All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Thursday, June 14, 2018

Fruit Trilogy by Victor Gluck, Editor-In-Chief

Her newest work, "Fruit Trilogy," an evening of three one acts, “Pomegranate,” “Avocado” and “Coconut,” has all of the strengths and weaknesses of her previous stage plays which …

SOURCE: www.theaterscene.net at 03:05PM
Tuesday, June 12, 2018

Secret Life of Humans by Victor Gluck, Editor-In-Chief

Though it wouldn’t be fair to reveal it here for audiences about to see the play, the “secret” actually turns out to be one that has been widely known for some time as it is all over t…

SOURCE: www.theaterscene.net at 01:36PM
Monday, June 4, 2018

Tchaikovsky: None but the Lonely Heart by Victor Gluck, Editor-In-Chief

The letters alternate with the musical portions played by Ji on piano, Ari Evan on cello and Stephanie Zyzak on violin in various combinations which are beautiful but it is never clear in wh…

SOURCE: www.theaterscene.net at 03:59PM
Sunday, June 3, 2018

Brokeback Mountain by Victor Gluck, Editor-In-Chief

While "Brokeback Mountain" impresses in its sincerity, it does not move which is a serious problem considering the romantic and tragic plot. Director Jacopo Spirei’s cast is in fine form a…

SOURCE: www.theaterscene.net at 11:38AM
Monday, May 28, 2018

The Beast in the Jungle by Victor Gluck, Editor-In-Chief

While "The Beast in the Jungle" is a musical for our time it contains a message that was dear to the heart of writer Henry James, that of the unlived life. Ultimately very moving when the st…

SOURCE: www.theaterscene.net at 11:48PM

Molasses in January by Victor Gluck, Editor-In-Chief

Standing in the way of the show’s success is the workshop-like production. Some of Pellegrino’s melodies are pleasant but musical director Michael Wittenberg’s piano playing drowns out…

SOURCE: www.theaterscene.net at 12:30AM
Sunday, May 27, 2018

Peace for Mary Frances by Victor Gluck, Editor-In-Chief

We learn a great deal about hospice, possibly more than one might want to know in a play. While most death watch plays like Edward Albee’s "All Over" and Scott McPherson's "Marvin’s Room…

SOURCE: www.theaterscene.net at 09:39PM
Wednesday, May 23, 2018

Twelfth Night by Victor Gluck, Editor-In-Chief

Played as older than either Viola or Sebastian, Elizabeth Heflin is charmingly eccentric as the strong cougar who becomes lovesick and yielding at the sight of Cesario and then Sebastian. In…

SOURCE: www.theaterscene.net at 02:49PM
Tuesday, May 22, 2018

Long Day’s Journey into Night (Bristol Old Vic) by Victor Gluck, Editor-In-Chief

Unlike many of the recent New York stagings, Eyre’s production makes it clear that the thrust of this four act play is an attempt for the Tyrones to exorcise their demons in one alcoholic …

SOURCE: www.theaterscene.net at 11:44PM
Monday, May 21, 2018

Marlowe’s Fate by Victor Gluck, Editor-In-Chief

Hodges’ play is quite lively with each scene dramatizing one point and the cast of characters made up entirely of real people, not all of them still famous. The real problem is with the un…

SOURCE: www.theaterscene.net at 05:59PM
Sunday, May 20, 2018

The Gentleman Caller by Victor Gluck, Editor-In-Chief

Every once in a while the exactly right actor is matched with the right role and magic occurs. Such is the case with Juan Francisco Villa as the 34-year-old Tennessee Williams (before he bec…

SOURCE: www.theaterscene.net at 11:20PM
Thursday, May 17, 2018

A Brief History of Women by Victor Gluck, Editor-In-Chief

Although the title covers part of the plot, the play is really a trenchant social history of Britain from 1925 – 1985 in four short sequences, showing the changes that take place in one ho…

SOURCE: www.theaterscene.net at 05:08PM
Monday, May 14, 2018

The Jewish King Lear by Victor Gluck, Editor-In-Chief

Aside from being a tight domestic drama, The Jewish King Lear has several other differences from Shakespeare’s tragedy. Gordin’s Lear has a wife who is sorely put upon and under her husb…

SOURCE: www.theaterscene.net at 11:35PM
Tuesday, May 8, 2018

Travesties by Victor Gluck, Editor-In-Chief

The play is narrated by Carr through his memories as an doddering 80-year-old man, returning him (and us) to his days as a 30-year-old resident of Zurich. As such he both unreliable, alterin…

SOURCE: www.theaterscene.net at 11:32PM
Tuesday, May 1, 2018

Transfers by Victor Gluck, Editor-In-Chief

As Cristofer, Juan Castano is riveting in his honesty and his assurance. You could hear a pin drop during several of his monologue confessions as to why he didn’t do as well as he might ha…

SOURCE: www.theaterscene.net at 01:33PM
Friday, April 27, 2018

Miss You Like Hell by Victor Gluck, Editor-In-Chief

What makes the storytelling riveting are the performances by the talented cast. As the free-spirited Beatriz fighting for her life, Rubin-Vega is at her fiercest and she is a memorable three…

SOURCE: www.theaterscene.net at 04:51PM
Tuesday, April 24, 2018

Mean Girls by Victor Gluck, Editor-In-Chief

Fey has made two successful changes to theatricalize her original screenplay. The story is now cast as a flashback narrated by best friends Goth Janis (Barrett Wilbert Weed) and Damian (Grey…

SOURCE: www.theaterscene.net at 11:50PM
Monday, April 23, 2018

One Thousand Nights and One Day by Victor Gluck, Editor-In-Chief

In performance, "One Thousand Nights and One Day" is a like a play with songs shoehorned in as none of them forward the story but take the emotional temperature of the characters instead. Wi…

SOURCE: www.theaterscene.net at 05:13PM
Friday, April 20, 2018

King Lear (Royal Shakespeare Company) by Victor Gluck, Editor-In-Chief

The Royal Shakespeare Company’s latest "King Lear," as directed by Gregory Doran, is one that needs no explanation and no program notes. At one and the same time both medieval and contempo…

SOURCE: www.theaterscene.net at 03:19PM
Wednesday, April 18, 2018

ms. estrada by Victor Gluck, Editor-In-Chief

The Q Brothers Collective (made up of GQ, JQ, Jackson Doran and Postell Pringle) is best known in New York for their hip hop variations on Shakespeare: "Othello: The Remix" in 2016 and "The …

SOURCE: www.theaterscene.net at 04:41PM
Monday, April 16, 2018

Lobby Hero by Victor Gluck, Editor-In-Chief

Ethical integrity versus moral turpitude is the theme of Kenneth Lonergan’s "Lobby Hero" now having its Broadway debut at The Second Stage’s newly renovated home, The Helen Hayes Theater…

SOURCE: www.theaterscene.net at 01:19PM
Thursday, April 12, 2018

The Edge of Our Bodies by Victor Gluck, Editor-In-Chief

Rapp’s plays are so different from each other that it is difficult to classify him. As of now he has written conventional dramas, experimental plays, futuristic and science fiction plays, …

SOURCE: www.theaterscene.net at 02:35PM
Tuesday, April 10, 2018

Frozen by Victor Gluck, Editor-In-Chief

Disney Theatrical Productions’ long anticipated stage version of the beloved animated film "Frozen" has arrived on Broadway in a lavish and faithful version of the screenplay by Jennifer L…

SOURCE: www.theaterscene.net at 01:35PM
Sunday, April 8, 2018

Feeding the Dragon by Victor Gluck, Editor-In-Chief

Under the assured direction of Maria Mileaf in a production which started at the Hartford Stage earlier this year, Sharon Washington is a captivating and entertaining presence both as she na…

SOURCE: www.theaterscene.net at 11:34PM
Friday, April 6, 2018

The Stone Witch by Victor Gluck, Editor-In-Chief

Lauria, best known for his work on "The Wonder Years," makes Simon an immensely private and enigmatic figure. His erratic behavior changes by the moment, keeping Peter (and us) guessing. We …

SOURCE: www.theaterscene.net at 04:31PM
Wednesday, April 4, 2018

Bedlam’s Pygmalion by Victor Gluck, Editor-In-Chief

Scenic designer John McDermott has turned the black box space at the Sheen Center into an intimate amphitheater with the audience sitting around three sides of Higgins’ laboratory/study wi…

SOURCE: www.theaterscene.net at 12:30AM
Monday, April 2, 2018

Babette’s Feast by Victor Gluck, Editor-In-Chief

aithful to the story and like the film, this stage adaptation uses narration from Dinesen’s story. However, not only are the actors used as storytellers, some of the characters also narrat…

SOURCE: www.theaterscene.net at 04:16PM
Tuesday, March 27, 2018

Admissions by Victor Gluck, Editor-In-Chief

"Admissions" is often very funny like when Sherri has to try to explain why Melville’s Moby Dick is not being taught anymore (a book about a white whale by a dead white guy) and when Charl…

SOURCE: www.theaterscene.net at 03:16PM
Monday, March 26, 2018

Education by Victor Gluck, Editor-In-Chief

"Education," Brian Dykstra’s new play, is an incendiary investigation into censorship, free speech and responsibility in electric theater. It purports to be about Art as a Weapon but its t…

SOURCE: www.theaterscene.net at 11:29PM
Tuesday, March 20, 2018

The Low Road by Victor Gluck, Editor-In-Chief

Bruce Norris’ plays are so different from each other that you have to take his fingerprints to recognize his hand. His recent New York plays have dealt with racism and gentrification ("Cly…

SOURCE: www.theaterscene.net at 04:32PM
Sunday, March 18, 2018

Calamity Jane by Victor Gluck, Editor-In-Chief

It would be a pleasure to say that Musicals Tonight! is going out on a high but that would not be accurate. While the book by Ronald Hanmer and Phil Park based on the play by Charles K. Free…

SOURCE: www.theaterscene.net at 07:26PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic