All stories by Lyn Gardner on BroadwayStars

Monday, October 31, 2016

The Tempest review – groundbreaking Shakespeare for autistic audiences by Lyn Gardner

Orange Tree, RichmondFlute Theatre’s innovative production gives children the chance to play out the scenes initiated by the actors“The isle is full of noises,” says Caliban, and it ce…

SOURCE: The Guardian at 10:42AM

Plan your week’s theatre: top tickets by Lyn Gardner

The RSC’s Cymbeline moves to the Barbican in London, there are world premieres by David Greig and Ron Hutchinson at the Arcola, and Red Cape celebrate everyday heroism in NewburyWhat is it…

SOURCE: The Guardian at 03:54AM
Sunday, October 30, 2016

Side Show review – a spectacle in song about real-life 'freak' sister act by Lyn Gardner

Southwark Playhouse, LondonInspired performances elevate a problematic musical about conjoined twins who were exploited first in life and then on the stageFact and fiction are entwined in th…

SOURCE: The Guardian at 01:24PM
Friday, October 28, 2016

Theatre's collaboration conundrum: the fine art of co-production by Lyn Gardner

When theatres and companies of different sizes come together on joint projects, the trick is to make sure everyone benefits – and that includes the region itselfNorthern Stage’s artistic…

SOURCE: The Guardian at 03:24PM

This week’s best... theatre & dance performances by Lyn Gardner and Judith Mackrell

One Night In Miami | Ockham’s Razor: Tipping Point | The Red Shed | Portraits In Motion | The Suppliant Women | Nitin Sawhney | Under Siege | The Happiness Project Continue reading...

SOURCE: The Guardian at 04:36AM
Thursday, October 27, 2016

My Mother Medea review – child refugees given a voice in twist on classic myth by Lyn Gardner

Unicorn theatre, London Holger Schober’s clever two-hander presents Medea’s children as unwanted arrivals in a new school, in a timely riff on notions of them and usEriopis (Stephanie Le…

SOURCE: The Guardian at 08:18AM
Tuesday, October 25, 2016

As Emma Rice departs, the Globe has egg on its face – and no vision by Lyn Gardner

The message of artistic director Rice’s departure after just two seasons? Shakespeare’s Globe is not a theatre but part of the heritage industryThe news that artistic director Emma Rice …

SOURCE: The Guardian at 10:21AM
Monday, October 24, 2016

Plan your week’s theatre: top tickets by Lyn Gardner

Lazarus and a female Julius Caesar come to King’s Cross, Spill festival starts in Ipswich, the Salvation Army delivers compassion in Cambridge, and Ian McDiarmid tackles Enoch Powell at Bi…

SOURCE: The Guardian at 02:10AM
Sunday, October 23, 2016

Grain in the Blood review – folk morality thriller leads country lambs to slaughter by Lyn Gardner

Tron, Glasgow Rob Drummond harvests unnerving humour as well as tension from a rural family torn by grief, guilt and sacrificeRob Drummond never fails to surprise. Last summer in Edinburgh i…

SOURCE: The Guardian at 11:19AM
Friday, October 21, 2016

Moby Dick! The Musical review – high camp on the high seas by Lyn Gardner

Union, LondonAndrew Wright heaves this risible 1992 show to the surface once more, but despite some fine voices and lots of energy the whole thing fails to floatHereward Kaye and Robert Long…

SOURCE: The Guardian at 08:51AM
Thursday, October 20, 2016

Theatre's gender inequality is shocking – but change is in the air by Lyn Gardner

With Agatha Christie the only female playwright represented in London's West End, a Tonic Theatre initiative is taking aim at the traditional gender imbalance in British playhousesThere was …

SOURCE: The Guardian at 10:03PM

Ragtime review – kaleidoscopic musical sings the making of modern America by Lyn Gardner

Charing Cross theatre, LondonHenry Ford and Harry Houdini pop up in this rose-tinted show based on EL Doctorow’s novel and directed by Thom SoutherlandTerrence McNally, Stephen Flaherty an…

SOURCE: The Guardian at 08:03AM

Arts Council England releases report on state of British theatre by Lyn Gardner

ACE has published a survey of the nation’s theatregoing and theatre-making, with proposals including investing in three regional arts hubsArts Council England (ACE)’s new theatre report,…

SOURCE: The Guardian at 05:52AM
Wednesday, October 19, 2016

Nina review – searing tribute restarts Simone's revolution by Lyn Gardner

Unity, LiverpoolBacked by a brilliant band, Josette Bushell-Mingo mixes story and song as she connects her own life with Nina Simone’sJosette Bushell-Mingo created the role of Rafiki in th…

SOURCE: The Guardian at 09:12AM
Monday, October 17, 2016

Heads Will Roll review – whimsical tale of El Dorado chases easy laughs by Lyn Gardner

Drum, PlymouthTold By An Idiot’s relentless zaniness obstructs any real exploration of why we delude ourselves in this collection of loosely linked skitsAs the company’s name suggests, T…

SOURCE: The Guardian at 08:51AM

Plan your week’s theatre: top tickets by Lyn Gardner

Ursula Martinez offers Free Admission at Warwick Arts Centre, The Exorcist premieres at Birmingham Rep and the world’s second oldest play is at the Grand Opera House in BelfastTold by the …

SOURCE: The Guardian at 02:41AM
Sunday, October 16, 2016

Skin a Cat review – sexual odyssey with charm and comic edge by Lyn Gardner

Bunker, LondonThis endearing drama about a woman who has vaginismus – played brilliantly by Lydia Larson – suggests its writer, Isley Lynn, could be rising star London’s newest theatre…

SOURCE: The Guardian at 12:46PM

The Mountaintop review – Luther King Olivier winner returns with driving energy by Lyn Gardner

Young Vic, LondonKatori Hall’s play about Martin Luther King and a hotel maid’s long night flirting over civil rights issues gains fresh resonance in the context of Black Lives MatterIt�…

SOURCE: The Guardian at 10:40AM
Friday, October 14, 2016

'If they say it's impossible, we're spurred on': the theatrical surprises of Oily Cart by Lyn Gardner

For 35 years, Tim Webb and his crew have created ambitious sensory productions for children. He explains how it’s all about disassembling the theatre machine and putting it back together f…

SOURCE: The Guardian at 02:28AM
Thursday, October 13, 2016

Enter stage right: three of the best theatrical arrivals by Lyn Gardner

When it comes to making a dramatic entrance, you can’t beat JB Priestley’s inspector, Alan Cummings’ cheeky Bacchae and a certain French elephantThe unexpected ring at the doorbell is …

SOURCE: The Guardian at 04:52PM

Shopping and Fucking review – Mark Ravenhill's fearless play clicks into Amazon age by Lyn Gardner

Lyric Hammersmith, London Market forces rule in Sean Holmes’s calculating post-crash revival, where everything comes at a price – and the cast even sell off seat upgradesThe emphasis is …

SOURCE: The Guardian at 09:07AM
Wednesday, October 12, 2016

Donegal review – Frank McGuinness's ballad for a singing, squabbling family by Lyn Gardner

Abbey theatre, DublinMusician Jackie returns to his manipulative kin in Ireland, but a terrific cast can’t quite make us care about their various resentmentsThe Cherry Orchard meets Dynast…

SOURCE: The Guardian at 06:01PM
Tuesday, October 11, 2016

Dublin festival's boundary-busting theatre looks to Ireland's past and future by Lyn Gardner

These Rooms, which reflects on the Easter Rising, and a rural reimagining of Swan Lake both use new forms to give a different perspective on old stories“My job is to be alert and to look o…

SOURCE: The Guardian at 03:09PM

The Remains of Maisie Duggan review – dark, family tale burns itself out by Lyn Gardner

Peacock stage, Abbey theatre, DublinCarmel Winters’ familiar story of domestic dysfunction plays to the stereotypes of Irish drama and is never as painfully funny or shocking as it should …

SOURCE: The Guardian at 10:12AM
Monday, October 10, 2016

Plan your week’s theatre: top tickets by Lyn Gardner

Pussy Riot and Belarus Free Theatre combine in Manchester, Chinese war volunteers are remembered in Liverpool, there are festivals of horror, storytelling and provocation, and a much-anticip…

SOURCE: The Guardian at 02:32AM
Sunday, October 9, 2016

The Seagull review – Chekhov with a comic and contemporary twist by Lyn Gardner

Gaiety theatre, DublinConstantin becomes Constance in this gender-switched production, though it’s as much about intergenerational conflict as lesbian loveMichael West and Annie Ryan’s c…

SOURCE: The Guardian at 10:43AM
Thursday, October 6, 2016

Murder Ballad review – chamber musical with the force of a film noir by Lyn Gardner

Arts theatre, LondonKerry Ellis is caught up in a love triangle in a show with flinty lyrics, plenty of sharp wit and more than a few clichesWhen you fall in love with someone you only have …

SOURCE: The Guardian at 08:34AM
Wednesday, October 5, 2016

The Boys in the Band review – Mark Gatiss and fine cast elevate dated gay drama by Lyn Gardner

Park, LondonRadical half a century ago, Mart Crowley’s portrait of Manhattan’s gay scene can seem hackneyed and bleak, but a strong ensemble make a reasonable case for itMart Crowley’s…

SOURCE: The Guardian at 08:39AM
Tuesday, October 4, 2016

From sci-fi Brontë to Hamlet on the savanna: when classics are relocated by Lyn Gardner

As West Yorkshire Playhouse presents a futuristic take on the 19th-century Villette, here are five shows that reimagine a story in a surprising new settingI’d be surprised if there’s a m…

SOURCE: The Guardian at 03:39PM
Monday, October 3, 2016

Plan your week’s theatre: top tickets by Lyn Gardner

A family is Torn at the Royal Court, Manchester’s Home launches its Orbit festival and you can spend One Night in Miami with Cassius Clay at the DonmarJamie Wood’s utterly delightful O N…

SOURCE: The Guardian at 02:20AM
Saturday, October 1, 2016

We Will Be Free – review by Lyn Gardner

This account of the Tolpuddle martyrs' struggle for higher wages and justice is heartfelt, but should trust its audience rather moreThe Tolpuddle martyrs were a group of 19th-century Dorset …

SOURCE: The Guardian at 04:09AM