All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Thursday, February 23, 2017

Man from Nebraska by Victor Gluck, Editor-In-Chief

Birney seems to have cornered the market on sensitive, ordinary guys and his performance is similar to his awarding-winning "Erik" in The Humans. However, here he is extremely sympathetic an…

SOURCE: www.theaterscene.net at 02:15PM[SHARE]
Monday, February 20, 2017

Life According to Saki by Victor Gluck, Editor-In-Chief

The evening is narrated by Saki (played by an appealing and suave David Paisley) talking to us from the trenches of France, in 1916. His five soldiers (played by Phoebe Frances Brown, Ellen …

SOURCE: www.theaterscene.net at 12:51PM[SHARE]
Wednesday, February 15, 2017

The Object Lesson by Victor Gluck, Editor-In-Chief

Illusionist/actor Geoff Sobelle's show is a combination of happening, art installation, and a meditation on the role objects have in our lives. Using audience participation, objects both hid…

SOURCE: www.theaterscene.net at 05:13PM[SHARE]

Berlin to Broadway with Kurt Weill: A Musical Voyage by Victor Gluck, Editor-In-Chief

One of the remarkable things about the theater songs of Kurt Weill is that like the later songs of Stephen Sondheim they are all really little one act plays which give the performers a great…

SOURCE: www.theaterscene.net at 05:04PM[SHARE]

Jonah and Otto by Victor Gluck, Editor-In-Chief

While the play is at times Pinteresque, it is talky in a way Pinter never is, explaining everything over and over, covering the same ground again and again. Nothing much happens other than t…

SOURCE: www.theaterscene.net at 01:20AM[SHARE]
Saturday, February 11, 2017

Hi-Fi | Wi-Fi | Sci-Fi: Predictions Past Present and Future by Victor Gluck, Editor-In-Chief

The only real high-tech exchanges take place only three times during the run of the show. At the performances of February 6, 9 and 17, one of the roles in "Camera Obscura" will be performed …

SOURCE: www.theaterscene.net at 12:40PM[SHARE]
Thursday, February 9, 2017

Bound to Rise by Victor Gluck, Editor-In-Chief

Unfortunately, Policoff's book is too cluttered with characters too allow for much development. While some of his lyrics are clever, most are prosaic and heavy-handed. As played by music dir…

SOURCE: www.theaterscene.net at 11:01PM[SHARE]
Monday, February 6, 2017

The Liar by Victor Gluck, Editor-In-Chief

However, it is Ives' joy in language that is the most infectious. The rhymed couplets keep coming and surprising us over and over again (bitter/twitter; prize/rhapsodize, jocular/interlocuto…

SOURCE: www.theaterscene.net at 10:42PM[SHARE]
Saturday, February 4, 2017

92Y's Lyrics & Lyricists Series: "Get Happy: Harold Arlen's Early Years" by Victor Gluck, Editor-In-Chief

The show began with Arlen's first hit, "Get Happy," 1930, and ended with his 1939 score for the MGM film, "The Wizard of Oz." The first half of the evening was devoted to Arlen's stand-alone…

SOURCE: www.theaterscene.net at 01:31PM[SHARE]
Friday, February 3, 2017

Yen by Victor Gluck, Editor-In-Chief

There are many questions that the author fails to answer. Although the boys have not attended school in years and Bobbie has been diagnosed as ADHD and should be in the British equivalent of…

SOURCE: www.theaterscene.net at 10:07PM[SHARE]
Monday, January 30, 2017

Milk and Honey by Victor Gluck, Editor-In-Chief

While the jokes may be hoary, Unger's production has cut down on the show's sentimentality and given it a sharp edge which elevates the material. As the heroine Ruth, Runofsson is genuine, c…

SOURCE: www.theaterscene.net at 05:15PM[SHARE]
Saturday, January 28, 2017

Jitney by Victor Gluck, Editor-In-Chief

Director Ruben Santiago-Hudson has himself won a Tony Award for his performance in Wilson's "Seven Guitars" and has directed acclaimed Off Broadway revivals of "The Piano Lesson" and "Seven …

SOURCE: www.theaterscene.net at 05:27PM[SHARE]

Yours Unfaithfully by Victor Gluck, Editor-In-Chief

One problem is that the play (unlike Noel Coward's "Design for Living" or Somerset Maugham's "The Constant Wife" which cover similar territory) is neither witty not clever, and none of the l…

SOURCE: www.theaterscene.net at 11:41AM[SHARE]
Monday, January 23, 2017

Orange Julius by Victor Gluck, Editor-In-Chief

On the one hand, it is a punch in the gut dramatizing the cold hard facts of disintegrating with this disease; on the other, the non-linear time scheme is difficult to follow, offering more …

SOURCE: www.theaterscene.net at 07:13PM[SHARE]
Saturday, January 21, 2017

The Present by Victor Gluck, Editor-In-Chief

Upton's version solves some problems and creates others. Updated to the 1990's, the play is no longer about life in Tsarist Russia but the post-Perestroika world of Glasnost. While the origi…

SOURCE: www.theaterscene.net at 03:33PM[SHARE]
Tuesday, January 10, 2017

Blueprint Specials by Victor Gluck, Editor-In-Chief

Never before seen on mainland U.S.A, the current show is an amalgam of the four existing shows ("P.F.C. Mary Brown;" "Hi, Yank!;" "About Face" and "OK, USA") of the six that were written. Di…

SOURCE: www.theaterscene.net at 04:08PM[SHARE]

Martin Luther on Trial by Victor Gluck, Editor-In-Chief

Set in The Afterlife, a crossroad between Heaven and Hell, the play presupposes a trial of Luther on the grounds of being guilty of "the unforgiveable sin." The prosecuting attorney is The D…

SOURCE: www.theaterscene.net at 02:24PM[SHARE]
Saturday, January 7, 2017

What We Wanted by Victor Gluck, Editor-In-Chief

While Harms has a fine ear for dialogue, the play moves by revelation and incident. Consequently, it plays like a sophisticated soap opera as every scene brings a new wrinkle not previously …

SOURCE: www.theaterscene.net at 11:53PM[SHARE]
Thursday, January 5, 2017

The Mikado Reimagined (NYGASP) by Victor Gluck, Editor-In-Chief

In keeping with Sullivan having been hit over the head, the cast is clothed in a motley collection: a combination of late Victorian and Japanese styles. Some are in all Japanese, some in all…

SOURCE: www.theaterscene.net at 04:09PM[SHARE]
Saturday, December 31, 2016

God of Vengeance by Victor Gluck, Editor-In-Chief

Surprisingly, Eleanor Reissa's production for New Yiddish Rep has made some debatable choices which damage the power of the play. First of all and most obviously, although not a word has bee…

SOURCE: www.theaterscene.net at 08:41PM[SHARE]
Wednesday, December 28, 2016

Sweet Charity by Victor Gluck, Editor-In-Chief

The real reason to see the new "Sweet Charity," its third major New York revival, is for Sutton Foster's bravura performance. Aside from nightclub singer Reno Sweeney in Anything Goes, Foste…

SOURCE: www.theaterscene.net at 01:47PM[SHARE]
Saturday, December 24, 2016

Life is for Living: Conversations with Coward by Victor Gluck, Editor-In-Chief

Green's dry delivery is in the Coward manner, crisp, almost spoken to the music, with impeccable diction. Shrubsole's accompaniment supports him without ever getting in the way. The most fam…

SOURCE: www.theaterscene.net at 01:23PM[SHARE]
Friday, December 23, 2016

Natasha, Pierre & The Great Comet of 1812 on Broadway by Victor Gluck, Editor-In-Chief

We knew it was a great novel, but who knew Leo Tolstoy's "War and Peace," Part I, would make such an exciting and innovative electro pop-rock opera? Not that the epic novel isn't a fantastic…

SOURCE: www.theaterscene.net at 10:23PM[SHARE]
Wednesday, December 21, 2016

Othello (New York Theatre Workshop) by Victor Gluck, Editor-In-Chief

Two ways to invigorate Shakespeare in our time is to either cast actors not identified with classical roles or to reset the play in some unfamiliar setting. Sam Gold's magnificent production…

SOURCE: www.theaterscene.net at 11:30PM[SHARE]
Saturday, December 17, 2016

The Band's Visit by Victor Gluck, Editor-In-Chief

Seven musicians of Egypt's Alexandria Ceremonial Police Orchestra have been sent to Israel to open the new Arab cultural center at Petah Tivah. Due to a mix up at the border, they end up in …

SOURCE: www.theaterscene.net at 10:58AM[SHARE]
Saturday, December 10, 2016

Ride the Cyclone by Victor Gluck, Editor-In-Chief

Rockwell who also choreographed has turned each of the songs into an extravagant, go-for-broke production number. Best are Wardell's "Noel's Lament" in which he reveals he wants to be Moniqu…

SOURCE: www.theaterscene.net at 10:57PM[SHARE]
Tuesday, December 6, 2016

This Day Forward by Victor Gluck, Editor-In-Chief

"This Day Forward" shows much tighter control than many of Nicky Silver's early anarchic plays. However, aside from offering a few wonderful characters in Malka and the older Irene, the play…

SOURCE: www.theaterscene.net at 02:20PM[SHARE]
Saturday, December 3, 2016

Party People by Victor Gluck, Editor-In-Chief

The framework is a fictional fiftieth anniversary party given in a New York art gallery by collaborating media/visual/performing artists Malik "Mk Ultra" (Christopher Livingston) and Jimmy "…

SOURCE: www.theaterscene.net at 11:43PM[SHARE]
Wednesday, November 30, 2016

Terms of Endearment by Victor Gluck, Editor-In-Chief

It isn't until the second act of Dan Gordon's stage adaptation of "Terms of Endearment," based on both the Larry McMurtry novel as well as the Academy Award-winning screenplay by James L. Br…

SOURCE: www.theaterscene.net at 10:57PM[SHARE]
Monday, November 28, 2016

Finian's Rainbow by Victor Gluck, Editor-In-Chief

Moore's adaptation successfully uses the small, recently renovated stage of the Irish Repertory Theatre so that even with 13 actors the performance area always looks populated with the peopl…

SOURCE: www.theaterscene.net at 01:44PM[SHARE]
Monday, November 14, 2016

Women of a Certain Age " Play 3 of The Gabriels: Election Year in the Life of One Family by Victor Gluck, Editor-In-Chief

Told in real time from five to seven PM on Election Day, November 8, 2016, not much happens in the play but as the Gabriel women talk, they reveal their hopes, their fears, their desires and…

SOURCE: www.theaterscene.net at 11:02PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off