Sunday, June 23, 2019
Daniel Glenn’s astutely goofy portrait of legislative gridlock in the Plymouth Colony casts women as some seriously conflicted founding fathers.
SOURCE: The New York Times Subscription at 02:18PMMonday, June 17, 2019
Michael R. Jackson’s gutsy, exasperated musical is set within the mind of a black, queer man who’s writing a musical about a black, queer man who’s writing a musical …
SOURCE: The New York Times Subscription at 09:48PMMonday, June 10, 2019
Swinging lights. Broadway beefs. Words of wisdom. And a restroom serenade. If only some of the highlights were on TV.
SOURCE: The New York Times Subscription at 01:12PMTuesday, June 4, 2019
This formulaic offering from the author of “Dinner With Friends” chronicles the havoc wrought when a black sheep returns to the family fold.
SOURCE: The New York Times Subscription at 09:54PMMonday, June 3, 2019
This revival of Christopher Shinn’s 2007 drama about a widow of the Iraq war keeps its audience at a distance.
SOURCE: The New York Times Subscription at 10:18PMWednesday, May 29, 2019
A splendid Kathryn Erbe plays a sheltered housewife thrown into limbo in Selina Fillinger’s thoughtful, poignant new play.
SOURCE: The New York Times Subscription at 10:18PMSunday, May 26, 2019
Sean Donovan’s multidisciplinary performance piece, set in an isolated rural retreat, finds the chill in summer hedonism.
SOURCE: The New York Times Subscription at 12:12PMFriday, May 24, 2019
Jez Butterworth’s Tony-nominated family drama retains its fierce grip with a new cast led by Brian d’Arcy James.
SOURCE: The New York Times Subscription at 02:24PMSunday, May 19, 2019
In Dave Malloy’s ravishing new a cappella chamber musical, members of an addiction support group compare notes on getting lost in the web.
SOURCE: The New York Times Subscription at 10:18PMThursday, May 16, 2019
Jesse Eisenberg’s wobbly new play, which also stars Marin Ireland, casts Ms. Sarandon against type as a flamboyant suburban community theater diva.
SOURCE: The New York Times Subscription at 10:36PMTuesday, May 14, 2019
Adventurous directors and galvanizing performances made for unexpected — and very welcome — departures on what once felt like the Staid White Way.
SOURCE: The New York Times Subscription at 08:54AMThe chief theater critics for The Times choose who they think should win and who should have been nominated.
SOURCE: The New York Times Subscription at 04:36AMMonday, May 13, 2019
Terry Kinney’s unbalanced Sam Shepard revival, with Maggie Siff and David Warshofsky, finds the prophecy in a wild and woolly play from the 1970s.
SOURCE: The New York Times Subscription at 10:48PMThursday, May 9, 2019
The last of this season’s Encores! musicals in concert, starring Michael Urie, resurrects a 1947 show that feels nostalgic for nostalgia.
SOURCE: The New York Times Subscription at 01:36PMSunday, May 5, 2019
Christopher Chen’s contemplative drama at Soho Rep uses E.M. Forster’s “A Passage to India” as a template for exploring, and exploding, nationalism.
SOURCE: The New York Times Subscription at 10:18PMFriday, May 3, 2019
Torben Betts’s comedy of catastrophe, at the Brits Off Broadway festival, portrays a television cooking show host in a state of disastrous denial.
SOURCE: The New York Times Subscription at 01:04AMTuesday, April 30, 2019
New York Times theater critics on a Tonys roster that highlighted originality, if not diversity, and made room for some welcome surprises.
SOURCE: The New York Times Subscription at 01:06PMSunday, April 28, 2019
An amazing Cillian Murphy portrays both a grieving dad and the mythical bird who takes over his life in Enda Walsh’s adaptation of Max Porter’s novel.
SOURCE: The New York Times Subscription at 09:45PMThursday, April 25, 2019
Adapted from Tim Burton’s 1988 film, this hyperkinetic musical, starring Alex Brightman as a madcap ghoul, tries too hard to haunt.
SOURCE: The New York Times Subscription at 09:45PMWhile electrifying new plays challenged their audiences, “To Kill a Mockingbird” and colorblind musicals catered to the crowds.
SOURCE: The New York Times Subscription at 04:00AMWednesday, April 24, 2019
James Graham’s invigorating play about London journalism goes on a journey to the tabloid underworld — and the American present.
SOURCE: The New York Times Subscription at 09:45PMMonday, April 22, 2019
Halley Feiffer stars opposite Hamish Linklater in her new comedy of anguish, which begins with a memorably chilling first date.
SOURCE: The New York Times Subscription at 09:45PMSunday, April 21, 2019
This uncanny, phantasmagorical work from the Lightning Rod Special troupe is a musical cabaret about abortion. That’s right.
SOURCE: The New York Times Subscription at 12:44PMThursday, April 18, 2019
As a born-to-lose presidential contender, Laurie Metcalf is exasperation incarnate in Lucas Hnath’s play, which also stars John Lithgow.
SOURCE: The New York Times Subscription at 09:45PMTuesday, April 16, 2019
In this imbalanced revival of Lanford Wilson’s play, also starring Keri Russell, Mr. Driver unleashes the full, scorching power of his talent.
SOURCE: The New York Times Subscription at 09:45PMWednesday, April 10, 2019
Ben Whishaw and Renée Fleming provide the oxygen in Anne Carson’s hypnotic and exasperating work, which imagines the actress as a Euripides heroine.
SOURCE: The New York Times Subscription at 12:15PMSunday, April 7, 2019
Daniel Fish’s wide-awake revival of an American classic gives us an “Oklahoma!” for our own age of anxiety, without ever betraying its source.
SOURCE: The New York Times Subscription at 09:45PMThursday, April 4, 2019
In Sam Gold’s haphazard production of Shakespeare’s bleakest tragedy, Ms. Jackson demonstrates her singular intelligence as an actress.
SOURCE: The New York Times Subscription at 09:45PMSunday, March 31, 2019
In Mara Nelson-Greenberg’s fitfully funny play, a female empathy coach faces the insuperable challenge of teaching men some compassion.
SOURCE: The New York Times Subscription at 09:45PMThursday, March 28, 2019
This three-hour-plus portrait of the creation and destruction of the house of Lehman, directed by Sam Mendes, is an endlessly absorbing epic tragedy.
SOURCE: The New York Times Subscription at 02:03PM 
