A new James Graham play about the soccer coach Gareth Southgate is a lively romp, but its core message about embracing male vulnerability feels soppy.
SOURCE: The New York Times Subscription at 10:43AMA London revival of Andrew Lloyd Webber’s partner-swapping musical is a camp amoral romp. But is this obsession really the same as romance?
SOURCE: The New York Times Subscription at 12:12PMThe Royal Shakespeare Company adaptation of Maggie O’Farrell’s hit 2020 novel is elegant and tasteful — but also formulaic and sentimental.
SOURCE: The New York Times Subscription at 04:06PMThe show, in London, skewers its protagonist through maximalist kitsch, but it comes with a tone of finger-wagging moralism that’s no fun.
SOURCE: The New York Times Subscription at 03:36PMThe British experimental theater company Complicité turns the Nobel laureate Olga Tokarczuk’s novel “Drive Your Plow Over the Bones of the Dead” into a thought-provoking, entertaining…
SOURCE: The New York Times Subscription at 11:24AMOn London’s West End, Aidan Turner and Jenna Coleman star in a lightly dystopian comedy that succeeds as a portrait of a troubled couple, but falls short as political satire.
SOURCE: The New York Times Subscription at 12:22PM