All stories by Lyn Gardner on BroadwayStars

Saturday, April 1, 2017

Why children's theatre matters by Lyn Gardner

If you are reading this blog, it probably means that you are interested in theatre. So why are some areas of theatre valued over others, particularly theatre for young audiences?This is an e…

SOURCE: The Guardian at 04:31AM
Friday, March 31, 2017

The Conquest of the South Pole review – jobless dreamers escape to Antarctica by Lyn Gardner

Everyman, LiverpoolIt’s impossible not to be moved by the new rep company’s revival of Manfred Karge’s unemployment drama, playfully directed by Nick BagnallIt’s an almighty leap fro…

SOURCE: The Guardian at 08:36AM
Thursday, March 30, 2017

Why It's Kicking Off Everywhere review – Paul Mason restages global protests by Lyn Gardner

Young Vic, London The audience play their part in the Arab Spring and debate whether Occupy curbed capitalist power as the journalist interrogates a decade of revoltThis live incarnation of …

SOURCE: The Guardian at 07:24PM
Wednesday, March 29, 2017

Killology five-star review – stunning tale of virtual torture and the terror of love by Lyn Gardner

Sherman, CardiffA computer game that rewards players for creative killing is at the centre of Gary Owen’s raw and heartbreaking three-handerPaul has made a killing with a computer game he …

SOURCE: The Guardian at 08:02AM

'An adventure in being human': the life-affirming acrobatics of Compagnie XY by Lyn Gardner

The French circus collective Compagnie XY face down the apocalypse in their new show, where the brawls and somersaults reflect their own relationships“If you’re the kind of circus perfor…

SOURCE: The Guardian at 02:24AM

Escape the Scaffold review – love, betrayal and a dystopian student reunion by Lyn Gardner

Theatre 503, LondonTitas Halder’s story of sacrifice and self-interest, set in an authoritarian state, plays skilfully with different timeframes but lacks the tautness of a thriller“Mayb…

SOURCE: The Guardian at 02:24AM
Monday, March 27, 2017

Big Guns review – fear and self-loathing in Nina Segal's horror show by Lyn Gardner

The Yard, London The bogeyman is everywhere in this nervy play whose characters present a series of attitudes that reflect ourselves back to usNina Segal is anxious. But then who isn’t ale…

SOURCE: The Guardian at 09:06AM
Sunday, March 26, 2017

One Love: the Bob Marley Musical review – tricky tribute to a mighty talent by Lyn Gardner

Birmingham RepTerrific performances turn Marley’s songs into a great night out, despite the elusive singer emerging as an ambivalent characterClearly made with love by writer and director,…

SOURCE: The Guardian at 12:18PM

The Missing Light – widow's plight takes flight in fantastical live film by Lyn Gardner

Old Vic, LondonCrafted in real-time using puppets and animation, Mark Arends’ family tale of a fisherman lost at sea has an unhurried charmMark Arends’ miniature masterpieces, in which t…

SOURCE: The Guardian at 09:06AM
Wednesday, March 22, 2017

Young actors to perform play about the child killer Marc Dutroux by Lyn Gardner

Five Easy Pieces, staged at Manchester’s Sick! festival, explores the case of the Belgian paedophile and murderer. Director Milo Rau explains why he chose to let children tell the storyWhe…

SOURCE: The Guardian at 09:18AM
Tuesday, March 21, 2017

Tamburlaine review – stylish take on Marlowe's tale of toxic masculinity by Lyn Gardner

Arcola, London A predominantly female cast return the story to its Asian origins in Yellow Earth’s adaptation of the Elizabethan epicAn outsize play about an outsize personality, Christoph…

SOURCE: The Guardian at 11:12AM
Monday, March 20, 2017

Re-Member Me review – a seance of Hamlets from O'Toole to Day-Lewis by Lyn Gardner

Almeida, LondonDickie Beau’s remarkable show examines memory and mortality as he conjures the actors who have played Shakespeare’s tragic prince“Remember me,” demands the ghost in Ha…

SOURCE: The Guardian at 11:36AM
Sunday, March 19, 2017

The Roman Tragedies review – Ivo van Hove's magnificent take on the spectacle of politics by Lyn Gardner

Barbican, LondonThe condensed staging of Coriolanus, Julius Caesar, and Antony and Cleopatra is as electrifying and relevant as ever Hans Kesting is about to give his funeral oration as Mark…

SOURCE: The Guardian at 08:24AM
Saturday, March 18, 2017

The Grapes of Wrath review – Steinbeck's dustbowl refugees find no relief by Lyn Gardner

Nuffield, SouthamptonSome impressive visual moments fail to rescue this ambitious adaptation from its intrusive use of music, cumbersome design and lack of momemtumIt begins with the plainti…

SOURCE: The Guardian at 03:48AM
Friday, March 17, 2017

Why every day should be Baby Day at the theatre by Lyn Gardner

Too often theatres neglect younger audiences, but Belfast’s Young at Art festival shows how vital new recruits are to the future of the artsIt’s Sunday afternoon on a bright spring day, …

SOURCE: The Guardian at 11:48AM
Wednesday, March 15, 2017

Stepping Out review – laughter on tap in feelgood musical with Amanda Holden by Lyn Gardner

Vaudeville, LondonThere are some spot-on performances in this West End revival of Richard Harris’s likable play about budding hoofers in a church hallThe great tap-dance musical 42nd Stree…

SOURCE: The Guardian at 04:36PM

Sheep Pig Goat: theatre for an audience of animals by Lyn Gardner

How can you tell if a sheep likes theatre? Or a pig is into dance? Fevered Sleep are staging a show for farmyard creatures – while humans decide if they’re bleating for moreAlmost 10 yea…

SOURCE: The Guardian at 07:48AM
Monday, March 13, 2017

Plan your week’s theatre: top tickets by Lyn Gardner

David Tennant’s Don Juan saunters into Soho, Cardiff hosts a Cock and Bull story and Mark Thomas’s tale of activism and memory heads to NewcastleJack Thorne and Stephen Warbeck’s lovea…

SOURCE: The Guardian at 03:54AM
Sunday, March 12, 2017

Break an egg! A theatre critic reviews Leon’s singing staff by Lyn Gardner

Employees at the West End branch of the restaurant now sing showtunes for customers. Will it lead to empty chairs at empty tables?Charlotte Chalkey and Aaron Rahn have only recently graduate…

SOURCE: The Guardian at 11:18AM
Friday, March 10, 2017

It's boom time for older actors but how realistic are their roles? by Lyn Gardner

From Silver Lining to Roundelay, a handful of new shows focus on elderly people. Let’s hope it leads to lasting change in the way they’re represented on stageIn Sandi Toksvig’s Silver …

SOURCE: The Guardian at 09:48AM

City of Glass review – Paul Auster's meta-mystery gets a stunning staging by Lyn Gardner

Home, ManchesterDuncan Macmillan’s adaptation of Auster’s story becomes a jaw-dropping spectacle, but the cunning visuals come at the expense of emotional engagementIn Paul Auster’s 19…

SOURCE: The Guardian at 08:42AM
Thursday, March 9, 2017

Faust x2 review – Ian McDiarmid's Goethe drama is a devil of a time by Lyn Gardner

Watermill, BagnorAdapted by and starring McDiarmid, this account of the Faustian pact features a fine Mephisto but doesn’t succeed in bringing the play into the 21st centuryRegrets? We all…

SOURCE: The Guardian at 02:12PM
Wednesday, March 8, 2017

Shut down but not silenced: Isis play Homegrown demands to be staged by Lyn Gardner

Cancelled in 2015, a play about the radicalisation of young Muslims has now been published. It’s challenging, gloriously authentic and prompts grownup debate. So who is brave enough to put…

SOURCE: The Guardian at 09:42AM
Tuesday, March 7, 2017

Othello review – brutal, candlelit tragedy in a man's world by Lyn Gardner

Sam Wanamaker Playhouse, LondonEllen McDougall’s claustrophobic staging of Shakespeare’s tragedy has moments that make you see the play afreshIn director Ellen McDougall’s Othello, Des…

SOURCE: The Guardian at 02:54AM
Monday, March 6, 2017

Plan your week’s theatre: top tickets by Lyn Gardner

David Greig’s astounding Aeschylus rewrite reaches Manchester, while An American in Paris comes to the West End and the Menier Chocolate Factory revives RattiganThe Tony award-winning musi…

SOURCE: The Guardian at 02:54AM
Friday, March 3, 2017

Plastic review – sneaky middle-class satire makes audience squirm by Lyn Gardner

Ustinov Studio, BathMarius von Mayenburg skewers pretensions and hypocrisies with this study of a self-involved familyNobody likes doing the chores. But Ulrike (Charlotte Randle) and Michael…

SOURCE: The Guardian at 09:54AM

Junkyard review – Jack Thorne's joyful musical for school misfits by Lyn Gardner

Thorne, composer Stephen Warbeck, director Jeremy Herrin and a fantastic ensemble deliver a show that celebrates young people’s sense of adventureFiz, Ginger, Tilly and the others aren’t…

SOURCE: The Guardian at 07:42AM
Thursday, March 2, 2017

Sweeney Todd review: ‘All meat and no gristle’ by Lyn Gardner

Harrington’s Pie and Mash Shop, LondonThis clever pie-shop staging of Sondheim’s musical walks the tightrope between grisly and comic in its tiny chamber of horrorsWho knows if Harringto…

SOURCE: The Guardian at 05:04PM

Sia brings a mother and son together at Glasgow's startling new festival by Lyn Gardner

The Ballad of the Apathetic Son and his Narcissistic Mother stands out at a new celebration of performance, alongside a powerful take on black masculinityIn 21cc’s show The Ballad of the A…

SOURCE: The Guardian at 11:32AM
Wednesday, March 1, 2017

Orpheus beneath a bridge, Macbeth in a cave: theatre's ever stranger locations by Lyn Gardner

A chamber below Clifton suspension bridge in Bristol is hosting a new version of Orpheus and Eurydice. When does a bold new setting become a gimmick?We knock on the red door. A bell rings. T…

SOURCE: The Guardian at 09:12AM
Monday, February 27, 2017

Plan your week's theatre: top tickets by Lyn Gardner

The National Theatre’s My Country delivers a verbatim verdict on Brexit and Duncan Macmillan adapts Auster’s City of Glass in ManchesterLittle Bulb’s all-singing Wail, which is about w…

SOURCE: The Guardian at 02:32AM