Monday, October 20, 2014
A stunning reinvention of Sarah Kane’s play “4:48 Psychosis,” by the TR Warszawa company, is at St. Ann’s Warehouse.
SOURCE: The New York Times Subscription at 03:51PMSunday, October 19, 2014
Thursday, October 16, 2014
In the ebullient Broadway revival of “On the Town,” New York is a bustling, jostling cartoon that also floats like a swan.
SOURCE: The New York Times Subscription at 10:00PMWednesday, October 15, 2014
Tuesday, October 14, 2014
In her performance piece “Written in Sand,’ Karen Finley rages disconsolately about the loss of friends to AIDS.
SOURCE: The New York Times Subscription at 11:26PMThursday, October 9, 2014
The revival of Terrence McNally’s “It’s Only a Play,” a Broadway star vehicle about a Broadway star vehicle, allows theatergoers to feel as though they’re among the insiders.
SOURCE: The New York Times Subscription at 10:00PMWednesday, October 8, 2014
Lisa Dwan plays all the roles in “Not I,” “Footfalls” and “Rockaby,” short Beckett plays that are part of the Brooklyn Academy of Music’s Next Wave Festival.
SOURCE: The New York Times Subscription at 03:27PMTuesday, October 7, 2014
Regardless of the size of the role, Marian Seldes, who died Tuesday at 86, made her theatrical performances memorable, with precision and flourish.
SOURCE: The New York Times Subscription at 03:46PMSunday, October 5, 2014
Simon Stephens adapts Mark Haddon’s best-selling novel in “The Curious Incident of the Dog in the Night-Time.”
SOURCE: The New York Times Subscription at 10:00PMThursday, October 2, 2014
“The Country House,” a Donald Margulies play inspired by Chekhov, stars Blythe Danner as an aging actress presiding over a crowded home.
SOURCE: The New York Times Subscription at 10:00PMTuesday, September 30, 2014
Romola Garai and Rosemary Harris bring Tom Stoppard’s aristocratic Crewe sisters and old British imperialism to New York in “Indian Ink.”
SOURCE: The New York Times Subscription at 10:00PMIn “The Old Man and The Old Moon,” at the New Victory, a man who keeps the moon stocked with light leaves his post, causing havoc.
SOURCE: The New York Times Subscription at 05:36PMSunday, September 28, 2014
Those who saw, or performed in, “You Can’t Take It With You” in high school should not let that trauma taint the Broadway revival of that show.
SOURCE: The New York Times Subscription at 10:00PMTuesday, September 23, 2014
“The Money Shot,” Neil LaBute’s new play, depicts two actors who are trying to negotiate an explicit scene.
SOURCE: The New York Times Subscription at 08:34AMMonday, September 22, 2014
“Scenes From a Marriage,” a play adapted from a 1973 TV mini-series, uses three sets of actors to portray the same couple.
SOURCE: The New York Times Subscription at 10:00PMThursday, September 18, 2014
In “The Valley of Astonishment,” Peter Brook and Marie-Hélène Estienne explore the world of people with synesthesia.
SOURCE: The New York Times Subscription at 10:01PMFriday, September 12, 2014
In “Dry Land,” two girls on a high school swim team form a complicated friendship as one of them faces the terrible fact of a pregnancy.
SOURCE: The New York Times Subscription at 03:50PMThursday, September 11, 2014
Michael Cera, Kieran Culkin and Tavi Gevinson bring to full-blooded life the angst of bright and sullen young things in a Broadway revival of Kenneth Lonergan’s “This Is Our Youth.”
SOURCE: The New York Times Subscription at 10:00PMTuesday, September 9, 2014
Works at the FringeArts festival in Philadelphia deal with the many ways both nature and human relationships can go wrong.
SOURCE: The New York Times Subscription at 05:54PMThursday, September 4, 2014
“Red Eye of Love,” like “The Fantasticks,” is about a boy, a girl, crushable ideals, minimal scenery and tinkling piano music.
SOURCE: The New York Times Subscription at 10:00PMWednesday, September 3, 2014
Blythe Danner plays the high bohemian matriarch of an artistic clan in “The Country House,” the new play by Donald Margulies.
SOURCE: The New York Times Subscription at 12:05PMThursday, August 28, 2014
Kieron Barry’s “Tomorrow in the Battle,” at Stageworks/Hudson, follows powerful, self-destructive Londoners in a romantic triangle.
SOURCE: The New York Times Subscription at 05:19PMWednesday, August 20, 2014
After more than three years on Broadway, “The Book of Mormon” retains its peppiness and devotion to the musical comedy spirit.
SOURCE: The New York Times Subscription at 04:57PMIn “Dead Behind These Eyes,” the theater company Sister Sylvester lends a mike and a soundtrack to a set of characters inspired by John Osborne’s “Look Back in Anger.”
SOURCE: The New York Times Subscription at 12:42PMThursday, August 14, 2014
The musical “Finding Neverland,” about the creator of Peter Pan, is making test flights at the American Repertory Theater.
SOURCE: The New York Times Subscription at 05:25PMSaturday, August 9, 2014
Cate Blanchett and Isabelle Huppert engage in intense, whiplash physicality in a rip-roaring production of the Jean Genet play, directed by Benedict Andrews, at City Center.
SOURCE: The New York Times Subscription at 04:14PMThursday, August 7, 2014
A revamped version of the musical “The Visit” at the Williamstown Theater Festival stars Chita Rivera as a billionaire who returns to her hometown, carrying a lethal grudge.
SOURCE: The New York Times Subscription at 06:44PMTuesday, August 5, 2014
Daniel Sullivan’s fast-moving if stiff-jointed production of “King Lear,” starring John Lithgow, opened at the Delacorte Theater in Central Park.
SOURCE: The New York Times Subscription at 10:00PMThursday, July 31, 2014
“Between Riverside and Crazy,” a new play by Stephen Adly Guirgis, centers on a retired policeman threatened with eviction and his extended family and friends.
SOURCE: The New York Times Subscription at 10:00PM 
