All stories by Lyn Gardner on BroadwayStars

Sunday, September 20, 2015

Portrait review – exuberant, scattershot solo show from a genuine talent by Lyn Gardner

Camden People’s Theatre, LondonRachael Ofori’s show about young black women trying to find their way in modern London is fresh and engaging, although its sketch format holds it back“Yo…

SOURCE: The Guardian at 12:22PM
Thursday, September 17, 2015

Someone Who’ll Watch Over Me review – hope and despair in hostage drama by Lyn Gardner

Minerva, ChichesterWhether it’s serving imaginary cocktails or re-enacting the Wimbledon women’s final, Michael Attenborough’s emotional production celebrates the instinct for survival…

SOURCE: The Guardian at 08:49AM
Wednesday, September 16, 2015

Theatre radical Ellen McDougall: 'It’s possible to love someone and also destroy them' by Lyn Gardner

Part of a new wave of British theatre directors in thrall to form rather than text, McDougall is now taking on Tennessee Williams’ The Glass Menagerie. She explains why its rawness brings …

SOURCE: The Guardian at 12:22PM

The Sting review – barely competent production in an exquisite space by Lyn Gardner

Wilton’s Music Hall, LondonThe newly refurbished 19th-century venue is a five-star delight, so it’s a shame this stage version of the 1973 New York mobster caper serves it so poorlyWilto…

SOURCE: The Guardian at 06:22AM
Tuesday, September 15, 2015

The Stick House review – timeless tale of outcasts goes beyond the gothic by Lyn Gardner

Lo-co Klub, Bristol Anna Ledwich’s atmospheric production mingles performance with technology in an unsettling story about fear of the unknown that echoes the refugee crisisIt begins as a …

SOURCE: The Guardian at 09:46AM

How digital culture is taking Hedda Gabler into infinity by Lyn Gardner

A new presentation of Ibsen’s play Hedda Gabler has been preceded by tweets from its heroine – an example of how digital media draws in theatre audiences in ingenious waysThis week, Hedd…

SOURCE: The Guardian at 07:33AM
Monday, September 14, 2015

Plan your week’s theatre: top tickets by Lyn Gardner

Calm Down Dear, the festival of feminist theatre, begins in Camden, there’s a rare Brian Friel play in Bristol and Great Yarmouth hosts the Out There festivalTanya Ronder’s new surreal f…

SOURCE: The Guardian at 02:24AM
Sunday, September 13, 2015

Blud review – rough-edged play with lashings of vim by Lyn Gardner

The Other Room, Cardiff All-female company otherMother tackle football, fighting and family life in their first showThere’s definitely something stirring in Cardiff where the amount of the…

SOURCE: The Guardian at 08:31AM
Friday, September 11, 2015

Lela & Co review – a devastating critique of patriarchal violence by Lyn Gardner

Royal Court Upstairs, LondonLela’s monologue about her journey from the mountains into a warzone is constantly interrupted by the voices of men in a harrowing but surprisingly playful look…

SOURCE: The Guardian at 06:24AM
Thursday, September 10, 2015

The penis: barometer of heart and head by Lyn Gardner

A new theatre show explores the impact of erectile dysfunction on men’s physical and mental health. Its creator, Mark Storer, says he is terrified of the responsibility: ‘If we fail, we …

SOURCE: The Guardian at 02:58PM

Running the Lyceum could be David Greig's greatest show yet by Lyn Gardner

Artistic directors are not often playwrights too. The venerable Edinburgh theatre’s smart move to put David Greig in charge should pay exciting dividends – as long as he can keep writing…

SOURCE: The Guardian at 09:16AM
Wednesday, September 9, 2015

Brave New World review – a drama of present-day dystopia by Lyn Gardner

Royal and Derngate, NorthamptonThe audience are cast as new recruits at Aldous Huxley’s Hatchery in James Dacre and Dawn King’s stage versionGeorge Orwell’s Nineteen Eighty-Four was re…

SOURCE: The Guardian at 09:39AM
Tuesday, September 8, 2015

Dusty review – dire, perfunctory tribute to the 60s pop star by Lyn Gardner

Charing Cross theatre, LondonThis jukebox musical is a clumsy, opportunist show with bad wigs, ill-fitting costumes – and nothing new or meaningful to say about Dusty SpringfieldDusty, a n…

SOURCE: The Guardian at 11:08AM

And Then Come the Nightjars review – touching tale of love and loss on the farm by Lyn Gardner

Theatre 503, LondonBea Roberts’ two-hander about male friendship and a dying way of life is small but beautifully observedIt’s 2001 and in a barn on a south Devon farm Michael and local …

SOURCE: The Guardian at 08:49AM

Brian Cox is wrong – today's acting isn't bland, it boldly rejects the past by Lyn Gardner

The veteran actor has complained of young actors being homogeneous, and ignorant of the likes of Laurence Olivier – but in today’s diverse landscape the profession is richer than everBri…

SOURCE: The Guardian at 06:38AM
Monday, September 7, 2015

Plan your week's theatre: top tickets by Lyn Gardner

From brilliant Edinburgh transfers to the start of the High Tide festival, here are the essential shows opening this week across the UKOne of the best shows of the Edinburgh festival, Made i…

SOURCE: The Guardian at 04:10AM
Sunday, September 6, 2015

Song from Far Away review – Simon Stephens sneaks a late emotional punch by Lyn Gardner

Young Vic, LondonIvo van Hove directs this quiet, coolly controlled monologue about a man returning home after the death of his younger brother“We all die interrupted,” says Willem, a Du…

SOURCE: The Guardian at 07:25AM
Friday, September 4, 2015

BBC's Live at Television Centre can reignite the UK's passion for theatre by Lyn Gardner

Showcasing the best in independent theatre, the BBC’s live event will show that the stage isn’t just for Hollywood stars and old-fashioned playsKenneth Tynan’s memorable theatre review…

SOURCE: The Guardian at 10:28AM
Thursday, September 3, 2015

Absent review – empty spaces filled with a life unseen by Lyn Gardner

Shoreditch town hall, LondonTristan Sharps’ exquisite promenade installation leads theatregoers down the deserted corridors of an imaginary hotel into a mysterious, maze-like underworldThe…

SOURCE: The Guardian at 10:44AM
Wednesday, September 2, 2015

Going solo: how the one-person show is gazing beyond the navel by Lyn Gardner

Solo shows can be an excuse for cost-cutting, showing off or solipsism – but new examples are building conversations with audiences, and showing us who we areI suspect I’m not alone in f…

SOURCE: The Guardian at 12:32PM

Well review – raising ghosts in an east London pharmaceutical factory by Lyn Gardner

Former Sanofi factory, DagenhamGeraldine Pilgrim’s community-cast production brings a factory back to life in Dagenham with a dose of medical historyThe May and Baker factory (subsequently…

SOURCE: The Guardian at 07:55AM
Monday, August 31, 2015

Plan your week’s theatre: top tickets by Lyn Gardner

Simon Stephens and Ivo van Hove collaborate at the Young Vic, Iphigenia in Splott returns to the Sherman in Cardiff, Elizabeth Newman opens her first season in Bolton, and Nicole Kidman retu…

SOURCE: The Guardian at 03:13AM
Sunday, August 30, 2015

My Son and Heir at Edinburgh review – skewers competitive, modern parenting by Lyn Gardner

Forest Fringe, EdinburghSometimes lacking focus, this piece celebrates the quiet, unsung heroism of exhausted parents raising children in circumstances far from those of royal statusSearch P…

SOURCE: The Guardian at 08:28AM

Murmel Murmel at Edinburgh review – boisterous comic elan by Lyn Gardner

King’s, EdinburghThis crack ensemble perform the single word of Dieter Roth’s text in such varied forms it is like watching somebody’s repressed unconscious run riotDieter Roth’s 197…

SOURCE: The Guardian at 07:22AM
Friday, August 28, 2015

Is Edinburgh festival really a level playing field? by Lyn Gardner

The latest debate in the Guardian and BAC’s A Nation’s Theatre strand looked at the fringe’s place in the theatre ecology – here’s what we discussedEdinburgh is the biggest open ac…

SOURCE: The Guardian at 02:18PM

Weekend Rockstars at Edinburgh festival review – theatre that thinks it's a rock gig by Lyn Gardner

Underbelly, EdinburghMiddle Child’s piece about twentysomething slacker lifestyles works up a sweaty energy and has a tender soulIs it a gig? Is it a storytelling piece? Is it a play? Midd…

SOURCE: The Guardian at 12:55PM

The Misfit Analysis at Edinburgh festival review – a smart, satirical look at autism by Lyn Gardner

Pleasance Courtyard, EdinburghA young graduate addresses the myths around learning disabilities with humour and panacheSo you think you know everything about high functioning autism? Of cour…

SOURCE: The Guardian at 11:48AM
Thursday, August 27, 2015

Freddie Flintoff: 2nd Innings at Edinburgh festival review – cricketer delivers by Lyn Gardner

Pleasance Grand, EdinburghAshes hero hits the audience for six in a show full of laughter, cricketing anecdotes and indiscretionsThere is a picture of cricketer Andrew Flintoff flashed on a …

SOURCE: The Guardian at 03:04PM

Goodstock at Edinburgh festival review – touching look at the genetic lottery of cancer by Lyn Gardner

Pleasance, EdinburghThe unlucky draw of life is given an unflinching but positive examination in Olivia Hirst’s affecting showTime is ticking for 26-year-old Olivia Hirst. She has the BRCA…

SOURCE: The Guardian at 12:57PM

Tonight I'm Gonna Be the New Me at Edinburgh festival review – very, very uncomfortable by Lyn Gardner

Forest Fringe, EdinburghThis clever show steps lightly over the cracks in how we present ourselves to the world both individually and as a coupleIs there anyone in a long-term relationship w…

SOURCE: The Guardian at 09:34AM

Refusing limits: Why the government must fund disability arts by Lyn Gardner

With their funding under threat, acts which refuse to be sidelined find a platform in Edinburgh’s Integrated Fringe - but how can they survive the cuts?“It only took the NT 50 years to n…

SOURCE: The Guardian at 07:31AM