All stories by Lawrence Bommer on BroadwayStars

Monday, March 18, 2013

Chicago Theater Review: SMOKEY JOE’S CAFÉ (Royal George Theatre) by Lawrence Bommer

SMOKIN’ Jerry Leiber and Mike Stoller – you may not recognize who they are but you sure know what they wrote: “Love Potion #9,” “Bossa Nova Baby,” “Kansas C…

SOURCE: Stage and Cinema at 01:35PM
Friday, March 15, 2013

Chicago Theater Review: OTHELLO: THE REMIX (Chicago Shakespeare) by Lawrence Bommer

MAY THE RAP BE WITH YOU Before Othello: The Remix it was only Shakespeare’s comedies that received the Q brothers’ trademark, rap-happy revision—Funk It Up About Nothin’ and The Bomb…

SOURCE: Stage and Cinema at 05:17PM

Chicago Dance Review: HUBBARD STREET DANCE CHICAGO SPRING SERIES (Harris Theater) by Lawrence Bommer

THE NEXT STEP(S) It’s an impressive lineup for this respected Chicago company’s annual “Spring Series”—not just the always impressive Hubbard Street Dance Chicago but, here and els…

SOURCE: Stage and Cinema at 04:19PM
Tuesday, March 12, 2013

Chicago Theater Review: AN AMERICAN STORY FOR ACTOR AND ORCHESTRA (Royal George Theatre) by Lawrence Bommer

A DEATH IN THE UNION Hershey Felder has already regaled audiences at the Royal George Theatre with his uncanny and heartfelt recreations of George Gershwin, George M. Cohan, Frederic Chopin,…

SOURCE: Stage and Cinema at 02:19PM
Monday, March 11, 2013

Chicago Dance Review: MADE IN SPAIN (Luna Negra Dance Theater) by Lawrence Bommer

WRITHING INTO REVELATION Alas, it’s over – and way too soon. Luna Negra Dance Theater’s 2013 spring program celebrated works by two contemporary Spanish choreographers: guest artist F…

SOURCE: Stage and Cinema at 08:07PM
Saturday, March 9, 2013

Chicago/Tour Dance Review: ALVIN AILEY AMERICAN DANCE THEATER (Auditorium Theatre) by Lawrence Bommer

A TRUE SPRING FLING Returning to new glory and restoring golden memories after many happy visits to Chicago, Alvin Ailey Dance Theater just unleashed an unprecedented two-week, three-program…

SOURCE: Stage and Cinema at 10:49AM
Sunday, March 3, 2013

Chicago Theater Review: SEE WHAT I WANNA SEE (Steppenwolf) by Lawrence Bommer

A TISSUE OF SONGS An ambitious and sporadically powerful entry in Steppenwolf Theatre Company’s fourth annual “Garage Rep,” this 2005 musical by John LaChiusa is a Rashomon-like puzzle…

SOURCE: Stage and Cinema at 11:09AM
Saturday, March 2, 2013

Chicago Theater Review: EVERTHING IS ILLUMINATED (Next Theatre) by Lawrence Bommer

SOME THINGS, BUT NOT EVERYTHING, IS ILLUMINATED “With writing, we have second chances,” declares Jonathan Safran Foer in Everything Is Illuminated, his well-received and dauntingly compl…

SOURCE: Stage and Cinema at 09:35PM
Tuesday, February 26, 2013

Chicago Theater Review: IMPROBABLE FREQUENCY (Strawdog Theatre Company) by Lawrence Bommer

WINTER FLUFF “We’re all in the gutter/But some of us have our ear to the ground.” If you find this limp lyric endlessly repeated in this silly-ass, pun-crazed musical instantly amusing…

SOURCE: Stage and Cinema at 03:44PM
Monday, February 25, 2013

Chicago Theater Review: FROM DOO WOP TO HIP HOP (Black Ensemble Theater) by Lawrence Bommer

MUSIC’S MANY BRIDGES It’s a proven power at the Black Ensemble Theater: No disease is so deadly, no crisis so catastrophic that a song can’t cure it within twenty bars. Add 20 more son…

SOURCE: Stage and Cinema at 03:32PM
Sunday, February 24, 2013

Chicago Theater Review: SPEAKING IN TONGUES (Interrobang Theatre Project at Theater Wit) by Lawrence Bommer

