All stories by Lyn Gardner on BroadwayStars

Monday, June 2, 2014

My disability helped me understand Blanche DuBois, says Streetcar actor by Lyn Gardner

One blogger described the casting as 'ludicrous', but Nadia Albina says her physical disability helped her performance in Secret Theatre's showThere was a day in the runup to the opening of …

SOURCE: The Guardian at 10:23AM

Incorruptible Flesh: Messianic Remains review a theatrical resurrection by Lyn Gardner

Ron Athey's oddly moving performance art piece makes us stare at our own mortalityAt first sight, the intricately tattooed naked male body trapped on the metal rack could be a corpse. Hooks …

SOURCE: The Guardian at 09:54AM

Which plays should be set texts? by Lyn Gardner

An Inspector Calls and Blood Brothers are on the GCSE syllabus. I'd add some Polly Stenham and Caryl ChurchillSo Arthur Miller's The Crucible will no longer feature on the English Literature…

SOURCE: The Guardian at 04:28AM
Sunday, June 1, 2014

Squirrels/The After-Dinner Joke review absurdist-edged satire by Lyn Gardner

Orange Tree, London David Mamet's Squirrels captures moments of comedy, but it's Caryl Churchill's Joke that gets the biggest laugh in these productions from two up-and-coming directorsThe O…

SOURCE: The Guardian at 01:30PM
Thursday, May 29, 2014

Johnny Got His Gun review a one-man scream at the horror of war by Lyn Gardner

Southwark Playhouse, LondonDavid Mercatali's adroit staging of Dalton Trumbo's novel is full of pain and rage Johnny Got His Gun: adapting the 'unstageable' anti-war novelBrass bands were pl…

SOURCE: The Guardian at 09:38AM

A Human Being Died That Night review a scorching look at apartheid guilt by Lyn Gardner

Hampstead Downstairs, LondonWhat is forgiveness, asks Nicholas Wright's tense true-story play, in which a psychologist interviews an apartheid assassinThere is a moment near the start of Nic…

SOURCE: The Guardian at 09:03AM
Wednesday, May 28, 2014

What makes a good theatre date? by Lyn Gardner

For me, theatre-going companions need to have an open mind and not talk about the show too much in the intervalA close friend of mine is the kiss of death at the theatre. It's become a bit …

SOURCE: The Guardian at 11:45AM

Dealer's Choice review a stellar revival of Patrick Marber's swaggering comedy by Lyn Gardner

Royal and Derngate, NorthamptonSet around a poker table, this entertaining play lays bare the emotional inadequacies of men as fathers, sons and friends Poker faces: Patrick Marber's plays a…

SOURCE: The Guardian at 11:20AM
Tuesday, May 27, 2014

War Correspondents review tuneful tribute to frontline journalists by Lyn Gardner

Birmingham RepTestimony from writers covering conflicts in Iraq, Bosnia and Liberia forms the backbone of this unconventional show Lyn Gardner on truth and fiction in theatre The women who t…

SOURCE: The Guardian at 10:29AM

Meow Meow: Feline Intimate review when she barks, her audience purrs by Lyn Gardner

London WondergroundThe slinky Australian cabaret diva inflates the Southbank Centre's spiegeltent with comically choreographed disaster Read our Meow Meow interview hereThe coolest cat is ba…

SOURCE: The Guardian at 10:26AM
Monday, May 26, 2014

In theatre, fiction is being underrated by Lyn Gardner

Verbatim plays are lauded, but they are no more true as theatre than fiction, or even a combination of both: it's story that mattersOne of the errors that verbatim theatre often makes is to …

SOURCE: The Guardian at 09:41AM

Gods Are Fallen and All Safety Gone review a mother and daughter played by men by Lyn Gardner

Caravan, BrightonThe tensions of family life are powerfully realised in a gender-swap dance of love, anger and regretThere are four people on stage. One pair is a real-life mother and daught…

SOURCE: The Guardian at 07:52AM
Sunday, May 25, 2014

The Ballad of Martha Brown review tale of 'Marshwood murderess' is quietly enjoyable by Lyn Gardner

Omnibus theatre, LondonThis retelling of the story of the last woman to be publically hanged in Dorset has some lovely elements, but leaves its characters underdevelopedIn 1856, Martha Brown…

SOURCE: The Guardian at 10:43AM
Friday, May 23, 2014

Enjoy review Alan Bennett's sour piece is full of delicious one-liners by Lyn Gardner

West Yorkshire Playhouse, LeedsBennett's Leeds-set 1980 flop is more misanthropic than his usual fare, and this revival does not overcome its flaws An A-Z of Alan Bennett Alan Bennett at 80:…

SOURCE: The Guardian at 06:45AM
Thursday, May 22, 2014

Tomorrow review an unflinching exploration of dementia by Lyn Gardner

Corn Exchange, BrightonThere's a brutal beauty in Vanishing Point's admirable analysis of those who need care and those who provide itThe title of this latest piece from Vanishing Point, one…

SOURCE: The Guardian at 04:00PM
Wednesday, May 21, 2014

Should playwrights be kinder to audiences? by Lyn Gardner

Shows such as King Lear and the choreographer Olivier Dubois's Tragédie can be punishing to watch, but that's what makes them interestingAlan Bennett recently said that one of the things th…

