All stories by Mark Fisher on BroadwayStars

Tuesday, October 29, 2013

Dragon – review by Mark Fisher

Eden Court, InvernessOlivier Emanuel's wordless but emotionally eloquent script explores a teenage boy's turmoil following his mother's deathThe three framing arches of Jamie Harrison's set …

SOURCE: The Guardian at 03:07PM
Monday, October 7, 2013

In Time O' Strife – review by Mark Fisher

Pathhead Hall, KirkcaldyThe meeting of music, dance and drama in this uneven but politically charged Joe Corrie play is frequently exhilaratingTS Eliot called him "the greatest Scots poet si…

SOURCE: The Guardian at 10:35AM
Sunday, September 29, 2013

Dark Road – review by Mark Fisher

(Royal Lyceum, Edinburgh) Murder mystery meets mind games as Ian Rankin brings modern cop drama to the stageIt has been a while since the stage has had much truck with genre fiction. Not sin…

SOURCE: The Guardian at 07:06AM
Tuesday, September 24, 2013

Macbeth – review by Mark Fisher

Perth theatre, GlasgowRachel O'Riordan's brawny production is full of intelligent, invigorating performancesWe are in a relentlessly masculine landscape. The towering, grey edifice of Kenny …

SOURCE: The Guardian at 12:37PM
Tuesday, September 10, 2013

Victoria – review by Mark Fisher

Dundee Rep, Dundee David Greig's philosophical play, channelling the spirit of Robert Lepage, is large in cast, epic in scope and challenging in intellectDavid Greig has already demonstrated…

SOURCE: The Guardian at 12:40PM
Sunday, September 8, 2013

Crime and Punishment – review by Mark Fisher

Citizens, GlasgowDominic Hill's Dostoyevsky production is told with drive and authority by a vigorous ensembleDostoyevsky's great philosophical novel is like Shakespeare's Hamlet in reverse.…

SOURCE: The Guardian at 11:26AM
Friday, September 6, 2013

A Little Bird Blown off Course – review by Mark Fisher

St Peter's Hall, Daliburgh, South UistSinger Fiona J Mackenzie evokes a living tradition of Gaelic song with exquisite results – but this is more gig than theatreLast month in the Edinburg…

SOURCE: The Guardian at 12:49PM
Tuesday, August 6, 2013

David Harrower and Pauline Knowles: how we made Knives in Hens by Mark Fisher

Actor Pauline Knowles and playwright David Harrower recall how the play about lust, language and medieval peasant life that became a modern Scottish classicPauline Knowles, actorWhen the di…

SOURCE: The Guardian at 02:59AM
Thursday, July 11, 2013

Cannibal Women of Mars – review by Mark Fisher

Tron, GlasgowIt's 100 years hence, and things are looking grim on planet Earth. Unemployment has exceeded 90% and government robots are around every corner. Worse, sex has been outlawed. For…

SOURCE: The Guardian at 01:57PM
Monday, July 1, 2013

Hello, Dolly! – review by Mark Fisher

Pitlochry festival theatreAccording to Sotheby's, paintings with strong tones of red – the colour of sex and desire – sell better than those without. Designer Adrian Rees seems to have g…

SOURCE: The Guardian at 08:54AM
Thursday, June 20, 2013

Paul Bright's Confessions of a Justified Sinner – review by Mark Fisher

Tramway, Glasgow In the year 2038, a researcher may hungrily pounce on this review as the last fragment of evidence about a show that took place in Glasgow in June 2013.But am I to be t…

SOURCE: The Guardian at 12:56PM
Tuesday, June 11, 2013

Some Other Mother – review by Mark Fisher

Traverse, EdinburghAJ Taudevin's small-scale touring show takes the form of a 10-a-penny issue play. Produced in association with the Scottish Refugee Council, it's a single-set 75-minu…

SOURCE: The Guardian at 02:26PM
Sunday, June 9, 2013

Let the Right One In – review by Mark Fisher

Dundee RepButterfly or moth? Swan or duck? Angel or vampire? The teenagers at the chilling heart of John Ajvide Lindqvist's novel and its two film adaptations could go either way. They are a…

SOURCE: The Guardian at 01:49PM
Tuesday, May 28, 2013

Kora – review by Mark Fisher

Dundee RepTom McGrath, the first editor of International Times, the founder of Glasgow's Third Eye Centre (now CCA) and a key supporter of several generations of Scottish playwrights, made a…

SOURCE: The Guardian at 01:12PM
Monday, May 27, 2013

Far Away/Seagulls – review by Mark Fisher

Citizens, GlasgowIf you didn't know better, you could think this evening was a single dose of the dazzlingly original Caryl Churchill rather than a double bill. When Seagulls begins, you're …

SOURCE: The Guardian at 12:39PM
Tuesday, May 7, 2013

The Sash – review by Mark Fisher

King's theatre, EdinburghYou'd like to think The Sash had passed its sell-by date. It would be nice if, as it approaches its 40th anniversary, Hector MacMillan's taut domestic drama about se…

SOURCE: The Guardian at 02:16PM
Thursday, May 2, 2013

The Day I Swapped My Dad for Two Goldfish – review by Mark Fisher

Beacon, Greenock For those of us who grew up watching Multi-Coloured Swap Shop, the idea of trading your old toys for someone else's carries a certain allure. After selected performances of …

SOURCE: The Guardian at 01:18PM
Wednesday, April 24, 2013

Poke/Wuthering Heights – review by Mark Fisher

Arches, GlasgowThe Arches' Platform 18 award is a barometer of what the next generation of theatre-makers is thinking. Where last year's recipients reflected on the legacy of Margaret Thatch…

SOURCE: The Guardian at 12:47PM
Monday, April 22, 2013

A Doll's House – review by Mark Fisher

Royal Lyceum, EdinburghThe macaroons devoured by Nora Helmer in Ibsen's proto-feminist classic normally symbolise her infantilism. They are a childish indulgence, cute and frivolous, for a w…

SOURCE: The Guardian at 01:07PM
Wednesday, April 3, 2013

Quiz Show – review by Mark Fisher

Traverse, EdinburghFirst, we were outraged by the apparent crimes of Jimmy Savile. Then we felt betrayed: had the innocence of 1970s light entertainment been a sham? Behind the showbiz sheen…

SOURCE: The Guardian at 01:43PM
Monday, March 25, 2013

Ignition – review by Mark Fisher

Brae, ShetlandThere's plenty to be said against the motor car, but none of that is the concern of Ignition. Wils Wilson's extraordinary show for the National Theatre of Scotland and Shetland…

SOURCE: The Guardian at 02:00PM
Monday, March 11, 2013

Time and the Conways – review by Mark Fisher

Royal Lyceum, EdinburghThanks to a flurry of co-productions between theatres in Scotland, Edinburgh's Royal Lyceum is currently associated with two top-quality ensembles. While Mark Thomson'…

SOURCE: The Guardian at 01:48PM
Tuesday, February 19, 2013

Takin' Over the Asylum – review by Mark Fisher

Citizens, GlasgowWe're in One Flew Over the Cuckoo's Nest territory – but instead of Jack Nicholson finding method in the madness, here we have Eddie, a hospital radio DJ, discovering the …

SOURCE: The Guardian at 12:55PM
Monday, February 18, 2013

Running on the Cracks – review by Mark Fisher

Tron, GlasgowYou couldn't fault this adaptation of Julia Donaldson's novel for being short of themes. In 90 minutes, it ticks off bereavement, child abuse, missing people, drug addiction, me…

SOURCE: The Guardian at 01:34PM
Monday, February 4, 2013

In an Alien Landscape – review by Mark Fisher

Beacon, GreenockHalf an hour along the Clyde from Glasgow, the Beacon is a handsome new arts centre with a 500-seat main auditorium and a 100-seat studio. The artistic director of the �…

SOURCE: The Guardian at 01:37PM
Wednesday, January 23, 2013

A Taste of Honey – review by Mark Fisher

Royal Lyceum, Edinburgh There is much that is extraordinary about Shelagh Delaney's debut play: that it was written by an 18-year-old after watching something by Terence Rattigan and thinkin…

SOURCE: The Guardian at 12:33PM
Tuesday, January 22, 2013

The Maids – review by Mark Fisher

Citizens, GlasgowThe class war isn't over yet. Just ask the House of Commons catering staff whom MP Christopher Chope referred to as "servants" last week. Let's hope they don't react li…

SOURCE: The Guardian at 12:04PM
Wednesday, December 12, 2012

Sleeping Beauty – review by Mark Fisher

Citizens, GlasgowAs pantos across the land ramp up the contrast, volume and colour, the Christmas show at the Citz is refreshingly austere. Against a backdrop of naked winter trees, this Sle…

SOURCE: The Guardian at 01:16PM
Tuesday, December 11, 2012

The Snow Queen – review by Mark Fisher

Dundee RepAt this time of year, even the more sober-minded shows play to the gallery with fart gags and slapstick. The distinguishing characteristic of Jemima Levick's production of The Snow…

SOURCE: The Guardian at 12:30PM
Monday, December 10, 2012

Aganeza Scrooge – review by Mark Fisher

Tron, GlasgowWhen Charles Dickens conceived the character of Ebenezer Scrooge, it is unlikely that he had in mind a large woman in a spangly leotard, bejewelled shoulder pads and curly black…

SOURCE: The Guardian at 01:23PM
Friday, December 7, 2012

The Ugly Duckling – review by Mark Fisher

Arches, GlasgowIt's not so much the spirit of Christmas birth as of Easter resurrection that possesses this Hans Christian Andersen adaptation by Catherine Wheels. It begins, delightfully, i…

SOURCE: The Guardian at 12:56PM

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