All stories by Mark Fisher on BroadwayStars

Friday, August 23, 2019

Blood and Gold review – mesmerising fairytales about Scottish colonialism by Mark Fisher

Scottish Storytelling Centre, EdinburghDrawing on her dual Scottish and Kenyan heritage, Mara Menzies weaves together an exquisite set of stories about the power of language to liberate and …

SOURCE: The Guardian at 11:12PM

Hear Word! Naija Woman Talk True review – a raucous voice of dissent by Mark Fisher

Royal Lyceum, EdinburghThis full-blooded agitprop cabaret comprises 10 monologues about resistance and emancipation, based on true stories about the treatment of women in Nigeria In a week w…

SOURCE: The Guardian at 07:48AM

How to Be Brave review – one mother's soul-searching BMX odyssey by Mark Fisher

Summerhall, EdinburghLaura Dalgleish is magnetic as a woman marauding through the Newport night after family pressures become too much Theatre is a laboratory where we put a character centre…

SOURCE: The Guardian at 07:48AM
Wednesday, August 21, 2019

Stephen Fry's Mythos review – a head-spinning marathon of legends by Mark Fisher

Festival theatre, EdinburghThe avuncular storytelling sage leavens seven-and-a-half-hours of myth-recounting with boyish enthusiasm and silly voices Stephen Fry is lying prostrate on the st…

SOURCE: The Guardian at 07:24AM
Tuesday, August 20, 2019

To Move in Time review – hypnotic tale of the time-traveller's strife by Mark Fisher

Summerhall, EdinburghTim Etchells’ thought experiment doggedly asks what if you could go back and right the wrongs of your past? Tim Etchells is surely a master of the late-night pub conve…

SOURCE: The Guardian at 05:33PM
Monday, August 19, 2019

Scene and heard: the Edinburgh shows fusing music and landscape by Mark Fisher

Drawing from folk music, Celtic myth – and a drunken night out, three plays are imbued with a deep sense of terrain Karine Polwart’s Wind Resistance, which makes a welcome return to Edin…

SOURCE: The Guardian at 03:36AM
Sunday, August 18, 2019

Before the Revolution review – a beguiling anatomy of Egypt's uprising by Mark Fisher

Summerhall, EdinburghAhmed El Attar’s bruising two-hander dives into the long lead-up to 2011 in an attempt to determine what causes mass revolt What causes a people to rise up? Is it a si…

SOURCE: The Guardian at 03:18PM
Friday, August 16, 2019

Oedipus review – Robert Icke's take exerts thriller-like grip by Mark Fisher

Kings theatre, EdinburghAn updating of Sophocles’ classic, set on election eve, has such political resonance you can imagine Boris Johnson not far away The play has hardly begun and alread…

SOURCE: The Guardian at 07:36AM
Thursday, August 15, 2019

Red Dust Road review – Jackie Kay adaptation loses its way by Mark Fisher

Royal Lyceum, EdinburghSasha Frost sparkles as a curious and vulnerable Kay searching for her birth parents, but this unfocused production fails to capture the intimacy of the soul-searching…

SOURCE: The Guardian at 07:03AM
Wednesday, August 14, 2019

The beat goes on: drummers crash the Edinburgh fringe by Mark Fisher

A trio of performances – Daniel Bellus in Beat, Alexander Fox in Snare and Mick Berry’s Keith Moon: The Real Me – put drums centre stage It must be something to do with being at the b…

SOURCE: The Guardian at 08:36AM

'My own birth went horrifically wrong – having twins was like a reclamation' by Mark Fisher

Robert Softley Gale’s show Purposeless Movements turns the involuntary gestures of cerebral palsy into choreography Becoming a parent for the first time can be nerve-racking for anyone. Kn…

SOURCE: The Guardian at 08:36AM
Tuesday, August 13, 2019

Swiss Selection Edinburgh review – lives of sex workers laid bare by Mark Fisher

Summerhall, EdinburghIn a series of autofictional shows, Traumboy and Traumgirl offer insights of varying quality amid the intimate revelations and erotic dancing ‘I’m not the person mos…

SOURCE: The Guardian at 08:24AM
Monday, August 12, 2019

Edinburgh festival 2019: the shows we recommend by Brian Logan, Alex Needham, Catherine Love, Michael Billington, Chris Wiegand, Mark Fisher, Anna Winter and Kate Wyver

Plan your schedule with our roundup of top shows, ordered by start time. This page will be updated daily throughout the festival BoutSummerhall, 10.20am, until 25 AugustAn exploration of bro…

SOURCE: The Guardian at 03:12PM

The Patient Gloria review – shrinks take the rap in waywardly funny drama by Mark Fisher

Traverse, EdinburghMale psychotherapists feel the heat in pantomimic telling of a true story about the voyeuristic exploitation of a female patient’s private disclosures If you search onli…

SOURCE: The Guardian at 05:48AM
Sunday, August 11, 2019

Roots review – whimsical 'folk jokes' and a very greedy cat by Mark Fisher

Church Hill theatre, EdinburghThe 1927 company became darlings of the festival scene after their first fringe outing, but this showcase of traditional tales lacks urgency When the Margate co…

SOURCE: The Guardian at 02:03PM

A Table Tennis Play review – ping-pong puzzler by Mark Fisher

Underbelly, Cowgate, EdinburghThis slight drama, in which a woman sifts through old possessions and memories, leaves so much unsaid one wonders if there is any meaning at all The premise of …

SOURCE: The Guardian at 04:42AM
Saturday, August 10, 2019

Crocodile Fever review – like Tarantino for feminists by Mark Fisher

Traverse, EdinburghSet in South Armagh during the Troubles, Meghan Tyler’s anarchic and OTT revenge fantasy hits back at the patriarchy and turns into a bloodbath It turns out Killing Eve …

SOURCE: The Guardian at 07:33AM
Friday, August 9, 2019

Total Immediate Collective Imminent Terrestrial Salvation review – cult theatre by Mark Fisher

The Studio, Festival theatre, EdinburghTim Crouch plays a messianic cult leader prophesying catastrophe in a formally adventurous show about the dangers of environmental fatalism And, lo, as…

SOURCE: The Guardian at 03:24PM
Thursday, August 8, 2019

The Last of the Pelican Daughters review – haunting tale of sisterly solidarity by Mark Fisher

Pleasance Courtyard, EdinburghThere’s lots to love about the polished and fizzy scenes of this family drama, but too many themes leave its message unclear There’s lots to love about this…

SOURCE: The Guardian at 07:03PM

Musik review – Pet Shop Boys' musical evokes Warhol, Dalí and Nico by Mark Fisher

Assembly Rooms, EdinburghFrances Barber stars as Zelig-like chanteuse Billie Trix, in this one-woman spinoff from the band and Jonathan Harvey’s 2001 musical Closer to Heaven Despite her g…

SOURCE: The Guardian at 08:03AM

Arthur review – man and baby in unique double act by Mark Fisher

Your home, EdinburghDaniel Bye enlists the help of his five-month-old son in an unpredictable hour-long exploration of nature versus nurture A show can have the same words, same actors, same…

SOURCE: The Guardian at 03:54AM
Wednesday, August 7, 2019

Are We Not Drawn Onward to New ErA review – palindromic drama of dazzling proportions by Mark Fisher

Zoo Southside, Edinburgh The pioneering Ontroerend Goed company takes on a conceptually daring view of environmental apocalypse Three years ago, the pioneering Belgian company Ontroerend Goe…

SOURCE: The Guardian at 08:24AM
Tuesday, August 6, 2019

The Accident Did Not Take Place review – all aboard in search for the post-truth by Mark Fisher

Pleasance Courtyard, EdinburghVolunteers are game in YESYESNONO’s lively show that uses drama-school exercises to investigate the nature of truth Jim from the Wardrobe Ensemble has been in…

SOURCE: The Guardian at 05:03PM

Anguis review – what if Cleopatra went on Desert Island Discs? by Mark Fisher

Gilded Balloon Teviot, EdinburghIn her playwriting, Sheila Atim puts a female scientist on stage with the pharaoh to chat about music, men and misrepresentation Sheila Atim, the Olivier awar…

SOURCE: The Guardian at 05:36AM

If You're Feeling Sinister review – Belle and Sebastian inspire eccentric drama by Mark Fisher

Gilded Balloon, EdinburghEve Nichol’s play combines songs from the Glasgow band’s well-loved album with an ambiguous narrative ‘We’re seeing other people – at least that’s what w…

SOURCE: The Guardian at 01:33AM
Monday, August 5, 2019

Burgerz review – chop chop, get wise to transphobic violence by Mark Fisher

Traverse theatre, EdinburghBreaking down a thrown burger into its constituent ingredients is a way of confronting assault in this sassy, humane show Behind Travis Alabanza is a container ful…

SOURCE: The Guardian at 03:06PM

For All I Care review – the spirit of Nye Bevan breathes life into NHS tale by Mark Fisher

Summerhall, EdinburghThis vivid production shows both sides of the care system through the eyes of a nurse and a patient The spirit of Nye Bevan floats over Alan Harris’s monologue for Nat…

SOURCE: The Guardian at 06:42AM

Bystanders review – urgent memorial to society's most vulnerable by Mark Fisher

Summerhall, EdinburghCardboard Citizens’ gutsy and gut-wrenching stories of the homeless focuses on people instead of just grim statistics Someone at Cardboard Citizens has noticed a patte…

SOURCE: The Guardian at 01:18AM
Sunday, August 4, 2019

Drowning review – earnest look at true-life tragedy rings false by Mark Fisher

Pleasance Courtyard, EdinburghJessica Ross doesn’t come anywhere close to making moral or dramatic sense of why four nurses killed elderly patients How to account for the four Austrian nur…

SOURCE: The Guardian at 08:18PM

Superstar review – Coldplay singer Chris Martin's little sis steps into the spotlight by Mark Fisher

Underbelly Cowgate, EdinburghNicola Wren deploys considerable charm in a not-really-showbiz story of childhood pantos, movie bit-parts and self-acceptance The Edinburgh fringe is good at bri…

SOURCE: The Guardian at 07:33AM
Saturday, August 3, 2019

Indigenous Contemporary Scene review – resistance, revenge and jolly cabaret by Mark Fisher

Songs in the Key of Cree, Deer Woman and Kiinalik: These Sharp Tools, three shows by Canada’s Indigenous artists, are presented at the Edinburgh festival This summer, Canada’s National I…

SOURCE: The Guardian at 07:33AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime