All stories by Mark Fisher on BroadwayStars

Thursday, April 27, 2023

A Thong for Europe review – hilariously subversive Eurovision celebration by Mark Fisher

Royal Court, LiverpoolAn inspired parody of coming-out dramas meets a deliciously daft plot involving Sonia in Jonathan Harvey’s comedy Who would have thought Jonathan Harvey would write a…

SOURCE: The Guardian at 07:12AM
Wednesday, April 26, 2023

The Killing of Sister George review – cruel comedy is an uncomfortable watch by Mark Fisher

New Vic theatre, Newcastle-under-LymeShould we sympathise with Hayley Carmichael’s irascible radio soap star as she risks being axed, or condemn her as she bullies her young vulnerable you…

SOURCE: The Guardian at 06:18AM
Sunday, April 9, 2023

Stornoway, Quebec review – outlaws settle scores with Gaelic swagger by Mark Fisher

Traverse, Edinburgh Calum L Macleòid’s western-style drama pits a gunslinging Elspeth Turner against a notorious fugitive in a peculiarly Scottish corner of Canada On the back wall of Bec…

SOURCE: The Guardian at 10:12AM
Thursday, April 6, 2023

Around the World in 80 Days review – wittily inventive travelogue speeds along by Mark Fisher

Theatre by the Lake, KeswickAn eight-strong cast and a revolving stage take us on an extraordinary adventure for adults and kids, with time-keeping as a theme Jules Verne’s 1872 novel trad…

SOURCE: The Guardian at 07:32AM
Monday, April 3, 2023

Kidnapped review – razzle-dazzling Robert Louis Stevenson by Mark Fisher

Beacon Arts Centre, GreenockThere’s an optimal mix of irreverence and affection in this bracing adaptation of the swashbuckling classic With the long-running Pride and Prejudice* (*sort of…

SOURCE: The Guardian at 06:42AM
Friday, March 31, 2023

Of All the Beautiful Things in the World review – Lorca moves to Moss Side by Mark Fisher

Home, ManchesterWriter-director Yusra Warsama relocates The House of Bernarda Alba from Andalucía to Manchester What imprisons the characters of Federico García Lorca’s The House of Bern…

SOURCE: The Guardian at 09:18AM
Thursday, March 30, 2023

Cat on a Hot Tin Roof review – Succession-style scheming in the deep south by Mark Fisher

Royal Exchange, ManchesterModern-day version casts Tennessee Williams’s steamy melodrama in a new light, with a focus on the corruptibility of wealth Roy Alexander Weise does not overtly c…

SOURCE: The Guardian at 07:36AM
Thursday, March 16, 2023

Village Idiot review – big bawdy comedy wears its intelligence lightly by Mark Fisher

Nottingham PlayhouseSamson Hawkins’s debut is part Jerusalem part This Country, bringing big laughs while asking serious questions about identity nostalgia and modernity Is it too soon to …

SOURCE: The Guardian at 08:08AM
Wednesday, March 15, 2023

Family Tree review – study of the mother of modern medicine falls between poetry and play by Mark Fisher

Belgrade theatre, CoventryMojisola Adebayo’s play connects Henrietta Lacks, whose cells were used in decades of vital scientific research, with the Black Lives Matter movement ‘I am a fa…

SOURCE: The Guardian at 01:56PM
Monday, March 13, 2023

You Bury Me review – teen rage and romance in the age of intolerance by Mark Fisher

Royal Lyceum, EdinburghKatie Posner directs a high-voltage cast in playwright Ahlam’s politically charged portrayal of a group of teens coming of age in post-Arab spring Cairo We view mome…

SOURCE: The Guardian at 02:00AM
Thursday, March 9, 2023

Top Girls review – Caryl Churchill’s classic gets a Toxteth twist by Mark Fisher

Everyman theatre, LiverpoolThe drama of women trying to get ahead in Thatcher’s Britain is played with kitsch period detail that can distract from its still-relevant story Some plays go th…

SOURCE: The Guardian at 08:51AM

The Comedy of Errors (More or Less) review – identical twins get a larky makeover by Mark Fisher

Shakespeare North Playhouse, PrescotThis cartoonish update of Shakespeare’s reunion tale, gleefully mixing in Madonna and modern language, has a great sense of fun The Wars of the Roses ar…

SOURCE: The Guardian at 07:03AM
Wednesday, March 8, 2023

Love It If We Beat Them review – New Labour’s first season kicks off by Mark Fisher

Live theatre, NewcastleIn 1996, campaigners in the north-east are watching their values being written out of Labour politics. But at least Kevin Keegan seems to be winning Tony Blair is on t…

SOURCE: The Guardian at 08:00AM
Thursday, March 2, 2023

Person Spec review – disturbing show puts audience on an interview panel by Mark Fisher

Alphabetti theatre, NewcastleIn Alfie Heffer’s frightening play, theatregoers become recruitment reps as a candidate is put through her paces In the late 1800s, Frederick Winslow Taylor se…

SOURCE: The Guardian at 03:00PM
Sunday, February 26, 2023

Song from Far Away review – Will Young acts with melodic grace in poignant monologue by Mark Fisher

Home, ManchesterThe star performs with a musician’s sense of rhythm in this alternately arch and elegiac piece by Simon Stephens and Mark Eitzel about a bereaved brother attempting to reco…

SOURCE: The Guardian at 06:16AM
Sunday, February 19, 2023

The City and the Town review – two brothers clash over the state of the nation by Mark Fisher

Northern Stage, NewcastleThe family front room becomes a battleground in Anders Lustgarten’s play of ideas about class, politics and compassion At some point between the decline of British…

SOURCE: The Guardian at 05:32AM
Thursday, February 9, 2023

Macbeth (An Undoing) review – Lady M does what Shakespeare didn’t dare by Mark Fisher

Royal Lyceum, EdinburghZinnie Harris’s reworking has Macbeth’s wife driving the plot, rationalising a grisly campaign, while he becomes unbalanced by their murderous path To summon up w…

SOURCE: The Guardian at 03:00PM
Wednesday, February 8, 2023

Moonset review – witchy magic swirls around a sensitive study of teen anxiety by Mark Fisher

Tron theatre, GlasgowFour girls gather around a pentangle in Maryam Hamidi’s punchy and poetic new play, which captures the vulnerability of adolescence When you see the gang of teenagers …

SOURCE: The Guardian at 06:03AM
Thursday, December 8, 2022

Cinderella review – a heroine with some real welly by Mark Fisher

Dundee RepCinders is a hard-working and independent-minded farmer while her prince is an environmental engineering student in Lynda Radley’s cheerful reworking You can see why Lynda Radley…

SOURCE: The Guardian at 04:48PM
Monday, December 5, 2022

Beauty and the Beast review – precision engineered panto by Mark Fisher

King’s theatre, GlasgowKathryn Rooney’s slick production has flawless comic banter and lavish dance routines, providing impressive festive entertainment It is tempting to grumble about t…

SOURCE: The Guardian at 07:03PM

A Christmas Carol review – festive classic gets a British Sign Language update by Mark Fisher

Hull Truck theatre, HullScrooge not only exploits Bob Cratchit but cruelly cuts him out of the conversation in this innovative, satisfying production Jack Lord is the meanest of Scrooges. To…

SOURCE: The Guardian at 01:24AM
Sunday, December 4, 2022

The Wind in the Willows review – furry friendships triumph in a naturalistic show by Mark Fisher

Derby theatreRatty, Mole and the rest are subtly portrayed in this tuneful production of Kenneth Grahame’s classic They are a timid lot, the creatures in Trina Haldar’s staging of The Wi…

SOURCE: The Guardian at 04:48PM
Friday, December 2, 2022

Alice in Wonderland review – dive down a sublime theatrical rabbit hole by Mark Fisher

New Vic theatre, Newcastle-under-LymeLewis Carroll’s fantastical classic is transposed into the world of stage magic in this gloriously hallucinatory show Forget about rabbit holes and mir…

SOURCE: The Guardian at 05:42AM
Thursday, December 1, 2022

The Rock’n’Roll Panto Red Riding Hood review – music is the star in an Everyman institution by Mark Fisher

Everyman theatre, LiverpoolThe eponymous fairytale does not lend itself easily to panto – requiring some princely interference – but the cast is exuberant We are deep into act two when w…

SOURCE: The Guardian at 06:48AM
Wednesday, November 30, 2022

The Borrowers review – less a wild adventure more an escape from trauma by Mark Fisher

Theatre by the Lake, KeswickMary Norton’s 1952 novel about tiny pillagers gets a sober stage remake that blends minor-key music with contemporary fears When Suella Braverman talked about a…

SOURCE: The Guardian at 03:32PM
Sunday, November 27, 2022

The Wonderful Wizard of Oz review – a joyful bad-taste romp by Mark Fisher

Tron theatre, GlasgowJohnny McKnight’s irreverent and very funny panto is full of local colour and packed with put-downs – though never at the expense of the original film Hollywood re…

SOURCE: The Guardian at 02:24PM

Jack and the Beanstalk – the climate crisis reaches panto season by Mark Fisher

Perth theatreThe beanstalk in Barrie Hunter’s jolly, tightly choreographed and on-message show is actually a fossil fuel mountain, and the giant is a massive polluter The temperature is ri…

SOURCE: The Guardian at 06:42AM
Friday, November 25, 2022

Peter Pan and Wendy review – modern-day myth goes light on existential dread by Mark Fisher

Pitlochry Festival theatreThis wholesome adaptation, featuring a preening Captain Hook, focuses on playroom fun in a beautifully designed production Captain Hook looks as if he has stepped o…

SOURCE: The Guardian at 04:32PM
Sunday, November 20, 2022

Robin Hood and The Babes in The Wood review – familiar folk hero robbed of outlaw action by Mark Fisher

Coliseum, OldhamWhile younger audience members will find plenty to shout about, the classic story struggles to take shape as a panto We could certainly do with a bit of stealing from the ric…

SOURCE: The Guardian at 09:48AM
Friday, November 18, 2022

One Off review – former inmate crafts a harrowingly authentic prison drama by Mark Fisher

Live theatre, NewcastleRic Renton’s raw four-hander is an enthralling study of male vulnerability with a deeply felt message for the justice system That Ric Renton’s gripping new play ha…

SOURCE: The Guardian at 08:36AM
Thursday, November 17, 2022

The Scouse Jack and the Beanstalk review – perfect panto for tough times by Mark Fisher

Royal Court, LiverpoolCow jokes are heavily milked in this family-friendly show, alongside nods to the city’s star turn as next year’s Eurovision host Within weeks of the news that Liver…

SOURCE: The Guardian at 05:24AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime