All stories by Gary Naylor on BroadwayStars

Sunday, December 16, 2018

2018 Year in Review: Gary Naylor's Best of Theatre by Gary Naylor

In 2018, I saw 101 productions ranging from black box theatres with more actors in the cast than punters in the stalls to huge productions at the Royal Opera House and London Coliseum.

SOURCE: BroadwayWorld at 09:09AM
Saturday, December 15, 2018

BWW Review: CINDERELLA: A FAIRYTALE, The Jack Studio Theatre by Gary Naylor

Sometimes the smallest of spaces can tell the biggest of stories and that's the case with this perfectly judged adaptation of the much-loved fairytale.

SOURCE: BroadwayWorld at 07:20AM
Friday, December 14, 2018

BWW Review: TIMON OF ATHENS, RSC Swan Theatre by Gary Naylor

Timon of Athens, at times a clunky collaboration and a clunkier mix of verse and prose, has much to say about how money corrupts and how spoiling adults is about as advisable as spoiling chi…

SOURCE: BroadwayWorld at 09:16AM
Wednesday, December 12, 2018

BWW Review: THE MESSIAH, The Other Palace by Gary Naylor

The Messiah has charm and poignancy, but creaks under the weight of its 35 years, its brand of humour now dated by shows like The Play That Goes Wrong.

SOURCE: BroadwayWorld at 06:12AM
Thursday, December 6, 2018

BWW Review: THE BOX OF DELIGHTS, Wilton's Music Hall by Gary Naylor

Some spectacular special effects and a wonderful set are let down by a stodgy and confusing script.

SOURCE: BroadwayWorld at 07:18AM
Thursday, November 29, 2018

BWW Review: PLAID TIDINGS, Bridge House Theatre by Gary Naylor

Plaid Tidings is a show full of grand old Christmas songs delivered beautifully by four gifted vocalists.

SOURCE: BroadwayWorld at 07:56AM
Wednesday, November 28, 2018

BWW Review: BUTTONS: A CINDERELLA STORY, King's Head Theatre by Gary Naylor

John Savournin and the Charles Court Opera gang are back with another panto packed with innovatory storytelling and great songs, wonderfully sung KingsHeadThtr ButtonsPanto charlescourt.

SOURCE: BroadwayWorld at 06:38AM
Saturday, November 24, 2018

BWW Review: AN HONOURABLE MAN, White Bear Theatre by Gary Naylor

An Honourable Man is bold in its ambition and gets a lot of details right, but its excellent first half gives way to a theatrically disappointing conclusion.

SOURCE: BroadwayWorld at 05:17AM
Thursday, November 22, 2018

BWW Interview: Jasmine Pearce Talks RIFF Productions by Gary Naylor

BWW talks to Jasmine Pearce, the founder of Riff Productions, about her plans for the future.

SOURCE: BroadwayWorld at 10:16AM

BWW Review: A HERO OF OUR TIME, Arcola Theatre by Gary Naylor

This action packed adaptation brings Lermontov's 1840 novel into the 21st century with wit and no little elan.

SOURCE: BroadwayWorld at 07:34AM
Tuesday, November 20, 2018

BWW Review: DIETRICH: NATURAL DUTY, Wilton's Music Hall by Gary Naylor

Peter Groom brings a legendary figure of 20th century culture to life in this affectionate and beautifully observed show.

SOURCE: BroadwayWorld at 04:40AM
Friday, November 16, 2018

BWW Review: SIMON BOCCANEGRA, The Royal Opera House by Gary Naylor

A traditional production of Verdi's classic opera is beautiful and terrifying in equal measures.

SOURCE: BroadwayWorld at 04:52PM
Sunday, November 11, 2018

BWW Review: BRASS, Union Theatre by Gary Naylor

Brass brings the Great War's generation to life in a way that educates and entertains - real people emerging from the seemingly endless roll call of The Fallen.

SOURCE: BroadwayWorld at 03:02AM
Saturday, November 10, 2018

BWW Review: THE PIT AND THE PENDULUM, Omnibus Theatre by Gary Naylor

Creation Theatre update Poe's classic tale adding ballsy, badass attitude, but losing the fear and dread en route.

SOURCE: BroadwayWorld at 04:38AM

BWW Review: YERMA, Cervantes Theatre by Gary Naylor

When you can see Lorca, you should - as this brilliantly realised production proves.

SOURCE: BroadwayWorld at 03:23AM
Thursday, November 8, 2018

BWW Review: SWEET LIKE CHOCOLATE BOY, Jack Studio Theatre by Gary Naylor

Sweet Like Chocolate Boy tells the tales of Bounty and Mars, growing up black in different generations with different issues to address, the play grounded in the language and music of contem…

SOURCE: BroadwayWorld at 12:49PM
Wednesday, November 7, 2018

BWW Review: SEXY LAUNDRY, Tabard Theatre by Gary Naylor

Sexy Laundry looks at middle class hopes and fears in a two handed comedy that must have felt a little old-fashioned when first staged in Canada in 2002.

SOURCE: BroadwayWorld at 12:57PM
Friday, October 26, 2018

BWW Review: LUCIA DI LAMMERMOOR, London Coliseum by Gary Naylor

Tragedy raw in tooth and claw in this revival of the ENO's 2008 production of Lucia di Lammermoor.

SOURCE: BroadwayWorld at 07:36AM
Thursday, October 25, 2018

BWW Review: MANON, Milton Keynes Theatre by Gary Naylor

This revival of Kenneth MacMillan's Manon is a visual and aural delight that should melt the heart of even the most reluctant ballet sceptic.

SOURCE: BroadwayWorld at 08:31AM
Wednesday, October 24, 2018

BWW Review: THE WILD DUCK, Almeida Theatre by Gary Naylor

Robert Icke's updating of The Wild Duck gains in contemporary relevance, but loses a little of its heart en route.

SOURCE: BroadwayWorld at 09:36AM
Friday, October 19, 2018

BWW Review: QUIETLY, Omnibus Theatre by Gary Naylor

Quietly gives us two men, deep in middle age, looking back to the irreversible actions they took as 16 year-olds during The Troubles in an electrifying conversation.

SOURCE: BroadwayWorld at 06:33AM
Thursday, October 18, 2018

BWW Review: DRACULA, Jack Studio Theatre by Gary Naylor

Ross MacGregor's Dracula needs a transfusion of narrative pace if it is to achieve its considerable and laudable ambition.

SOURCE: BroadwayWorld at 02:05PM
Wednesday, October 17, 2018

BWW Review: THE TRENCH, Southwark Playhouse by Gary Naylor

The Trench, in trying to do so much, forgets to let us into the lives of the soldiers whose ordeal lies at the heart of the story it tells.

SOURCE: BroadwayWorld at 10:42AM
Friday, October 12, 2018

BWW Review: SOLOMON, Royal Opera House by Gary Naylor

Solomon provides a transcendent sensory experience and more than a few lessons for todays rulers.

SOURCE: BroadwayWorld at 07:06AM
Thursday, October 11, 2018

BWW Review: WAR WITH THE NEWTS, The Bunker Theatre by Gary Naylor

A tremendous re-imagining of a novel that has not been more relevant at any point in the 82 years since its writing - a wonderfully realised piece of theatre.

SOURCE: BroadwayWorld at 11:33AM
Tuesday, October 9, 2018

BWW Review: LOVE GENIUS AND A WALK, Drayton Arms Theatre by Gary Naylor

There's much promise in this play that speculates on what Sigmund Freud and Gustav Mahler may have spoken about on a walk they shared, but pedestrian writing and underdeveloped characters sc…

SOURCE: BroadwayWorld at 02:42PM
Friday, October 5, 2018

BWW Review: TO HAVE TO SHOOT IRISHMEN, Omnibus Theatre by Gary Naylor

To Have To Shoot Irishmen brings the tragic story of Francis Sheehy Skeffington to the stage, with music and lyricism, a reminder of Ireland's fractured past and a warning about its fragile …

SOURCE: BroadwayWorld at 08:32AM

Simon Stephens On THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Schools Tour by Gary Naylor

BWW visits the National Theatre's schools tour of The Curious Incident of the Dog in the Night-Time and speaks to the NT's Paula Hamilton and its writer, Simon Stephens

SOURCE: BroadwayWorld at 07:21AM
Thursday, October 4, 2018

BWW Review: NOT TODAY'S YESTERDAY, The Place by Gary Naylor

Dance telling the story of how only some stories are told.

SOURCE: BroadwayWorld at 08:18AM
Wednesday, October 3, 2018

BWW Review: VERDI'S LA TRAVIATA, King's Head Theatre by Gary Naylor

Another scaled down opera, retaining full force singing and emotional clout, from the King's Head, Violetta now a pole dancer in a sleazy Bristol nightclub.

SOURCE: BroadwayWorld at 12:24PM
Friday, September 28, 2018

BWW Review: ALICE OSWALD'S MEMORIAL, Barbican Theatre by Gary Naylor

Alice Oswald's epic re-imagining of The Iliad developed into an extraordinary theatrical event that provides intellectual nourishment, but makes great demands on its audience.

SOURCE: BroadwayWorld at 07:24AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre