All stories by Helen Shaw on BroadwayStars

Friday, January 31, 2025

“Hugh Jackman LIVE” and “Beckett Briefs” Make a Spectacle of Time’s Passage by Helen Shaw

In two new shows, the Oscar-nominated, Tony Award-winning star and F. Murray Abraham play against their younger selves.

SOURCE: The New Yorker Subscription at 10:11AM
Friday, January 24, 2025

Helen Shaw Reviews Sanaz Toossi’s “English,” on Broadway by Helen Shaw

The Pulitzer Prize-winning play, set in an E.S.L. classroom in Iran, examines the internal displacements of learning a language.

SOURCE: The New Yorker Subscription at 08:55AM
Saturday, December 21, 2024

Audra McDonald Triumphs in “Gypsy” on Broadway by Helen Shaw

In the latest revival of Arthur Laurents, Stephen Sondheim, and Jule Styne’s iconic musical, George C. Wolfe humanizes a famously monstrous stage mother.

SOURCE: The New Yorker Subscription at 11:40AM
Friday, December 20, 2024

The Best Theatre of 2024 by Helen Shaw

This year’s standout productions ran the gamut from outrageously fabulous to quasi-religious in feeling.

SOURCE: The New Yorker Subscription at 06:00AM
Friday, December 13, 2024

A Scathing Family Drama by Leslye Headland Comes to Broadway by Helen Shaw

Two scathing new productions satisfy our hunger for dysfunction-driven entertainment.

SOURCE: The New Yorker Subscription at 06:00AM
Wednesday, December 11, 2024

Remembering Kenneth Branagh’s Shakespearean Heyday (and Forgetting His Recent Lear) by Helen Shaw

In the nineteen-eighties and nineties, the actor, writer, and director ushered in a Golden Era of Shakespeare plays on film the likes of which we haven’t seen since.

SOURCE: The New Yorker Subscription at 06:00AM
Friday, November 22, 2024

Faustian Bargains in “Death Becomes Her” and “Burnout Paradise” by Helen Shaw

The audience gets what it paid for in both the musical adaptation of the 1992 film, with Megan Hilty and Jennifer Simard, and a new show about the treadmill of life.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, November 14, 2024

“Give Me Carmelita Tropicana!” and “Gatz” Beat On Against the Current by Helen Shaw

The playwright Branden Jacobs-Jenkins and the performance artist Alina Troyano summon downtown’s wild spirit, and Elevator Repair Service revives its signature hit.

SOURCE: The New Yorker Subscription at 06:00AM
Friday, October 25, 2024

Stars Collide in “Sunset Blvd.” and “Romeo + Juliet” by Helen Shaw

Jamie Lloyd casts Nicole Scherzinger as Norma Desmond, and Kit Connor and Rachel Zegler play a Gen Z version of Shakespeare’s famous lovers.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, October 17, 2024

Adam Driver and Jim Parsons Star in Two Versions of Americana by Helen Shaw

Kenneth Lonergan explores the emptiness of celebrity in “Hold On to Me Darling,” while Thornton Wilder’s “Our Town” proves as moving as ever.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, October 3, 2024

Doppelgängers Abound in “The Hills of California” and “Yellow Face” by Helen Shaw

In Jez Butterworth’s melancholy drama and David Henry Hwang’s mischievously postmodern play, stardom is both a lure and a lie.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, September 19, 2024

“The Roommate” and “Family,” Reviewed by Helen Shaw

A Midwestern empty nester opens her home to a tough-talking New Yorker in Jen Silverman’s sputtering star vehicle.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, July 25, 2024

Politics and “The Real” at the Festival d’Avignon by Helen Shaw

A series of international productions held power to account at a fraught moment.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, June 27, 2024

“Cats: The Jellicle Ball” Lands on Its Feet by Helen Shaw

The directors Zhailon Levingston and Bill Rauch cross Andrew Lloyd Webber’s juggernaut musical with queer ballroom culture to electrifying effect.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, June 13, 2024

Sandra Oh and a Cast of Downtown All-Stars Illuminate a Period Thriller by Helen Shaw

The British playwright Lucy Kirkwood’s “The Welkin” exorcises the jury-room drama.

SOURCE: The New Yorker Subscription at 06:00AM
Sunday, June 9, 2024

Annie Baker Shifts Her Focus to the Big Screen by Helen Shaw

In the playwright’s début film, “Janet Planet,” Julianne Nicholson stars as an object of obsession for her daughter—and everyone else—over the course of a long, hot summer in the …

SOURCE: The New Yorker Subscription at 06:00AM
Friday, May 24, 2024

Three London Shows Put a New Spin on Old Classics by Helen Shaw

Superb stagecraft illuminates Robert Ickes’s “Player Kings,” Benedict Andrews’s “The Cherry Orchard,” and Ian Rickson’s “London Tide.”

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, May 2, 2024

Three Broadway Shows Put Motherhood in the Spotlight by Helen Shaw

Paula Vogel’s “Mother Play,” Shaina Taub’s “Suffs,” and Amy Herzog’s “Mary Jane” strike back at the mother-as-monster dramatic trope.

SOURCE: The New Yorker Subscription at 03:39PM
Friday, April 26, 2024

“Stereophonic” and “Cabaret” Turn Up the Volume on Broadway by Helen Shaw

David Adjmi’s cult-hit play features seventies-inspired rock songs by Will Butler, while Eddie Redmayne presides over a demonic version of the Kit Kat Club.

SOURCE: The New Yorker Subscription at 10:00AM
Thursday, April 18, 2024

Ralph Fiennes Sidles His Way Into Power as Macbeth by Helen Shaw

A hit British production of Shakespeare’s ever-timely tragedy arrives in D.C.

SOURCE: The New Yorker Subscription at 03:13PM
Saturday, April 13, 2024

The Avant-Garde Is Back on the Launchpad by Helen Shaw

The Wooster Group gives the Richard Foreman play “Symphony of Rats” its signature spins.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, March 28, 2024

“The Who’s Tommy” Plays the Old Pinball by Helen Shaw

The 1993 musical’s already bizarre story, derived from Pete Townshend’s beautiful 1969 album, is even less clear in Des McAnuff’s reanimation for Broadway.

SOURCE: The New Yorker Subscription at 06:00AM
Monday, March 25, 2024

Lila Neugebauer Interrogates the Ghosts of “Uncle Vanya” by Helen Shaw

A director of the modern uncanny steers the first Broadway production of Chekhov’s masterpiece in twenty years.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, February 22, 2024

A Reflective “Sunset Baby” Dawns Off Broadway by Helen Shaw

Dominique Morisseau revives her 2012 drama about a daughter, part revolutionary, part survivor, whose father devoted his life to the struggle for Black liberation.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, February 15, 2024

Two Comic Playwrights Find Dark Humor in Russian Aggression by Helen Shaw

Sarah Gancher’s “Russian Troll Farm” and Sasha Denisova’s “My Mama and the Full-Scale Invasion” look for truth in a world of lies.

SOURCE: The New Yorker Subscription at 06:00AM
Friday, February 9, 2024

Remembrances of Queer Auteurs Past by Helen Shaw

With “Bark of Millions,” “Oh, Mary!,” and “Aristotle Thinks Again,” the fabulousness on New York’s stages seems to have reached a critical mass.

SOURCE: The New Yorker Subscription at 11:59AM
Saturday, January 27, 2024

The One-Woman Show That Stars Two Women by Helen Shaw

At the first rehearsal for Suzanne Bocanegra’s “Bodycast,” Ruth Negga practices playing Bocanegra, who practices sitting onstage and muttering lines to Negga.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, January 25, 2024

“Public Obscenities” Triumphs Off Broadway by Helen Shaw

Shayok Misha Chowdhury turns to fine-grained realism in his extraordinary bilingual drama.

SOURCE: The New Yorker Subscription at 06:00AM
Thursday, January 11, 2024

An Uneven “Prayer for the French Republic” Comes to Broadway by Helen Shaw

The playwright Joshua Harmon broaches profound questions of Jewish identity in his drama, but a bigger stage and a changed moment reveal its flaws.

SOURCE: The New Yorker Subscription at 06:00AM
Friday, January 5, 2024

The Many Lives of Vinie Burrows by Helen Shaw

Remembering the activism and artistry of a New York theatre hero.

SOURCE: The New Yorker Subscription at 03:57PM
Wednesday, December 20, 2023

Branden Jacobs-Jenkins, on Broadway at Last by Helen Shaw

Starring a Peak TV supercast, the playwright’s “Appropriate” investigates a dysfunctional Southern family’s buried secrets.

SOURCE: The New Yorker Subscription at 06:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime