All stories by Gary Naylor on BroadwayStars

Tuesday, January 30, 2018

BWW Review: KEN, The Bunker by Gary Naylor

Terry Johnson tells us of his lifelong friendship with Ken Campbell, an eccentric giant of English Theatre, in a funny, poignant and beautifully performed production.

SOURCE: BroadwayWorld at 09:02AM
Wednesday, January 24, 2018

BWW Review: SACHA GUITRY - MA FILLE ET MOI, Drayton Arms Theatre by Gary Naylor

Though Sacha Guitry is largely unknown in the UK, this production weaves five extracts of his plays into a single narrative and shows that the tag of 'The French Noel Coward' was not undeser…

SOURCE: BroadwayWorld at 01:17PM
Tuesday, January 23, 2018

BWW Review: AUSTEN THE MUSICAL, Mirth, Marvel and Maud Theatre by Gary Naylor

One for fans of Jane Austen and for anyone who likes to see an intelligent production performed with technical skill and rewarding wit.

SOURCE: BroadwayWorld at 06:42AM
Friday, January 19, 2018

BWW Review: FEAR AND MISERY OF THE THIRD REICH, Brockley Jack Studio Theatre by Gary Naylor

A fine production that grapples with the play's tricky structure to bring home Brecht's political points with a relevance for today that can hardly be missed.

SOURCE: BroadwayWorld at 07:48AM

BWW Review, DOODLE - THE MUSICAL! Waterloo East Theatre by Gary Naylor

Doodle - The Musical starts with an unlikely idea that's spun out for nearly three hours - even some decent songs prove insufficient to rescue its poor script and dull characters.

SOURCE: BroadwayWorld at 06:03AM
Friday, January 12, 2018

BWW Review: HEARTBREAK HOUSE, Union Theatre by Gary Naylor

George Bernard Shaw's Chekhovian black comedy has plenty of political heft, but lacks the dramatic clarity required to engage from first to last.

SOURCE: BroadwayWorld at 05:55AM
Wednesday, December 20, 2017

2017 Year in Review: Gary Naylor's Best of Theatre by Gary Naylor

Gary Naylor looks back on 101 shows reviewed in 2017 and picks the best of the best.

SOURCE: BroadwayWorld at 01:06PM

BWW Review: EUGENE ONEGIN, Arcola Theatre by Gary Naylor

OperaUpClose condense and update Tchaikovsky's classic tragedy for a new space and a new culture, but never lose sight of its deep set Russian roots.

SOURCE: BroadwayWorld at 05:31AM
Tuesday, December 19, 2017

BWW Review: THE GRINNING MAN, Trafalgar Studios by Gary Naylor

A new musical with plenty of echoes of a very famous one indeed, with strong singing and jaw-dropping puppetry but undermined by a tone that is nether one thing not the other.

SOURCE: BroadwayWorld at 04:09AM
Wednesday, December 13, 2017

BWW Review: THE TWILIGHT ZONE, Almeida Theatre by Gary Naylor

The Twilight Zone takes us into the world of early 60s cult science fiction TV in a bold and innovative adaptation that never quite transcends its structural weaknesses.

SOURCE: BroadwayWorld at 01:06PM
Tuesday, December 12, 2017

BWW Review: JULIUS CAESAR, Barbican Theatre by Gary Naylor

A straight, gimmick-free production of Julius Caesar that may be as relevant today as at any time in the last 420 years.

SOURCE: BroadwayWorld at 11:59AM

BWW Review: LA BOHEME, Trafalgar Studios by Gary Naylor

Stripped back and startlingly intimate, Puccini's great tunes are given full value by wonderful voices and sensational acting in a production that raises boutique operas to a new level.

SOURCE: BroadwayWorld at 03:02AM
Friday, December 8, 2017

BWW Review: PROJECT POLUNIN - SATORI, London Coliseum by Gary Naylor

Project Polunin is a mixed bag of dance and music, a showcase for the bad boy of ballet, Sergei Polunin, that succeeds intermittently.

SOURCE: BroadwayWorld at 03:41AM
Tuesday, December 5, 2017

BWW Review: THE WOMAN IN WHITE, Charing Cross Theatre by Gary Naylor

The Woman In White has its flaws, but Thom Southerland's production of Andrew Lloyd-Webber's 2004 show delivers plenty to fans of musical theatre.

SOURCE: BroadwayWorld at 12:01PM
Saturday, December 2, 2017

HAMILTON: Do Believe The Hype by Gary Naylor

The genius of Lin-Manuel Miranda's songwriting in Hamilton, exemplified in one song.

SOURCE: BroadwayWorld at 07:46AM
Wednesday, November 29, 2017

BWW Review: KING TUT A PYRAMID PANTOMIME, King's Head Theatre by Gary Naylor

The Charles Court Opera Company's eleventh panto continues their tradition of bold re-interpretations and bad jokes.

SOURCE: BroadwayWorld at 12:25PM
Sunday, November 26, 2017

BWW Review: PRIVATES ON PARADE, Union Theatre by Gary Naylor

Privates on Parade is often amusing, but time has not treated its approach to issues kindly, even for those unoffended by the casual racism and misogyny typical of its era.

SOURCE: BroadwayWorld at 02:06PM
Thursday, November 23, 2017

BWW Review: ORDINARY DAYS, Drayton Arms Theatre by Gary Naylor

Ordinary Days captures the ups and downs of romance in a big city with fine singing and warm, winning performances.

SOURCE: BroadwayWorld at 05:04AM
Wednesday, November 22, 2017

BWW Review: SVETLANA ZAKHAROVA - AMORE, London Coliseum by Gary Naylor

Three very different dances united by the stellar qualities of Bolshoi superstar Svetlana Zakharova.

SOURCE: BroadwayWorld at 01:35AM
Sunday, November 19, 2017

BWW Review: THE HOUSE OF BERNARDA ALBA, Cervantes Theatre by Gary Naylor

This is a great, complex, problematic, Shakespearean, mythic, disturbing, provocative play.

SOURCE: BroadwayWorld at 08:47AM
Friday, November 17, 2017

BWW Review: THE IMPORTANCE OF BEING EARNEST, Brockley Jack Studio Theatre by Gary Naylor

As it settles into its run, expect this production of 'Earnest' to bring out comedy that goes against the grain of the times, but is no less funny for that.

SOURCE: BroadwayWorld at 04:03AM
Thursday, November 16, 2017

BWW Review: THE DARK ROOM, Theatre503 by Gary Naylor

The Dark Room raises important issues but its lack of nuance and relentless emotional pain delivered at top volume and top speed, detract from its dramatic potential.

SOURCE: BroadwayWorld at 09:57AM
Friday, November 10, 2017

BWW Review: MACBETH, Bussey Building by Gary Naylor

A pared back but wholly successful production that places the storytelling and poetry at the centre of the storm of hubristic violence.

SOURCE: BroadwayWorld at 05:18AM
Tuesday, November 7, 2017

BWW Review: MOTHER COURAGE AND HER CHILDREN, Southwark Playhouse by Gary Naylor

Mother Courage and her Children grows with relevance as Josie Lawrence turns in a once in a lifetime performance as a woman whose eye for business blinds her to what really matters.

SOURCE: BroadwayWorld at 08:21AM
Wednesday, November 1, 2017

BWW Review: IMAGINE THIS, Union Theatre by Gary Naylor

Imagine This is considered and serious in its examination of life in the Warsaw Ghetto, but is ultimately let down by a plodding book and samey songs.

SOURCE: BroadwayWorld at 01:36PM
Tuesday, October 31, 2017

BWW Review: THE EXORCIST, Phoenix Theatre by Gary Naylor

The iconic film loses its way on transition from screen to stage in disappointing adaptation low on shocks.

SOURCE: BroadwayWorld at 08:24PM
Tuesday, October 24, 2017

BWW Review: INSIGNIFICANCE, Arcola Theatre by Gary Naylor

A timely revival for Terry Johnson's play that delivers on its themes, but falls short on its drama.

SOURCE: BroadwayWorld at 06:37AM
Friday, October 13, 2017

BWW Review: HAIR THE MUSICAL, The Vaults by Gary Naylor

Hair The Musical is back for a 50th anniversary show, but only provokes Gary Naylor to turn on, tune in and drop off.

SOURCE: BroadwayWorld at 07:43AM
Wednesday, October 4, 2017

BWW Review: FLASHDANCE THE MUSICAL, New Wimbledon Theatre by Gary Naylor

Flashdance The Musical may lack narrative drive, but it more than makes up for it with iconic songs and energetic performances full of star power.

SOURCE: BroadwayWorld at 03:33PM
Tuesday, October 3, 2017

BWW Review: THE TOXIC AVENGER, Arts Theatre by Gary Naylor

Gary Naylor sees a show packed with broad humour and commercial songs - and underpinned by a message that matters.

SOURCE: BroadwayWorld at 01:48PM
Friday, September 29, 2017

BWW Review: FRANKENSTEIN, Jack Studio Theatre by Gary Naylor

Frankenstein, likes its eponymous anti-hero, is often brilliant but flounders on its ambition.

SOURCE: BroadwayWorld at 07:54AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime