All stories by Lyn Gardner on BroadwayStars

Monday, June 11, 2012

Lyn Gardner's theatre roundup: of CATS and hens by Lyn Gardner

Scotland's biggest theatre awards unveil their winners, and the supporting cast of Swan demonstrates why you should never work with animalsScottish powerIt was a big day for Scottish theatre…

SOURCE: The Guardian at 05:04PM

Meat – review by Lyn Gardner

Theatre 503, LondonVincent, his wife Joy and teenage daughter live in a small, dead-end town where a teenager, Rob, has been murdered. Vincent knows all about death – for the last 17 years…

SOURCE: The Guardian at 01:15PM

What to see: Lyn Gardner's theatre tips by Lyn Gardner

A Doctor Who hit materialises in Ipswich, a Manchester office block provides the backdrop for a new play by poet Jackie Kay, and Alan Cumming plays all the parts in an unusual MacbethCentral…

SOURCE: The Guardian at 09:13AM
Sunday, June 10, 2012

Something Very Far Away – review by Lyn Gardner

Unicorn, LondonHow far would you go for love? That's a question raised in this infinitely touching little piece about deep space and deep affection that uses live animation techniques simila…

SOURCE: The Guardian at 10:11AM
Thursday, June 7, 2012

Mad About the Boy – review by Lyn Gardner

Bush, LondonMan (Simon Darwen) and Dad (Jason Barnett) are standing on either side of the future. The future is Boy (Bayo Gbadamosi), a young black teenager, bright but mouthy, who is convin…

SOURCE: The Guardian at 01:00PM
Wednesday, June 6, 2012

Unhappy Birthday – review by Lyn Gardner

CPT, LondonMorrissey. An icon for our times? Or the man responsible for the disappearance of the traditional high-street butcher and making David Cameron look cool for a nanosecond? Amy Lam�…

SOURCE: The Guardian at 01:28PM
Monday, June 4, 2012

Boys – review by Lyn Gardner

Soho, LondonWhen the party's over, there's the mess to clear up. The mess is not just physical but emotional in the Edinburgh flat that Benny (Danny Kirrane), Mack (Samuel Edward Cook),…

SOURCE: The Guardian at 11:51AM
Friday, June 1, 2012

This week's new theatre and dance by Mark Cook and Lyn Gardner and Judith Mackrell

Gatz, LondonJust as one stage adaptation of F Scott Fitzgerald's seminal cult novel finishes, another appears. However, Gatz lasts eight hours in four parts. Quite something for such a slim …

SOURCE: The Guardian at 07:06PM

What to see: Lyn Gardner's theatre tips by Lyn Gardner

An Odyssey played out on the streets of Deptford, Alan Ayckbourn's Norman Conquests trilogy in Liverpool, and the Pendle witches reconsidered in LancasterSouthPetit Mal is a circus show from…

SOURCE: The Guardian at 12:29PM

Edinburgh festival fringe 2012: my early tips by Lyn Gardner

There are many shows in this year's programme that I'd take a punt on, but here are my first thoughts on the shows to get in early forAnybody predicting that the 2012 Edinburgh fringe will t…

SOURCE: The Guardian at 08:16AM

Wah! Wah! Girls – review by Lyn Gardner

Peacock, LondonYou could translate "wah! wah!" – how some Indian audiences express their pleasure at a performance – as "bravo!". Sadly, there's far more woe than wah in this feeble atte…

SOURCE: The Guardian at 07:50AM
Thursday, May 31, 2012

Cantina – review by Lyn Gardner

London WondergroundHomespun but disconcertingly disturbing, low-key yet highly charged, Cantina is an Australian circus show that reaches the parts La Clique and La Soirée have previously t…

SOURCE: The Guardian at 01:29PM
Wednesday, May 30, 2012

Polly Findlay: Muscles, magic and suicide bombers by Lyn Gardner

What's the best training a director can have for Sophocles's visceral Antigone? Working with Derren Brown, of course.Plenty of us have long thought that the National theatre bears a resembla…

SOURCE: The Guardian at 02:00PM

Cymbeline – review by Lyn Gardner

Barbican, LondonOnce seen, never forgotten: when Japanese director Yukio Ninagawa's cherry-blossom Macbeth visited London in 1987, it opened our eyes to what can happen when east meets west.…

SOURCE: The Guardian at 08:10AM
Tuesday, May 29, 2012

The Merchant of Venice – review by Lyn Gardner

Shakespeare's Globe, LondonThe final image of this production by Israeli company Habima is a stark one. Small and crushed, as if weighed down by history itself, Jacob Cohen's broken Shylock …

SOURCE: The Guardian at 07:47AM
Monday, May 28, 2012

The Irish Giant – review by Lyn Gardner

Southwark Playhouse, LondonWhen Charles Byrne arrived in Georgian London, his height – 7ft 7in – made him the next big thing. But it wasn't just the public who paid to see "the Irish gia…

SOURCE: The Guardian at 01:20PM

Lyn Gardner's theatre roundup: Monsters have a ball on stage by Lyn Gardner

Why the most awful protagonists often make the most interesting characters. Plus the musical version of An Officer and a Gentleman Geres up for a fightAn Officer and an Ungentlemanly rowA li…

SOURCE: The Guardian at 11:02AM
Friday, May 25, 2012

What to see: Lyn Gardner's theatre tips by Lyn Gardner

Don't miss Two's Company, Harrogate's perfectly formed festival of small. Or get competitive in Sheffield with LeanerFasterStrongerScotland and Northern IrelandLet's start in Glasgow at the …

SOURCE: The Guardian at 12:48PM
Thursday, May 24, 2012

The Suit – review by Lyn Gardner

Young Vic, LondonThere is something curiously disquieting about a show that piles on the charm as it tells us about a man who hounds his unfaithful wife with his mental cruelty. An English-l…

SOURCE: The Guardian at 09:27AM
Wednesday, May 23, 2012

Betrayel – review by Lyn Gardner

Sheffield CrucibleIn every beginning lurk the seeds of an ending. Harold Pinter's 1978 play, inspired by his own affair with Joan Bakewell, starts with ex-lovers meeting two years after thei…

SOURCE: The Guardian at 01:31PM
Tuesday, May 22, 2012

The Hairy Ape – review by Lyn Gardner

Southwark Playhouse, LondonHell on earth is currently to be found in Southwark Playhouse, where director Kate Budgen makes her mark with a feverish and visually arresting revival of Eugene O…

SOURCE: The Guardian at 01:52PM

Need theatre funding ideas? Don't sell yourself short by Lyn Gardner

Artists are grateful for any money they can get, but too often the project is squeezed to fit the funding available – not the other way aroundHow much money do you need to make your next s…

SOURCE: The Guardian at 12:32PM

Two Roses for Richard III – review by Lyn Gardner

Roundhouse, LondonRichard, Duke of Gloucester, is wearing a boar's head. He struts across the steeply raked stage, a sinister figure who you wouldn't want to meet in the forest on a dark nig…

SOURCE: The Guardian at 08:11AM
Monday, May 21, 2012

Lyn Gardner's theatre roundup: Three Kingdoms and the fourth estate by Lyn Gardner

Simon Stephens's play has stirred up a hornets' nest of debate about how critics approach radical work. Plus an early taste of this year's Edinburgh festivalGetting criticalIt felt as if som…

SOURCE: The Guardian at 07:23AM
Sunday, May 20, 2012

The Pirate Project – review by Lyn Gardner

Oval House, LondonWill learning to say "Haargh" very loudly like a pirate further the cause of feminism? The creators of this playful oddity clearly think it's a step in the right direction …

SOURCE: The Guardian at 08:33AM
Friday, May 18, 2012

What to see: Lyn Gardner's theatre tips by Lyn Gardner

Drop everything for Three Kingdoms at the Lyric Hammersmith in London and get Smashed with Gandini Juggling in BrightonScotlandATC's double bill of Sarah Kane's Crave and Ivan Viripaev's Ill…

SOURCE: The Guardian at 11:47AM

Crave/Illusions – review by Lyn Gardner

Point, EastleighSarah Kane's Crave and Illusions by the Russian playwright Ivan Viripaev are both compelling texts. But put them side by side – as director Ramin Gray does in this double b…

SOURCE: The Guardian at 10:52AM
Wednesday, May 16, 2012

Toujours et Près de Moi – review by Lyn Gardner

Print Room, London"Don't box me in" is the cry of many lovers, but it takes on new meaning in this fascinating but insufficiently meaty piece from Opera Erratica. The show puts a modern twis…

SOURCE: The Guardian at 01:21PM

What makes the ideal theatre? by Lyn Gardner

The mindblowing view from Cornwall's Minack and the intimacy of Bristol's Tobacco Factory make for some of my favourite haunts. Which are your perfect playhouses?There's been an outbreak of …

SOURCE: The Guardian at 11:49AM
Monday, May 14, 2012

Lyn Gardner's theatre roundup: one way to deal with bad reviews by Lyn Gardner

Babel's producers talk their way out of a tight corner, the loss of support for public subsidy – plus is political theatre really a total waste of time?Babble around BabelBabel, the centre…

SOURCE: The Guardian at 10:27AM
Sunday, May 13, 2012

Hanging around: my night in the AirHotel by Lyn Gardner

Does sleeping in mid-air make your dreams more exciting? Lyn Gardner joins a surreal project in the Norfolk woodsOn a rainy night last week, I climbed gingerly up a ladder and stepped …

SOURCE: The Guardian at 01:46PM

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