All stories by Tony Frankel on BroadwayStars

Thursday, May 8, 2014

Regional Theater Review: INTO THE WOODS (3-D Theatricals in Fullerton) by Tony Frankel

INTO THE WORDS For his production of Into the Woods, director T.J. Dawson notes that Stephen Sondheim’s score is often revered as genius. “However, many of his incredible lyrics rush by …

SOURCE: Stage and Cinema at 02:29AM

Los Angeles Dance Review: YOUTH (L.A. Contemporary Dance Company at Club Fais Do Do) by Tony Frankel

JUST DANCE I recently read an email from a dance mentor whose advice for performing was simply, “Let it all go and Dance, Motherfuckers!” I couldn’t help but think back to the email as…

SOURCE: Stage and Cinema at 12:40AM
Tuesday, May 6, 2014

Cabaret Review: JEREMY JORDAN: BREAKING CHARACTER (Catalina Bar & Grill in Hollywood) by Tony Frankel

29 IS THE NEW 19 “If you ever feel stuck in your life,” Broadway, TV, and film heartthrob Jeremy Jordan told the adoring throng at his L.A. debut last night, “go back to your childhood…

SOURCE: Stage and Cinema at 07:13PM
Monday, May 5, 2014

Cabaret Review: DAISY EAGAN: ONE FOR MY BABY (Rockwell Table & Stage) by Tony Frankel

OOPSY DAISY With enough comic personality to rival Fanny Brice, the droll, deft, dirty, daffy, derisive, delirious, and delightful Daisy Eagan, best-known for being the youngest female Tony …

SOURCE: Stage and Cinema at 09:27PM
Saturday, May 3, 2014

Los Angeles Theater Review: PREMEDITATION (Los Angeles Theatre Center) by Tony Frankel

NOT PREMEDITATED ENOUGH Despite playwright Evelina Fernández’ ability to take clichéd problems about marriage and turn them into humorous complaints about men tossing underwear on the fl…

SOURCE: Stage and Cinema at 08:55PM

San Diego Theater Review: TIME AND THE CONWAYS (The Old Globe) by Tony Frankel

TIME IS RELATIVE FOR THE RELATIVES IN TIME J. B. Priestley’s Time and the Conways is in some ways a creaky play, yet the production at The Old Globe is so lovingly directed, thrillingly ac…

SOURCE: Stage and Cinema at 04:32AM

Commentary and Regional Theater Review: THE PURPLE LIGHTS OF JOPPA ILLINOIS (World Premiere by Adam Rapp at South Coast Rep in Costa Mesa) by Tony Frankel

DIM LIGHTS As part of its 17th Annual Pacific Playwrights Festival, South Coast Repertory presented a play by Adam Rapp. Unlike Theresa Rebeck’s Zealot and Rajiv Joseph’s Mr. Wolf, which…

SOURCE: Stage and Cinema at 12:16AM
Friday, May 2, 2014

Los Angeles Theater Review: TASTE (Sacred Fools) by Tony Frankel

WHAT DO YOU HAVE A TASTE FOR? Six weeks before the opening of Sacred Fools’ cannibal play, one of Stage and Cinema’s writers (to whom I will assign the alias “Ethel”) asked if she co…

SOURCE: Stage and Cinema at 07:39PM
Thursday, May 1, 2014

San Diego Theater Review: WATER BY THE SPOONFUL (The Old Globe) by Tony Frankel

WATER IS THE GIFT OF LIFE Water by the Spoonful is the second play in Quiara Alegria Hudes’ “Elliot Cycle,” three stand-alone plays written over an eight-year period. Elliot, A Soldier…

SOURCE: Stage and Cinema at 03:31PM
Monday, April 28, 2014

San Diego Theater Review: PASSION (ion theatre) by Tony Frankel

DON’T PASS ON PASSION When first I saw Stephen Sondheim and James Lapine’s Passion on Broadway in 1994, it was clear that this shattering new work was like nothing that had come before.…

SOURCE: Stage and Cinema at 10:18PM
Saturday, April 26, 2014

Los Angeles Theater Preview: THE DROWSY CHAPERONE (Norris Center in Palos Verdes Peninsula) by Tony Frankel

THE DROWSY CHAPERONE OPENS AT THE NORRIS Before American Musical Theater was reinvented by Oklahoma! in 1943, musical comedies were constructed piecemeal—a comic star here, a songwriting t…

SOURCE: Stage and Cinema at 02:44PM
Friday, April 25, 2014

Los Angeles Theater Preview and Interviews: AN AMERICAN SOLDIER’S TALE / A FIDDLER’S TALE (Long Beach Opera) by Tony Frankel

GET SOME TALE In 1918, Igor Stravinsky and Swiss writer Ferdinand Ramuz wrote L’Histoire du soldat (The Soldier’s Tale) a short theatrical work meant to be “read, played, and d…

SOURCE: Stage and Cinema at 02:09PM
Tuesday, April 22, 2014

Los Angeles Theater Review: BE A GOOD LITTLE WIDOW (NoHo Arts Center in North Hollywood) by Tony Frankel

UNBEREAVABLE Bekah Brunstetter’s Be a Good Little Widow is awash with structural issues (ambiguous timeline, disconnected scenes), trite themes and relationships, and a refusal to penetrat…

SOURCE: Stage and Cinema at 10:24PM
Monday, April 21, 2014

Los Angeles Theater Review: FATHERS AT A GAME (Moving Arts Hyperion Station) by Tony Frankel

WHICH GAME IS ON? With the 2014 Hollywood Fringe Festival set to begin in June, I decided to check out Fathers at a Game. I was curious to see why this 50-minute three-hander was being bille…

SOURCE: Stage and Cinema at 09:44PM

Los Angeles Theater Review: TOP GIRLS (Antaeus Theatre Company in North Hollywood) by Tony Frankel

YOU’RE THE TOP, GIRLS For the most part, Joyce, a working class Englishwoman in Ipswich is not a sympathetic or likeable person: She is annoyed by her 16-year-old daughter Angie (who admit…

SOURCE: Stage and Cinema at 03:37AM
Saturday, April 19, 2014

Los Angeles Dance Review: PAUL TAYLOR DANCE COMPANY (Dorothy Chandler Pavilion) by Tony Frankel

TAYLOR-MADE When a visiting dance company plays Los Angeles, it usually offers pieces which cover both the old and the new. And so it is with Paul Taylor, who presented last weekend at the C…

SOURCE: Stage and Cinema at 02:49PM
Tuesday, April 15, 2014

Los Angeles Theater Review: EVERYTHING YOU TOUCH (The Theatre @ Boston Court) by Tony Frankel

EVERYTHING NEEDS A RETOUCH 30-year-old Jess is a mess. A New York-based dotcom genius, Jess is fraught with low self-esteem, making her an overweight, smelly, anti-social, stressed-out, aggr…

SOURCE: Stage and Cinema at 09:52PM
Tuesday, April 8, 2014

Los Angeles Theater Review: THE LAST ACT OF LILKA KADISON (Falcon Theatre in Burbank) by Tony Frankel

INVENTIVE MEMORY PLAY COULD USE JUST A BIT MORE MAGIC Inspired by the work of Johanna Cooper—a broadcaster who was commonly drawn to Jewish tales—Nicola Behrman, David Kersnar, Abbie Phi…

SOURCE: Stage and Cinema at 09:23PM
Saturday, April 5, 2014

Los Angeles Theater Review: DOCTOR ANONYMOUS (Zephyr Theatre) by Tony Frankel

IS THERE A SHOW DOCTOR IN THE HOUSE? There is a method of political activism called a “zap.” Basically, zaps are militant but non-violent face-to-face confrontations with persons in posi…

SOURCE: Stage and Cinema at 04:53PM
Friday, April 4, 2014

Los Angeles Theater Preview: ‘S WONDERFUL: THE NEW GERSHWIN MUSICAL (Musical Theatre West) by Tony Frankel

HAVING A “‘S WONDERFUL” TIME It should come as no surprise that the song catalog of George and Ira Gershwin—according to Los Angeles Times—generates about $8 million a …

SOURCE: Stage and Cinema at 10:28AM
Friday, March 28, 2014

Los Angeles Theater Preview: FLOYD COLLINS (La Mirada Theatre) by Tony Frankel

I CAN’T CAVE ENOUGH In 1917, Kentucky cave explorer Floyd Collins discovered Crystal Cave. Located in the same area as Mammoth Cave—the longest cave system known in the world—the site …

SOURCE: Stage and Cinema at 06:16PM
Tuesday, March 25, 2014

Los Angeles Theater Review: A SONG AT TWILIGHT (Pasadena Playhouse) by Tony Frankel

A WITLESS TWILIGHT Noël Coward referred to his final play, A Song at Twilight, as his “swan song.” The last installment of his Suite in Three Keys (a trio of plays set in the same hotel…

SOURCE: Stage and Cinema at 01:28AM
Thursday, March 13, 2014

San Diego Theater Review: EDGAR & ANNABEL and FAR AWAY (ion theatre company) by Tony Frankel

THE FUTURE LOOKS BLIGHT While there are a few missteps in both playwriting and direction, ion theatre’s presentation of two one-acts definitely held my attention. The only similarities bet…

SOURCE: Stage and Cinema at 02:59AM
Wednesday, March 12, 2014

Los Angeles Theater Preview: CIRCA (Broad Stage in Santa Monica) by Tony Frankel

COME JOIN THE CIRCA Brisbane-based Circa creates circus that moves the heart, mind and soul. The company discovers, cultivates and presents works and experiences from the living heart of cir…

SOURCE: Stage and Cinema at 10:11PM

San Diego Theater Review: DETROIT (San Diego REP) by Tony Frankel

THE ACTUAL CITY OF DETROIT HAS FEWER PROBLEMS THAN THIS PRODUCTION After watching San Diego REP’s production of Lisa D’Amour’s Detroit, most audience members will be dumbstruck that th…

SOURCE: Stage and Cinema at 08:52PM

Long Beach / Los Angeles Opera Preview: THE DEATH OF KLINGHOFFER (Long Beach Opera) by Tony Frankel

LBO MAKES A KLINGHOFFER YOU CAN’T REFUSE The big story this weekend isn’t the appearance of John Adams’ The Death of Klinghoffer. Since its arrival in 1991, the opera has been encircle…

SOURCE: Stage and Cinema at 01:30AM
Tuesday, March 11, 2014

Los Angeles Opera Preview: LUCIA DI LAMMERMOOR (Los Angeles Opera at the Dorothy Chandler Pavilion) by Tony Frankel

I LOVE LUCIA Lucia di Lammermoor, Gaetano Donizetti’s darkly romantic tale of honor, betrayal, loss and madness, opens this Saturday at the Dorothy Chandler Pavilion and plays through Apri…

SOURCE: Stage and Cinema at 10:39PM
Friday, March 7, 2014

San Diego Theater Review: THE WINTER’S TALE (Old Globe Theatre in Balboa Park) by Tony Frankel

SHAKESOPHRENIC, OR SCHIZSPEARE American director Barry Edelstein knows his Shakespeare. Before being appointed Artistic Director of the Old Globe 16 months ago, he was Director of the Shakes…

SOURCE: Stage and Cinema at 06:23PM
Tuesday, March 4, 2014

San Diego Opera Preview: A MASKED BALL (San Diego Opera at the Civic Theatre) by Tony Frankel

INTRIGUE? I’M GLAD YOU MASKED The poster of San Diego Opera’s production of Verdi’s A Masked Ball claims “Based on a True Story.” This is not hyperbole. When their production opens…

SOURCE: Stage and Cinema at 09:48PM
Wednesday, February 26, 2014

Los Angeles / Regional Theater Review: LYSISTRATA JONES (Chance Theater) by Tony Frankel

BASKETBALL MUSICAL IS ONE BIG PENALTY You wanna know how great the Chance Theater is? They actually made it a palatable experience to sit through one of the most half-baked and frivolous new…

SOURCE: Stage and Cinema at 08:45PM
Saturday, February 22, 2014

Los Angeles Dance Review: 3 EXCEPTIONAL PERFORMANCES (L.A. Dance Project at The Theatre at Ace Hotel) by Tony Frankel

REFLECTIONS ON L.A. DANCE PROJECT The uneven and uninspiring effort presented by L.A. Dance Project last night isn’t bad news; it just means that this nascent company needs to hone its vis…

SOURCE: Stage and Cinema at 12:30AM