Wednesday, December 5, 2012
Given its title (and a subtitle that’s not fit to print in a family newspaper), it’s pretty clear that “Let’s Kill Grandma This Christmas” isn’t aimed at the Rockettes crowd. Or …
SOURCE: The New York Post Subscription at 10:23PMIt wasn’t easy being Zelda Fitzgerald. The talented wife of “Great Gatsby” writer F. Scott Fitzgerald suffered from bipolar disorder, for which she was often institutionalized. Her mar…
SOURCE: The New York Post Subscription at 10:23PMTuesday, December 4, 2012
Terrence McNally's new play conveys the chaotic backstage goings-on during the 1835 premiere of Vincenzo Bellini's final opera. read more
SOURCE: The Hollywood Reporter at 10:00PMMonday, December 3, 2012
Best not to walk the kiddies past an open construction site after taking them to “Circus Oz: From the Ground Up.” The Australian troupe’s new show makes dangling high up on a construct…
SOURCE: The New York Post Subscription at 11:23PMA situation rife with dramatic possibilities is given a frustratingly airless treatment in David Mamet’s new drama about a prisoner arguing for her parole before an impassive prison of…
SOURCE: Scheck on the Arts at 05:42AMFriday, November 30, 2012
The ever-reliable Norbert Leo Butz should earn a Broadway MVP award for his dynamic comic turn in Dead Accounts, the latest effort by the prolific scribe Theresa Rebeck (Seminar, The Underst…
SOURCE: Scheck on the Arts at 06:56AMSunday, November 25, 2012
Like a mordantly funny variation on “On Golden Pond,” Bruce Graham’s new play “The Outgoing Tide” wrests a surprising amount of humor from its dark tale of a family patriarch with …
SOURCE: The New York Post Subscription at 11:51PMNo, that’s not a typo: It’s “Mies Julie,” not “Miss Julie,” that’s playing St. Ann’s Warehouse. This blistering adaptation of August Strindberg’s 1888 classic is set in pre…
SOURCE: The New York Post Subscription at 11:51PMThursday, November 22, 2012
You can hardly blame Tommy Tune for being a little self-congratulatory in “Taps, Tunes & Tall Tales,” his new show at Feinstein’s at Loews Regency. After all, the 6-foot-6 performer, d…
SOURCE: The New York Post Subscription at 11:56PMWednesday, November 21, 2012
Kathie Lee Gifford's musical depicts the rise and fall of famed '20s-era evangelist Aimee Semple McPherson.read more
SOURCE: The Hollywood Reporter at 11:06AMTuesday, November 20, 2012
‘if it wasn’t for you, we might all be eating with chopsticks.”
Those comforting words are offered to a haunted-looking man in “Radiance,” Cusi Cram’s new play that marks the la…
SOURCE: The New York Post Subscription at 10:28PMMonday, November 19, 2012
In search of the perfect echo, Dusty Springfield recorded her vocals for her classic album “Dusty in Memphis” in a bathroom. That scene is dramatized in “Forever Dusty,” the new bio-…
SOURCE: The New York Post Subscription at 10:36PMSunday, November 18, 2012
The past literally comes back to haunt the characters in “The Piano Lesson,” August Wilson’s Pulitzer Prize-winning drama. Now, 22 years after its Broadway debut, this deeply moving wo…
SOURCE: The New York Post Subscription at 11:55PMFriday, November 16, 2012
There’s a lot of failed communication among the troubled characters in “The Good Mother,” about a single mother with a disabled daughter. But the biggest failure is playwright Francine…
SOURCE: The New York Post Subscription at 12:12AMThere’s a lot of heat if not much substance in “Murder Ballad,” the new rock opera now steaming up the intimate confines of the Manhattan Theatre Club’s Stage II.
Starring Karen Oliv…
SOURCE: The New York Post Subscription at 12:12AMWednesday, November 14, 2012
Eve Ensler, who told us everything we ever wanted to know about vaginas (“The Vagina Monologues”), shifts her attention to the female teenage psyche in “Emotional Creature,” a theatr…
SOURCE: The New York Post Subscription at 11:46PMEast meets West with a bang in “Golden Child,” David Henry Hwang’s 1996 play at the Signature Theatre, which has dedicated a season to the “M. Butterfly” playwright. Set in early 2…
SOURCE: The New York Post Subscription at 10:17PMA true fondness for the British music hall is probably a prerequisite to fully enjoy the charms of The Mystery of Edwin Drood, Rupert Holmes’ 1985 musical based on an unfinished novel …
SOURCE: Scheck on the Arts at 03:55AMTuesday, November 13, 2012
Christopher Durang’s Vanya and Sonia and Masha and Spike manages the neat trick of being both a sometimes uproarious send-up of Chekhov and an affectionately heartwarming modern-day va…
SOURCE: Scheck on the Arts at 07:23AMFriday, November 9, 2012
Yes, the sun will come up tomorrow, but it sure doesn’t shine as brightly in the new Broadway revival of Annie. James Lapine’s staging of this clockwork-perfect musical somehow m…
SOURCE: Scheck on the Arts at 07:21AMEven if your Yiddish is limited to the occasional oy gevalt, this won’t stop you from enjoying “The Golden Land.” This spirited musical revue about the Jewish immigration experience is…
SOURCE: The New York Post Subscription at 01:01AMThursday, November 8, 2012
‘a Twist of Water” offers two dramas for the price of one. The first is a tale of a single father’s struggle to raise a rebellious, adopted teenager. The second is a virtual history le…
SOURCE: The New York Post Subscription at 12:44AMTuesday, November 6, 2012
If the plot of the Pearl Theatre Company’s “Figaro” seems familiar, that’s because you’ve seen it before, only set to Mozart’s gorgeous music. For this world premiere production,…
SOURCE: The New York Post Subscription at 12:55AMSunday, October 28, 2012
‘Let me say right off I’m a witch,” the title character declares at the start of “Sowa’s Red Gravy,” and thank goodness she does, because it’s the only clear moment of Diane Ri…
SOURCE: The New York Post Subscription at 11:37PMIt’s such a pleasure watching the central character of “Mojo” blossom from precocious tyke to rebellious teen that you’ll barely notice she’s a puppet.
But a puppet she is, and she…
SOURCE: The New York Post Subscription at 11:37PMThursday, October 25, 2012
Here’s the bad thing about experimental theater: It’s experimental, which means there’s a big possibility it will fail. Case in point: The Transport Group’s production of “House fo…
SOURCE: The New York Post Subscription at 12:19AMMonday, October 22, 2012
Angelica Page waited a long time to do “Turning Page,” her solo show about her actress mother. Twenty-five years, in fact.
“There’s not been one book written about her, no documentar…
SOURCE: The New York Post Subscription at 12:11AMAs the title suggests, there’s more than one Josh Cohen in “The Other Josh Cohen.” The good news is that both are very funny.
Longtime collaborators and friends David Rossmer and Stev…
SOURCE: The New York Post Subscription at 12:11AMWednesday, October 17, 2012
‘A Celebration of Harold Pinter” is richly deserved, and not for the reasons you might expect. This one-man show by British actor Julian Sands, in his New York stage debut, deals only wi…
SOURCE: The New York Post Subscription at 12:29AMTuesday, October 16, 2012
Never mind that tinkly piano score you’ll hear at the start of “Falling.” Far from receiving a mawkish, “Hallmark Hall of Fame” treatment, Deanna Jent’s play is harrowing stuff. …
SOURCE: The New York Post Subscription at 12:33AMFor a play about sexually confused, 19th-century German teens — one involving masturbation, homosexuality, masochism, rape, abortion and suicide — Frank Wedekind’s “Spring’s Awaken…
SOURCE: The New York Post Subscription at 12:33AM 
