All stories by Douglas McLennan on BroadwayStars

Tuesday, August 4, 2015

How To You Contextualize Theatre To The Audience It Wants To Serve? by Douglas McLennan

“What quickly became apparent is that the local authority officers share our ambition to find ways of increasing the perceived “usefulness” of the arts and asking: if the regular a…

SOURCE: ArtsJournal at 01:46PM

A First: Theatre Company Asks Taylor Swift For Song Rights Over Social Media And… by Douglas McLennan

Five days before opening, all conventional efforts exhausted, the company resorted to trying to reach Swift on social media and in what may be a first, she granted the rights via Twitter jus…

SOURCE: ArtsJournal at 10:43AM
Monday, August 3, 2015

There Are Plenty Of Reasons I Don’t Need The Theatre. And One Reason I Do That Trumps Them All by Douglas McLennan

“I am a reporter on The One Show on BBC One, where we get audiences of up to six million. At Edinburgh, the space I play seats 350 people. I am 67, I have six grandchildren, I have bee…

SOURCE: ArtsJournal at 12:31PM
Sunday, August 2, 2015

NEA Appoints New Director Of Theatre Program by Douglas McLennan

“Until spring, Greg Reiner was managing director of New York’s Classic Stage Company. He also served for four years as executive director of the Tectonic Theater Project and for seve…

SOURCE: ArtsJournal at 09:08PM

Broadway’s Hottest Show Is Pissing Off Tony Voters by Douglas McLennan

“I can understand the impulse — they’ll be among the top three moneymakers, and that always looks good — but a rule of thumb in this business is, don’t alienate Tony voters,” a v…

SOURCE: ArtsJournal at 10:02AM
Friday, July 31, 2015

The Problem With Cutting Theatre In Schools Is That It Cuts Audiences In Theatres by Douglas McLennan

“My own fear about drama getting smaller in regular public schools like Lakeshore is that it limits the ability of kids to stumble upon it – and that affects not just future theatre …

SOURCE: ArtsJournal at 01:46PM
Thursday, July 30, 2015

Disabled Characters And The Theatre – Some Considerations by Douglas McLennan

“Why is one considered a beacon of acting talent for playing a disabled character convincingly? Why is it a common expectation that these actors will transform into characters whose ex…

SOURCE: ArtsJournal at 11:12AM

Why Do People Dress Like Slobs To Go To The Theatre? by Douglas McLennan

“When people were invited onstage at a recent performance of “Penn & Teller on Broadway,” many women looked as if they had stepped out of a jazzercise class, while men ambled …

SOURCE: ArtsJournal at 10:04AM
Wednesday, July 29, 2015

The Profound Effect Funding Cuts Will Have On Regional UK Theatre by Douglas McLennan

“The subsidised sector is without doubt the research and development arm of the commercial sector, where new productions, new work and new talent are developed. Ultimately, cuts of this ma…

SOURCE: ArtsJournal at 01:18PM
Tuesday, July 28, 2015

What Robin Phillips Did For Canadian Theatre by Douglas McLennan

“Many of this country’s finest directors (like Antoni Cimolino and Albert Schultz) learned their craft as young actors in Phillips’ finest days. Hundreds of performers credit him a…

SOURCE: ArtsJournal at 05:16PM

Great Summer Start For New Shows On Broadway by Douglas McLennan

“It’s been a strapping summer for three of the four new shows of the 2015-2016 Broadway season, according to data released on Monday by the Broadway League, a trade group for theater…

SOURCE: ArtsJournal at 09:54AM
Thursday, July 23, 2015

Why Does The Theatre Keep Cranking Out Tribute Musicals? by Douglas McLennan

“Whether or not this boom is directly due to the rise of jukebox musicals is uncertain. What is certain, though, is the relative security of jukebox musicals in the industry.”

SOURCE: ArtsJournal at 09:31AM
Wednesday, July 22, 2015

Is Live Theatre At Odds With Our Immersive Always-Connected Culture? by Douglas McLennan

As Broadway faces off against pocket-size sound-and-light shows, performers and some patrons say a hyper-connected culture are shredding the immersive experience of live theatre.

SOURCE: ArtsJournal at 02:48PM

The Problem With Children’s Theatre by Douglas McLennan

The most progressive theatres are not for children. They are for people. The most anti-oppressive theatre methodologies (benefitting children, youth, AND adults), will, quite simply, conside…

SOURCE: ArtsJournal at 12:41PM

One-On-One Theatre (And Clean Dishes Too) by Douglas McLennan

The premise for Brian Feldman’s show, “Dishwasher,” is this: He will come to a person’s house, wash all of the dirty dishes, perform a monologue of the audience’s choosing and then…

SOURCE: ArtsJournal at 10:32AM
Thursday, July 16, 2015

Director Takes An Ax To Theatre After Bad Reviews by Douglas McLennan

The Turner Prize-winning artist hacked the wall of a theater where his play has opened to largely negative reviews. Douglas Gordon directs Charlotte Rampling in “Neck of the Woods,R…

SOURCE: ArtsJournal at 12:11PM
Wednesday, July 15, 2015

Fringe Actors Lose Case Over Minimum Wage Pay by Douglas McLennan

“The tribunal centred on whether the actors could be classed as “workers” under law – and therefore entitled to the minimum wage. But the judge decided they should be…

SOURCE: ArtsJournal at 11:51AM
Friday, July 10, 2015

Mark Rylance: Subsidized UK Theatres (The National and Royal Shakespeare) Are Charging Too Much For Tickets by Douglas McLennan

You can’t have the RSC and the National receiving millions of pounds of money without a lower price, in my feeling. A lower price should be part of it.” Adding that tickets for the two s…

SOURCE: ArtsJournal at 02:46PM

Are Our Ticket Prices Too High? National Theatre And Royal Shakespeare Companies Respond by Douglas McLennan

In its response to Mark Rylance’s comments, the National said it was “committed to sharing our work with as many people as possible. We agree with Mark that affordable ticket pri…

SOURCE: ArtsJournal at 02:45PM
Tuesday, July 7, 2015

Anatomy Of A Critically-Acclaimed Broadway “Failure” by Douglas McLennan

“The size of the venue may be a part of the problem in how we perceive the success or struggles of the On the Town revivals, but it cannot be the only reason why revivals of this music…

SOURCE: ArtsJournal at 12:56PM
Thursday, July 2, 2015

Can A Theatre Critic Be A Good Playwright? by Douglas McLennan

“Does writing regularly about theatre make you a stronger playwright? I feel I’ve benefited from soaking up others’ work for years; I’m in a constant state of inspiration. (Somet…

SOURCE: ArtsJournal at 01:22PM
Wednesday, July 1, 2015

Most Expensive West End Theatre Ticket Tops £200 (A Complete List Of Ticket Prices) by Douglas McLennan

“Top price seats for The Book of Mormon have reached a record-high of £202.25. This is an increase of a third on last year’s most expensive seat in the survey, which came in at …

SOURCE: ArtsJournal at 08:14PM
Tuesday, June 30, 2015

Canadian Government Okays Sale Of Cirque Du Soleil To US, Chinese Investors by Douglas McLennan

“Industry Minister James Moore said Tuesday the application to acquire the famed circus troupe was deemed an overall economic benefit for Canada. The buyers have committed to maintain …

SOURCE: ArtsJournal at 09:49PM
Thursday, June 25, 2015

How Much Should A Theatre Worry About Offending An Audience? by Douglas McLennan

“Instead of censoring or sanitizing content that “might offend,” theatres should look at such works as opportunities to engage their audiences in critical public discourse about im…

SOURCE: ArtsJournal at 09:02AM
Wednesday, June 24, 2015

Do Our Theatre Reviews Have A Racial Bias Problem? by Douglas McLennan

“Reading these reviews just after following reports from the Americans in the Arts and Theatre Communications Group conferences, which demonstrated a genuine desire on the part of arts…

SOURCE: ArtsJournal at 03:26PM
Thursday, June 18, 2015

New Theatre Launches To Feature Older Actors by Douglas McLennan

The company, Frontier Theatre, has been founded by James Roose-Evans, who set up the acclaimed Hampstead Theatre in 1959. “There is a huge bank of actors in their 60s, 70s and into their 8…

SOURCE: ArtsJournal at 02:03PM

How Do You Merge Analog Theatre With Digital Attention? Goodman Theatre Experiments by Douglas McLennan

“I want to find new ways to break down the walls of the theater and have conversations with audiences, to engage in conversations about change in Chicago.”

SOURCE: ArtsJournal at 10:25AM
Wednesday, June 17, 2015

Ask An Audience To Interact With Actors Differently And You Might Get More Than You Asked For by Douglas McLennan

“What happens when you remove the typical social contract of the theatre seat? We invited the audience to walk in our oppressive world and they wanted to change it. The audience’…

SOURCE: ArtsJournal at 09:57AM
Tuesday, June 16, 2015

Los Angeles Website Asks Theatres To Buy Reviews. A Good Idea? by Douglas McLennan

“Bitter Lemons founder Colin Mitchell says he’s responding to the dwindling number of reviews by professional critics amid upheaval in the media industry. Many traditional outlets ha…

SOURCE: ArtsJournal at 10:36AM
Friday, June 12, 2015

Does Theatre Matter Any More? Should It? by Douglas McLennan

“Broadway attendance in 2014 was the highest it’s ever been, even if that is no great indicator of regional theater attendance. But it is the case that relatively few people are seei…

SOURCE: ArtsJournal at 01:46PM

Dramatists Guild Protests Treatment Of Writers At Tony Awards by Douglas McLennan

“Ironically it’s the theater that most esteems writers; we are generally recognized as the principal artistic force behind new work, and we even retain ownership and control over the mat…

SOURCE: ArtsJournal at 10:48AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime