There’s an endearing humanity to Grace Chapman’s refugee-related drama Don’t Look Away, but there’s a tragic predictability to it too. It’s a
SOURCE: The Stage Registration at 10:24AMHold your breath: here comes the latest Olivier offering from Rufus Norris’ regime. The NT’s track record in its biggest space has
SOURCE: The Stage Registration at 09:04AMCompany stage manager Zac Holton has had nearly every job in the business. He tells Fergus Morgan about the work ethic instilled
SOURCE: The Stage Registration at 12:00PMThere have been four fruits of the partnership between the English National Opera and commercial producers GradeLinnit so far – semi-staged productions
SOURCE: The Stage Registration at 01:08PMCarl Giles, the cartoonist whose drawings appeared in the Daily Express for 40 years, made Ipswich his home. A statue of his
SOURCE: The Stage Registration at 11:22AMIt has been 88 years since theatre was first broadcast on television and the relationship between the two has not always been
SOURCE: The Stage Registration at 03:06AMArthur Miller here, Arthur Miller there, Arthur Miller everywhere. After high-profile revivals of The Price, The American Clock and The Crucible comes
SOURCE: The Stage Registration at 06:40AMThis is the end of an era. Josie Rourke bids farewell to the Donmar Warehouse – her home for the last seven
SOURCE: The Stage Registration at 06:06AMProbably best not to wear your finery at Night of the Living Dead Live!. This US stage adaptation of George A Romero’s
SOURCE: The Stage Registration at 07:21AMStage appearances don’t get much more sensational than this: Maggie Smith, aged 84, making her first theatre appearance for 12 years. The
SOURCE: The Stage Registration at 08:30AMAs Enda Walsh’s adaptation of Max Porter’s novel Grief is the Thing With Feathers, starring Cillian Murphy, finishes a short run in
SOURCE: The Stage Registration at 06:32AMWelcome to the church of tomorrow. Deptford-based youth performance project Sounds Like Chaos’ new show takes audiences 50 years into the future,
SOURCE: The Stage Registration at 11:51AMFrench playwright Alexis Michalik has chalked up some extraordinary successes across the channel with a string of Shakespeare adaptations and original plays,
SOURCE: The Stage Registration at 10:00AMFor a play of such status, Caryl Churchill’s 1982 classic Top Girls doesn’t get produced nearly as much as one might expect.
SOURCE: The Stage Registration at 10:33AMAs an avid fan of the 1980s TV series Fame, Sue Hinds became pen pals with one of its stars, acted out
SOURCE: The Stage Registration at 03:00AMLondon’s mini-season of Miller rolls on apace. After high profile revivals of The Price and The American Clock comes something slightly smaller
SOURCE: The Stage Registration at 05:54AMAmerican playwright Bruce Norris’ 2010 work Clybourne Park was a certified sensation. Written as a sequel to Lorraine Hansberry’s A Raisin In
SOURCE: The Stage Registration at 09:13AMIn the early 1950s, Julius and Ethel Rosenberg were arrested on suspicion of leaking American secrets to the Soviet Union, convicted and
SOURCE: The Stage Registration at 06:57AMUntil recently, Belgium’s history in Africa was rarely discussed, but now three Ghent institutions have collaborated with collective Black Speaks Back to
SOURCE: The Stage Registration at 08:30AMIf Jamie Lloyd’s Pinter at the Pinter season was the main course – dish after dish of one-act Harold Pinter plays in
SOURCE: The Stage Registration at 07:45AM“Astonishing!” “Daring!” “Provocative!” Thus shout the posters for Admissions, the new comedy-drama from Bad Jews playwright Joshua Harmon that transfers to Trafalgar
SOURCE: The Stage Registration at 07:26PMThis is a landmark production. Waitress is the first West End musical – it was the first Broadway musical too – to
SOURCE: The Stage Registration at 08:24AMThis is quite a lot of fun. Fresh-faced company Any One Thing’s Recollection is an immersive experience that involves its audience members
SOURCE: The Stage Registration at 06:27AMSo far, the Bridge Theatre hasn’t quite been the unstoppable hit-making machine that many were anticipating when it opened back in October
SOURCE: The Stage Registration at 06:58AMTom Mothersdale had a particularly purple 2018. He was wheedling and American in Annie Baker’s John at London’s National Theatre, wolfishly sinister
SOURCE: The Stage Registration at 06:28AMHis hit production of Yerma starring Billie Piper caused a stir, now Simon Stone is bringing his radical version of Medea, based
SOURCE: The Stage Registration at 03:00AMA Cuckoo, in South Korea, is a pressure cooker for preparing rice. In Amsterdam-based artist Jaha Koo’s solo performance-lecture, visiting Ghent’s Same
SOURCE: The Stage Registration at 10:56AMThis is a really tough watch. Milo Rau’s Hate Radio recreates a broadcast by RTLM, the Rwandan radio station that encouraged Hutu
SOURCE: The Stage Registration at 06:57AMWhat a crazy way to make a living. Having conquered the worlds of country music and theme parks, Dolly Parton has turned
SOURCE: The Stage Registration at 12:33PMAlex Oates’ All in a Row is an uncomfortable show, in two different ways. Firstly, on a dramatic level: its presentation of
SOURCE: The Stage Registration at 05:58AMAnother day, another Arthur Miller opening in London in a season that sees a plethora of the American playwright’s work popping up
SOURCE: The Stage Registration at 06:53AM
