All stories by Tony Frankel on BroadwayStars

Saturday, May 20, 2017

Theater Review: JERSEY BOYS (2017-18 National Tour) by Tony Frankel

JERSEY CASH COW Jersey Boys, the terrific 2004 jukebox musical inspired by the story of pop sensation Frankie Valli & the Four Seasons, is one of the greatest triumphs in Broadway histor…

SOURCE: Stage and Cinema at 02:54AM
Saturday, May 13, 2017

CD Review: A BRONX TALE (Original Broadway Cast on Ghostlight Records) by Tony Frankel

CD GETS NEITHER BRONX CHEER NOR FUGGEDABOUDIT It began as a 1989 solo play written by and starring Chazz Palminteri. Robert DeNiro saw this coming-of-age saga and became the powerhouse behi…

SOURCE: Stage and Cinema at 04:21PM
Friday, May 12, 2017

Los Angeles Theater Review: STATE FAIR (Musical Theatre Guild at the Alex Theatre in Glendale) by Tony Frankel

A GREAT STATE FAIR Corny? Completely! Simple and sentimental? Sure! Did I love it? You betcha! Rarely performed since its Broadway outing in 1996, Rodgers and Hammerstein’s frolicking …

SOURCE: Stage and Cinema at 02:25AM
Thursday, April 27, 2017

Los Angeles Music Preview: THE BEST OF WAGNER’S RING (LA Phil at Disney Hall) by Tony Frankel

PHILLIPE JORDAN, LORD OF THE RING Little more than 200 years since the birth of Wagner, and the world still can’t get enough of the German composer. Love him or hate him, he is one of the …

SOURCE: Stage and Cinema at 07:09PM
Tuesday, April 25, 2017

Los Angeles Concert Feature: IDOLS & ICONS (The 33rd [and final] S.T.A.G.E. at Saban Theatre) by Tony Frankel

COME SALUTE THE END OF AN ERA It’s a bit surreal, but the the theater community’s longest-running AIDS-related benefit is having its final fundraiser on Saturday May 13, 2017. Th…

SOURCE: Stage and Cinema at 03:47AM
Friday, April 14, 2017

Los Angeles Music Review MARTHA ARGERICH & STEPHEN KOVACEVICH (Recital at Disney Hall) by Tony Frankel

PRIMO AND PRIMO A strange thing happened on the way to the duo piano recital of the once-married pianists Martha Argerich and Stephen Kovacevich at Disney hall last Saturday. A few minutes b…

SOURCE: Stage and Cinema at 04:04AM
Tuesday, April 11, 2017

Los Angeles Theater Review: THE ENCOUNTER (Complicite at The Wallis in Beverly Hills) by Tony Frankel

THEATER ON TAPE Once the mainstay of fringe festivals and performance art houses, one-person plays showcasing the likes of James Whitmore and Lily Tomlin became financially viable in the lat…

SOURCE: Stage and Cinema at 02:59AM
Monday, April 10, 2017

Los Angeles Theater Preview: GROUNDLINGS SLEEPAWAY CAMP (The Groundlings Theatre) by Tony Frankel

IT’S TIME FOR S’MORE GROUNDLINGS Who doesn’t love sitting around a campfire scaring the crap outta some brat? Who doesn’t love canoe trips down a rocky brook? Who do…

SOURCE: Stage and Cinema at 07:45PM
Sunday, April 9, 2017

Los Angeles Music Review: SALONEN & SIBELIUS (Los Angeles Philharmonic at Disney Hall) by Tony Frankel

THOSE SUMPTUOUS STRINGS OF SIBELIUS Fresh-faced and vital, Finnish conductor Esa-Pekka Salonen returned to the Los Angeles Philharmonic in a program centered on Finland’s greatest composer…

SOURCE: Stage and Cinema at 03:55AM
Saturday, April 1, 2017

Los Angeles Theater Review: THE COMPLETE HISTORY OF COMEDY [ABRIDGED] (Falcon Theatre in Burbank) by Tony Frankel

THIS COMEDY IS TRAGIC Painfully unfunny to the point of torture, Falcon Theatre’s production of The Complete History of Comedy (abridged) puts a nail in the coffin of vaudeville and…

SOURCE: Stage and Cinema at 02:50PM
Friday, March 31, 2017

Theater Review: AN AMERICAN IN PARIS (National Tour reviewed at the Hollywood Pantages) by Tony Frankel

THE DANCING ENTRANCES, BUT THE BOOK DOESN’T STAND A CHANCE Back in the era that spawned musicals with tunes by Gershwin, Kern, Porter, and Rodgers, the Broadway Musical Comedy book wa…

SOURCE: Stage and Cinema at 06:44PM
Sunday, March 26, 2017

Dance Review: WHIPPED CREAM (American Ballet Theatre World Premiere) by Tony Frankel

WHIPPED INTO SUBMISSION Explaining the creation of his 1924 two-act ballet, Richard Strauss stated, “I cannot bear the tragedy of the present time. I want to create joy.” Thus wa…

SOURCE: Stage and Cinema at 02:17PM
Saturday, March 25, 2017

Los Angeles Music Review: TETZLAFF PLAYS DVOŘÁK WITH ESCHENBACH (LA Phil at Disney Hall) by Tony Frankel

TETZLAFF PLAYS DVOŘÁK There was atmosphere galore in Christian Tetzlaff’s intense interpretation of the Dvořák Violin Concerto last night at Disney Hall, but something was amiss—…

SOURCE: Stage and Cinema at 03:00PM
Tuesday, March 21, 2017

Los Angeles Theater Preview: INTO THE WOODS (Fiasco Theatre at the Ahmanson) by Tony Frankel

INTO THE SOUL OF INTO THE WOODS When I first saw Fiasco Theatre’s production of Into the Woods, it was without reservation that I told friends it was worth the drive from Los Angeles …

SOURCE: Stage and Cinema at 02:35PM
Thursday, March 16, 2017

Los Angeles Theater Review: ANTIGONÓN (Teatro El Público at REDCAT) by Tony Frankel

HIT AND MYTH In Sophocles’ Antigone, the titular character has returned to Thebes to warn her brothers, Eteocles and Polyneices, about a prophecy that predicts they will kill each oth…

SOURCE: Stage and Cinema at 08:05PM
Wednesday, March 15, 2017

Los Angeles Theater Review: TWELFTH NIGHT (Filter Theatre at The Wallis in Beverly Hills) by Tony Frankel

IF PIZZA BE THE FOOD OF LOVE… Well, that was frustrating. Now at the Wallis in Beverly Hills is England’s Filter Theatre, which deconstructs Twelfth Night to the bare walls (lit…

SOURCE: Stage and Cinema at 03:18AM
Friday, March 10, 2017

Los Angeles Music & Theater Preview: NIGHT AND DREAMS: A SCHUBERT AND BECKETT RECITAL (Disney Hall) by Tony Frankel

A NIGHT THAT WILL BE A DREAM Franz Schubert, the quintessential Romantic composer of the 19th century, was loved by Irish avant-garde novelist, playwright, poet and director Samuel Beckett …

SOURCE: Stage and Cinema at 08:53PM
Wednesday, March 8, 2017

Los Angeles Theater Preview: FIVE GUYS NAMED MOE (Ebony Repertory Company) by Tony Frankel

HERE COMES MR. JORDAN Get ready, cats. The best musical revue since Ain’t Misbehavin’ is coming to Los Angeles, and I’m warning you well in advance: I promise you–yep…

SOURCE: Stage and Cinema at 06:00PM
Tuesday, March 7, 2017

Los Angeles Opera Review: NIXON IN CHINA (Los Angeles Philharmonic at Walt Disney Concert Hall) by Tony Frankel

LET ME MAKE THIS PERFECTLY CLEAR Prior to yesterday’s matinee, the last of a two-performance run of Nixon in China presented by LA Phil, I wondered who would make up the audience for a re…

SOURCE: Stage and Cinema at 02:05AM
Monday, March 6, 2017

Los Angeles Cabaret Preview: CHARLES BUSCH: THAT GIRL/THAT BOY (Rockwell Table and Stage in Los Feliz) by Tony Frankel

THAT GIRL, THAT BOY…HELL, THAT STAR It was well over 30 years ago that I first saw writer, actor and drag legend Charles Busch. Not only was he hi-larious in his long-running Off-Broa…

SOURCE: Stage and Cinema at 06:51PM
Wednesday, March 1, 2017

Los Angeles Dance Preview: ALVIN AILEY DANCE THEATER (Dorothy Chandler Pavilion) by Tony Frankel

AILEY IS ALWAYS A REVELATION(S) After many happy visits to the Music Center’s Dorothy Chandler Pavilion, Alvin Ailey Dance Theater returns to unleash a sumptuous, three-program showcas…

SOURCE: Stage and Cinema at 08:41PM
Tuesday, February 28, 2017

Los Angeles Theater Preview: AMOUR (Musical Theatre West in Long Beach) by Tony Frankel

YOU’LL FALL IN LOVE WITH AMOUR “I wanted to write an opera-bouffe, an intimate evening with light, lyrical singing and delicate charm,” wrote composer Michel Legrand. ̶…

SOURCE: Stage and Cinema at 10:14PM
Monday, February 27, 2017

Los Angeles Music Review: HÉLÈNE GRIMAUD PLAYS BRAHMS (LA Phil at Walt Disney Concert Hall) by Tony Frankel

THERE’S A REASON WE RETURN TO BRAHMS AND RAVEL Under guest conductor James Gaffigan’s assured leadership, the Los Angeles Philharmonic brought a fuller and more vibrant sound to two …

SOURCE: Stage and Cinema at 01:57AM
Friday, February 24, 2017

Los Angeles Theater Review: BYE BYE BIRDIE (Glendale Centre Theatre) by Tony Frankel

 A BIRDIE THAT TAKES WING Having no intention of reviewing, I bought a couple tickets to a non-union production of Bye Bye Birdie, but the entire affair had me so damn giddy that I canR…

SOURCE: Stage and Cinema at 08:55PM
Thursday, February 23, 2017

Theater Review: FUN HOME (National Tour) by Tony Frankel

IN AND OUT AT HOME The Tony-winning 2013 coming-of-age memory play/chamber musical Fun Home—based on Alison Bechdel’s 2006 semi-autobiographical graphic novel—is a worthy coming-out ta…

SOURCE: Stage and Cinema at 12:52PM
Wednesday, February 22, 2017

Theater Review: FINDING NEVERLAND (National Tour at the Hollywood Pantages) by Tony Frankel

NEVERLAND FOUND AND LOST Playwright Alan Knee called Sir J. M. Barrie “the man who was Peter Pan.” If so, it was an author’s compensation as much as creativity. James Barrie was a shy …

SOURCE: Stage and Cinema at 09:12PM
Tuesday, February 21, 2017

San Diego Theater Review: PICASSO AT THE LAPIN AGILE (The Old Globe) by Tony Frankel

THEATER’S BLUE PERIOD Steve Martin wrote Picasso at the Lapin Agile in 1993. The offbeat meta-theatrical play opened at Chicago’s Steppenwolf, went to Los Angeles’s Westwo…

SOURCE: Stage and Cinema at 12:50AM
Monday, February 20, 2017

CD Review: THE ROBBER BRIDEGROOM (2016 Off-Broadway Cast on Ghostlight Records) by Tony Frankel

A SCALED-DOWN ROBBER BRIDEGROOM STEALS YOUR HEART ON CD It will always remain one of the great unsolved mysteries in Broadway history. Composer Robert Waldman and librettist and lyricist Al…

SOURCE: Stage and Cinema at 04:00PM
Saturday, February 18, 2017

Los Angeles Theater Review: 33 VARIATIONS (Actors Co-op in Hollywood) by Tony Frankel

MORE THAN JUST VARIATIONS ON A THEME “Why did the great German composer Ludwig van Beethoven write 33 variations on a trivial little waltz by a mediocre amateur composer?” On the surface…

SOURCE: Stage and Cinema at 09:59PM
Friday, February 17, 2017

Regional Theater Review: FLORA & ULYSSES (South Coast Repertory in Costa Mesa) by Tony Frankel

SUPER SQUIRREL Flora Buckman, the ten-year-old central character of Flora & Ulysses, the best play I’ve seen all year, begins when this self-proclaimed ­“natural-born cynic�…

SOURCE: Stage and Cinema at 09:45PM

Theater Review: CIRCUS 1903 — THE GOLDEN AGE OF CIRCUS (National Tour) by Tony Frankel

COME JOIN THE CIRCUS As if to compensate for the unpopularity of animal acts, Ringling Bros. and Barnum & Bailey Circus began to beef up their productions in recent years, but that lack …

SOURCE: Stage and Cinema at 08:29PM