SOURCE: The Guardian at 03:00AM
Sunday, May 18, 2014

Saturday Night and Sunday Morning review terrifically portrayed postwar drabness by Lyn Gardner

Mercury, ColchesterPatrick Knowles swaggers as the misogynistic, womanising factory hand at the centre of this adaptation of Alan Sillitoe's 1958 novel"Screw the world" is the mott…

SOURCE: The Guardian at 08:45AM
Friday, May 16, 2014

Didn't see that coming: the classic plays whose plots still surprise by Lyn Gardner

Ever sat through Godot expecting he's going to turn up? Or been surprised that Nora slams that door? You may not be aloneImagine living in a world where, as you watch a classic play for the …

SOURCE: The Guardian at 10:10AM
Thursday, May 15, 2014

A Handful of Stars review a quietly truthful little heartbreaker by Lyn Gardner

Theatre 503, LondonBoyzone's Keith Duffy stars in this revival of Billy Roche's 1988 play, the powerful story of a life without prospects or tendernessBoyzone band member Keith Duffy may be …

SOURCE: The Guardian at 08:24AM
Wednesday, May 14, 2014

Dances with Woolf: Lucy Kirkwood hops to new beat with Like Rabbits by Lyn Gardner

The Chimerica playwright's latest project is surprisingly light on words, as she reworks a 'very dark, very cruel' Virginia Woolf tale of broken relationships with the choreographer Ben Duke…

SOURCE: The Guardian at 11:05AM

Waiting for Godot review waiting for grown-ups to take control by Lyn Gardner

Arcola theatre, LondonComedy duo Totally Tom play an unusually young pair of tramps which may bring new audiences to Beckett's play, but doesn't entirely convinceThere is nothing new about …

SOURCE: The Guardian at 10:30AM
Tuesday, May 13, 2014

Fuel Theatre: the little company that makes theatre production sexy by Lyn Gardner

A play unsuitable for insomniacs, a musical sequel to The Tempest and a futuristic sound installation the maverick theatre group's 10th anniversary season pushes new boundariesBattersea Art…

SOURCE: The Guardian at 11:13AM

Donkey Heart review a terrific play lurking inside a flabby one by Lyn Gardner

Old Red Lion, LondonRage, suppressed emotion and family secrets in a Moscow flat provide the setting for this uneven but sharply funny playWho couldn't love a play that includes the line &qu…

SOURCE: The Guardian at 09:42AM
Sunday, May 11, 2014

Titus Andronicus review Shakespeare's bloodbath becomes a sadistic delight by Lyn Gardner

Shakespeare's Globe, LondonLucy Bailey's returning revival of this vicious, bloody tragedy is still ingeniously disturbing, and much more than just a splatter festNasty, but oh so very, very…

SOURCE: The Guardian at 01:00PM
Friday, May 9, 2014

My Name Is review even-handed account of Molly Campbell scandal by Lyn Gardner

Arcola theatre, LondonSudha Bhuchar's unhysterical account of a schoolgirl caught between her mother and father and society pays dividends The Molly Campbell abduction scandal: from custod…

SOURCE: The Guardian at 01:42PM

Only the brave need apply: where are the West End's champions of new work? by Lyn Gardner

The Arts Council is almost certainly the biggest funder of original plays in theatreland. Isn't it time commercial producers took more responsibility for pushing things forward?Is something …

SOURCE: The Guardian at 03:55AM
Thursday, May 8, 2014

Simon Armitage on rewriting Homer: Lily Cole's Helen 'is an Iraqi supergun' by Lyn Gardner

His play The Last Days of Troy stars a supermodel, explores Iraq and considers the sexual excitement of war. It's a risk worth taking, says Simon ArmitageIn the poet Simon Armitage's new pla…

SOURCE: The Guardian at 08:31AM
Wednesday, May 7, 2014

Water Babies review chimney-sweep musical is a mess by Lyn Gardner

Curve, LeicesterThis show based on a sermonising Victorian story has a fatal mix of blandness and mawkishnessVictorian morality is alive and well, and has been given an all-singing, all-danc…

SOURCE: The Guardian at 08:20AM
Tuesday, May 6, 2014

Relay theatre: Tim Crouch passes the baton to you at the Brighton fringe by Lyn Gardner

A cleverly constructed one-on-one piece that takes place in a bathing hut becomes a chain of performancesThere has been plenty of discussion recently about the distribution of theatre in the…

SOURCE: The Guardian at 10:16AM

Opus No 7 review more like alchemy than theatre by Lyn Gardner

Brighton festivalMedals pinned on chests suddenly resemble blood-splattered gunshot wounds in Dmitry Krymov's vivid and visceral play Dmitry Krymov on creating Opus No 7: 'Chaos is a magnet'…

SOURCE: The Guardian at 08:36AM
Monday, May 5, 2014

Stevie review Zoë Wanamaker brings Smith's poetry alive by Lyn Gardner

Minerva, ChichesterLike the man in her most famous poem, Not Waving but Drowning, Wanamaker's Stevie Smith is all covert signalsShe stands before us, stooping slightly, in a shapeless red pi…

SOURCE: The Guardian at 09:23AM

All that Chat