All stories by Alexis Soloski on BroadwayStars

Friday, July 31, 2015

Do New Yorkers dress like slobs to the theatre – and does it matter? by Alexis Soloski

A journalist has called for a return to the days when theatregoers would put on their best outfits – but given that most people consume culture at home, showing up with pants on probably s…

SOURCE: The Guardian at 11:31AM
Thursday, July 30, 2015

Review: ‘Ramona,’ a Puppet Tale About Trains in Love by Alexis Soloski

This play centers on a pining Soviet locomotive who is dragooned by circus impresarios for some challenging tasks.

SOURCE: The New York Times Subscription at 02:24PM
Tuesday, July 28, 2015

Review: 59E59’s Summer Shorts Are Exercises in Cardio and in Ethics by Alexis Soloski

This annual festival features plays by Neil LaBute, Vickie Ramirez and Matthew Lopez.

SOURCE: The New York Times Subscription at 05:58PM

Miss Julie review – modern, sexed-up adaptation fails to sizzle by Alexis Soloski

New York City Center, New YorkThomas Ostermeier’s present-day production works against the text, which is exciting in the first half but makes the tragedy unmotivated and unlikelyThomas Os…

SOURCE: The Guardian at 12:50PM
Monday, July 27, 2015

Review: Helen Keller’s Words and Seven Actors in ‘Three Days to See’ by Alexis Soloski

The Transport Group brings to the stage a play inspired by an essay and directed by Jack Cummings III.

SOURCE: The New York Times Subscription at 11:49PM
Friday, July 24, 2015

Review: ‘Karaoke Bacchae’ Puts a Spin on Euripides by Alexis Soloski

In Jesse Freedman’s update of the Euripides tragedy, at the Ice Factory Festival, the citizens of Thebes gather and make music at a college-town sports bar.

SOURCE: The New York Times Subscription at 12:30AM
Thursday, July 23, 2015

Colin Quinn the New York Story review – comic unpeels the Big Apple by Alexis Soloski

Cherry Lane Theater, New YorkIn a show invisibly directed by Jerry Seinfeld, the comedian riffs entertainingly on New York’s history, but his grouchy schtick winds up staleThe comedian Col…

SOURCE: The Guardian at 11:20PM
Wednesday, July 22, 2015

Lily Rabe and Hamish Linklater: A Midsummer Night’s Couple by Alexis Soloski

This pair of actors, increasingly cast in Shakespeare in the Park productions, have built a chemistry onstage and off.

SOURCE: The New York Times Subscription at 08:28AM
Sunday, July 19, 2015

Review: ‘Ruthless!,’ at St. Luke’s, Takes Stage Ambition to the Playground by Alexis Soloski

Joel Paley and Marvin Laird’s musical, about a little girl determined to secure a part in a school play, is revived at St. Luke’s Theater.

SOURCE: The New York Times Subscription at 06:13PM
Wednesday, July 15, 2015

Snapshot: Karen Pittman on What It Takes to Be ‘King Liz’ by Alexis Soloski

The actress, who has a recurring role on “The Americans,” plays a sports agent in the Fernanda Coppel play at Second Stage Uptown.

SOURCE: The New York Times Subscription at 04:50PM

Sam Gold and Annie Baker Are an Artistic Pairing Destined to Succeed by Alexis Soloski

Mr. Gold, a director, and Ms. Baker, a playwright, whose new show, “John,” opens next Wednesday, have been longtime collaborators with a Pulitzer Prize and a Tony Award between them.

SOURCE: The New York Times Subscription at 12:31PM
Monday, July 13, 2015

Penn & Teller on Broadway review – still magical after all these years by Alexis Soloski

Marquis Theatre, New YorkEven when they hint at how to do their tricks, the magic double act, celebrating 40 years together, still manages to daze and bemuse“We pulled a rabbit out of a ha…

SOURCE: The Guardian at 11:19AM
Friday, July 10, 2015

Review: ‘Sayonara’ Reimagines a Story of Cross-Cultural Love by Alexis Soloski

Pan Asian Repertory Theater’s production of this show promises a fresh approach to the material in this wartime musical.

SOURCE: The New York Times Subscription at 12:21AM
Tuesday, July 7, 2015

Mary-Louise Parker on Heisenberg and 'comedy in the pitch black' by Alexis Soloski

The Weeds and The West Wing star, currently on Broadway, reflects on the stage: had this been a film, ‘they wouldn’t have cast me’In Simon Stephens’s two-character play Heisenberg, n…

SOURCE: The Guardian at 01:34PM
Friday, July 3, 2015

Off the Main Road review – Inge's lost play loses the audience by Alexis Soloski

Williamstown Theatre FestivalVeering from melodrama to realism to pornography, William Inge’s play flummoxes both actors and audience as it careers to an unintentionally comic conclusionWh…

SOURCE: The Guardian at 03:09PM
Wednesday, July 1, 2015

Druid Theater Company Makes Shakespeare’s Histories Its Own by Alexis Soloski

The acclaimed Irish troupe condenses “Richard II,” “Henry IV, Part 1,” “Henry IV, Part 2” and “Henry V” into a seven-hour marathon performance.

SOURCE: The New York Times Subscription at 01:27PM
Monday, June 29, 2015

Shows for Days review – an arch love letter to amateur dramatics by Alexis Soloski

Lincoln Center Theater, New YorkIt stars Patti LuPone in a gold lamé gown, but this story of a young gay man discovering life in the theatre lacks nuance and heartPatti LuPone is now in her…

SOURCE: The Guardian at 11:56PM

Of Good Stock review – Alicia Silverstone stars in predictable family drama by Alexis Soloski

Manhattan Theater Club, New YorkThe jokes about pickles might be contemporary, but everything else is wearyingly familiar in Melissa Ross’s play about three sisters gathering for a weekend…

SOURCE: The Guardian at 01:49PM

Happy Days review – a real-life showbiz couple act in a bleak portrait of marriage by Alexis Soloski

Flea Theater, New YorkMarried for 23 years, Tony Shalhoub and Brooke Adams pour themselves into Beckett’s drama about a couple trapped in an implacable, sun-baked presentTony Shalhoub and …

SOURCE: The Guardian at 12:50PM
Sunday, June 28, 2015

Review: ‘SeaWife’ Is a Doleful Fairy Tale About Whaling by Alexis Soloski

The folk musical, at the South Street Seaport Museum, is set in the 19th century and centers on Percy, the son of a whaler.

SOURCE: The New York Times Subscription at 06:18PM
Friday, June 26, 2015

Alicia Silverstone: 'I went on a quest to change the world' by Alexis Soloski

The star of Clueless and other 90s films left the spotlight – but continued to take meaty theatre roles, like her current one in new play Of Good StockIt’s been more than 20 years since …

SOURCE: The Guardian at 12:10PM
Thursday, June 25, 2015

An Asian-American Theater Company Cuts a Fresh Casting Trail by Alexis Soloski

As the National Asian American Theater Company readies a revival of “Awake and Sing!,” a founder talks about the casting barriers her troupe is trying to surmount.

SOURCE: The New York Times Subscription at 11:46AM
Wednesday, June 24, 2015

Full of promise but no prizes: women playwrights suffer for their age | Alexis Soloski by Alexis Soloski

American theatre's Wasserstein prize for young, female writers has failed to find a winner. I'm not surprised – but is it really a gender issue?The playwright Wendy Wasserstein had some ta…

SOURCE: The Guardian at 04:08AM
Monday, June 22, 2015

Review: ‘Hand Foot Fizzle Face’ Explores Futility and Disconnection by Alexis Soloski

This production by the company Piehole translates Samuel Beckett’s “Foirades/Fizzles” into an experimental performance.

SOURCE: The New York Times Subscription at 05:58PM

10 out of 12 review – more than just an avant garde Noises Off by Alexis Soloski

Soho Rep, New YorkTaking place in rehearsals for an unnamed play, Anne Washburn’s engaging drama features a vexing actor, bizarre juxtapositions and unexpected poignancyIn Anne Washburn’…

SOURCE: The Guardian at 12:33PM
Sunday, June 21, 2015

Review: In ‘Debutaunt,’ Mary John Frank Combines Theater and Dance by Alexis Soloski

This interactive dance-theater work from Ms. Frank invites the audience to take part in a coming-of-age tradition.

SOURCE: The New York Times Subscription at 07:04PM

‘Most Dangerous Man in America (W. E. B. Du Bois)’ Focuses on Government Investigation by Alexis Soloski

Amiri Baraka’s final play, by the New Federal Theater, combines history, biography and courtroom satire.

SOURCE: The New York Times Subscription at 07:04PM
Thursday, June 18, 2015

Doctor Faustus review - Marlowe's classic loses its soul in a lackluster slog by Alexis Soloski

Classic Stage Company in New York, New YorkThis production of the mortality play falls flat with diabolical sing-alongs, awful fight choreography and star Chris Noth wishing he were somewher…

SOURCE: The Guardian at 12:45PM
Wednesday, June 17, 2015

The Tempest review – imperfect but enchanting version of the late romance by Alexis Soloski

Delacorte theater in Central Park, New YorkThe beautiful outdoor setting of Michael Greif’s production can’t obscure its shortcomings as this Shakespeare in the Park play fails to ignite…

SOURCE: The Guardian at 12:31PM
Thursday, June 11, 2015

With ‘Significant Other,’ Joshua Harmon Happily Writes About the Unhappy by Alexis Soloski

The playwright examines friendship and loneliness in a new play about a gay man who loses his three best girlfriends to marriage.

SOURCE: The New York Times Subscription at 10:37AM
Tuesday, June 9, 2015

The King’s the Thing, Not the Play, for an Actor Who Would Be Lear by Alexis Soloski

Forced to leave a role he always wanted to play, Edward Petherbridge returns in ”My Perfect Mind,” a piece he helped create about not playing King Lear.

SOURCE: The New York Times Subscription at 09:58AM