Kevin Delin analyzes AEA logic through a theory of “matter / doesn’t matter” in the union’s treatment of Los Angeles theater. It turns out when “Matter” is exposed to “Doesn’…
SOURCE: Footlights at 03:25AMSo you’re a theater having a hard time getting audiences. A new pay-for-play scheme under way by the ever-tempestuous L.A.-based theater website Bitter Lemons allows you to pay the websi…
SOURCE: Footlights at 03:25AMBitter Lemons, a theatre website based in Los Angeles, has announced a new business model in which productions pay writers to review their productions. Time Out’s David Cote Weighs in on…
SOURCE: Footlights at 03:25AMBeing an Actor in a Town Full of Them. Union actor Wendy Worthington reflects on the underlying purpose of creating theater in Los Angeles, pursuing and acting career and how her union’s c…
SOURCE: Footlights at 03:25AMMy knowledge of the LA theatre scene isn’t as intimate of my knowledge of the Bay Area scene, so I’m forced to ask: Is Bitter Lemons so vital to the stability of the scene that it can m…
SOURCE: Footlights at 03:25AMPay your money! Is This Any Way to Run a Theatre Review Site? This year, Bitter Lemons’ annual critic’s panel wasn’t a discussion of the state of L.A. theatre criticism so much as a de…
SOURCE: Footlights at 03:25AMFor the last sixteen years, The Lillian Theatre has been home to The Elephant Theatre Company, in addition to housing hundreds of other groups and companies, putting up multiple award winnin…
SOURCE: Footlights at 03:25AM