All stories by Gary Naylor on BroadwayStars

Wednesday, June 6, 2018

BWW Review: THE STRANGE DEATH OF JOHN DOE, Hampstead Theatre by Gary Naylor

A timely and important new play that blends movement, comedy and pathos into a compelling mix that says much about how we value life in 2018.

SOURCE: BroadwayWorld at 09:15AM
Friday, June 1, 2018

BWW Review: THE RINK, Southwark Playhouse by Gary Naylor

The Rink revives a show received with lacklustre reviews and box office in the 80s and, through two brilliant central performances and a showstopper setpiece, make it a hit.

SOURCE: BroadwayWorld at 05:36AM
Tuesday, May 29, 2018

BWW Review: KING LEAR, BBC2 and iPlayer by Gary Naylor

King Lear given the Game of Thrones treatment on the small screen, losing a little of the claustrophobic madness en route.

SOURCE: BroadwayWorld at 01:12PM

BWW Review: BREAK OF NOON, Finborough Theatre by Gary Naylor

A revival of a work by the revered French playwright, Paul Claudel, that probably doesn't say enough, but does so at enormous length.

SOURCE: BroadwayWorld at 04:18AM
Wednesday, May 23, 2018

BWW Review: A SOCKFUL OF CUSTARD, Pleasance Theatre by Gary Naylor

A curiously intrusive structure gets in the way of the extraordinary, one-off comic genius that was Spike Milligan in an affectionate tribute from Chris Larner and Jeremy Stockwell.

SOURCE: BroadwayWorld at 06:04AM
Saturday, May 19, 2018

BWW Review: THE GIFT OF THE GAB, White Bear Theatre by Gary Naylor

Great to see a comedy set amongst the dodgy types who frequent a 70s Brighton brilliantly conjured by set and costumes, but an overly episodic structure and predictable conclusion lets down …

SOURCE: BroadwayWorld at 08:06AM
Wednesday, May 16, 2018

BWW Review: UNCLE VANYA, Theatre Royal Haymarket by Gary Naylor

Though a challenge for the concentration, Maly Drama Theatre delivers a definitive Vanya against which all others can be judged.

SOURCE: BroadwayWorld at 04:37PM
Tuesday, May 15, 2018

The HAMILTON Experience At Victoria Palace Theatre by Gary Naylor

Hamilton not reviewed, but experienced.

SOURCE: BroadwayWorld at 01:22PM

BWW Review: EFFIGIES OF WICKEDNESS (SONGS BANNED BY THE NAZIS), Gate Theatre by Gary Naylor

Weimar Cabaret delivered with talent, humour and fear to burn

SOURCE: BroadwayWorld at 10:11AM
Wednesday, May 9, 2018

BWW Review: WORTH A FLUTTER, The Hope Theatre by Gary Naylor

A slice of working class life that tickles the funny bone and pulls at the heartstrings, but never quite resolves its structural issues.

SOURCE: BroadwayWorld at 02:54PM
Tuesday, May 8, 2018

BWW Review: THE SWALLOW, Cervantes Theatre by Gary Naylor

Guillem Clua's new play is a serious examination of how love finds expression differently, beautifully translated and acted with great sensitivity - a thought-provoking and ultimately uplift…

SOURCE: BroadwayWorld at 05:42AM
Friday, April 27, 2018

BWW Review: TWANG!! THE MUSICAL, Union Theatre by Gary Naylor

A Lionel Bart post-Oliver flop given a new book and a huge injection of energy just makes you feel happy - and ain't that a good thing

SOURCE: BroadwayWorld at 08:32AM
Wednesday, April 25, 2018

BWW Review: MOORMAID, Arcola Theatre by Gary Naylor

Moormaid takes on a contemporary issue - the return to Europe of young men who fought in Syria - but fails to build characters in whom we can believe despite dome fine acting.

SOURCE: BroadwayWorld at 01:33PM
Friday, April 20, 2018

BWW Review: THE GOLDEN F**KING YEARS, Brockley Jack Studio Theatre by Gary Naylor

The Golden Fking Years is a beautifully observed and acted farce that finds plenty of comedy in the tedium of ageing and the sudden opportunity of a bit of excitement - and the consequences …

SOURCE: BroadwayWorld at 06:56AM
Wednesday, April 18, 2018

BWW Review: GAUHAR JAAN - THE DATIA INCIDENT, Omnibus Theatre by Gary Naylor

A play and accompanying exhibition about a renowned Indian singer, the eponymous Gauhar Jaan, and 'an incident' that gained infamy across India in the early 20th century.

SOURCE: BroadwayWorld at 01:12PM
Monday, April 16, 2018

BACK FOR GOOD: Time To Revive A LITTLE NIGHT MUSIC by Gary Naylor

In our new series, BroadwayWorld UK writers nominate the shows they'd love to see revived

SOURCE: BroadwayWorld at 04:00AM
Friday, April 13, 2018

BWW Review: BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT, East End Film Festival by Gary Naylor

Amongst the explosion of interest in Jean-Michel Basquiat, Sara Driver's film locates his emerging genius in a beautifully rendered time and place - late 70s New York City.

SOURCE: BroadwayWorld at 07:35AM
Wednesday, April 4, 2018

BWW Review: WHITE GUY ON THE BUS, Finborough Theatre by Gary Naylor

A powerful, perhaps even necessary, play that doesn't always succeed dramatically but can be forgiven for the boldness of its narrative and unflinching take on a divided city in a divided na…

SOURCE: BroadwayWorld at 01:08PM
Friday, March 30, 2018

BWW Review: THREE SISTERS, Brockley Jack Studio Theatre by Gary Naylor

Once again, a fine production from Arrows amp Traps theatre that reminds me, were it necessary, that if you can see Chekhov, you should.

SOURCE: BroadwayWorld at 08:44AM

BWW Review: THE MIKADO, King's Head Theatre by Gary Naylor

Gilbert and Sullivan's comic opera delivered with the emphasis on the comic and more than a nod to the realities of 2018 sensibilities.

SOURCE: BroadwayWorld at 05:21AM
Tuesday, March 27, 2018

BWW Review: SONGS FOR NOBODIES, Wilton's Music Hall by Gary Naylor

A sensational Bernadette Robinson brings five 'nobodies' and five superstars to life in a series of monologues with music that explore human fallibility with wit and wisdom to spare.

SOURCE: BroadwayWorld at 05:48AM
Friday, March 23, 2018

BWW Review: THE LADY WITH A DOG, Tabard Theatre by Gary Naylor

A splendid production that shifts the action from Chekhov's original short story into 1920s Britain to add layers of meaning and depth to both the themes and characters - fringe theatre at i…

SOURCE: BroadwayWorld at 07:58AM
Wednesday, March 21, 2018

BWW Review: THE CHERRY ORCHARD, Union Theatre by Gary Naylor

Phil Willmott's The Cherry Orchard picks up Chekhov's action and moves it forward a decade or so to 1917, when the balance of power in Russia was tilted rather differently.

SOURCE: BroadwayWorld at 01:35PM
Friday, March 16, 2018

BWW Review: FACES IN THE CROWD, White Bear Theatre by Gary Naylor

Claustrophobic play about two ill-suited spouses re-united for pragmatic reasons and working through their pain from ten years ago - a gruelling watch.

SOURCE: BroadwayWorld at 07:52PM
Tuesday, March 13, 2018

BWW Review: ARA MALIKIAN - THE INCREDIBLE VIOLIN, Barbican Hall by Gary Naylor

Ara Malikian showcases his talents with an eclectic mix of music spiced with showmanship and stories, with a twist in the tail.

SOURCE: BroadwayWorld at 12:15PM
Thursday, March 8, 2018

BWW Review: SUMMER AND SMOKE, Almeida Theatre by Gary Naylor

Bold re-imagining of an early Tennessee Williams play that gives its themes a universality in a uniquely theatrical experience.

SOURCE: BroadwayWorld at 12:05PM
Tuesday, March 6, 2018

BWW Review: PIPPIN, Southwark Playhouse by Gary Naylor

Technical shortcomings and an incoherent book overpower a show with a fine pedigree and good tunes.

SOURCE: BroadwayWorld at 04:53PM

BWW Review: THE GAME OF LOVE & CHAI, Tara Arts Theatre by Gary Naylor

Classic French farce gets a Bollywood makeover for the 21st century in Nigel Planer's enjoyable adaptation of Marivaux's comedy.

SOURCE: BroadwayWorld at 05:38AM
Wednesday, February 28, 2018

BWW Review: MACBETH, Wilton's Music Hall by Gary Naylor

Macbeth delivered by dancers in a unique space, beautifully lit, creating an electrifying theatrical experience.

SOURCE: BroadwayWorld at 02:16PM
Tuesday, February 27, 2018

BWW Review: A PRINCESS UNDONE, Park Theatre by Gary Naylor

Princess Margaret brought to life by Felicity Dean in a production that promises more than it delivers about a tragic figure born a generation too early to change the Royal Family.

SOURCE: BroadwayWorld at 07:04AM
Friday, February 23, 2018

BWW Review: THE TEMPEST, Brockley Jack Studio Theatre by Gary Naylor

Ambition not quite matched by execution in an all-female production of The Tempest, one of fringe theatre's more challenging plays to get right.

SOURCE: BroadwayWorld at 04:24AM

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