All stories by Charles McNulty on BroadwayStars

Wednesday, September 26, 2012

Theater review: 'Glengarry Glen Ross' crackles with energy by Charles McNulty

The latest revival of David Mamet's 'Glengarry Glen Ross,' at the La Jolla Playhouse, is a tense and well-paced production thanks to the strong cast.As long as America is America, land of op…

SOURCE: Los Angeles Times at 07:15PM
Sunday, September 23, 2012

Review: Ungainly yet powerful charge of the 'Rhinoceros' by Charles McNulty

Eugene Ionesco's absurdist tale always feels drawn out, but in a visiting Theatre de la Ville-Paris production, its horror shakes the foundations.Emmanuel Demarcy-Mota's smart, sleek product…

SOURCE: Los Angeles Times at 10:30PM
Friday, September 21, 2012

Review: Step into a Factory job by Charles McNulty

A Gob Squad show inspired by Warhol films brings the audience into a very surreal 'Kitchen.'Andy Warhol is sometimes blamed for ushering in the age of reality television. Nonsense. All those…

SOURCE: Los Angeles Times at 06:40PM
Thursday, September 20, 2012

Review: 'Under My Skin' may get under yours by Charles McNulty

The body-switch comedy from Robert Sternin and Prudence Fraser plays on the Pasadena Playhouse stage like a bad sitcom.Connoisseurs of really bad television — you know you're out there…

SOURCE: Los Angeles Times at 09:20PM
Thursday, September 13, 2012

Theater review: 'The Book of Mormon' at Pantages is naughty, nice and fun by Charles McNulty

This national tour production matches the verve, if not the sharpness, of the original Broadway production. The musical about two mismatched Mormon missionaries assigned to Uganda is a profa…

SOURCE: Los Angeles Times at 06:18PM
Monday, September 10, 2012

Review: In 'Silence! The Musical,' a killer silliness ensues by Charles McNulty

A singing parody of the Oscar winner, 'Silence! The Musical' may overstretch at times, but a madcap cast and shameless daring make it outrageously fun.Any day now the announcement that "Jaws…

SOURCE: Los Angeles Times at 08:00PM
Friday, September 7, 2012

Theater review: 'Helen' is remade into a lively movie queen by Charles McNulty

The Playwrights' Arena production makes Helen a fugitive from Hollywood who has been sullied by the tabloids but still seeking refuge at the tomb of Proteus.Just a few years after writing hi…

SOURCE: Los Angeles Times at 09:14PM
Tuesday, August 28, 2012

Review: 'Elephant Room' tricksters conjure zany sparks by Charles McNulty

Sketch comedy and magic make for a fun night in the hands of madcap performers Trey Lyford, Geoff Sobelle and Steve Cuiffo.Don't let the retro styling fool you. Although they look like comic…

SOURCE: Los Angeles Times at 03:00AM
Sunday, August 26, 2012

Theater review: 'The Blue Iris' and Athol Fugard's self-judgment by Charles McNulty

The play receiving its U.S. premiere at the Fountain Theatre provides tantalizing insight into the South African writer. At 80, South African playwright Athol Fugard is still turning out pla…

SOURCE: Los Angeles Times at 11:15PM
Wednesday, August 22, 2012

Theater review: 'The City' at Son of Semele is dark, confusing by Charles McNulty

War, brutality, despair and cryptic storytelling fill the U.S. premiere. Matthew McCray directs.Enigmatic anecdote is the currency of Martin Crimp's "The City," having its U.S. premiere at S…

SOURCE: Los Angeles Times at 03:00AM
Sunday, August 19, 2012

Critic's Notebook: Mary Poppins is popular without pandering by Charles McNulty

The character, now in the musical at the Ahmanson Theatre, is beloved — and radical.No, that's not a UFO hovering over the Music Center. It happens to be Mary Poppins, who has glided b…

SOURCE: Los Angeles Times at 09:25PM
Saturday, August 18, 2012

Critic's Notebook: 'Killer Joe' shows the graphic reality of film can kill its drama by Charles McNulty

William Friedkin's film of Tracy Letts' play leaves little to the imagination, and that can really mess up your mind.William Friedkin's film of Tracy Letts' play"Killer Joe" is nasty, brutis…

SOURCE: Los Angeles Times at 11:00AM
Tuesday, August 14, 2012

Theater review: A blazing 'Red' with Alfred Molina as Mark Rothko by Charles McNulty

In a sensational production of John Logan's play at the Mark Taper Forum, an artist of highbrow ambition has accepted a lucrative commission, and guilt results. As imagined by John Logan in …

SOURCE: Los Angeles Times at 03:00AM
Sunday, August 12, 2012

Review: Liza Minnelli overcomes technical difficulties by Charles McNulty

Neither voice nor body is what it was. Still, she lives the emotions of her songs, and that goes a long way, even on a night held up by delays.The crowd was growing restless at the Hollywood…

SOURCE: Los Angeles Times at 09:35PM
Saturday, August 4, 2012

Critic's Notebook: Anton Chekhov for the modern world by Charles McNulty

Soho Rep's 'Uncle Vanya' takes its time while Sydney Theatre's version moves at a quick pace. Each staging is effective, and each shows how timeless Chekhov can be.NEW YORK — Anton Che…

SOURCE: Los Angeles Times at 05:00PM
Sunday, July 29, 2012

Review: 'The Producers' still zings despite flubs at the Bowl by Charles McNulty

With a short rehearsal time it's no wonder the musical stops short of perfection, but the comic level of the Mel Brooks work remains high."The Producers" returned to Los Angeles for three pe…

SOURCE: Los Angeles Times at 09:35PM
Saturday, July 28, 2012

London Olympics review: Danny Boyle delivers theatrical spectacle by Charles McNulty

The director delivered opening ceremonies for the Olympics that celebrated both the eccentricity and enlightenment that are fascinatingly entwined in Britain's cultural DNA. Olympic openin…

SOURCE: Los Angeles Times at 04:42PM
Tuesday, July 24, 2012

Critic's Notebook: real world concerns about a fantasy 'Nightingale' by Charles McNulty

Are we really living in a post-racial world? It seems like we’re back in the 1990s, when all hell broke loose on Broadway after the British star Jonathan Pryce was cast as the Eurasian…

SOURCE: Los Angeles Times at 09:00AM
Saturday, July 14, 2012

In the moment with Cate Blanchett by Charles McNulty

The star juggles family with an actor's life. These days, that includes co-running a Sydney theater troupe with her husband. Their latest — Chekhov's 'Uncle Vanya.'On the surface, Cate…

SOURCE: Los Angeles Times at 04:00PM
Friday, July 13, 2012

Review: 'The Exorcist' falls short of a devilishly good time by Charles McNulty

A diabolically stilted dialogue and some patchy performances trip up the new Geffen Playhouse work, although its striking design and effective music are standouts.Two questions immediately p…

SOURCE: Los Angeles Times at 03:00AM
Wednesday, July 11, 2012

Review: Action leads Old Globe's Shakespeare Festival by Charles McNulty

The company's staging of 'Richard III' and 'As You Like It' may emphasize plot over psychology, but the classics are still a lovely way to spend a summer night.There are as many ways to rean…

SOURCE: Los Angeles Times at 03:00AM
Monday, July 2, 2012

Review: 'War Horse' at Ahmanson Theatre is a marvel of stagecraft by Charles McNulty

The Tony Award-winning play communicates the staggering waste of war but provides an opportunity to reconnect with the childhood enchantments of bedtime fables, folk tales and storybook adve…

SOURCE: Los Angeles Times at 12:00AM
Saturday, June 30, 2012

Review: 'A Missionary Position' unites art, activism at REDCAT by Charles McNulty

In his graceful assuming of various characters, Ntare Guma Mbaho Mwine lobs a searing riposte at Uganda's anti-gay bill in a new solo show.He roams the night in menacing military police garb…

SOURCE: Los Angeles Times at 03:00AM
Wednesday, June 27, 2012

Critic's Notebook: 'Jitney' a snapshot of '70s America by Charles McNulty

Full of the gritty textures of the '70s, August Wilson's play does something today's artists should emulate — reveal how rooted we are in our uniquely styled moment of history.The noti…

SOURCE: Los Angeles Times at 03:00AM
Wednesday, June 20, 2012

Review: Afghanistan under fire in J.T. Rogers' 'Blood and Gifts' by Charles McNulty

A study of American involvement in the Soviet-Afghan war, J.T. Rogers' 'Blood and Gifts' artfully lays out the shortsightedness of foreign players in a rocky region.Dramatic works about Afgh…

SOURCE: Los Angeles Times at 03:00AM

Theater review: 'The New Electric Ballroom' provides a jolt by Charles McNulty

The Rogue Machine production of Enda Walsh's 'The New Electric Ballroom' at Theatre/Theater captures the haunting spectacle of three sisters who often revisit the past.Enda Walsh's "The New …

SOURCE: Los Angeles Times at 03:00AM
Monday, June 11, 2012

Tony Awards 2012: For 'Once' daring trumps commerce by Charles McNulty

At the Tony Awards, artistic quality and risk-taking win out over commerce as the little musical 'Once' and 'Clybourne Park' triumph.Will wonders never cease: David slayed Goliath in a rare …

SOURCE: Los Angeles Times at 11:00AM
Sunday, June 10, 2012

'Follies' says goodbye to the Ahmanson, hello to the Tonys by Charles McNulty

“Follies” bid farewell to the Ahmanson Theatre on Saturday night, and the emotion in the house was as charged as the emotion coursing through the Weismann Theatre, where the ex-F…

SOURCE: Los Angeles Times at 06:20PM
Friday, June 8, 2012

The buzz in the Tony Awards' big categories by Charles McNulty

Should Audra McDonald make room on a mantel? Is the movie world's new Spider-Man golden? And what about all those 'Follies' nominations?The Academy Awards telecast has been such a snooze in …

SOURCE: Los Angeles Times at 03:00AM
Wednesday, June 6, 2012

Review: 'pool (no water)' expresses scalding insights by Charles McNulty

In a Monkey Wrench Collective production, Mark Ravenhill's play has a darker view of the artistic underground.Mark Ravenhill, the English playwright best known for his play with the unprinta…

SOURCE: Los Angeles Times at 03:00AM
Tuesday, June 5, 2012

Theater review: 'Los Otros' merely murmurs at the Mark Taper Forum by Charles McNulty

The new 90-minute musical by Michael John LaChiusa and Ellen Fitzhugh benefits from its SoCal setting and its study of identity. But it's too diffuse.Commercial success has eluded Michael Jo…

SOURCE: Los Angeles Times at 03:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime