Monday, July 2, 2018
Flawed, stalling, but occasionally extraordinary, At Home in Gaza and London is an ambitious multimedia piece combining simultaneous performances in the UK
SOURCE: The Stage Registration at 12:01PMTuesday, June 26, 2018
There’s a real sense of dynamism built into this year’s Greenwich and Docklands International Festival programme, which spreads its line-up of eclectic
SOURCE: The Stage Registration at 05:28AMTuesday, June 19, 2018
In a secluded copse of trees, Guildford Shakespeare Company have created a miniature Sherwood Forest, decorated with wanted posters and draped with
SOURCE: The Stage Registration at 07:23AMMonday, June 18, 2018
Inspired by recent high-profile bullying cases, The Little Pony revolves around 10 year old Timmy, whose talismanic attachment to a pink backpack
SOURCE: The Stage Registration at 08:54AMWednesday, June 13, 2018
After a writing career spanning 50 years, celebrated playwright David Edgar makes his professional debut as a performer in a measured and
SOURCE: The Stage Registration at 05:44AMMonday, June 11, 2018
Ironically for a play about unrealised potential, The Unbuilt City never really gets off the ground. Written by New York native Keith
SOURCE: The Stage Registration at 12:42PMFriday, June 8, 2018
Part-ghost train, part-art installation, Phobiarama is a strikingly unusual performance piece which sees its audience trundling around a sterile white environment in
SOURCE: The Stage Registration at 06:20AMFriday, June 1, 2018
Winner of the 2017 Mercury Playwriting Prize, Europe After the Rain is the first full length play from author Oliver Bennett, a
SOURCE: The Stage Registration at 09:35AMFriday, May 25, 2018
Reviving prolific playwright Simon Stephens’ flawed, elegiac 2003 drama One Minute in the age of social media, Iwan Lewis’ stylish but insubstantial
SOURCE: The Stage Registration at 07:17AMTuesday, May 15, 2018
Fizzing with humour, charm, and just a touch of chaos, Paul Hart’s A Midsummer Night’s Dream is a particularly light and delightful
SOURCE: The Stage Registration at 08:36AMSunday, May 6, 2018
Sex, death, and grubbily nostalgic Americana slosh together in all of Christopher Brett Bailey’s work. Suicide Notes, touring in support of a
SOURCE: The Stage Registration at 08:09AMFriday, April 27, 2018
Written in response to the Orlando nightclub shooting, Guillem Clua’s The Swallow is a slow burning, occasionally shattering play about the unspoken
SOURCE: The Stage Registration at 10:06AMWednesday, April 25, 2018
In an alternate 1940, King Edward VIII is on the throne, Nazi troops are advancing through Surrey, and the British government has
SOURCE: The Stage Registration at 08:05AMMonday, March 19, 2018
In the wake of the Brexit vote, our political climate can feel fraught, uncertain, and downright bleak. Danielle Pearson’s time-hopping, multi-character monologue
SOURCE: The Stage Registration at 09:23AMThursday, March 15, 2018
Feeling perhaps more chilling in the era of Twitter and Trump than it did at its 1994 debut, Arthur Miller’s Broken Glass
SOURCE: The Stage Registration at 05:50AMWednesday, March 14, 2018
Harkening back to a vanished historical moment when Britain willing sheltered child refugees, Diane Samuels’ softly-spoken tragedy commemorates 80 years since the
SOURCE: The Stage Registration at 12:25PMTuesday, March 13, 2018
When Fleetwood Mac sang Don’t Stop Thinking About Tomorrow, their tone was optimistic. Writer and Director Lou Stein, however, turns the title
SOURCE: The Stage Registration at 12:34PMTuesday, March 6, 2018
Accused of anti-Semitism, successful poet Bev unravels in the midst of a social media storm in Checkpoint Chana, a sharply relevant but
SOURCE: The Stage Registration at 10:44AMFriday, March 2, 2018
Casting new light on the ambiguities central to Henry James’ influential literary ghost story, Tim Luscombe’s Turn of the Screw is intelligent,
SOURCE: The Stage Registration at 07:16AMTuesday, February 20, 2018
Following the fortunes of a struggling amateur rugby club, John Godber’s 1984 underdog tale gets a playful and accessible treatment in Fingersmiths’
SOURCE: The Stage Registration at 10:48AMFriday, February 9, 2018
Exploring the common anxieties underpinning contemporary life, The Drill is a smart, playful examination of the urge to over-prepare ourselves for future
SOURCE: The Stage Registration at 08:45AMThursday, February 8, 2018
Closures, consolidation, and restructuring: Dave Fargnoli reviews a re-fashioning of John Dryden's Aureng-zebe.
The post Review: The Captive Queen at the Sam Wanamaker Playhouse appeared fi…
SOURCE: exeuntmagazine.com at 10:23AMWednesday, February 7, 2018
Raw, moving, and unashamedly melodramatic in parts, this stylish production of Romeo and Juliet from director Charlotte Conquest conveys all the play’s
SOURCE: The Stage Registration at 07:23AMFriday, February 2, 2018
Taking its title from a well known beauty spot on the Cornish coastline, Booby’s Bay is a bleakly comic character study infused
SOURCE: The Stage Registration at 11:20AMThursday, February 1, 2018
Kicking off a regional tour with a run at Guildford’s Yvonne Arnaud Theatre, Alastair Whatley’s jovial and energetic staging of The Importance
SOURCE: The Stage Registration at 05:57AMWednesday, January 31, 2018
When your crime caper revolves around fulfilling the dying request of the love child of Marilyn Monroe and Michael Caine, it should
SOURCE: The Stage Registration at 07:15AMMonday, January 29, 2018
Gently exploring the intersections of intimacy and technology, There or Here is a meandering philosophical drama from Anglo-American company Special Relationship Productions,
SOURCE: The Stage Registration at 09:06AMSunday, January 28, 2018
With the culture of plausible ignorance surrounding sexual harassment in the arts having been definitively shattered by recent high-profile allegations, a constructive
SOURCE: The Stage Registration at 06:03AMFriday, January 19, 2018
Accusing any performance of Brecht’s ferociously didactic Fear and Misery of the Third Reich of lacking subtlety may seem redundant. Yet while
SOURCE: The Stage Registration at 07:27AMThursday, January 18, 2018
The need to be understood: Dave Fargnoli reviews Tim Cowbury's new play about seeking asylum and being lost in translation.
The post Review: The Claim at Shoreditch Town Hall appeared first…
SOURCE: exeuntmagazine.com at 10:07AMWednesday, December 13, 2017
Colourful and competently delivered, Alan McHugh’s Jack and the Beanstalk is a lavish, fun but frequently flat affair. Director David Janson livens
SOURCE: The Stage Registration at 06:14AM 
