All stories by Lyn Gardner on BroadwayStars

Saturday, August 8, 2015

The Paradise Project at Edinburgh festival review – how do you build a perfect world? by Lyn Gardner

Summerhall, EdinburghTwo idealists find that creating a heaven on earth is easier said than done in Third Angel’s thought-provoking if somewhat detached new showHave you ever wondered how …

SOURCE: The Guardian at 11:58AM

A Gambler’s Guide to Dying: Edinburgh festival review – warmly comic tale of a bet against death by Lyn Gardner

Traverse, EdinburghGary McNair shines in this beautifully written show about a man with cancer who wagers that he’ll live to see the millenniumThe title of the latest one-man storytelling …

SOURCE: The Guardian at 10:52AM

Crash at Edinburgh festival review – a city trader's chilling self-portrait by Lyn Gardner

Traverse, EdinburghAndy Duffy’s monologue offers us a heartless man used to taking risks in a tight psychological thriller that grips without illuminating“Money’s power and freedom. Wh…

SOURCE: The Guardian at 07:36AM

Fake It 'Til You Make It at Edinburgh festival review – divides audience into smilers and sobbers by Lyn Gardner

Traverse, EdinburghBryony Kimmings and Tim Grayburn strike a clever balance between humour and pathos as they recount the latter’s struggle to face his clinical depression Related: Bryony …

SOURCE: The Guardian at 06:38AM

Edinburgh festival for kids: the best family shows by Lyn Gardner

Try these family fringe outings: a detective story by Anthony Horowitz, a preposterous collection of animals and a show about a missing grandadWhen I first started coming to Edinburgh in the…

SOURCE: The Guardian at 03:33AM
Friday, August 7, 2015

Going Viral at Edinburgh festival review – infectious, terrifying one-man show by Lyn Gardner

Northern Stage at Summerhall, EdinburghDaniel Bye explores how viruses – of all types – spread in a fascinating, thought-provoking performanceA bagful of liquorice allsorts, a pair of tw…

SOURCE: The Guardian at 08:34AM

Key Change at Edinburgh festival review – female prisoners unlock their creativity by Lyn Gardner

Summerhall, EdinburghDevised by women at Low Newton prison, Open Clasp’s piece takes in addiction, violence and the pain of separation, but soars free of social work to become art Related:…

SOURCE: The Guardian at 08:34AM

Edinburgh fringe and international: a tale of two festivals by Lyn Gardner

Their budgets and venues may be in different leagues, but their programmes have plenty in common – and since audiences don’t care a fig where they find the best work, the two festivals a…

SOURCE: The Guardian at 07:38AM
Thursday, August 6, 2015

Edinburgh festival 2015 review: Can I Start Again Please – devastatingly good by Lyn Gardner

Summerhall, EdinburghMacLaine’s challenging play, in which she speaks of her own experience of abuse, raises pertinent questionsTwo women, dressed similarly. Their long dresses spill aroun…

SOURCE: The Guardian at 12:08PM

Down and Out in Paris and London review – Orwell meets Toynbee by Lyn Gardner

Pleasance, EdinburghGeorge Orwell’s 1933 novel is entwined with Polly Toynbee’s book Hard Work in a neatly performed study of poverty then and nowEric Blair became George Orwell during h…

SOURCE: The Guardian at 08:38AM
Tuesday, August 4, 2015

The cost of staging an Edinburgh fringe show: artists open their account books by Lyn Gardner

By the end of last year’s festival, one company had made £160 each from their ‘hit show’. But even if there’s no profit from the box office, the other benefits of appearing at Edinb…

SOURCE: The Guardian at 09:15AM

The Lone Pine Club review – a terrific wheeze but unexpectedly moving, too by Lyn Gardner

Sheffield Park, SussexThis pleasurable romp for kids – and adults searching for lost youth – might convey the spirit of Enid Blyton, but it’s anything but old-fashionedA retro pleasure…

SOURCE: The Guardian at 07:51AM
Monday, August 3, 2015

Edinburgh festival 2015: you can't fail with these shows by Lyn Gardner

There are more than 3,000 shows at this year’s festival. How can you know which ones are worth your time and money? We’ve already checked these little beauties out, and every one of them…

SOURCE: The Guardian at 08:25AM

Plan your week’s theatre: top tickets by Lyn Gardner

Queue for day seats for Benedict Cumberbatch’s Hamlet, see Wot? No Fish! on London’s Southbank or take in Oliver Twist, promenade style, in LancasterWhile Edinburgh gets into the festiva…

SOURCE: The Guardian at 02:57AM
Saturday, August 1, 2015

Theatre review: For Services Rendered / Watermill, Newbury by Lyn Gardner

Watermill, NewburyOn its 1932 premiere Somerset Maugham's play must have seemed as if a small bomb had been detonated in the West End. Audiences expecting a witty comedy from the country's m…

SOURCE: The Guardian at 11:21AM
Friday, July 31, 2015

Slung Low's utopia for artists and audiences by Lyn Gardner

At the Hub in Leeds, both the veg and the theatre is homegrown – and Slung Low offer blankets, hot water bottles and a cheap bar. The company creates shows across the UK but is ‘micro-lo…

SOURCE: The Guardian at 03:40AM
Thursday, July 30, 2015

Jekyll and Hyde review – Hong Kong-inspired horror story is a strange case by Lyn Gardner

Platform, LondonAdorned with Chinese lanterns, this staging always looks stylish but Robert Louis Stevenson’s gothic mystery has been obscured It looks beautiful. Steam rises from under th…

SOURCE: The Guardian at 10:10AM
Wednesday, July 29, 2015

Talking Heads review – muted emotions in Alan Bennett's eulogy for a lost world by Lyn Gardner

Theatre Royal, BathBennett’s three protagonists provide unchallenging and comforting stereotypes with plenty of wry humour but few surprises Alan Bennett’s monologues were written for th…

SOURCE: The Guardian at 12:03PM
Tuesday, July 28, 2015

Why radical kindness is the key to artistic development by Lyn Gardner

Schemes to develop theatre artists are flourishing all over the country – but greed and laziness still prevail. Theatres need to put their talent first if they want to ensure a vibrant fut…

SOURCE: The Guardian at 09:38AM

American Idiot review - post-9/11 disaffection meets Fame in Green Day musical by Lyn Gardner

Arts theatre, LondonApathy and anger lack coherence as boy fights George W Bush’s world, perkily, in a decidedly 20th-century production“Either you are with us or you are with the terror…

SOURCE: The Guardian at 08:46AM
Monday, July 27, 2015

Songs for a New World review – ghosts jostle in musical micro-stories by Lyn Gardner

St James theatre, LondonJason Robert Brown’s show traces pivotal moments in his characters’ lives through a song cycle to thrilling, subtle effectJason Robert Brown’s melodic 1995 show…

SOURCE: The Guardian at 07:56AM

Plan your week's theatre: top tickets by Lyn Gardner

There’s a postage-stamp-sized revival of Oliver! in Newbury, Tony Benn lives again in Nottingham, Ursula Martinez is self-promoting at the Southbank and Howard Davies directs in Chichester…

SOURCE: The Guardian at 02:28AM
Thursday, July 23, 2015

Brainstorm review – unflinching return to adolescence by Lyn Gardner

NT Temporary Space, London Revisiting teenage mood swings is made wonderfully engaging by a smart young cast’s empathic tour through the science of strops Towards the end of Islington Comm…

SOURCE: The Guardian at 08:07AM

Why British theatre should embrace the great outdoors by Lyn Gardner

Outdoor theatre generates the kind of broad audiences that traditional venues can only dream of – but how do you keep the quality high and bring in a financial return?The outdoor theatre s…

SOURCE: The Guardian at 08:07AM
Wednesday, July 22, 2015

The Desire Machine review – strange and hallucinatory, but lacking in variety by Lyn Gardner

Brunel Tunnel Shaft, London Hybrid of dance and acrobatics from the Arbonauts company is less memorable than the dark and atmospheric venueThe pleasure of site-responsive theatre is that it …

SOURCE: The Guardian at 08:38AM
Tuesday, July 21, 2015

What we can learn from the wandering stars of rural theatre by Lyn Gardner

As well as lashings of cake, rural touring is generating some of the UK’s most innovative theatre, despite a relative lack of funding. So what might big city venues learn from the countrys…

SOURCE: The Guardian at 09:43AM
Thursday, July 16, 2015

Now Is the Time to Say Nothing review – an immersive exploration into the conflict in Syria by Lyn Gardner

Young Vic, London TV news brings Syria to our homes, yet distances us. This heartfelt installation-cum-video closes the gap to humanise the warWhat do you know about what is happening in Syr…

SOURCE: The Guardian at 10:41AM
Tuesday, July 14, 2015

Silent review – from the streets to the stars in virtuoso monologue by Lyn Gardner

Soho theatre, LondonPat Kinevane’s Tino emerges from his blanket and struts like a Hollywood great in a graceful performance touching on issues of mental health and prejudiceBefore he shot…

SOURCE: The Guardian at 12:25PM

The King of Tiny Things review – enter the world of creepy-crawlies by Lyn Gardner

Udderbelly, LondonThis adaptation of a popular picture book has songs, puppets and acrobatic bats – but somehow fails to hold youngsters’ attentionSo many page-to-stage adaptations for c…

SOURCE: The Guardian at 09:12AM
Monday, July 13, 2015

Love your arts job? It doesn’t mean you shouldn’t be properly paid by Lyn Gardner

Many working in the theatre consider free labour a sacrifice worth making – but there’s a fine line between opportunity and exploitationWe all know that the biggest subsidisers of the ar…

SOURCE: The Guardian at 01:37PM

Plan your week’s theatre: top tickets by Lyn Gardner

There’s theatrical gold all over the country this week, including Manchester’s Flare festival and the latest from Francesca Millican-Slater, Alice Birch, Jess Thom and Tom BasdenThe Flar…

SOURCE: The Guardian at 02:39AM