All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Wednesday, April 26, 2023

Play for the Plague Year by Victor Gluck, Editor-In-Chief

While the playlets seem too slight to have much dramatic weight as they are mainly about one minute long, they do have a cumulative effect summing up a year that was like no other in recent …

SOURCE: www.theaterscene.net at 04:30PM
Saturday, April 22, 2023

On the Right Track by Victor Gluck, Editor-In-Chief

The latest collaboration by composer lyricist Albert M. Tapper and bookwriter Tony Sportiello, "On the Right Track," proves to be a charming chamber musical for three performers playing seve…

SOURCE: www.theaterscene.net at 08:39PM
Thursday, April 20, 2023

Camelot by Victor Gluck, Editor-In-Chief

Unfortunately, though Sorkin may have made this "Camelot" more politically correct, scientifically accurate and less supernatural, it is much less entertaining and magical than earlier produ…

SOURCE: www.theaterscene.net at 10:36PM
Friday, April 14, 2023

Emilie: La Marquise du Châtelet Defends Her Life Tonight by Victor Gluck, Editor-In-Chief

Gunderson uses two actors to play Emilie and writer Voltaire who was her mentor, companion and lover, and then three actors to play everyone else, from Emilie’s mother, husband and daughte…

SOURCE: www.theaterscene.net at 11:28PM
Sunday, April 9, 2023

Smart by Victor Gluck, Editor-In-Chief

Mary Elizabeth Hamilton’s Smart has an interesting premise but does not carry out its goal turning quickly into a domestic drama and later a bittersweet love story. The two acts seem to be…

SOURCE: www.theaterscene.net at 11:46PM
Friday, April 7, 2023

Life of Pi by Victor Gluck, Editor-In-Chief

"Life of Pi" is a unique theatrical experience with its animal puppetry, depiction of days on the ocean, and bringing to life an Indian city, circa 1977. It tells a fantastical story with br…

SOURCE: www.theaterscene.net at 11:44AM
Wednesday, April 5, 2023

Vanities – The Musical by Victor Gluck, Editor-In-Chief

Although the women grow up and change over the 26 years we see them, Heifner’s book tends to stay away from politics and the women’s movement other than mentioning markers like Kennedy, …

SOURCE: www.theaterscene.net at 03:58PM
Friday, March 31, 2023

The Harder They Come by Victor Gluck, Editor-In-Chief

Celebrating the 50th anniversary of its original film release, Pulitzer Prize-winning playwright Suzan-Lori Parks has turned "The Harder They Come," the cult Jamaican film that starred later…

SOURCE: www.theaterscene.net at 04:56PM
Wednesday, March 29, 2023

Bad Cinderella by Victor Gluck, Editor-In-Chief

The book of "Bad Cinderella" plays like a series of unfunny "Saturday Night Live" sketches. Laurence Connor (who also directed the earlier London production) has given the show no particular…

SOURCE: www.theaterscene.net at 02:57PM
Saturday, March 25, 2023

The Good John Proctor by Victor Gluck, Editor-In-Chief

Unfortunately, Monohon’s play which takes its cues from Miller’s drama, assumes a thorough knowledge of "The Crucible" and leaves out a great deal of information that would make it easie…

SOURCE: www.theaterscene.net at 08:22PM

Arden of Faversham by Victor Gluck, Editor-In-Chief

The problem with this production is that although the characters’ behavior is utterly outrageous on the verge of satire, Berger has directed in so flat and bland a style, that shocking lin…

SOURCE: www.theaterscene.net at 11:32AM
Tuesday, March 21, 2023

The Hunting Gun by Victor Gluck, Editor-In-Chief

Not for everyone, this minimalistic theatrical event is performed entirely in Japanese with English language supertitles above the stage so that for non-Japanese speakers it requires reading…

SOURCE: www.theaterscene.net at 02:35PM
Sunday, March 19, 2023

A Doll’s House by Victor Gluck, Editor-In-Chief

Like Ivo van Hove’s pared-down revival of Arthur Miller’s "A View from the Bridge," Jamie Lloyd’s new Broadway production of Henrik Ibsen’s 1879 "A Doll’s House" uses no sets or pr…

SOURCE: www.theaterscene.net at 11:51PM
Friday, March 17, 2023

The Rewards of Being Frank by Victor Gluck, Editor-In-Chief

While playwright Scovell has a facility for language, she does not have the wit to mimic Wilde’s classic one-liners. Instead, she borrows expressions from the play and attempts to imitate …

SOURCE: www.theaterscene.net at 03:01PM
Tuesday, March 14, 2023

Crumbs from the Table of Joy by Victor Gluck, Editor-In-Chief

While this first New York revival of the 1995 "Crumbs from the Table of Joy" does not reach the heights of Nottage’s later Pulitzer Prize-winning plays, "Ruined" and "Sweat," it proves to …

SOURCE: www.theaterscene.net at 09:13PM
Sunday, March 12, 2023

1+1 by Victor Gluck, Editor-In-Chief

Eric Bogosian’s latest play to reach New York is his 2008 "1+1" which feels like a made for television movie written without taking into consideration the #MeToo movement that has occurred…

SOURCE: www.theaterscene.net at 04:09PM
Saturday, March 11, 2023

Public Obscenities by Victor Gluck, Editor-In-Chief

Shayok Misha Chowdhury’s "Public Obscenities" having its world premiere at the Soho Rep is an immersive story into Bengali culture in Kolkata, formerly known as Calcutta. Directed by the a…

SOURCE: www.theaterscene.net at 04:36PM
Monday, March 6, 2023

The Sign in Sidney Brustein’s Window by Victor Gluck, Editor-In-Chief

Unfortunately, the latest revival now at the BAM Harvey Theater cannot be counted as having reversed the play’s fortunes. It still seems vastly overwritten and verbose as it attempts to co…

SOURCE: www.theaterscene.net at 11:41PM

LOVE by Victor Gluck, Editor-In-Chief

Alexander Zeldin’s "LOVE" seems much longer than it actually is due to much silence and the reenactment of everyday tasks usually skipped onstage in plays. There is little dialogue and wha…

SOURCE: www.theaterscene.net at 01:18AM
Friday, March 3, 2023

The Seagull/Woodstock, NY by Victor Gluck, Editor-In-Chief

Aside from the problem of which translation from the Russian to use, the  thorny problem with American productions of the plays of playwright Anton Chekhov is how to deal with the fact the …

SOURCE: www.theaterscene.net at 05:46PM
Wednesday, March 1, 2023

Becomes a Woman by Victor Gluck, Editor-In-Chief

Originally entitled "Francie Nolan," the same as the title character of her later "A Tree Grows in Brooklyn," but unrelated to that story except for sharing its Brooklyn setting, the play do…

SOURCE: www.theaterscene.net at 05:03PM
Tuesday, February 28, 2023

A Bright New Boise by Victor Gluck, Editor-In-Chief

The second play of Samuel D. Hunter’s residency at Signature Theatre is the first New York revival of his 2011 Obie Award winning 'A Bright New Boise," not seen by too many people in its s…

SOURCE: www.theaterscene.net at 03:39PM
Friday, February 24, 2023

Cornelia Street by Victor Gluck, Editor-In-Chief

Although British playwright Simon Stephens has written three musicals with composer/lyricist Mark Eitzel, formerly of the indie rock band American Music Club, Cornelia Street, set on a quiet…

SOURCE: www.theaterscene.net at 12:46AM
Tuesday, February 21, 2023

The Wanderers by Victor Gluck, Editor-In-Chief

The latest play to reach New York by Anna Ziegler, author of 'Photography 51," "Boy," "The Last Match" and "Actually," has a complicated structure she appears to have invented. "The Wanderer…

SOURCE: www.theaterscene.net at 10:45PM
Sunday, February 19, 2023

She’s Got Harlem on Her Mind: 3 Plays by Eulalie Spence by Victor Gluck, Editor-In-Chief

The problem with rediscovering lost plays from the past is that works that are 100 years old may have gotten dated or express views no longer held. Back in the 1920’s, Harlem Renaissance a…

SOURCE: www.theaterscene.net at 10:51PM
Tuesday, February 14, 2023

Twelfth Night (The Classical Theatre of Harlem) by Victor Gluck, Editor-In-Chief

When the Countess Olivia played by glamorous Christina Sajous declares “How wonderful!” in the final scene of The Classical Theatre of Harlem’s return engagement of its production of W…

SOURCE: www.theaterscene.net at 10:20PM
Tuesday, January 31, 2023

Lady in the Dark by Victor Gluck, Editor-In-Chief

Unfortunately, this is musical comedy and does not need operatic voices, Lawrence being famously a singer with a very small range, while Kaye came from cabaret and night club. With all of th…

SOURCE: www.theaterscene.net at 06:40PM
Monday, January 30, 2023

Asi Wind’s Inner Circle by Victor Gluck, Editor-In-Chief

"Ari Wind’s Inner Circle" is so incredible that it defies the imagination. Can these be called sleights of hand when we see everything that happens at all times? It is the sort of show tha…

SOURCE: www.theaterscene.net at 06:44PM
Saturday, January 28, 2023

F*ck7thGrade by Victor Gluck, Editor-In-Chief

Singer/songwriter Jill Sobule’s life story is on display in the charming cabaret musical "F*ck7thGrade" – with a difference. Sobule, the original “I Kissed a Girl” composer/lyricist,…

SOURCE: www.theaterscene.net at 11:29PM
Tuesday, January 24, 2023

Colin Quinn: Small Talk by Victor Gluck, Editor-In-Chief

"Small Talk," like its title suggests, is less unified than Quinn’s earlier shows. He also uses its format to wander from topic to topic, seemingly randomly without much structure. It allo…

SOURCE: www.theaterscene.net at 10:39PM

Memorial by Victor Gluck, Editor-In-Chief

Not only is Livian Yeh’s "Memorial" revealing in its historic depiction of a recent piece of American history, it is additionally a very satisfying dramatic work. It is also very pertinent…

SOURCE: www.theaterscene.net at 10:46AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic