Is 'The Trial of Anne Opie Wehrer' even opera? Why nearly 50 years later it stands apart by Mark Swed

With "Hopscotch" last fall, opera roamed to parts of downtown and Boyle Heights the art form had never ventured, its audiences escorted in safe environments of limousines. Sunday evening the…

Linked From Los Angeles Times at 10:00PM
Monday, March 14, 2016

Long Beach Opera's 'Fallujah' tackles the Iraq war with authentic anguish by Mark Swed

All war is hell. But it is a special hell for those expected to fight without understanding why, as it is a special hell for civilians caught up in the battle, unsure who are the good guys a…

Linked From Los Angeles Times at 10:34PM

As for Los Angeles Opera's 'Madame Butterfly,' go for the music by Mark Swed

Los Angeles Opera came into being in 1996 with a stellar production of Verdi's "Otello." It was a historic occasion at the Dorothy Chandler Pavilion. The next evening the company presented P…

Linked From Los Angeles Times at 09:54PM
Sunday, March 13, 2016

A ballerina of the boardroom and activist for the arts -- say hello to the new Music Center CEO by Mark Swed

I have a long history with the Music Center. I know the nooks and crannies of the campus' four theaters. But the one place I had not been until recently is the office of the president and CE…

Linked From Los Angeles Times at 06:34PM
Tuesday, February 16, 2016

L.A. Opera again casts an enchanting spell with its silent-movie-styled ' Magic Flute' by Mark Swed

Barely two years after Los Angeles Opera first mounted Barrie Kosky and Suzanne Andrade's popular silent-movie take on Mozart's "The Magic Flute," the company brought it back to the Dorothy …

Linked From Los Angeles Times at 04:13PM
Friday, January 29, 2016

Gustavo Dudamel and Youth Orchestra L.A.'s Super Bowl halftime show will be a win for the arts by Mark Swed

The announcement that Los Angeles Philharmonic music director Gustavo Dudamel will conduct members of Youth Orchestra Los Angeles in the Super Bowl halftime show is big news for the world of…

Linked From Los Angeles Times at 06:41AM
Wednesday, December 23, 2015

A fresh recording of 'Long Christmas Dinner' serves plenty to be thankful for by Mark Swed

Christmas, we like to remind ourselves, is about family. But the season tends to offer surprisingly little familial music of any real significance. The subject matter of holiday oratorio, ca…

Linked From Los Angeles Times at 11:14AM
Thursday, November 12, 2015

Dance review: 'Fase' a mesmerizing Minimalism map to Steve Reich's music by Mark Swed

In "Fase, Four Movements to the Music of Steve Reich," which Flemish choreographer Anne Teresa De Keersmaeker brought to Royce Hall on Tuesday night, one plus one equals two, allowing for an…

Linked From Los Angeles Times at 08:45AM
Monday, November 2, 2015

With L.A. Opera's 'Moby-Dick,' call it a success by Mark Swed

On the cover of its July issue, Opera News dubbed Jake Heggie "U.S. opera's most successful composer." It was an odd pronouncement for the in-house publication of the Metropolitan Opera Guil…

Linked From Los Angeles Times at 10:30PM
Wednesday, September 2, 2015

Audra McDonald captivates a Bowl audience, but she's meant for more by Mark Swed

The Los Angeles Philharmonic turned to New York of the 1940s and '50s Tuesday night at the Hollywood Bowl, for which Bramwell Tovey drolly apologized to his Angeleno audience. I certainly no…

Linked From Los Angeles Times at 10:46PM
Wednesday, August 5, 2015

New York Philharmonic sticks with American classics at Santa Barbara Bowl by Mark Swed

Unlike the Los Angeles Philharmonic, the Chicago Symphony Orchestra and the Boston Symphony, which have outdoor summer homes, the New York Philharmonic wanders when the weather gets hot. In …

Linked From Los Angeles Times at 10:51PM
Tuesday, June 30, 2015

San Francisco Opera looks backward with the World War II-set 'Two Women' by Mark Swed

On a day in which this city ecstatically celebrated the Supreme Court decision to legalize same-sex marriage, "Two Women," you might think, could mean only one thing Sunday afternoon.

Linked From Los Angeles Times at 08:06PM
Monday, June 22, 2015

Work-in-progress 'LSD: The Opera' is powerful musical theater by Mark Swed

On April 19, 1943, a Swiss chemist in Basel treated himself to a small sample of a fungi-based substance, LSD-25, and rode his bicycle home, taking the first acid trip. A month earlier, a on…

Linked From Los Angeles Times at 06:53PM
Tuesday, June 9, 2015

S.F. Opera makes an epic effort with 'Les Troyens' by Mark Swed

Berlioz' "Les Troyens" -- a five-hour epic opera after Virgil's "Aeneid" with touches of Homer, Shakespeare and music like none ever written before for the lyric stage -- is the grandest Fre…

Linked From Los Angeles Times at 10:21AM
Sunday, June 7, 2015

After 32 years, 'Available Light' brighter than ever by Mark Swed

The idea of reviving a 32-year-old collaboration between composer John Adams, choreographer Lucinda Childs and architect Frank Gehry that had been commissioned by the Museum of Contemporary …

Linked From Los Angeles Times at 11:12PM
Monday, May 25, 2015

Opera review: 'Anna Nicole' premieres in London's Royal Opera House by Mark Swed

Could “Anna” come home to America? I would like to think that with the example of John Adams and Peter Sellars, Americans might object to the opera's lack of a woman’s poin…

Linked From Los Angeles Times at 05:58PM

All that Chat

Oct 06, 2019: Slave Play
Oct 17, 2019: The Sound Inside - Studio 54
Feb 01, 2020: The Minutes
Mar 31, 2020: Diana - Longacre Theatre
Apr 19, 2020: Sing Street - Lyceum Theatre
Dec 16, 2021: Diana - Longacre Theatre