STORIES IN A SPIN CYCLE If ever the cliché “the plot thickens” justifies itself, it’s in this relentlessly inventive 1996 work by Australian playwright Andrew Bovell; anacondas after …

SOURCE: Stage and Cinema at 09:46PM
Friday, February 22, 2013

Chicago Theater Review: 25 SAINTS (Pine Box at Greenhouse Theater Center) by Lawrence Bommer

25 SAINTS A 75-minute exercise in dead-end disaster tautly directed by Susan E. Bowen, this new work by Pine Box Theater ensemble member Joshua Rollins tightly fits the theater company’s a…

SOURCE: Stage and Cinema at 12:03PM
Wednesday, February 20, 2013

Chicago Theater Review: COMPLETENESS (Theater Wit) by Lawrence Bommer

PARADOXICAL DUALITIES It’s brainy almost beyond endurance and savvy in its approach/avoidance strategies of gaming love. Happily, Itamar Moses’ Completeness at Theater Wit is also engros…

SOURCE: Stage and Cinema at 12:43PM
Tuesday, February 19, 2013

Chicago Theater Review: A SOLDIER’S PLAY (Raven Theatre) by Lawrence Bommer

TWO BATTLES IN ONE WAR As sturdily written and swiftly moving as it was in 1982, Charles Fuller’s A Soldier’s Play remains an enduring testament to the homefront battles that African-Ame…

SOURCE: Stage and Cinema at 11:21AM
Sunday, February 17, 2013

Chicago Dance Review: AMERICAN LEGENDS (Joffrey Ballet at Auditorium Theatre) by Lawrence Bommer

SPRINGING INTO SPRING In Chicago, spring can never come early enough. But, alas, it’s February, so it has to be an indoor sport. Leave it to our homegrown dance company, the Joffrey Ballet…

SOURCE: Stage and Cinema at 04:56PM
Thursday, February 14, 2013

Chicago Theater Review: JULIUS CAESAR (Chicago Shakespeare Theater) by Lawrence Bommer

YOU HAVE NO CHOICE BUT TO LEND  THIS PRODUCTION YOUR EARS Brutal and relentless, Julius Caesar chronicles a fateful course of envy and revenge defeating idealism and loyalty: Brutus and Cas…

SOURCE: Stage and Cinema at 08:12PM
Tuesday, February 12, 2013

Chicago Theater Review: TEDDY FERRARA (Goodman Theatre) by Lawrence Bommer

VIRTUAL THEATER Teddy Ferrara, Goodman Theatre’s new commissioned work, is almost three hours long. That excess suggests that nobody had the courage to cut or, not knowing what it was abou…

SOURCE: Stage and Cinema at 12:44PM
Wednesday, February 6, 2013

Chicago Theater Review: LADY DAY AT EMERSON’S BAR & GRILL (Porchlight) by Lawrence Bommer

THE LADY OF THE GARDENIAS Thanks to Lanie Robertson’s bedrock-basic script, Rob Lindley’s dedicated staging and the utter effacement of a good vocalist into a great one, courtesy of …

SOURCE: Stage and Cinema at 12:25PM
Sunday, February 3, 2013

Chicago Theater Review: SUNSET BOULEVARD (Drury Lane Theatre) by Lawrence Bommer

READY FOR HER CLOSE-UP, MR. DEMILLE From the start it seemed strange that anyone would make a musical out of a movie that embodies its medium so completely. Yes, the film All About Eve deser…

SOURCE: Stage and Cinema at 09:56AM
Saturday, February 2, 2013

Chicago Theater Review: SWEET CHARITY (Writers’ Theatre) by Lawrence Bommer

SAD TRIUMPH OF HOPE OVER EXPERIENCE It’s like kicking a puppy dog to dislike Charity Hope Valentine. Charity is the cloyingly-named heroine of the 1966 musical by Cy Coleman, Dorothy F…

SOURCE: Stage and Cinema at 03:00PM
Thursday, January 31, 2013

Chicago Theater Review: MINSK, 2011: A REPLY TO KATHY ACKER (Chicago Shakespeare) by Lawrence Bommer

A CRY TO CARE The 85-minutes of this electrifying protest play begin with a lone microphone suddenly erupting in an ear-splitting feedback. The noise is intolerable, no less than what it ush…

SOURCE: Stage and Cinema at 01:13PM
Monday, January 28, 2013

Chicago Theater Review: HAPPY NOW? (Shattered Globe at Stage 773) by Lawrence Bommer

A DAISY CHAIN OF DEAD ENDS MAKES FOR INVIGORATING THEATER Shattered Globe Theatre has uncovered yet another tailspinning drama to live up to their name. British playwright Lucinda Cox shows …

SOURCE: Stage and Cinema at 03:15PM
Sunday, January 27, 2013

Chicago Theater Review: THE WHIPPING MAN (Northlight Theatre) by Lawrence Bommer

BONDAGE IN EGYPT AND VIRGINIA Of the 150,000 Jews who lived in the U.S during the Civil War, twice as many (6,000) fought for the Union as for the Confederacy. Less well-known is the fact th…

SOURCE: Stage and Cinema at 03:54PM
Tuesday, January 22, 2013

Chicago Theater Review: THE ALIENS (A Red Orchid Theatre) by Lawrence Bommer

SLOW, SAD AND STRANGE Sooner or later (preferably the former), we expect a play to pay off – to deliver a “gotcha” revelation that makes sudden or accumulated sense out of what seemed …

SOURCE: Stage and Cinema at 02:50PM
Monday, January 21, 2013

Chicago Theater Review: A GRAND NIGHT FOR SINGING (Mercury Theater) by Lawrence Bommer

AMERICA’S BEST NOTES Beginning its first new season of self-generated musicals, the Mercury Theater has, true to its name, raised the temperature with A Grand Night for Singing, a heartfel…

SOURCE: Stage and Cinema at 04:19PM

Chicago Theater Review: OTHER DESERT CITIES (Goodman Theatre) by Lawrence Bommer

FIXING WHAT WON’T HEAL Jon Robin Baitz’ Broadway drama Other Desert Cities depicts a crisis of apparent betrayal and imminent exposure that besets the Wyeth clan, a wealthy Jewish family…

SOURCE: Stage and Cinema at 01:49AM
Sunday, January 20, 2013

Chicago Theater Review: THE MUSIC MAN (Paramount Theatre) by Lawrence Bommer

ONE RIVER CITY DESERVES ANOTHER If ever a show spelled out summer, it’s Meredith Willson’s 1957 masterpiece The Music Man. Throughout the rollicking story the title character exu…

SOURCE: Stage and Cinema at 12:46PM
Friday, January 11, 2013

Chicago Theater Review: I LOVE LUCY: LIVE ON STAGE (Broadway Playhouse) by Lawrence Bommer

THAT KINKY KINESCOPE It’s a time trip that denies the original intent—a live taping of a dead T.V. series. The iconic archetype of the boob tube’s “golden age,” I Love Lucy wasn’…

SOURCE: Stage and Cinema at 12:30PM
Sunday, January 6, 2013

Chicago Theater Review: ALLOTMENT ANNIE (Strawdog Theater) by Lawrence Bommer

YOU ONLY DIE ONCE One of the great pick-up lines that soldiers and sailors on leave during World War II (and probably the Trojan War too) used to seduce a one-night standee was, “Let’s d…

SOURCE: Stage and Cinema at 03:02PM
Sunday, December 23, 2012

Chicago Theater Review: OLIVER! (Light Opera Works) by Lawrence Bommer

LOCAL BOY MAKES GOOD It’s easy to see what drew Cameron Mackintosh to revive Lionel Bart’s hit musical 18 years ago: Dickens is a lot like Victor Hugo. Like Mackintosh’ smash Les Miser…

SOURCE: Stage and Cinema at 03:42PM
Friday, December 21, 2012

Chicago Theater Review: DICKENS’ WOMEN (Chicago Shakespeare) by Lawrence Bommer

A DICKENS OF A PERFORMER It’s been two centuries since Charles Dickens’ birth. Miriam Margolyes, famed for her portrayals in Harry Potter, The Age of Innocence, and William Shakespeare�…

SOURCE: Stage and Cinema at 08:29PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime